78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
Los 790
William Blake (1757-1827) engraver after John Flaxman (1755-1826), stipple engraving and etching on paper, Then Love Most Beauteous Of Immortals Rose, fromCompositions from the Works, Days and Theogony of Hesiod, published by Longman, Hurst, Rees, Orme and Brown 1817, 18.5cm x 15cm, mounted, glazedand framed. Flaxman, a close friend of Blake, was the much more successful artist at the time and used his name to help the struggling Blake with engraving commissions.According to The William Blake Archive, the Hesiod etchings “are one of Blake’s major endeavours as a commercial etcher/engraver of designs by other artists …Without the Hesiod project, Blake and his wife Catherine might have descended into dire poverty.”
Los 59
δ Francis Bacon (1909-1992)Triptych 1974-1977 (Sabatier 4; Tacou 13)Etching with aquatint printed in colours, 1981, signed and inscribed 'H.C.' in pencil, numbered from the edition of 15 hors commerce impressions, printed and published by Ediciones Polígrafa, Barcelona, on Guarro wove paper, with full margins, sheet 1100 x 625mm (43 1/4 x 24 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 38
δ Anthony Gross (1905-1984)11 o'clock Parade - Guard's Depot, Caterham (Herdman 4001)Etching, 1940, signed and titled in pencil, second state, from the incomplete edition of 50, on laid paper, with full margins, sheet 248 x 304mm (9 3/4 x 12in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 10
δ Graham Sutherland (1903-1980)The Sluice Gate (Tassi 10; Walker 14)Etching, 1924, signed in pencil, from the total edition of 69 split across four states, printed by the artist, published by Twenty-One Gallery, London, on wove paper, with full margins, sheet 263 x 208mm (10 3/8 x 8 1/8in)Provenance: With P. & D. Colnaghi & Co. Ltd., London label affixed to the reverse of frameδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 39
δ Anthony Gross (1905-1984)Girl on a Bicycle, Fulham (Herdman 4701)Etching, 1947, signed and titled in pencil, numbered from the edition of 50, on wove paper, with full margins, sheet 333 x 363mm (13 1/8 x 14 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 11
δ Graham Sutherland (1903-1980)Warning Camp (Tassi 9; Walker 13)Etching, 1924, signed in pencil, from the total edition of 62 split across two states, printed by the artist, published by Twenty-One Gallery, London, on wove paper, with full margins, sheet 210 x 242mm (8 1/4 x 9 1/2in)Provenance: With P. & D. Colnaghi & Co. Ltd., London label affixed to the reverse of frame [stock no. A43466]δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 15
δ Graham Sutherland (1903-1980)Cottage in Dorset: 'Wood End' (Tassi 28)Etching, 1929, signed in pencil, numbered from the edition of 60, printed and published in 1930 by the artist, on laid paper, with full margins, sheet 175 x 264mm (6 7/8 x 10 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 12
δ Graham Sutherland (1903-1980)Number Forty-Nine (Tassi 14; Walker 21)Etching, 1924, signed in pencil, from the total edition of 80 split across three states, printed by the artist, published by Twenty-One Gallery, London, on Charles I laid paper, with full margins, sheet 230 x 297mm (9 x 11 5/8in)Provenance: Thomas Agnew & Sons, Londonδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 81
δ Elisabeth Frink (1930-1993)Horse (Wiseman 135)Etching with aquatint printed in colours, 1986, signed in pencil, numbered from the edition of 100, printed by Kelpra Studio, published by Harpvale Books, London, with full margins, sheet 297 x 272mm (11 3/4 x 10 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 86
δ Julian Trevelyan (1910-1988)Silo, from Late Abstract Series (Turner 295)Etching extensively hand-finished with gouache, 1974, signed and titled in pencil, numbered from the edition of 50, printed by the artist, published by Leslie Waddington Prints Ltd., London, on wove paper, with full margins, sheet 377 x 563mm (14 3/4 x 22 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 82
δ Elisabeth Frink (1930-1993)I flew through a black cloud and the winds came up from the hills below me, from the Royal College of Art Artist's Choice Portfolio (Wiseman 138)Etching, 1987, signed in pencil, from the edition of 48, printed and published by the Royal College of Art, London, on wove paper, the full sheet printed to the edges, sheet 305 x 305mm (12 x 12in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 52
