78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
Los 303A
Mahogany swing-framed toilet mirror, 56cm wide and a quantity of pictures and prints to include set of fishing coloured engravings, etching of 'T'imber Mallards', watercolour drawings, etc and a Trix '00' gauge model railway with clockwork locomotive 0-4-0 and tender, tinplate passenger cars and a quantity of track, etc
Los 337
Graham Gilchrist Etching"HMS Victory, Portsmouth", signed in pencil 'Graham Gilchrist' with inscription, 27cm x 17cm Edward M CampdenHandcoloured etching"Boston Stump", figure on jetty over river with buildings above, taken from the picture from the painting by J D Walker and another signed print (3)
Los 160
Collection of pictures including Fishing Boats at Sea, 20th century oil on board, Rural Cottaqe Scene, late 19th century oil on canvas, Portrait of a Lady, early 20th century watercolour and etching signed by L Walker max 40cm x 49cm (9) Condition Report Click here for further images, condition, auction times & delivery costs
Los 980
John Hayter (1800-1895) Portrait of a lady, head and shoulders seated, wearing a bonnet Signed and indistinctly dated, pencil, together with a further pencil figurative sketch of two young children arranging a bowl of fruit signed Isabey, two Continental 19th century pencil studies depicting a town on the Rhine, another of a stone archway attributable to Henry Guest and an etching of a bearded gentleman wearing a beret, 22cm by 17cm and various other sizes (5)
Los 2061
GIOVANNI ANTONIO CANAL, called CANALETTO (1697-1768) VIEW OF A TOWN WITH A BISHOP'S TOMB (Bromberg 16) Etching, c.1740-1744, on laid, unframed Plate 29.6 x 30.2cm; sheet 30.6 x 31cm. Provenance: Stamp verso of R. St. J. Davison ++ Generally good condition; narrow margins; some time-toning and pale spots of foxing; a few slight handling marks
Los 2282
J** W** LUDLOW (1840-1916) CRESTED BLUE TURBITEEN COCK Signed and dated 1913, watercolour and pencil 23.5 x 18.5cm.; with a chromolithograph of similar birds after Ludlow, c.1880; a modern watercolour of pheasant rising by L. Howe-Bennett; a coloured etching of humming birds by George Edwards and sundry other unframed prints, various sizes (a lot) ++ Ludlow watercolour faded; others satisfactory
Los 2332
•ERIC HESKETH HUBBARD, PRBA (1892-1957) THE LONDON TRADER, HASTINGS Signed, oil (or tempera?) on card, artist's label on frame 29.5 x 60cm.; with an etching by Hubbard, `The Fair Ground`, signed, title and numbered 72/100, 20 x 29.5cm. (2) Exhibited; (oil) London, The Medici Society (`The Maine Gallery of Originals`); fragmented exhibition label verso (possibly for the R.O.I., 1954) ++ Some chipped losses near the top edge
Los 23
An etching titled The Collector of Japanese prints 1/5, signed lower right, 13" x 17", a W.Merz print of a continental mountain and lake scene, an indistinctly signed etching of a male figure in rapture, 14" x 7" plus Janinet after Lavreince 18th Century coloured print L'indescretion, 15" x 11"
Los 308
COLT; a small patent 1855 percussion cap five shot revolver, the octagonal barrel inscribed 'Colts PT. 1855, address Col. Colt Hartford, CT. USA', with walnut stock set with crude inscription '1850 Navy Colt 6', length 21cm. CONDITION REPORT: PLEASE NOTE: we are unable to post this lot using our own in-house packing and postal service. Please arrange your own packing/courier service. Naive etching to stock, overall good with some original finish.
Los 3167
Collection of caricature prints with a legal/law theme: 'A New Court of Queen's Bench', hand-coloured etching by George Cruikshank, 1849; three Vanity Fair chromolithograph portraits of judges; three early-19th century hand-coloured etchings, including one after James Gillray, 'the Friend of the People'; an etching from 'Sketches by Seymour', and six prints by Kapp for the Law Journal, 1925. (14)
![[§] MERLYN EVANS (WELSH 1910-1973) THE CONQUEST OF TIME Signed and dated '34 in plate, signed and inscribed with title and](https://cdn.globalauctionplatform.com/cc6aee4a-8acc-4015-8441-a84a00d4e6c9/fee36d3e-e4d4-44f1-8a88-a3a9b0c3d065/468x382.jpg)
Los 18
[§] MERLYN EVANS (WELSH 1910-1973) THE CONQUEST OF TIME Signed and dated '34 in plate, signed and inscribed with title and numbered 6/50 in pencil to margin, etching 25cm x 20cm (9.75in x 8in) (plate size) Note: Born in Cardiff but raised in Glasgow, Evans studied at Glasgow School of Art and in 1930, exhibited at the Royal Scottish Academy. In 1931, he was awarded the Haldane Travelling Scholarship and visited Berlin, Copenhagen and Paris. Later that year he won a free place at the Royal College of Art in London. In 1934 Evans became art master at Wilson's Grammar School in Camberwell. From here, he made frequent trips to Paris where he met Mondrian, Kandinsky, Giacometti, Max Ernst and William Hayter. He also exhibited with the London Group and at the International Surrealist Exhibition during this period. Evans moved to South Africa to take up a teaching post in 1938 and enlisted in the Signals Corps in the South African Army in 1942. In 1946 he moved back to London where his artistic career developed. In 1949 he had his first one-man exhibition at the Leicester Galleries, where he exhibited in 1952, 1953 and 1955. In 1956 the Whitechapel Gallery held a retrospective of his work. He continued to exhibit regularly during the 1960s and in 1963 took a studio in St Ives for the summer, where he went annually thereafter. Evans took a post as the exchange artist in residence at the Art Institute of Chicago in 1967 which allowed him to visit New York. Here he met Mark Rothko, Barnett Newman and Robert Motherwell. On his return to London, Marlborough Fine Art held a one-man exhibition for him entitled 'Events and Abstractions'. The Welsh Arts Council commissioned a triptych of his aquatints the following year and in 1972 the Victoria and Albert Museum held an exhibition of his graphic work. This work relates to an oil painting of the same title which is held in the collection of Tate, UK. The oil is currently on loan to the Scottish National Gallery of Modern Art and features in their current exhibition, 'A New Era: Scottish Modern Art, 1900-1950'
![[§] BERNARD MEADOWS (BRITISH 1915-2002) THE WATCHERS Signed and dated '76 in pencil to margin, numbered 3/10, etching 14c](https://cdn.globalauctionplatform.com/cc6aee4a-8acc-4015-8441-a84a00d4e6c9/ec4d1f16-3cdb-44ea-c7c8-82997ea316a5/468x382.jpg)
Loading...-
78475 Los(e)/Seite