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78472 Los(e)/Seite
Los 95
Edwin EDWARDS (1823-1879) Brixham, 1863 Etching Signed, titled and dated within the etching 13.5cm x 22.5cm, 27cm x 35cm with the frame. Edwin Edwards (1823 – 1879) was a successful English artist who now is little known. Edwards didn’t become a professional artist until he was 38. He concentrated on etchings and landscapes of his native England. He was well liked and had many clients. About 54 of his works were accepted by the prestigious Royal Academy. He presented very realistic views of life in contemporary England. This etching shows the covered fish market in Brixham. An example can be found in the Royal Albert Memorial Museum and Art Gallery, though it is not currently on view. Shipping is available from £25.22 to a UK Mainland address.
Los 32
Ian McNeil COOKE (XX) West Wheal Owles and Edward, Botallack, Coloured etching Edition 1/12 Signed, titled and dated 1976 Plate size 31cm x 25cm, 52.5cm x 44cm with the frame Together with Hawthorn Bushes No.1 Coloured etching Edition 44/100 Signed, titled and dated 1978 Plate size 19cm x 16cm, 46.5cm x 38.5cm with the frame
Los 105
June HICKS (1935) and Yuklin COOKE (XX-XXI) Two etchings June HICKS (1935), Mylor Boats, etching in colour, signed, titled and numbered 6/25, 15cm x 20cm, 27.5cm x 32.5cm, together with Yuklin COOKE (XX-XXI), A Vase Of Flowers, coloured etching, plate size 31.5cm x 24.5cm, 57.5cm x 47.5cm framed. Shipping is available from £32.50 to a UK Mainland address.
Los 116
David Young CAMERON (1865-1945) Two etchings - Amboise & Newgate Amboise Etching Signed in plate 26cm x 15cm Newgate Etching Signed in plate and in pencil to margin 15.7cm x 12.5cm Postage for this lot is available to the UK for £25.22. Shipping is available from £25.22 to a UK Mainland address.
Los 190
Sir Hubert VON HERKOMER (1849-1914) Portrait Of A Girl Drypoint etching Plate size 19cm x 12.cm Signed in margin Together with a Victorian etched invitation to an exhibition of work by the artist, dated 1892 attached to the verso Frame size 38cm x 28cm Shipping is available from £25.22 to a UK Mainland address.This work is glazed using ArtGlass.
Los 205
JOAN MIRO (1893-1983), Untitled, original etching and aquatint, in colours, signed by the artist in pencil, published by Louis Broder, Paris, pub, printed by Crommelynck et Dutrou, Paris, France, Edition IV/XV, 18cm x 13cm, provenance, Collection of Mr William D Fraad, Greenwich, CT, framed. (Subject to ARR - see Buyers Conditions)
Los 464
Dame Laura Knight (British, 1877-1970) R.A. Charcoal and watercolour, Portrait of Ethel Bartlett. Signed and dated 1924 lower left. 43cm x 32.5cm, framed and glazed.Ethel Bartlett (1877-1970) - the aunt of the vendor - was regarded as one of England's most beautiful women at the time and was a favourite portrait subject for Laura Knight and her husband Harold Knight, who portrayed her many times over a period of 20 years. She was one half of the classical piano duo Bartlett and RobertsonLaura Knight, née Johnson, was one of Britain's most highly regarded artists in the first half of the 20th century; a figurative artist who worked in oils, watercolours, etching, engraving and drypoint in the realist tradition. She was made a Dame in 1929, and was the first woman to be elected a Royal Academician in 1936 after the original female members Angelica Kauffmann and Mary Moser. She moved with her husband Harold Knight to Cornwall where they became prominent members of the Newlyn School of plein-air artists, whilst her subject matter later embraced the world of theatre and ballet, marginalised communities and individuals, including Romani people, boxers and circus performers. She also worked as a war artist during the Second World War. In particular, her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists. Condition Report: This comes direct from the family .See Ethel Bartlett (1896-1978) at the Atkinson Art Galleries Collection also available on ART UK image reproduced with permission of the estate of Dame Laura Knight DBE, RA....
