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78472 Los(e)/Seite
Four signed Victorian and later etchings. Comprising Oliver Hall (1869-1957) etching of a castle beside a river, signed in pencil, 28.5cm x 38.5cm, two John Fullwood (1854-1931) etchings 'Falls of Doehart', 22cm x 18cm, and 'Ben Leo---', 22cm x 36cm, both signed and titled in pencil, and an etching of a polar bear (indistinct signature), all framed and glazed
A collection of various prints and ephemera from the Estate of Stanley Jones MBE RE (1933-2023) including John Piper CH (1903-1992)'Devizes: The Market Place', autolithograph; an etching and aquatint by Jock Kinneir (1917-1994), and two pochoirs by André Derain (1880-1954) from Oscar Wilde's 'Salome' (qty.)Provenance: The Estate of Stanley Jones MBE RE.Condition ReportTime staining and foxing. The pochoir prints appear to be in good order. Fold marks to the margins of the Kinneir etching. All unframed.
Jim Dine (American, b.1935) 'Braid'etching, signed and dated 'Jim Dine 1973' in pencil l.r. and numbered '18/46', printed by Maurice Payne, New York, published by Petersburg Press, Londonsheet 105.5 x 78cm, unframedCondition ReportThe printed area appears to be in good condition. A little light surface dirt to the margins. There is a 1cm tear to the right edge, lower centre. The lower corners are a little bent and there is a diagonal crease mark to the lower left corner. Some small half moon handlings crease to the edges.
▲ Richard Bawden (1936-2024) 'Winter in the Stour Valley'etching and aquatint in colours, signed 'Richard Bawden' in pencil l.r., inscribed with title and numbered '30/100'plate 40 x 63cmCondition ReportFramed: 59 x 81cmThere is a line of slight overlapping to the extreme edges where it appears the printing plates may not have been perfectly aligned during the printing process, please refer to illustration. Not viewed out of glazed frame but appears to be in good condition.
▲ Graham Sutherland OM (1903-1980) Untitledetching and aquatintplate 15 x 20cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportSheet: 23 x 29cmA little discolouration to the edges of the sheet. Small spots of foxing starting to emerge. Light creasing to the margins. A diagonal crease to the lower right corner of the sheet. A small tear to the lower left corner.
▲ George Chapman (1908-1993) 'Pregnant Woman II'etching and aquatint, 1954, signed 'George Chapman' in pencil l.r.plate 45 x 34cmCondition ReportFramed: 68.5 x 57.5cmA little slight cockling. Light creasing to the margins in the lower right corner. Presents well overall and ready to hang. Not viewed out of glazed frame.
▲ John Piper CH (1903-1992) 'Little Cressingham, Norfolk' (Levinson 365)etching and aquatint in colours, signed 'John Piper' in pencil l.r. and numbered '10/100'plate 46 x 62.5cmProvenance: With Goldmark Gallery, Rutland.Condition ReportFramed: 78.5 x 94cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
▲ Barnett Freedman (1901-1958) Man readingpen and ink, and charcoal, heightened with white11 x 12cm,together with:An illustration of scrollspen and ink7.5 x 16cm;Violinetching, signed with initials and dated '31' in the plateplate 6.5 x 12cm, all unframed (3)Provenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition Report'Man reading' is mounted to a 21 x 20cm board with brown tape. Light surface dirt. A brown stain to the lower left corner. Violin, sheet 19 x 24cm. Foxing and light creasing with a little surface dirt to the margins. The illustration of scrolls has dirty marks and smudges to the edges. There is a piece of paper affixed to the top edge which is stained.
▲ David Hockney OM CH RA (b.1937) 'Showing Maurice the Sugar Lift', 1974etching and sugar-lift aquatint in colours, signed and dated 'David Hockney 74' in pencil l.r. and numbered '5/75', published by Petersburg Press, London and New Yorksheet 91 x 70cm, unframedCondition ReportA little very faint surface dirt to margins. There is a light crease mark to the centre of the upper margin. The printed area appears to be in good condition.
▲ Graham Sutherland OM (1903-1980) 'Clegyr-Boia 1 - Landscape in Wales'etching and aquatint, 1936, inscribed 'ARTIST'S PROOF' in pencil l.r.plate 20 x 15cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportSheet: 23 x 19.5cmTime staining with small creases to the corners. Light foxing to the reverse.
