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78475 Los(e)/Seite
A quantity of black and white etchings and engravings including example by E Sharland of a cathedral gateway, etching showing Lancing from the east, signed Wallace Hester, river scene in a university town, probably Cambridge, with students besides a river, signed bottom right A H Haig, 51 x 37 cm approx, etc., various sizes, all framed.
A set of four coloured equestrian prints showing 19th century winners of the Derby, 24 x 29 cm approx in burr wood style frames with gilt slips together with a coloured print after Juliet McLeod showing the racehorse Brigadier Gerard, 46 x 57 cm in a wooden frame, a study of a racehorse before the start, indistinctly signed Fairlauf (?) and dated 75, a pair of signed limited edition coloured prints of golfing subjects after Terry Marmagon, a 19th century engraving of Jenny Lind, a coloured etching portrait of Napoleon, etc.
A signed limited edition black and white etching showing Soho House, Houndsworth, signed bottom right S Howard, dated 1996, edition 10/100, 42 x 55 cm approx in black and gilt frame together with a 20th century tapestry panel after a design by Kaffe Fasset, a pair of paintings on velvet of birds, fruit, etc., a pair of mirrors in the Art Nouveau style, etc.
'Maida Hill', London drypoint etching after William Lionel Wyllie (British 1851-1931) signed and titled in pen 18cm x 25cm unframed, Battle of Flamborough Head, 19th century watercolour unsigned and four other engravings max 26cm x 36cm (6) Condition Report Click here for further images, condition, auction times & delivery costs
Gerald Leslie Brockhurst RA, RE (1890-1978) ''The Amberley Boy'' Signed in pencil, a black and white etching, together with a further signed etching by the same artist ''The Two Melisandes'', 19cm by 14.5cm and 14cm by 8.5cm respectively (2) Melisandes depicts Anais Folin, the artist's first wife, holding their baby daughter. Reputedly Anais could only stand for a brief 20 minutes following the birth, and as such the artist etched the image onto the plate in this time. See illustration
Christopher Richard Wynne Nevinson (1889-1946) ''Survivors at Arras'' Signed in pencil and dated 1918, a black and white dry point etching, 28cm by 23cm See Illustration The Tate Gallery holds an example of this 1917-8 work illustrated: British Artist's at the Front, No. 1 1918. A brief commentary noted that ''The rest of Arras after the War will have to be built again''.
A Double Sided Strip Map, depicting Arundel, Chichester and London, highlighted in watercolour (later glazed frame), possibly early XVIII Century, an XVIII Century London to Pool hand coloured map, potentially taken from a book, No 262 in top left, hand coloured hunting scene, Skipton Castle and church scene etching etc:- One Tray

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78475 Los(e)/Seite