δ Henry Moore (1898-1986)Girl Doing Homework I (Cramer 326)Etching, 1975, signed in pencil, numbered from the edition of 50, printed by Atelier Lacourière et Frélaut, Paris, published by Gérald Cramer, Geneva, on Japan ancien paper, with full margins, sheet 382 x 467mm (15 x 18 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 13
δ Graham Sutherland (1903-1980)Lammas (Tassi 23)Etching, 1926, signed in pencil, from the total edition of 90 split over five states, printed by the artist, published by Twenty-One Gallery, London, on laid paper, with margins, sheet 216 x 284mm (8 1/2 x 11 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 36
δ Anthony Gross (1905-1984)Les Cerfs-Volants in Battersea Park (Herdman 3403)Etching, 1935, signed, dated and titled in pencil, numbered from the edition of 50, with full margins, sheet 386 x 309mm (15 1/8 x 12 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 129
δ David Hockney (b.1937)Home, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 84)Etching, 1969, from the edition of 100, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, together with justification page signed by the artist and numbered from Edition C of 100, each on Hodgkinson watermarked paper, the sheet printed to the edges, each 450 x 312mm (17 5/8 x 12 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 157
δ Antony Gormley (b.1950)From the CavePhotogravure etching, 2010, signed, titled, dated in pencil verso, numbered from the edition of 50 verso, published by Ingleby Gallery, Edinburgh, on Fabriano paper, with full margins, sheet 383 x 450mm (15 1/8 x 17 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 85
δ Geoffrey Clarke (1924-2014)Landscape, Birth of a Flower (LeGrove 119)Etching with drypoint printed in colours, 1951, signed and dated in pencil, numbered from the edition of 50, on laid paper, with full margins, sheet 276 x 504mm (10 7/8 x 19 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 163
δ Anish Kapoor (b.1954)UntitledEtching with aquatint in colours, 2002, signed in pencil, numbered from the edition of 200, published by the Tate Modern, London, on wove paper, with full margins, sheet 725 x 865mm (28 1/2 x 34in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 37
δ Anthony Gross (1905-1984)Promenades en Automne (Herdman 3902)Etching, 1939, signed, titled and inscribed 'epreuve d'etat' in pencil, aside from the edition of 50, on wove paper, with full margins, sheet 290 x 460mm (11 3/8 x 18 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 87
δ Julian Trevelyan (1910-1988)Adultery with Secretaries I, from America Series (Turner 378)Etching with aquatint printed in colours and hand-colouring in orange gouache, 1983, signed and titled in pencil, numbered from the edition of 50, printed by the artist, on Somerset wove paper, with full margins, sheet 380 x 561mm (15 x 22 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 248
Humphrey (G., publisher) His Majesty King George the Fourth in His Travelling Carriage, etching and aquatint with original hand-colouring, image size approx. 200 x 410 mm (7 7/8 x 16 1/8 in), under glass, framed, 1823; together with 3 others, including T. Cartwright's 'A Perspective View of Nottingham Market Place' after Bonington, R. Bowyer's 'Grand Entry of the Allied Sovereigns into Leipsic', and F. Caldwall's etching and aquatint 'A View of the Grand Encampment on Cox Heath' after W. Hamilton, all under glass, framed, (19th century) (4)
Los 167