▲ David Hockney OM CH RA (b.1937) 'The Carpenter's Bench, A Knife and Fire'etching and aquatint, 1969, signed 'David Hockney' in pencil l.r., numbered '24/100', one of thirty-nine etchings that Hockney created for the series 'Six Fairy Tales from the Brothers Grimm'plate 15 x 17cmProvenance: The Property of a London Collector.Condition ReportFramed: 44.5 x 44.5cmSome small scattered brown speckles, please see images. A little extremely minor cockling, only visible on very close inspection. Presents well overall and ready to hang. Not viewed out of glazed frame.
Oleg Kudryashov (1932-2022) Untitled, No. 2247etching and aquatint in colours, signed and dated '92' in pencil l.r., numbered '1/1' and indistinctly inscribed '...N2247'sheet 120 x 71.5cmCondition ReportFramed: 129.5 x 80cmA little cockling but appears to be in otherwise good condition. Not viewed out of glazed frame.
▲ Marc Chagall (Russian-French, 1887-1985) 'Le Pierrot' etching and aquatint in colours, 1968, signed 'Marc Chagall' in pencil l.r., and inscribed 'Pour Gerald/M.Ch'plate 61 x 44cmProvenance: The Property of a European Collector.Condition ReportFramed: 91.5 x 70.5cmPresents well overall. Viewed out of the glazed frame there is acidic discolouration to the margins caused by the mount. Some small brown spots and speckles of foxing in places, please see additional condition images. There is a small brown mark crossing into the printed area on the upper right side.There are strips of tape applied to the reverse of the sheet.
▲ Anthony Gross RA (1905-1984) 'Farguette'etching, signed 'Anthony Gross' in pencil l.r., inscribed with title, also inscribed and numbered '2nd State 7/8'plate 24 x 42.5cmCondition ReportFramed: 52 x 69cmBrown speckles of foxing and staining to the margins. Light time staining. Not viewed out of glazed frame.
Bob Dylan (American, b.1941) 'Dad's Restaurant'giclée print in colours, 2012, signed 'Bob Dylan' in pencil l.r., numbered '125/295', printed by GTZ Fine Art Editions, New York on Hahnemühle 350gsm Museum Etching, from 'The Drawn Blank Series' published by Washington Green Fine Art in association with Black Buffalo Artworks, complete with Washington Green Fine Art certificate of authenticityimage 53 x 41cmCondition ReportFramed: 85 x 68cmAppears to be in good condition. Not viewed out of glazed frame.
Alberto Giacometti (Swiss, 1901-1966) 'The Search'etchingplate 25.5 x 19.5cmThis lot comes with a certificate of authenticity from The Collector's Guild - Société de Vérification de la Gravure Internationale of New York and Paris, with blind stamp.Condition ReportFramed: 51 x 42cmTime staining. Acid discolouration to the margins. Not viewed out of glazed frame.
▲ David Hockney OM CH RA (b.1937) 'Gregory', 1974 etching in colours, signed and dated 'David Hockney 74' in pencil l.r. and numbered '5/75', printed by Maurice Payne, Kent Jones and Dany Levy, published by Petersburg Press, Londonsheet 91 x 70.5cm, unframedCondition ReportLight diagonal crease marks to the upper right corner. Some small scattered speckles of foxing starting to emerge in places. A little slight cockling to the sheet, however presents well overall.
▲ Henry Moore OM CH FBA (1898-1986) 'Girl Doing Homework V' (Cramer 330)etching and aquatint, 1974, signed 'Moore' in pencil l.r., numbered '19/50'plate 12.5 x 14cmProvenance: With Lumley Cazalet Ltd., London;Lord and Lady Moser.Condition ReportFramed: 38.5 x 44cmA little time staining. Viewed out of the glazed frame there is a border of discolouration caused by the mount. The print has been hinge mounted with two small pieces of tape applied to the reverse of the top edge. Please see additional condition images.
▲ Richard Bawden (1936-2024) 'The White Horse, Westbury'etching and aquatint in colours, signed 'Richard Bawden' in pencil l.r., inscribed with title and numbered '13/100'plate 39 x 64cmCondition ReportFramed: 52.5 x 76cmThere is a line of slight overlapping to the extreme edges where it appears the printing plates have not been perfectly aligned during the printing process, please refer to illustration. Overall presents well and appears to be in good overall condition. Not viewed out of glazed frame.
