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Los 273
Old print titled "Entrance To Newmarket", monochrome etching after W Westall, engraved by E Finden, framed & glazed, 27 by 34.5cm. Lots 272 to 294 From the Collection of the Newmarket trainer George Scott Colling (1904-1959); and the Collection of Mrs Marion Glenister, owner of Nimbus, the 1949 Derby & 2,000 Guineas winner, being material subsequently acquired at Graham Budd Auctions. George Colling was the son of R W Colling and brother to Jack, a famous racing dynasty in the history of the turf.
Los 1288
The Cox family of Farningham in Kent, 1726-1865i. Letters of administration (Prerogative Court of Canterbury) of the estate of Mary Cox of Eynsford in Kent, widow, granted to her son Henry Cox; 6 Dec 1726ii.William Cobbett (1763-1835), political writer and farmer; letter to J[ohn] Cox esquire, White’s Ground Brewery, Bermondsey; Barn Elm Farm, 21 April 1829Sends two bushels of his corn to be made into malt; ‘if this can be done directly it would be of great advantage to me, because I should be able to speak of it before the time for selling seed corn is past’With an etching of William Cobbett, drawn from the life and published by Adam Buck, 17 Bentinck Street, Manchester Square, Plate 3 of Friends to a Constitutional Reform of Parliament, c1810-1816.In 1827 Cobbett resumed large-scale farming, leasing an 80 acre farm on the south side of the Thames at Barn Elms. Here he experimented with crops of maize (which he encouraged for human consumption) as well as growing a special straw, which he hoped would allow England to rebuild its straw-plait industry and thereby provide more winter employment for country workers. The results of his experiments are duly noted in his agricultural writing of these years, most notably The Woodlands (1825), Treatise on Corn (1828), and The English Gardener (1829).For the Black Eagle Brewery, Whites Grounds, Bermondsey, acquired between 1823 and 1829 by John Cox and sold to Day, Payne and Cox of Westerham in 1848, see London Metropolitan Archives, ACC 2305/17.iii. Sir Henry William Joseph Cipriani (1761-1843), artist and officer of the Yeomen of the Guard; letter to Solomon Penway Cox, York Hotel, regretting his inability to visit on account of illness; Wednesday morning, 17 August 1842Henry was the son of Giovanni Battista Cipriani (1727–1785), decorative painter and draughtsman, who decorated George III’s first state coach. In 1841, at the age of 79, Henry was enumerated in a house on Woolwich Common, living with his adopted daughter Catherine Bayles, aged 15. Living at 12 Grand Parade, Brighton, in November 1842, he made Catherine the residuary legatee of his estate, and was buried at Brighton on 22 April 1843.An obituary of Solomon Penway Cox (1794-1850) of the Inner Temple and Farningham in Kent, antiquary and collector, appeared in the Gentleman’s Magazine for March 1850, page 338.iv. Solomon Penway Cox (1794-1850) of the Inner Temple and Farningham in Kent; marked-up catalogue of his collection of works of Medieval art, Christie and Manson, 8 July 1850v. John Morgan Cobbett (1800-1877) MP, Skeynes, Edenbridge, Kent; letter to Mr Cox with quotations from gardening books (including his father’s The English Gardener) on the varieties of carnation, 10 April 1865Trained as a barrister, John Morgan Cobbett was the second son of the English pamphleteer, farmer, journalist and MP William Cobbett (1863-1835). In 1851 he married Mary Fielden, the daughter of John Fielden, his father's fellow-member for Oldham.For a Napoleon letter owned by Solomon Penway Cox, published by him in the Gentleman’s Magazine for October 1841, see Lot 1292
Los 183
