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78472 Los(e)/Seite
Los 575
§ Ben Nicholson OM (1894-1982) Storm over Parossigned and dated 'Nicholson 65' (lower left); numbered 26/50etching, printed by F. Lafranca, with his blindstamp, published by Ganymed Original Editions Ltd. and Marlborough Fine Art Ltd., London, unframed38.5 x 43cmPaper has been fixed to mount board by four short lengths of tape (see images). The sheet uniformly age toned throughout and the margins with scattered foxing and staining. The image itself appears in good, clean order.
Los 577
§ Henry Moore OM, CH, FBA (1898-1986) Mother and Child A, 1980 (Cramer 709)signed 'Moore' (lower right); numbered X/XVetching32.5 x 38cmProvenance:With Lena Boyle Fine Art, LondonFrom the collection of Sir Christopher and Lady HowesFull sheet unframed: 32.5 x 38cmFramed - 39.5 x 45cmEtching - 10 x 12.5cmNot examined out of the frame, appears to be adhered to the backboard at the edges by short lengths of tape at each edge. Overall in very nice, clean condition.
Los 582
A group of seven unframed prints, to include: Josef Herman (1911-2000), Figure against a dark sky, signed 'Josef Herman' (lower right), numbered 10/70, lithograph, 57 x 80cm; Tom Phillips CBE, RA (1937-), Six Pieces OP. X, signed 'Phillips' (lower right), numbered 144/150, silkscreen, 76 x 56cm; Daniel Lang (1935-2013), Street Light, signed and dated 'Daniel Lang 1973' (lower right), numbered 109/150, screenprint, 55.5 x 70.5cm; Hans Erni (1909-2015), Artist's Studio, signed 'Erni' (lower right), numbered 20/75, lithograph, 56.5 x 76cm; Jean Carzou (1907-2000), Aurora, signed and dated 'CARZOU 70' (lower right), numbered EA 13/20, lithograph, 49.5 x 65.6cm; James Coignard (1925-2008), Untitled, signed 'J.Coignard' (lower right), numbered 28/75, carborundum etching, 76 x 58.5cm; and James Guitet (1925-2010), Untitled, signed and dated 'James Guitet 12.60' (upper right), numbered 1/20, etching with embossing, 50 x 39.5cm
Los 615
§ Hugo Wilson (1982-) Goodbye to Monkeys IIsigned 'Hugo Wilson' (lower right); inscribed with the dedication 'To the best Alison / This is not a poo in a box but I feel maybe the / next best thing - monkey balls' (lower centre); numbered A/P 1/5etching and aquatint, published by Pratt Contemporary and bearing their blindstamp46 x 36.5cm
Los 642
§ A group of four unframed architectural prints, to include: Gerd Winner (1936-), New York Wall, 1978, signed 'Winner' (lower right), screenprint, 99 x 66.5cm; Gerd Winner (1936-), Stage Proof, signed 'Winner' (lower right), screenprint, 78.5 x 83cm; Edwin La Dell (1914-1970), Meadows, Oxford, signed 'Edwin La Dell' (lower right), numbered 39/80, lithograph, 45 x 60cm; and Richard Beer (1928-2017), Covent Garden, signed 'Richard Beer' (lower right), numbered 63/100, etching and aquatint, 66 x 48.5cm
Los 653
Jesús Rafael Soto (1923-2005) Composition I, 1973signed 'Soto' (lower right); numbered 6/95etching with embossing, published by Marlborough Graphics72.5 x 72cmFramed and glazed beneath glass. The sheet demonstrates some cockling and some light creasing throughout, on the lower left hand edge there is a small loss and the lower right hand side with a small abraded area just above the signature. Some slight age toning to the sheet commensurate with age, though this is light and uniform, with a deepening of colour at the outermost edges where the sheet meets the mount board.
Los 667
§ Kim Lim (1936-1997) Untitledsigned and dated 'Lim 1968' (lower right); numbered 8/30etching, unframed59 x 56cmSome slight discolouration, though this is even and uniform, the outermost edge of the right hand margin with two small black stains and the lower edge with a very small brown accretion, all margins with creasing and the left hand edge with a small tear. The image itself in good condition.