Los 577
Cecil Jensen (American 1902-1976), ' Sterling ' cartoon, pencil, pen and ink, heightened with white, signed upper right, possibly for The Sunday Telegraph, 23 x 36.5cm, Hugh Casson (1910 - 1999), Christopher Hughes, Marlborough, etching, signed in pencil lower right and titled lower left, 25 x 17cm, Alan Turner, The Middlesex Hospital, London, limited edition print, signed in pencil lower right and dated '85, titled lower left and numbered 131/250, 27 x 26.5cm, Andrew Fairburn Affleck (1877-1936), Chateau de Loches, etching, signed in pencil lower right, titled verso, 21 x 28.5cm, Queen's College, Cambridge, limited edition print, signed in pencil lower right, numbered lower left 107/550, label verso, 26 x 34.5cm and other pictures
Los 6633
Félix-Augustin Milius (French c1843-1894) after Ernest Ange Duez (French 1843-1896): 'Fin D'Octobre', etching signed in plate; Hubert Clerget (French 1818-1899): 'Source des Célestins', lithograph; Thomas Bewick (British 1753-1828): A Proud Lion , etching signed with initial in plate max 20cm x 27cm (3) (unframed)
Los 9081
English School (Mid 20th Century): Portrait of a Lady, pastel indistinctly signed and dated 1946; Philip Harris (British 20th Century): 'River Lane', artist proof etching with aquatint signed and titled in pencil together with two prints , two photographs and an original oil in one box max 45cm x 60cm
Los 326
Detmold (Edward Julius) Sunset with camel drovers and elephant, etching and aquatint printed in colours on thin chine, signed in pencil and numbered from an edition of 12, platemark 238 x 480 mm (9 3/8 x 18 7/8 in), good margins, carefully taped onto mount support at edges, some surface dirt and light browning, unframed, [early 20th century]
Los 333
Detmold (Edward Julius) The Captive, etching printed in brownish black ink, signed in pencil, on thin cream laid paper, lightly affixed at corners onto card support, platemark 355 x 300 mm (14 x 11 3/4 in), sheet 500 x 410 mm (19 5/8 x 16 1/8 in), minor exposure lines from previous mount, light spotting and surface dirt, unframed, [1923]; together with two etchings of women signed in pencil 'T. Mackenzie', various sizes, unframed, [early to mid-20th century] (3)Provenance:Collection of Colin White; by descent to the present owners, London
Los 327
Detmold (Edward Julius) Summer Solstice, etching and aquatint printed in colours on thin chine, signed in pencil and numbered from an edition of 12, platemark 530 x 325 mm (20 3/4 x 12 3/4 in), carefully taped onto mount support at edges, some surface dirt and light browning, unframed, [early 20th century]
Los 43
A GEORGIAN NAVAL DIRK late 18th or early 19th century, the blade of flat diamond section, retaining faint traces of etching, the hilt with gilt brass cross-guard decorated with foliage, with turned ivory grip, in its gilt mounted black leather scabbard with two suspension rings, 23cm bladeIvory Submission Reference: 9X29TYRZNote: You must be over 18 to purchase this item. By bidding on an edged weapon you are declaring that you are 18 years of age or over.
Los 243
* TOM MACKENZIE (SCOTTISH 1947 - 2018), BROTHER'S POINT limited edition colour etching on paper, signed, titled and numbered 18/40 mounted, framed and under glassimage size 45cm x 60cm, overall size 67cm x 80cm Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. In The Scottish Contemporary Art Auction of 12th September 2021, three colour etchings by Tom Mackenzie sold for hammer prices of £300, £320 and £340.
Los 242
* TOM MACKENZIE (SCOTTISH 1947 - 2018), THE BEACH ROCK limited edition etching on paper, signed, titled and numbered 32/75mounted, framed and under glassimage size 43cm x 60cm, overall size 68cm x 83cmNote: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. In The Scottish Contemporary Art Auction of 12th September 2021, three colour etchings by Tom Mackenzie sold for hammer prices of £300, £320 and £340.
Los 336
William Washington (1885-1956) St Olave's - Southwark - 1739-1928, engraving, 1929, on wove, signed in pencil, 38 x 31.5cm (visible size; framed); with - Will Pye, country scene, etching, signed below, 33 x 23cm; and a watercolour en grisaille of Glastonbury, late 18th or early 19th century 16.5 x 25cm (3)Glazed cracked to one of the frames
Los 287
Samuel Cousins (British. 1801-1887) 'Miss Bowles' (1875) - After Sir Joshua Reynolds,Mezzotint engraving,39cm x 30cm;With a further Mezzotint engraving after Sir Joshua Reynolds, titled 'The Age Of Innocence (1874), 39cm x 30cm; and a signed etching by Kenneth Holmes (1902-1994) depicting a View of the Thames showing cranes in Butler's Wharf with Tower Bridge in the background, 23cm x 37.5cm (3)
Los 312
Graham Evernden (1947-) Sunlit Wood 155/295 & Dappled Way 19/295, limited edition etching with aquatint; David Suff (1953) Homage 133/175, Threshold 113/175, Pathway 28/150, Shaded Urn 28/150, Rose Walk 28/150, Lavenham Walk 26/150, Conservatory Window 17/150, Conservatory Bench, 17/150 and Conservatory Corner 17/150, limited edition etchings (12)Provenance: Christie's Contemporary Art
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78472 Los(e)/Seite