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Los 125

•AR Paul Drury (1903-1987), Head of a girl, black and white etching, signed in pencil to lower right margin, 15 x 12cm

Los 145

Richard Bawden (born 1936), "Bird watcher I", black and white etching, signed, numbered 46/75 and inscribed with title in pencil to lower margin, 57 x 46cm

Los 172

Agathe Sorel (born 1935), "The Miracle Worker", black and white etching, signed, dated 1964, inscribed a/proof and further inscribed with title in pencil to lower margin, 48 x 40cm, unframed

Los 171

Agathe Sorel (born 1935), "Fumee", black and white etching, signed, dated 1961, numbered 1/50 and inscribed with title in pencil to lower margin, 30 x 35cm, unframed

Los 51

After Meissonier, engraved by A Mongiy, Figure with two horses, black and white etching, published by A Salmon, signed in pencil by the engraver, 46 x 58cm

Los 161

•AR Dame Laura Knight (1877-1970), "Tightrope Act", black and white etching, signed in pencil to lower right margin, 25 x 30cm

Los 166

William Palmer Robins (1882-1959), "Butchery Lane, Canterbury", black and white etching, signed and inscribed with title in pencil to lower margin, 23 x 16cm, unframed

Los 118

Alan Carr Linford, RWS, ARE, ARCA (born 1926), Country House, black and white etching, signed in pencil to lower right margin, 16 x 26cm

Los 102

Edward J Cherry, (1886-1960), Figure by a shop window, black and white etching, signed in pencil to lower left margin, 13 x 9cm

Los 115

Ernest Herbert Whydale (1886-1952), "Eventide", black and white etching, signed and inscribed with title in pencil to lower margin, 30 x 25cm, unframed

Los 53

Thomas Rowlandson (1756-1827), "A Charm for a Democracy, reviewed, analysed, and destroyed Jan 1 1799 to the confusion of its affiliated friends", black and white etching, published February 1799, 27 x 42cm (with fold lines)

Los 174

Richard Beer (1928-2017), "All Souls", coloured etching, signed, numbered 79/100 and inscribed with title in pencil to lower margin, 60 x 45cm, unframed

Los 111

Horace Mann Livens (1862-1936), Chickens, black and white etching, initialled in pencil to lower right margin, 14 x 30cm, unframed

Los 159

•AR Dame Laura Knight (1877-1970), "Some clowns", black and white etching, signed in pencil to lower right margin, 35 x 24cm

Los 144

Richard Bawden (born 1936), "Pink eyes", coloured etching, signed, numbered 63/100 and inscribed with title in pencil to lower margin, 46 x 36cm

Los 4

After Richard Dighton, "A view of Devonshire", coloured etching, published by T MacLean, 1820, 31 x 18cm, trimmed and laid down

Los 120

William Washington, RBA, ARCA, ARE (1885-1956),"Clocks to mend", black and white etching, signed in pencil to lower right margin, 26 x 22cm, unframed

Los 169

David Freed (born 1935), "Manuscript", coloured etching and aquatint, signed, numbered 28/50 and inscribed with title in pencil to lower margin, 50 x 72cm, unframed

Los 52

After Meissenier, Pierrot with flower, black and white etching, published 1890 and signed in pencil to margin by the engraver, 42 x 26cm

Los 173

Agathe Sorel (born 1935), "Three divers", coloured etching, signed, dated 1962, inscribed artist's proof and further inscribed with title in pencil to lower margin, 39 x 52cm

Los 119

William Washington, RBA, ARCA, ARE (1885-1956), "Tour St Nicolas, La Rochelle", black and white etching, signed and inscribed with title in pencil to lower margin, 26 x 32cm, unframed

Los 105

Douglas Ion Smart (1879-1970), "The Three Cranes", black and white etching, signed in pencil to lower right margin, 20 x 30cm, together with a further etching by the same artist (2)

Los 178

Margaret Kroch Frishman (1897-1972), Venice, coloured etching, initialled and dated 65 and numbered 1/100 in pencil to lower margin, 39 x 40cm, unframed

Los 109

Graham Cliverd (20th century), Jesus on the Cross, black and white etching, 20 x 15cm, together with five further etchings by different artists, assorted sizes, all unframed (6)

Los 1

After Isaac Cruikshank, "Preparing to Invade", hand coloured etching, published by T Williamson, 1803, 23 x 18cm

Los 167

AR Joseph Hecht (1891-1951), Deer head, black and white etching, signed lower right and numbered 6/35 lower left, 14 x 20cm, unframed

Los 27

After L Meyer, "An ancient theatre at Cacamo", hand coloured etching, published by R Bowyer, 1803, 22 x 31cm, together with one similar titled "Rosier" (2)

Los 127

Gerald Leslie Brockhurst, RE, (1890-1972), "The Dancer", (Anais Brockhurst as a ballerina), black and white etching, circa 1925, signed in pencil to lower right margin, 24 x 14cm, mounted but unframed

Los 123

F Marriott (20th century), Italian street scene, coloured etching, signed and indistinctly inscribed with title in pencil to lower margin, together with two further etchings by different artists, assorted sizes (3)

