Thomas Rowlandson (London 1756-1827)Batchelor's fare, bread, cheese and kisses signed 'Rowlandson del' (lower right) and further inscribed along the trimmed lower edgepen, brown ink and watercolour on wove paper27 x 21cm (10 5/8 x 8 1/4in).together with a hand-coloured etching of the subject, in the opposite sense, dated 1813 and bound into red morocco covers which bears the bookplate of J. Barton Townsend (2)Footnotes:ProvenanceSale, Sotheby's, London, 1 April 1976, lot 137Private Collection, UKLiteratureJ. Grego, Rowlandson the Caricaturist, London, 1880, vol. II, p. 253, ill. (etching)EngravedHand-coloured etching produced by Thomas Tegg of Cheapside in 1813, titled 'Batchelor's fare, bread cheese and kisses'.For further information on this lot please visit Bonhams.com
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A late 18th century hand coloured etching 'The Soldier's Farewell' c.1793hand coloured gouache on laid paper, mounted,within mount 23 x 29.5 cm.Condition: laid on to board, tear running through column and dress from left margin tear running from right margin through horses leg and boys left thigh. tear running across bottom left corner margin to margin. Tear running through column watermarks top right hand corner and behind head of soldier, marginal mark bottom. Last three letters of title are retouched in pencil
Stanley Anderson (British, 1884 - 1966)'Cafe de Papes', dry point etching, signed in pencil to lower margin, framed and mounted,overall 41cm x 45.5cm, within frame 20.5cm x 25.5cm Condition: Unexamined out of frame - some evidence of discolouration to paper. Browning particular to edges close to mount - some toning to print.
Raphael Morghen (Italian 1758-1833) after François Gérard (French 1770-1837) Napoleon Engraving 43.9 x 31.7cm; 17¼ x 12½in (plate) Together with William Say (1768-1834) after Innocent Louis Goubaud (French act.1780-1847), Napoleon Buonaparte, Mezzotint, 59.4 x 47.5cm; 23½ x 18¾in (image); James Gillray (1756-1815), Westminster Conscripts under the Training Act; News from Calabria!, Two, both etching with hand-colouring, 26.6 x 36.7cm; 10½ x 14½in; 26 x 35.5cm; 10¼ x 14in (sheet); Robert Bowyer (1758-1834), The Royal Family of France, The Family of Buonaparte, French Generals, Statesmen &c, Etching, 43 x 31.5cm; 17 x 12½in (sheet); and After Claude Gautherot (1769-1825), Napoléon blessé devant Ratisbonne, Etching with hand-colouring, 19.1 x 26.6cm; 7½ x 10½in (6)
George Hunt (1797-after 1841) after Joseph Moore (Early 19th Century) The Gold Temple of the Principal Idol Guadma; Scene upon the Terrace of the Great Dragon Pagoda at Rangoon; Inside View of the Gold Temple on the Terrace of the Great Dagon Pagoda at Rangoon Three, each etching and aquatint with hand-colouring Largest 45 x 33cm; 17¾ x 13in; Smallest 42.6 x 32.9cm; 16¾ x 13in (plate) (3)
CHARLES FREDERICK TUNNICLIFFE (1901-1979); etching, ‘The Herdsman’, signed in pencil lower right, 22 x 29cm, framed and glazed. (D) Provenance: sold by descent of Charles Tunnicliffe’s family.Additional InformationPaper is slightly undulated and perhaps with light toning around the edge close to the mount. Frame with very slight wear. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
CHARLES FREDERICK TUNNICLIFFE (1901-1979); etching, study of a turkey, signed in pencil lower right and initialled and dated 1930 within the plate, 26.5 x 22cm, framed and glazed, with a further Charles Tunnicliffe hunting scene etching (2). (D) Provenance: sold by descent of Charles Tunnicliffe’s family.Additional InformationThe turkey with some foxing. The hunting scene with acid staining which is visible with a vertical through the horse's head and a tab line to the top right corner. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
CHARLES FREDERICK TUNNICLIFFE (1901-1979); etching, ‘The Horse Fair, Macclesfield’, signed lower right, 21 x 26.5cm, framed and glazed. (D) Provenance: sold by descent of Charles Tunnicliffe’s family. Additional InformationSome foxing, otherwise fair. Frame with minor wear. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
CHARLES FREDERICK TUNNICLIFFE (1901-1979); etching, ‘The Tethered Bull’, signed lower right, 17 x 24cm, framed and glazed. (D) Provenance: sold by descent of Charles Tunnicliffe’s family.Additional InformationImage perhaps lightly toned to the paper around the edge but otherwise OK. The frame with very slight wear. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
ADOLPHE VALETTE (1876-1942); etching, landscape with figure, 10.5 x 12.5cm, framed and glazed. Provenance: Ex Christy's, lot 176, 15th September 1999. Additional InformationPaper lightly toned and with foxing throughout the border. The mount toned and with foxing. The modern frame with light scuffs.