Los 670
§ Jack Coutu ARE, ARCA (1924-2017) A group of three unframed prints, to include: Jungle, signed and dated 'Coutu. 65' (lower right), numbered 1/50, etching, 53 x 74cm; Witches Moon, signed and dated 'Coutu. 64' (lower right), numbered 45/50, etching and aquatint, 46 x 65.5cm; and Red Monolith, signed and dated 'Coutu. 64' (lower right), numbered 47/50, etching and aquatint, 66.5 x 48cm
Los 972
Denis Dighton ( 1792 - 1827 ) A View of Westminster Hall - During the Banquet Given In Honour of the Coronation of His Most Gracious Majesty - King George IV - 19th July 1821. Etching Size 11 x 17.5 Inches Approx ( 27 x 44 cms ) Including Margins. Drawn By Denis Dighton - Military Painter to his Majesty, Etching by Thomas Dighton Published by J. McGowan, Great Windmill Street, London. Based Upon - But Differing From the Watercolour of ' The Third and Last Challenge ' By the Champion During King George IV Coronation Banquet In Westminster Hall - 1821, With Extra Figures Foreground Right - Different Courtiers etc. Condition - Staining to Right Hand Side and Upper Left, Some Small Losses to Image In Places, Foxing to Mount, Unframed.
Los 100
James Abbot McNeill Whistler (1834 - 1903), Rotherhithe, original etching, signed & dated within the plate 1860, Kennedy 66 iii, image 27cm x 19.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, December 2000.Unframed, mounted in a card folio with hinged mounting tape. Elizabeth Harvey-Lee stock number in pencil bottom right, some paper discolouring with age, slight foxing and creases to the edge of the paper. With original invoice from Elizabeth Harvey-Lee dated 2000.
Los 101
Sir David Muirhead Bone (1876 – 1953), The Convent of St Payo – Santiago de Compostela, Spain, etching, 4th state, signed in pencil within the margin, plate 31cm x 18.5cm and the Canal & Bridge of SS Apostoli, Venice, drypoint etching, signed within the plate, image 34cm x 20cmThe collection of Joan Elizabeth Mary Streeter. Both etchings purchased Craddock & Barnard, December 1970 & February 1974.No obvious faults visible.
Los 104
Jacques Callot (1592 – 1635) The Crucifixion of Christ, copper plate engraving, plate 7.5cm x 6cm; together with Georg Jahn (1869 – 1941) Portrait of a woman in old Silesian national costume, original etching, circa 1900, image 28.5cm x 22.5cm; and Ethel Gabain (1883 - 1950) The Recluse, signed & titled in pencil, lithograph, proof edition of 12, image 37cm x 25.5cmQty: 3The collection of Joan Elizabeth Mary Streeter. Jahn purchased Elizabeth Harvey - Lee, November 2002. Gabain purchased Craddock & Barnard, December 1979.Gabain printed on thin brown paper, some paper discolouring showing signs of previous mounting, good wide border. Some whiter spots to the border and tears to the corners. Professionally repaired tear to the bottom of the border. Now mounted in a card folio with acetate front (not framed)Jacques Callot mounted on card (not framed), Georg Jahn mounted in a card folio with a loose acetate front (not framed)
Los 106
James Abbot McNeill Whistler (1834 - 1903), Vauxhall Bridge, etching, signed & dated within the plate 1861, 2nd state, on antique laid paper, image 7cm x 11.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, November 2003, ex collection of Robert Austin.No obvious faults.
Los 109
Felix Buhot (1847 – 1898), 'Les Petites Chaumieres', very fine signed proof etching, old tape marks visible, signed in pencil to Norbert Goenuette, Bourcard 149 iv, image 10cm x 14cm, together with 'Embarcadere a Trouville', drypoint etching, circa 1877, signed within the plate, Bourcard/Goodfriend 126 ii/iii, plate 20cm x 28cmQty: 2The collection of Joan Elizabeth Mary Streeter. Chaumieres purchased Craddock & Barnard, July 1985. Trouville purchased Elizabeth Harvey - Lee, November 1997
Los 110
James Abbot McNeill Whistler (1834 - 1903), The Thames Police (Wapping Wharf), etching, signed & dated within the plate 1859, from the Thames set, Kennedy 44 (fourth state), plate 15cm x 22.5cmThe collection of Joan Elizabeth Streeter. Purchased from Craddock & Barnard, February 1978.No obvious faults. Framed & glazed, ready to hang.
Los 115
Stanley Anderson CBE R.A, R.E.(1884 - 1966), A Mayfair Backwater – Crabb’s Opponent, drypoint etching, circa 1930, signed in pencil, Hardie 132, image 19.5cm x 24cm & Bush House from the Strand, etching edition of 50 proofs, signed within the plate and facsimile signature in the margins, Hardie 101, 18cm x 24.5cmThe collection of Joan Elizabeth Mary Streeter. Bush House purchased Craddock & Barnard, August 1983.
