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Preisdatenbank abonnierenChristopher Orr OBE, RA (1943-) - Sympathy, etching and stencil in colour, signed by the artist in pencil, dated 1998, inscribed with the title and numbered 1/15, 57 x 76cm and F Donald Blake - Untitled (white chairs), signed, mixed media, 45.5 x 69cm (2) Exhibited: (Orr) Royal Academy, Summer Exhibition 1998 Both in good condition
A Chinese white glazed bowl, mid-Ming dynasty, 15th/16th century,underglaze blue seal mark to base,14.5cm diameterTypical minor glaze imperfections and a small over glazed firing fault on the interior of the bowl, some abrasion around the foot consistent with manufacture otherwise in good condition. some minor etching to the glaze which may indicate this bowl has come from a ship wreck hoard.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 14.5cm diameter
Giovanni Benedetto Castiglione (1609-1664) The Nativity with God the Father and Angels, c.1647etchingBartsch 7 only state20 x 38cm. unframedGood strong impression on laid paper with fleur de lys in a shield watermark. Cropped with small nicks in the margins at the lower left corner and approx. 2 cm missing on the right. A little discoloured/dirty at the margins with old tab marks verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 20 x 38cm. unframedCastiglione (1609-1664), Giovanni Benedetto
Oscar Rabin (Russian, 1928-2018) Study for Tense Momentpencil and Conte crayonsigned, 22.5 x 15.5cm. and an etching with aquatint of a fallen boxer 'Finish', signed in pencil, 14 x 19cm.Provenance; Dulwich Picture Gallery Exhibition Nov-Feb 1986; 'Introducing Sam Rabin', no.63 & 64Pastel possibly with some light discolouration of the ground paper. Otherwise good condition. Plain card mount and wood frame, typed title label verso.The print with discolouration to the margins including some foxing, otherwise good, under glass but lacking a frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Rabin (Russian, 1928-2018), Oscar
PAINTINGS AND PRINTS ETC, to include a still life flower study 'Chrysanthemums' by Pearl Rose, oil on board, approximate size 34cm x 24cm, watercolour flower study signed T. Hollins, Ivan M Garden Scottish drypoint etching ' Loch Lubnaig', signed Geoffrey Cowton limited edition print 'Wentbridge House Hotel', Redoute Rose print etc
* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),PICTURE OF A STILL LIFE THAT HAS AN ELABORATE SILVER FRAME lithograph on paper, numbered artist's proofimage size 77cm x 57cm, overall size 92cm x 72cmMounted, framed and under glass.Note: from A Hollywood Collection, 1962.Note 2: An accomplished painter, printmaker, photographer, and stage designer, David Hockney began showcasing his talent as a draftsman while studying at his hometown's Bradford School of Art as a teenager. At London's Royal College of Art in the early 1960s, he worked in a style that combined figuration, abstraction, and text, which identified him with the British Pop art movement. His work, however, defies categorization. It consists of still lifes and portraits rendered with delicacy and frankness and, after moving to Los Angeles, has included bold, colourful images of California's sun-drenched settings. Rooted in his personal relationships, his homosexuality, and his literary interests and travels, Hockney's art is, above all, deeply autobiographical. Printmaking has played a central role in Hockney's practice, and many of his most significant early works take the form of narrative print series. The linearity of etching matches his natural inclination for drawing, and lithography allows him to explore dazzling colour. He has also made editions with paper pulp and inventive prints using a photocopy machine. In all Hockney has created more than five hundred prints, collaborating with celebrated printers and workshops in Europe and America and also experimenting on his own. A copy of the print is in the Museum of Modern Art.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues. Additional images have been uploaded to our website. Picture comes from a Private Scottish Collection.