Los 110

Moli?, Cockerel, black and white etching, signed in pencil to lower right margin, 29 x 19cm, together with one further etching by a different artist, both unframed (2)

Los 165

Barry Owen Jones (born 1934), "Vale Church", etching and aquatint, signed, numbered 36/50 and inscribed with title in pencil to lower margin, 35 x 25cm, unframed

Los 126

Hedley Fitton, RE, (1858-1929), "Sienna", black and white etching, signed in pencil to lower right margin, 45 x 30cm

Los 2

After James Gillray, "John Bull and the Alarmist", hand coloured etching, published by H Humphrey, 1803, 26 x 35cm

Los 175

Margaret Kroch Frishman (1897-1972), Still Life, coloured etching, initialled, dated 65 and numbered 69/100 in pencil to lower margin, 40 x 25cm, unframed

Los 103

Frank Potter (20th century), "Waterloo Bridge", black and white etching, signed in pencil to lower right margin, 23 x 34cm, together with a further etching by T Topham (2)

Los 160

•AR Dame Laura Knight (1877-1970), "A performance", black and white etching, unsigned, 33 x 25cm

Los 112

J E Hodgson (20th century) "A Three-decker at his last mooring", black and white etching, 15 x 21cm, together with two further etchings, both indistinctly signed in pencil to lower margin, all unframed (3)

Los 318

(See English version below)Lyonel Feininger (1871 – New York – 1956). „Die grüne Brücke“. 1910/11Radierung auf Bütten. 26,7 × 20 cm (38,9 × 29,5 cm) ( 10 ½ × 7 ⅞ in. (15 ⅜ × 11 ⅝ in.)). Signiert.Prasse E 22 / Söhn HDO 52003-2. Einer von 150 Abzügen aus einer Gesamtauflage von 275 Exemplaren. Blatt 2 (von 10) aus: Zweite Jahresgabe des Kreises graphischer Künstler und Sammler. Leipzig, Verlag Arndt Beyer, 1922. [3643] Wir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Lyonel Feininger (1871 – New York – 1956). ”Die grüne Brücke”. 1910/11Etching on laid paper. 26,7 × 20 cm (38,9 × 29,5 cm) ( 10 ½ × 7 ⅞ in. (15 ⅜ × 11 ⅝ in.)). Signed.Prasse E 22 / Söhn HDO 52003-2. One of 150 prints from a total edition of 275 copies. Sheet 2 (of 10) from: Zweite Jahresgabe des Kreises graphischer Künstler und Sammler. Leipzig, Verlag Arndt Beyer, 1922. [3643] We charge 30% premium and 7% import tax on the hammerprice.

Los 491

(See English version below)Joan Miró (Barcelona 1893 – 1983 Palma de Mallorca). „La main“. 1953Vernis mou und Farbaquatinta auf Velin. 35,5 × 48,4 cm (51 × 65 cm) ( 14 × 19 in. (20 ⅛ × 25 ⅝ in.)). Signiert und datiert.Dupin 100. Einer von 75 nummerierten Abzügen. Paris, Maeght. [3558] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.Joan Miró (Barcelona 1893 – 1983 Palma de Mallorca). ”La main”. 1953Soft ground etching and colour aquatint on wove paper. 35,5 × 48,4 cm (51 × 65 cm) ( 14 × 19 in. (20 ⅛ × 25 ⅝ in.)). Signed and dated.Dupin 100. One of 75 numbered prints. Paris, Maeght. [3558] Framed. We charge 30% premium on the hammerprice.

Los 111

Robert Motherwell 1915-1991, "The Australian Stone" 1983-84, lift ground etching and aquatint in colours with chine collé on woven paper, signed and numbered 46/52 in the image, upper right, 19 1/2" x 25 1/2", framed. Provenance: Purchased originally from Waddington Graphics, London. Bears label on reverse. Droit De Suite Royalty charges with a hammer price more than the UK sterling equivalent of €1,000 will apply.

Los 281

Rembrandt van Rijn (1606-1669) 'The Angel Appearing to the Shepherds', published 1634, original etching, engraving and drypoint on laid paper, signed in the plate bottom right, eighteenth century edition with fleur-de-lys watermark (as found, worm holes around the edges of the paper and a few in the image), approx. 10 1/4" x 9"

Los 144

Case metal frame with foliate decoration, oak framed mirror, oak framed picture of a child, etching, framed set of three Oriental paintings on silk (5)

Los 455

F Watson: Sunderland, harbour scene, watercolour, signed, 26 x 38 cm, framed and glazed (faded); a coloured etching of a Beefeater, framed and glazed; Man with dog, small oil after L S Lowry

Los 264

A 19th century Bohemian pair of glass items with red overlay and etching

Los 1078

Rievaux Abbey, Yorkshire, etching by John Sell Cotman (1782-1842), 30.5cm x 22.5cm

Los 1157

Worstead Church porch, Norfolk, 1817 etching by John Sell Cotman, 25cm x 20.5cm

Los 1156

West Walton Church, Norfolk, etching by John Sell Cotman, 29.5cm x 21cm

Los 1101

Long Stratton Church Norfolk 1817 etching by John Sell Cotman, 26cm x 19cm

Los 1071

Great Yarmouth Tower Ramparts Norfolk 1816 etching by John Sell Cotman, 22.5cm x 18.5cm

Los 1015

Harry Becker (1865-1952) Etching drypoint of farm cottages, framed and glazed, 27cm x 16cm

Los 243

NO RESERVE Middle East.- Grimm (Ludwig Emil) Drei Orientalen [Three Orientals], etching with plate tone, monogrammed and dated within the image, platemark 145 x 140 (5 3/4 x 5 1/2 in), under glass, framed, 1816.

