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78475 Los(e)/Seite
Los 295
Henri Goetz (1909-1989) - Espace d'Outremer, colour etching, 1/25, signed in pencil and numbered I/XXV to lower margin, visible sheet dimensions 37 x 51cmCondition report: Framed, mounted and glazed.Margin is slightly discoloured and casting a shadow at immediate extremity of print.Colours slightly faded.
Los 332
Circa 1900 French School - L'Escrimeuse, etching printed in colours, as an oval, indistinctly signed in pencil lower right, visible sheet dimensions, 63 x 47cmCondition report: Framed and glazed.Foxing to paper throughout.Otherwise paper is good, flat and complete.Image colours slightly faded.
Los 1121
Willi Kissmer (1951-2018) ''Der Morgen'' Signed and numbered 29/199, etching, together with three further signed nude etchings by the same hand, 36cm by 49cm and various other sizes (4) (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Los 1228
Percy Robertson ARE (1868-1934) ''St Michael's Mount'' signed and inscribed in pencil, etching, together with four further etchings including ''The Houses of Parliament'', ''The Lighthouses'', scene of Whitby and Boatyard, 21cm by 35.5cm, 25.5cm by 32cm, 19.5cm by 24.5cm ,26cm by 35.5cm and 23.5cm by 32.5cm (5)
Los 1228A
Percy Robertson ARE (1868-1934) ''Trafalgar Square, Gordon Memorial'', signed and inscribed, etching, together with four further signed etchings and one unsigned etching by the same hand, entitled; St. Paul's Cathedral, ''Strath Tay'', ''Grand Canal - Venice'', ''Edinburgh'' and ''Cowgatehead, Edinburgh'', 29cm by 23cm, 27cm by 33.5cm, 34cm by 28cm, 28cm by 25.5cm, 32cm by 25.5cm & 29.5cm by 23cm respectively (sh) together with Political caricatures 1906 by Sir F Carruthers Gould (7)
Los 50
Eduard Wiiralt (Estonian, 1898-1954) Lamav Tiger (Reclining Tiger) 1937 signedEduard Wiiralt (Estonian, 1898-1954) Lamav Tiger (Reclining Tiger) 1937 (1950), soft ground etching, signed lower right 'E Wiiralt', numbered XLVII/LX lower left, etching 31 x 40cm (12 x 16in), in period frame , etching in fine condition
Los 1
Ackroyd (Norman) Snow at Coniston; Jackson's Pond VI, two works, etching with aquatint, both signed in pencil, inscribed and numbered from editions of 100 and 110, respectively, each platemark approx. 175 x 130 mm (6 7/8 x 5 1/4 in), hinged into mounts, unframed, 1985 to 1995; together with four other etchings by various hands, including Hans Martin Ruwoldt, Constantin Schmutin, and Bryan Ingham, various sizes, all unframed, 20th century (6)Provenance:From the collection of the late Mr. Laurence Lee
Los 120
δ Tanner (Robin) Wren and Primroses, only state as published in 'British Etchers 1850-1940' by Guichard and Garton, 1977, etching, on cream wove paper, signed in pencil, platemark 95 x 110 mm (3 3/4 x 4 1/2 in), good margins, hinged into mount, unframed, 1935 [but this impression 1977]; together with 'Wiltshire Roadmaker', etching, signed with stamped initials, platemark 100 x 150 mm (3 7/8 x 5 7/8 in), good margins, hinged into mount, unframed, [1928 but printed c. 1974] (2)Literature:Garton 19; 6Provenance:From the collection of the late Mr. Laurence Leeδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 122
δ Tanner (Robin) December: Elegy for the English Elm, etching, an excellent well inked proof impression on cream wove paper, signed in pencil to lower margin 'Robin Tanner fec. et imp. 1979', platemark 295 x 240 mm (11 1/2 x 9 1/2 in), wide margins, under glass, hinged into mount with some faint acidic sun exposure lines from mount, well outside the platemark, framed, 1979Provenance:From the collection of the late Mr. Laurence Lee Literature:cf. Garton 39, ii/ii, for the published edition of 25 impressions issued by Garton & Cooke in 1984. This impression printed by the artist in 1979δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 123