Assortment of 18th and 19th Century Shillings, 13 coins comprising; (3x) George III, 1787, Very Fine with some etching to reverse, Very Fine and Near Extremely Fine respectively; 1816, Fine; and, 1817, dark toning, Good Fine; George IV, 1821, 1824, 1825, (2x) 1826, and 1829, Fine to Very Fine; William IV, 1835, Near Fine; and, Victoria, 1887, Good Very Fine
Los 516
Graham Clarke (b. 1941), ' Mullion Cove ', 1976, limited edition etching, titled lower left and number 40/350, signed lower right, 49 x 61cm, framed and glazed together with Yuri Lyukshin (b. 1949), ' Builders ', signed below in Russian and numbered indistinctly, possibly 73/200, 24.5 x 23.5cm
Los 478
Group of six paintings & prints to include a 20th century oil on canvas of a nude female (indistinctly signed), a local interest Jago Stone watercolour of Marne Hill - Ampney St Mary, pair of roundel prints after Alfred G Stevens (1817-1875), pen & wash study of a cathedral, Dutch Etching (Largest approx 65cm x 47cm)
Los 44
COLLECTION OF ARTWORK including JOHN ROGERS limited edition print (278/500) - 'Under Milk Wood - Abergwawn', signed in pencil, 40 x 57cms, FRANCES ST. CLAIR MILLER limited edition (74/150) etching and aquatint - ' Summer at Bredwardine' signed in pencil, (pl) 60 x 47cms, KEITH FOSTER watercolour - untitled, view of Sugar Loaf mountain, signed, 20.5 x 45cm, GEOFF BARTLETT watercolour - signed, entitled and dated verso '8.88 Gold Hill, Shaftesbury', 25.5 x 38cms, MARTYN VAUGHAN JONES watercolour - untitled, probably of Parrog, Newport, Pembrokeshire, signed in ink, 21 x 34cms (5)Provenance: private collection Abergavenny, consigned via our Cardiff office
Los 105
Ladi Kwali (Nigerian, circa 1925-1984)Large Dish stamped 'LK' / 'Abuja' in Arabic (to the base) glazed stoneware 5 x 22 x 22.5cm (1 15/16 x 8 11/16 x 8 7/8in).Footnotes:Precision, delicacy and considered rhythmic pattern are terms that would easily be attributed to the present lot. The clay that appears through the sgrafitto etching could possibly be a Body 44 clay given its shade contrast to the glazing. The glazing, very brown in colour, can be concluded as being an Abuja Slip Glaze, or as nicknamed by Cardew, 'Guinness Brown Glaze'. Upon close inspection, shades of red and green come through, this colour variation occurs during the process of glazing has receded. The higher levels of iron in Body 44 clay as opposed to a Body 49 clay could also be relevant to the brown appearance of this dish.BibliographyJohn Edgeler, Michael Cardew and stoneware, continuity and change, (Winchcombe: Cotswolds living Publications, 2008)For further information on this lot please visit Bonhams.com
Los 172
William Evan Charles Morgan (1903-1979)PerseusEtching and drypoint, 1929, an excellent well inked impression, signed in pencil and numbered from the edition of 70, on cream laid paper without watermark, platemark 223 x 207 mm (8 3/4 x 8 1/8 in), sheet 375 x 280 mm (14 3/4 x 11 in), faint toning and matt staining to margins, hinged into mount (unframed)
Los 79
δ Salvador Dalí (1904-1989)L'Étalon Blanc (Field 74-9; M&L 639a)Drypoint etching in sienna, 1973/4, signed in pencil, numbered from the edition of 175, printed by Torrents, published by Ärzte-Sammlerkreis, on Arches paper, with full margins, sheet 566 x 760mm (22 1/4 x 29 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 16
Giovanni Battista Piranesi (1720-1788)The Well, plate XIII, from: Carceri d'InvenzioneEtching and engraving, circa 1749-1750, an excellent impression of Hind's second state (of three) on Italian hand-made laid paper with indistinct watermark, platemark 415 x 555 mm (16 1/4 x 21 5/8 in), sheet 530 x 703 mm (22 3/4 x 27 3/4 in), wide margins (unframed)Provenance:Colnaghi & Co., London [their blue mount, pencil inscribed stock no. C33477 to margin]Literature:Focillon 36; Hind 13; Robison 39
Los 43