A SLIP-INLAID 'CHILDREN AND GRAPEVINES' CELADON EWER, GORYEO DYNASTY (918-1392) 高麗王朝内嵌童戲葡萄紋青瓷執壺Korea, 13th century. The smooth, curved double gourd form supported on a short foot has a long, slender spout, a narrow mouth atop its smaller bulb, and a finely molded twisted-cord handle with a small ring for suspension. The body of the two bulbs is decorated using black and white slip inlay with a continuous frame of winegrowers alongside children tending to the large vines with grape bunches. The foot is decorated with stylized lotus petals, the mouth with lappets beneath a key-fret band, and the spout and handle with geometric dotted lines.Provenance: From a private collection in France. Condition: Condition commensurate with age, showing expected old wear and firring irregularities, such as glaze recesses, pitting, and minuscule chips to the glaze at the mouth and foot. Minute losses and several cracks, some with old repairs. The minuscule lid on top of the ewer is lost. Please request a UV light video for more details.Weight: 2,034 g Dimensions: Height 35 cm The National Museum of Korea suggests that this kind of ewer was produced at a celadon kiln in Yucheon-ri, boan-myeon, or buan-gun in the north Jeolla-do province. They are decorated using the art of sanggam, which involves etching desired patterns onto dry clay and filling the carved spaces with black and/or white slip. After that, a translucent glaze is applied, and the vessel is fired.Wine made from grapes reached eastern Asia for the first time during the Hellenistic period (321-32 BC). It became highly popular in China 600 years later during the Tang dynasty (618-907 AD) and historians believe it attracted mainstream interest in Korea only after Jesuit missionaries imported it at the beginning of the 17th century. However, it is known that it was available to elite circles much earlier, which explains the rarity of the design on the present ewer to some extent.Literature comparison:Compare a near identical wine ewer with the same decorations and motif, 36 cm high, dated to the Goryeo dynasty, in the National Museum of Korea, accession number Deoksu 19. Compare a closely related celadon ewer with a landscape design, 36 cm high, dated to the Goryeo dynasty, in the National Museum of Korea, accession number Deoksu 91. Compare a related celadon gourd-shaped ewer, 29.8 cm high, dated to the Goryeo dynasty, in the National Museum of Korea, accession number Deoksu 6236.Auction result comparison: Type: Closely related Auction: Christie's New York, 22 March 2002, lot 192 Price: USD 14,100 or approx. EUR 22,500 converted and adjusted for inflation at the time of writing Description: A inlaid celadon stoneware ewer, Goryeo dynasty Expert remark: Note the related style of slip inlay and the similar form. Note the size (34 cm). 高麗王朝内嵌童戲葡萄紋青瓷執壺韓國, 十三世紀。壺身呈葫蘆形，短平足，壺流細長，壺口較小，執柄成絞繩狀，帶有一個用於懸掛的小環。壺身上下兩部分分別内嵌裝飾葡萄豐收與葡萄藤下兒童戲耍的場景。壺口倒蓮紋對應足部蓮瓣紋。壺流與執柄上點綴連珠紋。 來源：法國私人收藏。 品相：狀況極好，有磨損和一些燒製不規則、釉面凹陷、麻點，以及口部和足部釉面的微小磕損。小缺損、裂痕和小修補。水壺頂部的小蓋子遺失。請索取紫外線視頻以了解更多詳細信息。 重量：2,034 克 尺寸：高 35 厘米 韓國國家博物館認爲這種壺是在全羅北道保安面柳川里或扶安郡的一個青瓷窯生產的。它們採用嵌入式釉漿技術進行裝飾，粘土坯體的表面須經雕刻，凹陷處用對比明顯的顏料充填並在施加薄層高透明青釉前打磨平滑。在希臘化時期（公元前 321-32 年），用葡萄釀造的酒首次到達東亞。 600 年後在唐朝（公元 618-907 年）非常流行，歷史學家認為，直到十七世紀初耶穌會傳教士將其引入韓國後，它才引起了韓國主流的興趣。 但眾所周知，它的出現在貴族階層應該更早，這在一定程度上解釋了目前該壺設計的稀有性。文獻比較： 比較一件幾乎相同的高麗王朝酒壺，高36 釐米，收藏於韓國國立中央博物館，館藏編號Deoksu 19。比較一件非常相近的高麗王朝青釉山水壺，高36 釐米，收藏於韓國國立中央博物館，館藏編號Deoksu 91。比較一件相近的青釉葫蘆壺，高29.8 釐米，收藏於韓國國立中央博物館，館藏編號Deoksu 6236。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2002年3月22日，lot 192 價格：USD 14,100（相當於今日EUR 22,500） 描述：高麗王朝青釉鑲嵌炻壺 專家評論：請注意相近的風格和相似的外形。請注意尺寸 (34 釐米)。
Los 2
CIRO FERRI (ITALIAN 1634-1689) ST PAUL PREACHING AT ATHENSpencil, pen and ink and wash on paper 20.5 x 31cm; 8 x 12 1/4in42.5 x 58cm; 16 3/4 x 22 3/4in (framed)Property from a Private Collection, KewProvenanceThe Manning Galleries Ltd, LondonEdgar Seaton Hyde, Cheshire (acquired from the above in the 1960s)Thence by descent Ferri's source for the present work was very likely Raphael's tapestry of the same subject from his series of Acts of the Apostles commissioned by Pope Leo X in 1517 and displayed on their completion in the Sistine Chapel in Rome. An etching by Cornelis Bloemaert (1603-1692) derived from Ferri's composition was printed in 1678, copies of which are in the British Museum, the Metropolitan Museum of Art, New York and the Philadelphia Museum of Art.Chief pupil and assistant of the painter and architect Pietro da Cortona (1596/7-1669) in Rome, Ferri completed the internal decorations at the Pitti Palace in Florence that Cortona had begun. Among his own work, one of the most impressive is the vast frescoes in the Basilica of Santa Maria Maggiore, Bergamo. Another of his major paintings - St Ambrose healing an invalid - was the main altarpiece in the Church of Sant'Ambrosio della Massima, Rome.