David Hockney R.A. (born 1937)The Blue Guitar (Title Page), from 'The Blue Guitar', 1976-77 signed and numbered 147/200 in penciletching and aquatint printed in colours52.2 x 45.1cm (20 9/16 x 17 3/4in).printed by Petersburg Studios and published by Petersburg Press, London and New YorkFootnotes:LiteratureD. Hockney, David Hockney Prints 1954-1995, Museum of Contemporary Art, Tokyo and Tankosha Publishing Co, Tokyo, 1996, no. 178D. Hockney, Midland Group (Nottingham, England) and Scottish Arts Council, David Hockney prints, 1954-77, Petersburg Press for the Midland Group and the Scottish Arts Council, London, 1979, no. 199This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Grayson Perry (born 1960)Reclining Artist (small), 2017 signed in pencil recto, and numbered 30/58 versoetching in colours70.5 x 102.5cm (27 3/4 x 40 3/8in).(unframed)Published by Paragon Press, LondonThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Italian Grand Tour, Rome - Acquaroni (Antonio, illustrator), Nuovi punti delle più interessanti vedute di Roma disegnate ed incise a contorno da Antonio Aquaroni e da altri buoni artisti, Roma: Presso Deodato Minelli, 1838, trimmed title-page and tipped-in to pastedown, illustrated with 60 topographical views, each line-etching has been trimmed to the platemark, finely hand-coloured in sepia by a contemporary hand, and tipped-in on blue paper leaves, contemporary Roman binding of gilt morocco over textured papered boards (chipped), oblong 4to, [1]
Literature - Shakespeare (William) & Robinson (William Heath, illustrator), Shakespeare's Comedy of A Midsummer-Night's Dreams, first edition thus, London: Constable & Co. Ltd., 1914, pictorial half-title and title-page, tipped-in colour plates, contemporary pictorial cloth, top-edge trimmed only, 4to, (1); La Fontaine (Jean), Buning (J.W.F. Werumeus, editor), & Oosting (Jeanne Bieruma, illustrator), De Krekel En De Mier/En Andere Fabels, number 79 from a limited edition of 1000, numbered and signed by the editor and illustrator, first and only edition thus, Amsterdam: A.J.G. Strengholt, [n.d., 1945], printed in French and Dutch, title-page and colophon printed in red and black, red initials, each French fable with explanatory Dutch commentary to verso, and illustrated with a drypoint etching, contemporary gilt-lettered vellum over blue papered board, trimmed edges, large 8vo, (1), [2]
[George Cruikshank (1792-1878)], The Theatrical Atlas, caricaturing Edmund Kean as Shakespeare's Richard III, while supporting the Drury Lane Theatre and its chief shareholder Samuel Whitbread MP, [Dublin]: Pub by M'Cleary 23 Nassau Street, [n.d., 1808-1820], hand-coloured etching, 35cm x 25cm, [1]
Bernard Picart (1673-1733), after Eustache Le Soeur (1616-1655), Fleuve accompagné d'une Nayade, peint dans le fond d'une niche à l'entrée de l'escalier [River God with Nayade], [Paris]: [n.p., n.d., early 18th century], copper-plate etching and engraving, the lower-right margin numbered 6 in ink MS, 37.5cm x 42.5cm, ebonised frame, (1); Grand Tour, Giuseppe Longhi (1766-1831), after Antonio da Correggio (1486-1534), La Maddalena del Correggio [...], Mannheim: Pubblicata [...] da D: Artaria, 1810, etching and engraving, 34.5cm x 40.5cm, contemporary rosewood frame with gilt inset, (1), [2]
Roman Grand Tour - two portraits of Pope Pius VI, bust-length, in profile, in the Neoclassical within a Roman fresco: 1) Marco Carloni (1742-1796), Pio. Sexto. P.M./Bonarum. Atrium.Patrono, Rome: [...], 1787; 2) another, Alex Mochetti (1760-1812), Rome: 1790, each a copperplate etching and engraving, 62cm x 44.5cm, (2); Pietro Felix (fl. c. 1782-1807), after Domenico Pronti (1750 - ca. 1815), [The Statue of The River Nile and other Classical marbles in the collection of the Vatican Palace], [probably from 'Il Museo Pio-Clementino Descritto', n.p., Rome: probably Ludovico Mirri Mercante Di Quadri Incontro Il Palazzo Bernini, n.d. ?1782-1807], copper-plate engraving, 62cm x 44.5cm, (1), [3]
William Hogarth FRSA (1697-1764), by, a satirical caricature, 'Datur vacuum' (Leisure time is given for...), second state, [London]: Publish'd by W Hogarth March 3d. 1736/Price Sixpence, copperplate etching and engraving, trimmed with a slight-OK margin, 24.1cm x 21cm, [1]The reader is intended as a portrait of Henry Fisher, Registrar of Oxford University, who had agreed to be drawn by Hogarth.
After John Alexander Harington Bird (British, 1845-1936)The leading road coaches leaving the White Horse Cellars XI A.M. Etching and aquatint with hand colouring, 1889, on wove paper, published by F.C. McQueen & Sons, 1890, framedSheet 76.5cm x 112.7cm (30in x 44 1/4in)For further information on this lot please visit Bonhams.com
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