Francisco Goya (1746-1828)Bellos consejos, plate 15 from "Los Caprichos"Etching and aquatint, circa 1799, a good impression of the first edition, Harris's first state on cream laid paper without watermark, platemark 217 x 150 mm (8 1/2 x 5 7/8 in), sheet 319 x 217 mm (12 1/2 x 8 1/2 in), good margins, minor spotting (unframed)Literature:Delteil 52, Harris 50
Los 83
δ Salvador Dalí (1904-1989)Combat de Cavaliers, from Calderón: La vie est un songe (M&L 516a)Etching with aquatint in colours, 1971, signed in pencil, inscribed 'E.A.', an artist's proof aside from the edition of 250, printed by Ateliers Rigal, Paris, published by Graphic Europa Anstalt, Geneva, on Richard de Bas paper, with full margins, sheet 578 x 794mm (22 3/4 x 31 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 15
Giovanni Battista Piranesi (1720-1788)Veduta degli Avanzi del Foro di Nerva, from 'Vedute di Roma'Etching, 1770, an excellent well inked impression of Hind's first state (of four), on thick laid paper with watermark of lily within concentric circles [Hind's no. 3], platemark 475 x 705 mm (18 3/4 x 27 3/4 in), sheet 520 x 735 mm (20 1/2 x 29 in), minor spotting, faint horizontal drying crease (unframed)Provenance:Colnaghi, London [their blue mount]Literature:Hind 95 i (of iv)
Los 12
Giovanni Battista Piranesi (1720-1788)Veduta dell' Arco di Costantino, e dell' Anfiteatro Flavio detto il Colosseo, from 'Vedute di Roma'Etching, 1760, an excellent well inked impression of Hind's first state (of six), on laid paper with watermark of lily within concentric circles [Hind's no. 2/3], platemark 405 x 540 mm (16 x 21 1/4 in), sheet 515 x 730 mm (20 1/4 x 28 3/4 in), scattered spotting, some minor surface dirt, vertical fold (unframed)Literature:Hind 56 i (of vi)
Los 38
Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a good clear impression of New Hollstein's second state (of 5), printing before Watelet's scratched signature and subsequent rework to the farmhouse, on fine laid paper without watermark, sheet 104 x 130 mm (4 1/8 x 5 1/8 in), irregularly trimmed to the platemark, some uneven thread margins, (unframed)Literature:Bartsch 237; New Hollstein 251 ii/v
Los 78
δ Salvador Dalí (1904-1989)Cyclopean Make-Up, from Imaginations and Objects of the Future (Field 75-11F; M&L 827d)Etching with lithography, screenprinting and collage, 1975/6, signed in pencil, numbered from the edition of 75 in roman numerals, printed by Ateliers Rigal, Paris, published by Merrill Chase, Chicago, on Japan paper, with full margins, sheet 770 x 559mm (30 1/4 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 40
Rembrandt van Rijn (1606-1669)The BathersEtching, 1651, a later impression of New Hollstein's third state (of three), on laid paper without watermark, sheet 112 x 138 mm (4 3/8 x 5 3/8 in), sheet loss to right edge restored, associated cockling and surface dirt, some creasing, other marginal nicks (unframed)Literature:Bartsch 195; New Hollstein 258 iii/iii
Los 20
Stefano della Bella (1610-1664)The Medici VaseEtching and engraving, circa 1656, an excellent clean impression of the the second state (of 2), on laid paper with watermark of 'IHS', 314 x 277 mm (12 3/8 x 10 7/8 in), lower edge trimmed to or just within the platemark, otherwise small margins, unframed.Provenance:Colnaghi, London [their blue mount, pencil stock no. 34651]Literature:De Vesme 832 ii⁂ "Generally considered the earliest and most beautiful of the numerous renditions of the famed Medici Vase."The young Cosimo III de' Medici, Stefano della Bella's pupil and the future Grand Duke of Tuscany, is shown drawing the Medici Vase; the monumental vase- executed in white marble and created in Athens in the first century A.D.- features a frieze of Iphigenia crouching beneath a statue of Diana flanked by warriors. One of many highly celebrated ancient artworks collected by the Medici family in the 16th century, and kept at their Roman villa.
