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78475 Los(e)/Seite
David Oxtoby - 'Boss Man', (Portrait of Elvis Presley); etching printed in colours, signed, titled, dated 1975, and numbered in pencil 73/10058 x 39cm: together with nine other similar etched portraits of musicians by the same hand, and a further quantity of prints by and after different hands including those by: H. Spender, R. Buler, F. Cuming, D. Bowen, L. Nan Kivell, (a lot), (unframed).
Job Nixon, R.W.S., R.E. - Stevedores at work by a harbour; etching, signed within the plate and signed win pencil, 23.1 x 37cm: together with three reproduction prints after Marie Laurencin, one after Durer a lithograph of an Aztec design by Ziegler, and a further quantity of prints and reproductions, (a lot).
Modern Masters of Etching - Thirteen monographs, namely Salaman, Malcolm C., intro., Alphonse Legros, No.9 in the series. London: The Studio, 1926. 1st edn, oblong 4to, 12 tipped-in monochrome plates, blue-grey boards with applied title label; with vols on Sir Francis Seymour Haden (No.11); F.L. Griggs (No.12); Charles Meryon (No.14); Francisco de Goya (No.15); William Walcot (No.16); E.S. Lumsden (No.17); H. Rushbury (No.18); G.L. Brocklehurst (No.19); Rembrandt (No.20); Malcolm Osborne (No.21); Levon West (No.24); and Robert Austin (No.25), uniformly bound, the latter two with dustjackets (No.24 lacking lower board); and Masters of the Colour Print No.7 - Bresslern Roth. London: The Studio, 1930. 1st edn, 4to, tan boards with applied title labels, dustjacket (jacket torn with loss), (14).
Percy Thomas, a portrait and landscape genre and architectural painter and etcher, studied under Whistler, address in London, 1846-1922. A collection of six etchings; two of Chelsea Embankment, first state, 1884; third state, 1884; another, second state, 1871, on the lefthand side of etching "Briton Rivere 1871"; another "Trial Proof" depicting church and figures"; another of Winchester, 1896; and one of old London Housees, all signed in pencil "Percy Thomas", sizes 25cm x 19cm, 21.5cm x 16cm, 24cm x 17cm, 19cm x 22.5cm, 20cm x 13cm, 27cm x 19.5cm, (respectively).
Pear Tree Press. An Account of the Aims and Intentions of His Press, with a List of Books, by James Guthrie, 1905, half-title, 32 pp., plus colophon leaf, blank at front and rear, minor foxing to blanks, orig. printed wrappers, rubbed and lightly creased to extrems., slim 8vo, with presentation inscription in ink to head of front wrapper, from Gordon Bottomley to B.J.F., dated September 1905, together with The Wreath, by P. J. Miller, with designs by James Guthrie, printed at the Pear Tree Press, 1911, b&w frontis., 32 pp., orig. cloth-backed boards, with paper label to upper cover, a little rubbed and some minor soiling, 8vo, plus Two the Memory of Edward Thomas by James Guthrie, Pear Tree Press, 1937, 32 pp. in all, illusts. to text, printed in black and orange-yellow, untrimmed and unbound, slim folio, and other related Pear Tree Press ephemera, including a slightly stained etching of 'Clouds', by James Guthrie, a Circular of Books, c. 1924, 4 pp., a prospectus for the Black Letter Series [1929], 4 pp., three black and white printed illustrations, a small pen and ink drawing of a Madonna and child, initialled J. F. C., and a copy of The Private Library, Spring 1976, devoted to James Guthrie (10)
A 19th Century Danish Naval Officers Sword, the 70cms slightly curved pipe back blade slightly etched with a trophy of arms, scrolling foliage etc. The gilt brass hilt with a single knuckle bow and pierced with a crowned fouled anchor. The grip of ivory, complete in scabbard with gilt fittings. The throat with a frog stud in the form of a shell and chiselled with an anchor against two flags. (Blade etching faint, gilding rubbed, scabbard chapel lacking)

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78475 Los(e)/Seite