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78472 Los(e)/Seite
Los 131
Buckland Wright (John).- Hartnoll (Phyllis) The Grecian Enchanted, number 30 of 60 specially-bound copies signed by the author and artist and with an additional suite of aquatint plates and an extra one, from an edition limited to 360, title printed in pink and green with vignette and decorative border, 7 plates after aquatints by John Buckland-Wright, additional plates loose in pocket at end, original pictorial two-tone grey and pink morocco, gilt, by Sangorski & Sutcliffe, fighting cocks by JBW in gilt on upper cover, t.e.g., others uncut, spine very slightly browned, spotting to top outer corner of upper cover, cloth slip-case (a little faded), [Cock-a-Hoop 189; Reid A65a], small folio, Golden Cockerel Press, 1952 with Buckland Wright (John) Proofs of engravings for 'The Grecian Enchanted', comprising: a set of early state proofs of engravings before aquatint (title and 8 plates including extra one), on laid paper, c.210 x 125mm. (sheets c/325 x 205mm.), all signed in pencil, some light marginal soiling, [c.1952]; proofs of frontispiece, title before letters and plates 3 (2 copies, one labelled "Etching 2nd state" in pencil), 4 (marked "clean" in pencil in margin), 6 and extra plate (2 copies, one on laid paper), all but duplicate of extra plate on Basingwerk Parchment paper, most sheets c.360 x 260mm., [c.1952]; 2 sheets of printer's proofs featuring the standard illustrations after the aquatint plates, each with 4 illustrations, on laid paper, sheets c.630 x 390mm., folded, [c.1952], [Golden Cockerel Press]; plus a copy of the prospectus for the book initialled by JBW in pencil at foot (Cockalorum P189, one of 9700 copies), an A.L.s. from the author Phyllis Hartnoll dated Feb.7th 1952 to JBW praising his illustrations "...I feel I must write and say how enchanted I am with them!", and a cutting from 'The Times' of Hartnoll's obituary dated 28th January 1997 (sm.qty) ⁂ "A simple tale, as evanescent as the scent of wild thyme, into which Phyllis Hartnoll wove the mingled ecstasy and heart-break of young lovers. The sunshine and shadow of their April love that triumphs over all obstacles and outfaces death." Cock-a-Hoop In her letter Phyllis Hartnoll comments on the illustrations, "...They are...so entirely in the spirit of the story. I particularly liked the title-page, the cock-fight, the one on the ship and the one of the lovers together. But they are all beautiful, and I shall cherish my copy of the book very much...".
Los 455
Gillray (James) The Pigs possessed;-or- The Broad Bottom'd litter running headlong into ye sea of perdition, illustrating King George III dressed in a farmer's smock driving overfed pigs, with the faces of Whig politicians, over a cliff, etching with hand-colouring, on wove paper without watermark, sheet 410 x 300 mm. (16 1/8 x 11 3/4 in), pen and brown ink addition upper right that reads: 'The Mucking of Geordie's Byre', some rubbing and residual mount affixed to the margins, unframed [BM Satires 10719], published by Hannah Humphrey, 1807
Los 456
Gillray (James) -"More pigs than teats", -or- the new litter of hungry grunters, sucking John-Bulls-old-sow to death, showing John Bull, depcited as a yokel, overlooking an old exhausted sow feeding thirty-two piglets with human heads, etching printed in brownish-black ink with hand-colouring, on wove paper with watermark 'Rose & Turner/ 1806', sheet 280 x 405 mm. (11 x 16 in), repaired tear upper left, with upper edge tipped onto paper support with some cockling, minor surface dirt and light browning, unframed, [BM Satires 10540], published by Hannah Humphrey, 1806
Los 244
Two 20th Century watercolours, one by D.N. Morgan, a woodland scene, signed, 36cm x 47cm and a loch scene signed Grieg Hall, a reproduction print Squadron Leader Douglas Bade, with signature below, 26.5cm x 21.5cm and modern screen-prints, 'view of Westbourne Grove and View of Braziers Park' and another modern print , Christina M. C. Sheriff 'Fishers Lane from the River Cambridge' 1929, Etching, Signed in pencil to the margin, 23cmx 26cm, a map of Egypt, John Tallis and Company, London and another of Mexico, acolour print of a soldier standing beside another on horseback, 40cm x 30cm and a print of a figure looking towards a cottage
![Attributed to John Phillips (fl. 1810-1825), caricature, The September Sittings - A Demurrer [Lord Chancellor Eldon], Publish](https://cdn.globalauctionplatform.com/bcfbdee6-2ed2-4c1a-ae46-a73c00fc7a95/93774fd4-d831-4c0a-b621-f4224ff01c26/468x382.jpg)
Los 707
λ A Moroccan dagger, slender 13.5 in. blade adapted from a European sword, etching to the broad central fuller, narrow back fuller and reformed 7.5 in. false back edge, rhinoceros horn hilt of characteristic form with waisted grip rising to a fan shaped terminal, silver repousse collar and scrolling pommel ornament, silver repousse mounted scabbard with body of fabric covered wood, the long chape and locket richly decorated with foliate scrolls, 19th Century.
Los 343
Ernest Ullmann (South African 1900-1975) TWO GREEKS; TWO SEATED AFRICAN FIGURES; THREE STANDING FIGURES; GROUP, four a group of works comprising one unsigned drawing, two linocuts each signed in pencil and inscribed A/P in pencil in the margin, and one etching signed and inscribed A/P in pencil in the margin sheet sizes: 22 by 17cm, 24 by 21cm, 24 by 16cm, and 16 by 21cm (4)
Los 202
A GALLE CAMEO GLASS VASE, CIRCA 1900 of elongated shape, the mottled green glass overlaid with etched leaves, signed in cameo 51cm high Cameo glass is produced by etching and carving through fused layers of alternate coloured glass. Emile Galle realized the immense potential of this technique and began to use acid in conjunction with enameling in the production of his art works. The vessels were covered in a resist layer of wax, and then repeatedly dipped in hydrofluoric acid. The delicate and detailed patterns were worked in with pointed instruments, wheels and drills, and finally polished.
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78472 Los(e)/Seite