Los 19
Wenceslaus Hollar (1607-1677)Dark Fur Double-Muff with black Half-MaskEtching, circa 1642, a delicate well inked impression of this scarce small print, on laid paper without watermark, sheet 58 x 89 mm (2 1/4 x 3 1/2 in), trimmed to or just within the platemark, minor surface dirt and light spotting (unframed)Provenance:Christopher Mendez, LondonLiterature:Pennington 1949; New Hollstein 384Richard Godfrey, Wenceslaus Hollar: A Bohemian Artist in England, New Haven & London, 1994, no. 92E (another impression illustrated)
Los 107
** δ Pablo Picasso (1881-1973)Le Repos du Sculpteur IV, from La Suite Vollard (Bloch 174, Baer 327)Etching, 1933, signed in pencil, from the unnumbered edition of 250, published by Ambroise Vollard, Paris, on Montval laid paper, with the Vollard watermark, with full margins, sheet 338 x 444mm (13 1/4 x 17 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Los 13
Giovanni Battista Piranesi (1720-1788)Veduta dell'Anfiteatro Flavio, detto il Colosseo, from 'Vedute di Roma'Etching, 1757, an excellent well inked impression of Hind's second state (of four), on laid paper without visible watermark, platemark 440 x 700 mm (17 1/4 x 27 1/2 in), sheet 515 x 740 mm (20 1/4 x 29 1/8 in), faint exposure lines to margin, some minor surface dirt, faint horizontal drying crease (unframed)Provenance:Colnaghi, London [their blue mount, stock no. C.33434 in pencil to margin]Literature:Hind 57 ii (of iv)
Los 31
Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face darkEtching, 1633, a good well inked albeit later impression of New Hollstein's fourth state (of five), printing with plate tone, platemark 132 x 103 mm (5 1/4 x 4 1/8 in), sheet 142 x 106 mm (5 3/4 x 4 5/8 in) (unframed)Literature:Bartsch 17; New Hollstein 120 iv/v
Los 36
Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, a good but later impression of New Hollstein's final state (of three), on fine laid paper without watermark, sheet 86 x 62 mm (3 3/8 x 2 1/2 in), trimmed within the platemark to upper and lower edges, light toning and surface dirt, mainly to corners (unframed)Literature:Bartsch 26; New Hollstein 210 iii/iii
Los 196
δ Georg Baselitz (b.1938)Spielt die Musik (Black)Etching, 2022, signed and dated in pencil, numbered from the edition of 100, the edition comprised 50 impressions in black ink and 50 in red ink, published by the Kunst Historisches Museum Wien, Vienna, for the exhibition 'Baselitz: Naked Masters', 7th March-25th June 2023, on Somerset wove paper, the full sheet, sheet 516 x 392mm (20 1/4 x 15 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 17
Giovanni Battista Piranesi (1720-1788)The Sawhorse, plate XII, from: Carceri d'InvenzioneEtching, engraving and sulphur tint, circa 1749-1750, a good impression of Hind's second state (of three) on Italian hand-made laid paper with indistinct watermark, platemark 415 x 555 mm (16 1/4 x 21 5/8 in), sheet 565 x 785 mm (22 1/4 x 30 3/4 in), full sheet with deckle, scattered spotting and minor surface dirt (unframed)Literature:Focillon 35; Hind 12; Robison 38
Los 25
Rembrandt van Rijn (1606-1669)Old Man with Flowing Beard: BustEtching, 1631, a fine delicate impression of New Hollstein's second state (of two), printing with contrast and depth, on laid paper without watermark, sheet 70 x 68 mm (2 3/4 x 2 5/8 in), small margins, inconspicuous brown spots (unframed)Literature:Bartsch 315; New Hollstein 83 ii/ii
Los 104
δ Joan Miró (1893-1983)Liberté des Libertés (Cramer 150; Dupin 541)Etching with aquatint printed in colours embellished with blue crayon, 1971, signed in white pencil, numbered from the edition of 125, printed and published by Maeght, Paris, on BFK Rives paper, the full sheet printed to the edges, sheet 384 x 285mm (15 1/8 x 11 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 67
δ Marc Chagall (1887-1985)Cat and Two Sparrows (Cramer 22)Etching, 1952, signed in pencil and numbered from the edition of 100, printed Maurice Potin, published by Tériade Éditeur, Paris, on Montval laid paper, sheet 420 x 335mm (16 1/2 x 13 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 218