▲ Dame Paula Rego RA (Portuguese-British, 1935-2022) 'The Crow's House'etching with aquatint, 1994, signed 'Paula Rego' in pencil l.r., numbered '17/20' with blind stampplate 17.5 x 26cmCondition ReportFramed: 34 x 43cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
▲ Dame Paula Rego RA (Portuguese-British, 1935-2022) 'Crow and his Cat'etching with aquatint, 1994, signed 'Paula Rego' in pencil l.r., and numbered '8/20' with blind stampplate 17.5 x 23.5cmCondition ReportFramed: 34.5 x 42.5cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
▲ Valerie Thornton (1931-1991) 'Farm Buildings at Vauracon'etching and aquatint in colours, signed and dated 'Valerie Thornton 86' in pencil l.r., inscribed with title and numbered '2/10'plate 24 x 36cmProvenance: With Oxford Gallery, Oxford;with Goldmark Gallery, Rutland;Condition ReportFramed: 43 x 54.5cmAppears to be in good condition. Not viewed out of glazed frame.
Four framed prints, to include: After Adolphe Braun - 'The Matterhorn' black and white photograph, 47 x 38 cm; Percy J. Westwood - 'St. Pauls', etching, signed and titled in pencil, 15 x 30 cm; Charles Brooke Bird (b.1856-?) - 'St. Peter's Hospital, Bristol', engraving, signed below, carved frame dimensions: 76 x 61 cm; together with two framed needle works (5)
Stanley C. Eades - an early 20th century etching depicting the Cathedral of Notre-Dame of Reims. The etching depicting the cathedral with figures in the foreground. Hand signed by the artist in pencil lower right hand corner, with dedication To My Sincere Friend to lower left. Mounted, framed & glazed. Measures approx. 97cm x 74cm incl. frame.
A BOX AND LOOSE PAINTINGS AND PRINTS ETC, to include an oil on canvas landscape with figures and horses signed and dated A. Carter 1925, approximate size 30cm x 45cm, a genre style painting of figures celebrating in a drawing room signed A. Carter 1924 verso - some losses, a Susan Howells pen and watercolour winter landscape, two modern decorative oils on canvas, an Edward Cherry etching of Peter Pan signed to lower margin - some discolouration, modern topographical prints etc
JEAN LEGADEC (FRENCH CONTEMPORARY) 'ZEUS', an abstract mixed media study on paper, signed bottom right, approximate size 19cm x 29cm, together with a Glynis M. Wilson Chinese style painting on silk 'Apple Blossom', red chop mark signature, approximate size 40cm x 33cm, a reproduction etching of 'Riddlesworth' after a painting by John Fernley Snr, a Gilbert Joseph Holiday print titled 'Diana', a 19th century indenture with a VI pence revenue stamp on blue paper, and four photographic prints on canvas
White fine china decorated in 22kt gold trims, the edge features an acid-etching clover pattern over the gold band. Set includes a creamer (5.5"L x 4"W x 3.75"H) and a covered sugar bowl with double handles (6"L x 4.75"W x 2.5"H). King Quality Fine China 22kt Gold backstamp. Dimensions: See DescriptionManufacturer: King QualityCondition: Age related wear.
ALECHINSKY PIERRE (° 1927) & PEDERSEN CARL-HENNING (1913 - 2007)20th Cent. mixed media (etching and lithograph printed in colors) - signed Pierre Alechinsky and Carl-Henning Pedersen and dated 1993ALECHINSKY PIERRE (° 1927) & PEDERSEN CARL-HENNING (1913 - 2007) werk in gemengde techniek (ets en kleurlitho) n° 30/90 : "L'été Indien III" - 94 x 66 getekend en gedateerd 1993
DELVAUX PAUL (1897 - 1996)20th Cent. Belgian etching with manually added watercolor on Japanese rice paper from the suite "Les derniers Beaux Jours" - signed Paul DelvauxDELVAUX PAUL (1897 - 1996) met de hand ingekleurde (aquarel) ets op Japans papier n° 17/20 uit de suite "Les derniers Beaux Jours" - 38,5 x 27,5 cm getekend
KAPOOR ANISH (° 1954)Anish Kapoor signed mixed media print (etching and aquatint) - dated 2002 published by Tate Modern, LondonKAPOOR ANISH (° 1954) print in gemengde techniek (ets en aquatint) in kleur n° 127/200 : "Compositie" - 49 x 66 getekend en gedateerd 2002 uitgegeven door Tate Modern, Londen

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78472 Los(e)/Seite