![* Eliot (Thomas Stearns, 1888-1965). Greetings Card Signed, 'T. S. Eliot', [?New York], Hallmark Cards, c. 1950s, greetings c](https://cdn.globalauctionplatform.com/f76c836e-8902-455b-9c0b-b0c2011e8969/1ae1ea6f-c345-4b82-969e-b0cb010d1583/468x382.jpg)
Los 724
* Eliot (Thomas Stearns, 1888-1965). Greetings Card Signed, 'T. S. Eliot', [?New York], Hallmark Cards, c. 1950s, greetings card with colour reproduction of a painting of Rouen Cathedral by Claude Monet tipped on to front, two verses from The Rock ('O light invisible, we praise Thee!') printed to right inside page, inscribed in blue ink, 'From Charles, with love' to blank left page and signed in blue ink by Eliot at foot of the two verses, printed credits, copyright details and card reference number at foot of inside left page and second leaf verso, two brown spots and some browning and adhesion marks to final page with loss of copyright wording, one light spot adjacent to Eliot's autograph, slim 8vo, together with first edition copies of books with author's signed presentation inscriptions to Rosemary Goad from Brian Aldiss, Michael Dibdin, Fay Godwin, Rachel Ingalls, Julian Symons and Naguid Mahfouz, plus a small quantity of Goad's ephemera including orders of service for T. S. Eliot and Geoffrey Faber, a framed and glazed etching of T. S. Eliot by P. E. Rose, 1987, a few photographs loosely contained in a leather blotter, education certificates, private press ephemera of Merrion Press and Cuckoo Hill Press, etc. QTY: (approx. 30)NOTE:Provenance: Given by the Faber & Faber editor Charles Monteith to Rosemary Goad, the first female director of Faber.
Los 13
* German Panoramas. A group of five hand-painted layered views on the Rhine, Germany, circa 1810, titled in contemporary manuscript: Das Schloss Wartenstein und die Eisenschmoltz in der Aue; Ansicht von Rüdesheim, an Rhein; Ansicht der Stadt Ofen und Pest (crossed through and inscribed in a later hand Ansicht von Caub an Rhein gegen Oberwesel); Ansicht der Stadt Köln am Rheim; and Ansicht uns Dorfes Maria brunn nächst Wienn und der umligenden Gegend, gouache and watercolour on cut-out card, incorporating cotton for boat rigging, each composed of 4 or 5 layers to form a 3-dimensional scenic view, each depicting a large and impressive building, and incorporating variously river and mountain scenes, village settlements, boats, peasant figures, and animals, minor dust-soiling and marks in places, occasional small breaks or creasing to fine detail of cut-out edges, the first view (with painted backdrop) in a contemporary gilt-moulded box frame, glazed, 38.7 x 65.7 x 9.7 cm, remainder loose (with 2 further painted backdrops) in original paper folders, contemporary manuscript titles to folders and to the back of each section, each layer approximately 21 x 61 cm and smaller QTY: (5)NOTE:A most unusual and attractive group of three-dimensional panoramas, skillfully executed and large in scale, yet beautifully detailed; we have not seen any similar. Three of the scenes bear a close resemblance to published scenic views: for the first see a coloured etching titled 'Wartenstein Castle and the Iron Foundry', by Laurenz Janscha (1749-1812) and Johann Ziegler (1749-1802); for the second see an aquatint titled 'Rüdesheim am Rhein', by Johann Jacob Sperli (1770-1841); and for the third see a coloured etching titled 'Ansicht von Caub gegen Oberwesel', by Johann Ziegler (1749-1802). The fourth scene shows the monastery of Mariabrunn, Penzing, Vienna.
Los 139
* Natural History. A collection of 10 engravings and lithographs, 19th century, including Mansell (Joseph. Gustav Leutzsch & others). Six plates from F. Sander's ' Reichenbachia', [1888], six colour lithographs of orchids, each approximately 510 x 350 mm, uniformly framed and glazed, together with Selby (John Prideaux). Red Legged Hobby, [1819 - 34], etching with contemporary hand-colouring, 400 x 275 mm, mounted, framed and glazed, with Audubon (J. J.). Anna Humming Bird, Mango Humming Bird, Prairie Wood-Warbler [and] American Gold-Crested Kinglet, J. T. Bowen Philadelphia, circa 1850, four lithographs with contemporary hand-colouring, some staining, each print approximately 240 x 140 mm, mounted in double aperture mounts and framed as two pairs of prints, plus a colour reproduction print of a bird of paradise, framed and glazedQTY: (10)
Los 133
* Aldin (Cecil, 1870 - 1935). The New Coat, etching, signed by the artist in pencil below the image to the lower left, 190 x 130 mm, mounted, framed and glazed, together with The Cocker Spaniel [and] The Sealingham Terrier, two uncoloured miniature etchings, each approximately 100 x 80 mm, uniformly mounted, framed and glazedQTY: (3)
Loading...-
78475 Los(e)/Seite