δ Tracey Emin (b.1963)You Forgot Who You AreEtching, 2013, signed, titled and dated in pencil, numbered from the edition of 200, on Somerset wove paper, the full sheet, sheet 366 x 404mm (14 3/8 x 15 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 14
Giovanni Battista Piranesi (1720-1788)Veduta del Sepolcro di Cajo Cestio, from 'Vedute di Roma'Etching, 1756, an excellent well inked impression of Hind's first state (of three), on laid paper with watermark of lily within single circle [Hind's no. 1], platemark 395 x 540 mm (15 1/2 x 21 1/4 in), sheet 520 x 730 mm (20 1/2 x 28 3/4 in), faint exposure lines to margin, some minor surface dirt, faint horizontal drying crease (unframed)Provenance:Colnaghi, London [their blue mount, stock no. C.33434 in pencil to margin]Literature:Hind 36 i (of iii)
Los 26
Rembrandt van Rijn (1606-1669)The Artist's Mother Seated at a Table, Looking Right: Three Quarter LengthEtching with touches of drypoint, circa 1631, an excellent impression of New Hollstein's second state (of three) with drypoint burr printing to the nose, before any later rework, on laid paper with indistinct countermark with initials, platemark 148 x 131 mm (5 3/4 x 5 1/4 in), sheet 162 x 136 mm (6 3/4 x 5 3/8 in), minor spotting, marginal crease and small repair to the upper right corner (unframed)Literature:Bartsch 343; New Hollstein 91 ii/iiiProvenance:Claude-Augustin Mariette, Paris [Lugt 1786]D.G. de Arozarena, South America, Paris and Cuba [Lugt 109]
Los 103
δ Joan Miró (1893-1983)From Picasso i Els Reventos (Dupin 588; Cramer bk.176)Etching and aquatint printed in colours with embossing, 1973, signed in pencil, numbered from the edition of 182, printed and published by Gustavo Gili, Barcelona, on Guarro paper, with wide margins, sheet 425 x 590mm (16 x 23 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 168
δ Anthony Gross (1905-1984)Fishing on a Pier (Herdman 4801)Etching, 1948, signed, titled and inscribed 'artist's proof' in pencil, aside from the edition of 45, published by Jeune Gravure Contemporaine, Paris, on wove paper, with full margins, sheet 233 x 360mm (9 1/4 x 14 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 29
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth state (of eight) on cream wove paper without watermark, showing signs of wear in the plate but still showing remnants of the coarsely burnished address of Justus Danckerts, platemark 530 x 407 mm (20 3/4 x 16 in), sheet 575 x 425 mm (22 5/8 x 16 3/4 in), good margins, small marginal nicks repaired (unframed)Literature:New Hollstein 119 vi/viii
Los 69
** Marc Chagall (1887-1985) after.L'Horloge (Maeght 1202)Etching with aquatint printed in colours, circa 1950, signed in pencil, numbered from the edition of 300, printed by G. Visat, published by Maeght, Paris, on wove paper, with wide margins, sheet 397 x 310mm (15 5/8 x 12 1/4in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Los 77
δ Salvador Dalí (1904-1989)Intra-Uterine Paradesiac Locomotion, from Imaginations and Objects of the Future (Field 75-11D; M&L 825d)Etching with lithography, screenprinting and collage, 1975/6, signed in pencil, numbered from the edition of 75 in roman numerals, printed by Ateliers Rigal, Paris, published by Merrill Chase, Chicago, on Japan paper, with full margins, sheet 771 x 557mm (30 3/8 x 21 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 39
Rembrandt van Rijn (1606-1669)Cottage and Boundary Post on the Spaarndammerdijk ('The Landscape with the Obelisk')Etching and drypoint, circa 1650, a good impression of New Hollstein's second state of two, printing with subtle sulphur tinting in the sky and remnants of drypoint burr in the lower right corner, sheet 85 x 162 mm (3 1/4 x 6 3/8 in), trimmed to or just within the platemark, small loss restored in the lower left corner, small repair to nick in centre right and small perforated spot in the upper right quadrant, some toning (framed)Literature:Bartsch 227; New Hollstein 249Provenance:Karl Ferdinand Friedrich von Nagler (1770-1846) [Lugt 2529]Kupferstichkabinett der Staatlichen Museen [Lugt 1606 & 2398]J. G. Guildal (1855-1920) [Lugt 1110a]; his auction The Guildal Collection, Winkel & Magnussen, 1931, cat. no. 250
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78472 Los(e)/Seite