δ Tanner (Robin) September, etching with plate tone, a good clear impression on cream wove paper, signed in pencil to lower margin 'Robin Tanner 1983', platemark 195 x 280 mm (7 3/4 x 11 in), good margins, under glass, framed, 1983Provenance:From the collection of the late Mr. Laurence Lee Literature:Garton 43δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 124
δ Tanner (Robin) March, etching, a good clear impression of the final state (of 3), on cream wove paper, signed in pencil to lower margin 'Robin Tanner 1983', platemark 250 x 194 mm (9 3/4 x 7 5/8 in), under glass, framed, 1983Provenance:From the collection of the late Mr. Laurence Lee Literature:Garton 42δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 125
NO RESERVE Taylor (Charles William) Marsh Homes, Essex, etching with plate tone, signed in pencil, numbered from an edition of 55, platemark 230 x 175 mm (9 x 6 7/8 in), under glass, an excellent clear impression, surface dirt, framed, mid-20th century; together with 10 further prints by various artists, including John Howard's etching 'Woods, Pennance Point, Cornwall', and others by K. Vernon, Valerie Baines, and others, various sizes, all framed, 20th century (11)Provenance:From the collection of the late Mr. Laurence Lee
Los 129
Walcot (William) The Banqueting House, Whitehall, etching with drypoint, a good impression with plate tone on cream wove paper, signed in pencil, platemark 205 x 280 mm (8 x 11 in), under glass, some even toning to sheet, framed, [early to mid-20th century]; together with 5 further etchings by the same hand, including two impressions of 'Temple of Esna', two impressions of 'The Caravan', and an untitled historical etching of figures in front of a temple, various sizes, all hinged into mounts, unframed, [circa 1920s] (6)Provenance:[Banqueting House] The Fine Art Society, LondonFrom the collection of the late Mr. Laurence Lee
Los 138
δ White (Ethelbert) The Farm Nettle Hollow, etching and drypoint with plate tone, on laid paper, signed in pencil and inscribed with title, from an unknown edition size, platemark 140 x 175 mm (5 1/2 x 6 3/4 in), sheet 230 x 240 mm (9 x 9 1/2 in), minor surface dirt, hinged into mount, unframed, [circa 1920s]; together with 'Haymakers', unsigned but by the same hand, etching and drypoint, platemark 255 x 325 mm (10 x 12 3/4 in), good margins, hinged into mount, unframed, [early to mid-20th century] (2) Provenance:From the collection of the late Mr. Laurence Lee δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 14
Briscoe (Arthur) Gravesend Reach, etching, on antique laid paper without watermark, an excellent trial proof impression with delicate brownish-black plate tone, printed aside from the edition of 75, signed in pencil, pencil inscriptions within margin, platemark 168 x 250 mm (6 1/2 x 9 3/4 in), sheet 245 x 295 mm (9 5/8 x 11 1/2 in), hinged into mount, minor handling creases, very faint spotting and surface dirt, unframed, [1927]Provenance:From the collection of the late Mr. Laurence LeeLiterature:Laver 102; Hurst 194
Los 17
Drury (Paul) Portrait of Mrs Douglas James, whose father was constructional engineer to the Eddystone Lighthouse, etching with drypoint, on cream wove paper, signed in pencil, 205 x 205 mm (8 x 8 1/8 in), good margins, unframed, 1936; together with a good group of six landscapes by various hands, including David Strang, Harold Sayer, Sydney Lee, George Tute, John Farleigh, and another, etchings and wood-engravings, various sizes, all hinged into mounts, unframed, 20th century (7)Provenance:From the collection of the late Mr. Laurence Lee
Los 33
NO RESERVE δ Gross (Anthony) Monsieur Bernède's Vineyard No. 2, etching with drypoint, a good impression with light plate tone on cream wove paper, signed in pencil, inscribed and numbered from an edition of 75, platemark 260 x 320 mm (10 1/4 x 12 1/2 in), under glass, framed, [1978].Provenance:From the collection of the late Mr. Laurence Lee Literature:Herdman 7802δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 34