Los 137

NO RESERVE British illustration.- Sullivan (Edmund Joseph) Original study for Friedrich de la Motte's 'Sintram and his Companions', pen and black ink over pencil on artist's board, ruled black ink border, signed and dated '1907' in the lower right corner, 270 x 190 mm (10 3/4 x 7 1/2 in), minor surface dirt and light browning, hinged into mount, unframed, 1907; together with an etching and drypoint by Sullivan, The Old Rock Salter, signed and inscribed in pencil, platemark 155 x 200 mm (6 x 7 7/8 in), unframed, [early 20th century] (2)

Los 216

Tanner (Robin) Lesser Celandine, etching on buff wove paper, inscribed 'Robin Tanner fec. et imp.' in pencil underneath, and further inscribed with title and 'Proof on 18th century paper' at the lower edge, platemark 115 x 135 mm (4 1/2 x 5 1/4 in), sheet 190 x 230 mm (7 1/2 x 9 in), hinged into mount, exposure lines from mount, just outside platemark, unframed, [printed for Iain Bain, 1982].

Los 20

PABLO PICASSO (1881-1973); a black and white etching from the Vollard Suite, published in 1934, plate 33, signed in pencil lower right, 18.75 x 26.25cm, framed and glazed. (D)Additional InformationFrom a privalte collection in Devon. There is a small area of brown staining to the lower left of the image and one further tiny spot to the female figure's leg. Also slight outline mark to the mount where this has slipped up the frame but overall in good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Los 21

BRYAN PEARCE (1929-2007); a signed limited edition black and white etching, 'Harbour', signed and dated '90 and No.15/75, the plate size 19.5 x 14.5cm, framed and glazed. (D)Provenance: From a private collection in Devon.Additional InformationIn good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Los 402

CHRISTOPHER RICHARD WYNNE NEVINSON ARA (1889 – 1946) Le Pont Neuf Monochrome etching Signed lower right 20cm x 31.5cm

Los 507

Giovanni Battista Piranesi Giovanni Battista Piranesi 1720 Mogliano - 1778 Rom "Veduta della Basilica di S. Giovanni Laterano" - "Veduta della Piazza della Rotonda" - "Arco di Settimio Severo" Drei Radierungen auf Bütten (Hind 8, I; 17, I bzw. 54, I). 51 x 74 cm. Besch., rep. Fleckig. Dabei: Rocco Pozzi "Facciata della Basilica Lateranense". Radierung auf Bütten. Besch., erg. Fleckig. 51 x 74 cm. Giovanni Battista Piranesi Giovanni Battista Piranesi 1720 Mogliano - 1778 Rome "Veduta della Basilica di S. Giovanni Laterano" - "Veduta della Piazza della Rotonda" - "Arco di Settimio Severo" Three etchings on handmade paper (Hind 8, I; 17, I and 54, I). 51 x 74 cm. Damaged, repaired, stained. Additional: Rocco Pozzi "Facciata della Basilica Lateranense". Etching on handmade paper. Damaged. Additions. Stained. 51 x 74 cm.

Los 359

RAUCH, NEO RAUCH, NEO 1960 Leipzig Titel: Das Flugwesen. Datierung: 2013. Technik: Farbiger Giclée-Druck auf Hahnemühle Museum Etching. Darstellungsmaß: 35,5 x 21cm Blattmaß: 41 x 32cm. Bezeichnung: Signiert, datiert, betitelt und nummeriert. Verso mit der Werk-Nr. bezichnet: NR/13/152.I/V Rahmen/Sockel: Rahmen. Provenienz: - Galerie EIGEN + ART, Leipzig/Berlin (Aufkleber) - Sammlung Rusche - Privatsammlung Baden-Württemberg. Erläuterungen zum Katalog Neo Rauch Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2010er Figur / Figuren Druckgrafik Giclée-Druck RAUCH, NEO RAUCH, NEO 1960 Leipzig Title: Das Flugwesen. Date: 2013. Technique: Coloured Giclée-print on Hahnemühle Museum Etching. Depiction Size: 35,5 x 21cm. Sheet Size: 41 x 32cm. Notation: Signed, dated and numbered. Verso inscribed with the work number: NR/13/152I/V Frame/Pedestal: Framed. Provenance: - Galerie EIGEN + ART, Leipzig/Berlin (label) - Rusche collection - Private collection Baden-Wuerttemberg. Explanations to the Catalogue Neo Rauch Germany New Leipzig School Contemporary Art Prints 2010s Figure / Figures Print Giclée print

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