English School, early 20th c - Portrait Studies, four, all signed with initials C.J.G., pen and ink, 13 x 10cm and circa, together framed, a French etching, indistinctly signed, dated '84 and inscribed in pencil and three World War Two framed photographs of Royal Naval ships, including HMS Gabbard (5) One of the photographs with corner damage
19th Century English School, A Thatched Cottage and Garden, pencil on tinted paper,14x23cm,after A Brunet-Debaines, an etching, The Thames Below London Bridge.other antiquarian prints, Aylesford Church & Bridge; The Harbour Holyhead; Dartford,pencil drawings, a continental modern painted panel. Qty: 12
![Statcha Halpern [1919-1969]-Moored fishing boat,:-colour etching, artists's proof signed in pencil, 15 x 27cm,together with a](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/9a667626-3815-4e68-abbb-aefb00a74393/468x382.jpg)
![* Phil Greenwood [b.1943]-Lleyn Sunset,:-etching in colours, signed and dated '80inscribed and numbered 233/350, sheet size 5](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/09e1c9a9-8021-4353-ab98-aefb00a701aa/468x382.jpg)
![* Joseph Sepp-Kneer [1907-2001]-View to Rome,:- watercolour, 36 x 63cm,together with one other Italianate landscape by the sa](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/61bec21a-fd7c-43ff-83e1-aefb00a78cbb/468x382.jpg)
![* Brenda Harthill [b.1943]-Variations VI - Dark Water,:-etching in colours on embossed papersigned and dated '89, inscribed a](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/40d50d46-191a-43f5-8070-aef301065ebb/468x382.jpg)
![* Valerie Thornton [1931-1991]-The Guildhall, Lavenham,:-etching in colours, signed, inscribed and dated '77, numbered 140/25](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/1fca925a-1ceb-478b-8716-aefb00a78f71/468x382.jpg)
![* Keiko Minami [1909-2004]-Chateau and Sun,:-etching in colourssigned and numbered 131/45038 x 31cm.](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/1561379c-9def-4ac1-8543-aefb00a795b9/468x382.jpg)
![* Fionnula Bond & Leslie Evans [20/21st Century]-Six Episodes in a Landscape,:-etching with aquatintsigned and dated '71, ins](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/bac0c5d1-7bba-4741-b5f3-aefb00a798fb/468x382.jpg)
* Fionnula Bond & Leslie Evans [20/21st Century]-Six Episodes in a Landscape,:-etching with aquatintsigned and dated '71, inscribed and numbered 10/25sheet size 57 x 76cm, together with a small etching titled 'Tori' and dated 1974 by Lee Summer. [2]* Please see website for further images of this lot www.bhandl.co.uk
![* Margaret Lovell [b.1939]-Helmet II,:- signed in pencil bottom lefttitled and dated bottom right,coloured etching, 30 x 26cm](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/9d64b794-9153-4eeb-a49f-aefb00a7a8b6/468x382.jpg)
* Margaret Lovell [b.1939]-Helmet II,:- signed in pencil bottom lefttitled and dated bottom right,coloured etching, 30 x 26cm,together with a lithograph 'Ragazza', 1963, signed and inscribed on the mount, 28 x 22cm. [2]* Footnote. Helmet II was late used as the design for the large escutcheon plate at Armourers Hall in Queen Charlotte Street, Queens Square, Bristol.
![* Richard Spare [b.1951]-Harbour,:- etching with aquatintsigned, inscribed and numbered 35/150sight size 34 x 34cm.](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/c3089690-d347-4b91-acc3-aefb00a7f732/468x382.jpg)
![* Richard Spare [b.1951]-Low Tide,:- etching with aquatintsigned, inscribed and numbered 77/150sheet size 38 x 40cm.](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/ec8df5d6-9b00-49cf-a1f6-aefb00a7f7a5/468x382.jpg)
![* Richard Spare [b.1951]-At Anchor,:- etching with aquatintsigned, inscribed and numbered 24/150sheet size 25 x 36cm.](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/0a44100c-c5f7-40f4-a821-aefb00a7f850/468x382.jpg)
![* Beatrice Forshall [b.1992]-Bird,:- Artist's Proof etching and mixed mediasigned in pencil, sheet size 86 x 76cm.](https://cdn.globalauctionplatform.com/bec01180-e371-4a9c-9c03-aef10151a1a3/bd892843-6bdd-41b3-bbf8-aefb00a6fa4b/468x382.jpg)
A group of 20th century watercolours and etchings to inlclude a river view by Ken Messer; a watercolour of King's Mill, Oxford by Herbert Greenwood; an etching of a continental city scape by Smart; cottages by Geoff Bartlett; a woodland view by Nigel Price; an etching of John Knox's house by E J Maybery; etc The continental view unframes. The other pictures in good condition apart from the watercolour of cottages by Bartlett which has foxing in the sky.
PAINTINGS AND PRINTS, an abstract oil on paper of a female form, rough edges, within a clip frame, approximate paper size 116cm x 54cm, Belinda Derrington, horse's head, pastel, signed and dated 2007, 59.5cm x 47.5cm, an Andrew Watson Turnbull dry point etching of 'The Gare Loch', two frames of reproduction cigarette cards, etc (1 box and loose)
Stuckierter und vergoldeter Holzrahmen, die Zwickel jeweils dekoriert mit einer Palmette und Akanthusranken. Die Radierung von J. H. Blees (1826 - 1907) nach J. H. Klombeck (1815 - 1892), bez. "Der Kunstverein zu Salzburg seinen Mitgliedern für das Vereinsjahr 1865". 65,8 cm x 76,5 cm (Rahmen). An early 19th C. German Empire style frame with an etching by J. H. Blees after J. H. Klombeck printed in 1865.Deutsch. 1. Viertel 19. Jh.
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78472 Los(e)/Seite