Guichard (Kenneth M.) British Etchers 1850-1940, with 3 original signed etchings by Robin Tanner, tissue guards, occasional light spotting, original morocco-backed cloth, t.e.g., slight fading to upper cover, 1977 § Engen (R.) & others. British Printmakers 1855-1955: A century of printmaking from the Etching Revival to St.Ives, Devizes, 1992 § Meyrick (Robert) The Etchings and Engravings of Edgar Holloway: A Catalogue Raisonné, number 26 of 100 special copies signed by the artist and with an original etching, with Supplement, Christmas cards and several A.Ls.s. from the artist or his wife to Laurence Lee loosely inserted, Aldershot, 1996 § Rushbury (Julia) Henry Rushbury Prints: A Catalogue Raisonné, 2010 § Garton (Robin) The Catalogue Raisonné of the Prints of Paul Drury 1903-1987, 1992 § Robin Tanner: The Etchings, limited edition, 1988, plates and illustrations, all but the first original cloth or boards with dsut-jackets, the third also with slip-case; and 10 others on modern etchers and etchings, 4to & 8vo (16)
Los 36
NO RESERVE Hamanishi (Katsunori) Position VI, mezzotint with etching printed in colours, signed in pencil, inscribed, dated and numbered from an edition of 50, platemark 180 x 135 mm (7 x 5 1/4 in), sheet 330 x 245 mm (13 x 9 3/4 in), unframed, 2000; together with a good group of 18 prints printed in colour, including work by Peter Reddick, Owen Jones, Giorgio Ferrari, H.W. Freeth, Sophie Jensen, Benet Johansen, Helen Hanson, and N. Stortenbecker, various sizes, all hinged into mounts, unframed, mainly late 20th century (19)Provenance:From the collection of the late Mr. Laurence Lee
Los 53
NO RESERVE δ London.- Josset (Lawrence) Calendarium Londinense or the London Almanack..., 16 issues for the years 1971-1986, comprising 16 single sheets each printed to one side only, with etched image by Josset to upper half and calendar to lower half, six signed in pencil, 4 dedicated in pencil 'To Laurence Lee', each sheet approx. 405 x 290 mm (16 x 11 1/2 in), '1975' with etching from another sheet affixed to calendar with some associated glue-stains and abrasion, otherwise minor handling creases, unframed, published by Stevens & Brown, 1971-1986 (16)Provenance:From the collection of the late Mr. Laurence Lee δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 76
NO RESERVE Nolde (Emil) Schiffe im Hafen, Flensburg, published unsigned in 'Zeitschrift fur bildende Kunst', etching with drypoint, on cream wove paper, second state (of three), platemark 150 x 185 mm (5 7/8 x 7 1/2 in), under glass, minor toning, framed, 1907; together with 6 further etchings by various hands, including Alexander Eckener, 'May', Douglas Kirk, and two others, various sizes, all unrfamed, late 20th century (7)Provenance:[Nolde] Craddock & Barnard, LondonFrom the collection of the late Mr. Laurence LeeLiterature:[Nolde] Schiefler-Mosel 74 ii/iii
Los 80
NO RESERVE Palmer Robins (William) Passing Storm, Ely, etching and aquatint on cream wove paper, signed in pencil and inscribed, platemark 295 x 400 mm (11 1/2 x 15 3/4 in), hinged into mount, unframed, [mid-20th century]; together with another landscape etching signed by Robins, and 5 others by various hands, including Wilfred Fairclough, Raymond Cowen, W. Renison, and Malcolm Osbourne, various sizes, all unframed, 20th century (7)Provenance:From the collection of the late Mr. Laurence Lee
Los 524
LEONARD RUSSELL SQUIRRELL (1893-1979) 'Edinburgh from Calton Hill' View of the city with the Dugald Stewart Monument in the foreground, signed in pencil to the margin, etching, the image 23cm x 35cm; together with another signed etching by the same artist 'Loch Leven and Glencoe, Highlands' signed in pencil to the margin, signed and dated 1937 in plate (2)
Los 985
Full title: Roger Raveel (1921-2013): 'De spanning van de rust in het dorp', etching in colours, ed. 5/30, (1975)Description: Work : ca. 31,8 x 24,8 cm Frame : 68,7 x 52,6 cm Literature: - Octave Scheire, Roger Raveel: Het grafisch oeuvre - Prenten en multiples, Ludion, Gent, 2013, nr. 54, p. 77.
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78475 Los(e)/Seite