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78472 Los(e)/Seite
NO RESERVE Scrap album.- An album of old master prints, 39 works, including an etching by Stefano della Bella of beggar figures in a circle, others by Le Carpentier, Weirotter, Guyot, and other minor Dutch and French engravers, etchings and engravings, largest 100 x 140 mm. (4 x 5 1/2 in), hinged into later album, oblong 8vo, [mainly 18th and 19th century].
Oliver Cromwell.- Anonymous English artist (circa 1649) The Royall Oake of Brittayne, satire depicting Cromwell and parliamentarians over-seeing the destruction of the 'Royall Oake', with the branches of the great tree containing books representing the Magna Carta, the Bible, and the Royal Coat of Arms, originally the frontispiece to Clement Walker's 'Anarchie Anglicana, or, The History of Independency, the Second Part', etching and engraving, on laid paper without watermark, off-setting from another impression on verso, sheet 170 x 230 mm. (6 3/4 x 9 in), faint central vertical fold with some splitting and support verso, minor loss to upper left corner, some small nicks and tears, unframed, 1649.Provenance:Denstone College Library (stamp verso)Literature:BM Satires 737cf. M. Jones 'The Print in Early Modern England: An Historical Oversight', New Haven and London, 2010, pp. 102.
Pablo Picasso (Spanish 1881-1973) - Signed limited edition etching with aquatint - Peintre et Modele avec un Spectateur, No.6 from a limited edition of 50, published by Gallerie Louis Leiris, Paris, 1966, printed by Crommelynck, signed in pencil, 22cm x 32cm A.R. Condition: Slightly 'rippled' - ** General condition consistent with age
Henry Wilkinson (1921-2011) - Two coloured etchings - Golden Cocker Spaniel With Gamebird, No.115/150, signed and numbered in pencil, 25cm x 30cm and Golden Labrador With Duck, No.24/75, signed and numbered in pencil, 24.75cm x 36cm, A.R. Condition: The etching of the retriever is somewhat yellowed - ** General condition consistent with age
Irish School (early 19th century), a two-fold caricature, One Heavy Son of Mars, Gainst (sic) Seven Light Hussars, Published by M* Cleowy, 39 Nassau Street, Dublin [c. 1820], hand-coloured etching, 28cm x 44cm; 18th century and later engravings, etchings and lithographs of Derbyshire topography, including Medieval church interiors, various sizes; Movie-Land covers: No. 1, Volume 1, Jan 3rd 1921 & No. 2, Volume 1, Jan 10th 1921; etc (folio)
James Dobie (early 20th century) after Watler Dendy Sadler (1854-1923), by and after, Passing the Port, Published by L.H. Lefèvre & Son, London 1908, signed in pencil by the artist and engraver, monochrome etching, 42cm x 48cm; other Walter Dendy Sadler etchings, mostly signed in pencil by the artist; etc (6)
Johann Hoffmann (Nuremberg, 17th century), by and after (?), [King of Tartary], etched engraving, 34cm x 24.5cm, 19th century collector's ink MS collection number to verso N13554; Mathew Dubourg (1786-1838), by, a set of three, Hunting A Zebra, Hunting A Panther and Kamtschaktka Bear Hunting, Published by Edward Orme, London 1813, hand-coloured aquatints, 23cm x 32.5cm, another similar, Shooting Anecdote, India 2, hand-coloured aquatint, 23cm x 32.5cm, all four from Orme's Oriental Field Sports, 1813, (4); [William Henry Pyne] (1769 - 1843), [Brick Maker] (untitled, trimmed?), [Fishermen], No. 4, [Butcher], No. 58 and [Female Shrimper], No. 59, Published by William Miller, London, January 1805, for The Costume of Great Britain, 25cm x 36cm, (4); English School (late 19th century), George Cruickshank, Published by H.A. Rogers, Manchester Square, [London] 1882, etching, 22cm x 14cm; P. Devel, by, La Maison de Ville d'Amsterdam par Derriere, 18th century architectural elevation, engraving, 15.5cm x 21.5cm; Royal Opera House, Convent Garden, programme, Aida by Verdi, Friday, July 17th 1914, Evening Performance, four-page enclosing a calendar for the operatic season, printed with advertisements; 19th century and later etchings, some signed in pencil by the artist; others, etchings, engravings, etc (folio)
Pietro Testa (1611 - 1650), after, Ritratto di Pietro Testa Pictore eccel.te, [Self-portrait], half-length, facing front, holding a drawing board and porte-crayon, within a feigned oval, Published by Arnold van Westerhout, Rome [c. 1645], etching, 24cm x 18.5cm For a similar print, published by François Collignon rather than van Westerhout, see the collection of the British Museum, registration no. 1856,0913.264
Napoleon and Wellington - [Bullock, William], Napoleon's Military Carriage, Taken At Waterloo!, [London c. 1816], 18pp, the front with a fold-out etching by Samuel Howitt (1756 - 1822), contemporary blue card covers, ownership incriptions W. Martin 1817 and M. Martin November 1822, floppy 8vo; A Catalogue of the Drawings, Miniatures, Cameos, and Other Objects of Art, Illustrative of the Bonaparte Family, and the Principal Persons Connected with the Republic and Empire of France, Now in the Collection of John Mather, Esq., of Mount Pleasant, Liverpool [...], Exhibited at the [...] Historic Society of Lancashire and Cheshire [...], David Marples, Liverpool 1854, 36pp, floppy 12mo; Stanhope (Philip Henry, 5th Earl), Notes of Conservations with the Duke of Wellington, 1831 - 1851, fourth edition, John Murray, London 1889; Scott (Sir Walter, Bart), Life of Napoleon Bonaparte [...], Adam and Charles Black, Edinburgh 1871, 20th century calf spine and buckram, 4to; Fournier (August), Napoleon I: A Biography, two-volume set, Longmans, Green and Co, London 1911; etc, [11]
Nautical/Marine/Maritime scene, 'Fresh Breeze', hand-coloured aquatint etching by Robert Havell after J. Cartwright, circa 1820; three Georgian topographical views, etchings, two on laid/chain-lined paper (depicting Birmingham, Caermarthenshire, Radnorshire), and a pencil drawing of the priory at Leasowes (a copy of an 18th-century engraving). (5)
Napoleonic Wars interest: A large engraved design for the Wellington Shield, showing Duke of Wellington and George III at centre, battles scenes around edges. Produced circa 1820, the etching has a varnished finish giving it a warm toned appearance. Presented within a large period gilt frame.
Arlott, John And Norman Ackroyd: A Celebration Of Cricket, Wine, Poetry And Place; with a commentary by David Rayvern Allen. Newnham on Severn, Christopher Saunders, 2002. Limited edition of 295 copies of which this is no. 124, Signed by Norman Ackroyd and David Rayvern Allen on the bookplate to front pastedown; also In the pocket at the front is a Signed and numbered etching of Arlott by Ackroyd, together with an unsigned reproduction of the same etching. Bound in full-green leather with blind stamped titles, contained in slip case; Loosely inserted publishers flyers . Fine copy

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78472 Los(e)/Seite