Los 116
James Jacques Joseph Tissot (1836 – 1902), Histoire Ennuyeuse, etching, signed and dated 1878 within the plate, margins beneath the mount, Beraldi 25, 31cm x 20cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, May 1976.No obvious faults. Framed & glazed, ready to hang.
Los 117
James Abbot McNeill Whistler (1834 - 1903), Thames Warehouses, Kennedy 38 ii, etching, signed & dated within the plate 1859, on De Erven watermarked laid paper, (watermark found on other proofs printed 1870-71) images 7.5cm x 20.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee.A small foxing spot left of centre bottom left of plate, otherwise no further obvious faults.
Los 118
Felix Buhot (1847 – 1898), Pluie et Parapluie, drypoint etching, circa 1870, signed in the plate, Bourcard 68ii, margins under mount, plate 11.5cm x 7.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, August 1980.No obvious faults. Framed & glazed, ready to hang.
Los 122
James Abbot McNeill Whistler (1834 - 1903), Free Trade Wharf, etching, circa 1877, Kennedy 163 v, final state, butterfly mark within the plate, image 10cm x 18.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, May 2002. The London Original Print Fair.No obvious faults.
Los 124
James Abbot McNeill Whistler (1834 - 1903), La Marchande de Moutarde, etching, signed within the plate, circa 1858, Kennedy 22v, plate 15.5cm x 8.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, January 1978.A small tear to bottom right corner, image intact. Framed & glazed.
Los 125
James Abbot McNeill Whistler (1834 - 1903), The Pool, etching & drypoint, signed & dated within the plate 1859, from the Thames set, Kennedy 43, plate 13.5cm x 21.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, July 1984.No obvious faults. Framed & glazed, ready to hang.
Los 127
Samuel Palmer (1805 - 1881), The Willow, probationary plate under election to the Etching Club 1850, initialed in pencil within the margins by Frank Short, Seymour Haden & FL Griggs, Alexander 1 iii, image 8.7cm x 6.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, June 1985. The receipt with additional handwritten pencil inscription re the image and history.Some discolouration to the top and right edges. No further obvious faults. Framed & glazed, ready to hang.
Los 130
Adolphe Appian (1818 – 1898) Bords du Ruisscau a Rossillon, 1867, etching, masked proof, signed and dated in the plate 1867, image 12cm x 22cm and Max Liebermann (1847 – 1935) In the Pasture - Auf der Weide (Bei Delden, Holland), soft ground drypoint etching, circa 1881, image 19cm x 23.5cm,Qty: 2The collection of Joan Elizabeth Mary Streeter. Liebermann purchased Elizabeth Harvey - Lee, October 1998.A light fold through the centre of the Adolph Appian, otherwise no further obvious faults.
Los 132
Francis Seymour Haden (1818 - 1910), Little Calais Pier (Port du Calais), first state etching, with pencil inscription in the margin to ‘Monsieur Felix Buhot from his friend Frederick Kappel’, signed & dated within the plate 1865, plate 8cm x 15.7cm, together with Winchelsea Canal, Schneiderman 150, etching & mezzotint, circa 1877 and later, penultimate state, cancelled in the first strike, on wove paper, image 15.5cm x 24cm and Twickenham Church, etching, signed & dated within the plate 1865, H107, plate 14cm x 21.5cmQty: 3The collection of Joan Elizabeth Mary Streeter. Little Calais Pier purchased Elizabeth Harvey - Lee, The London Original Print Fair.Twickenham Church purchased Craddock & Barnard, February 1986.No obvious faults.
Los 133
James Abbot McNeill Whistler (1834 - 1903), Early Morning Battersea, etching, signed and dated within the plate 1861, one of the Thames set, Kennedy 75, image 11cm x 14.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, October 1994.Paper discoloured, otherwise no other faults visible. Framed & glazed, ready to hang.
Los 134
Works by Camille Pissarro (1830 – 1903), Le Champ de Choux, circa 1880, soft ground etching, initialed in the margins C P, lower vignettes beneath inscribed in pencil, Delteil 29, image 24.5cm x 16.5The collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, May 1983.No obvious faults. Framed & glazed, ready to hang.
Los 138
Francis Seymour Haden (1818 - 1910), On the Test, soft etching, signed within the plate and also in pencil in the margins, plate 15cm x 22.5cM, together with Kensington Gardens II, etching, signed within the plate, circa 1860, plate 20cm x 12.5cm and The Towing Path, drypoint etching, Schneiderman 72, signed, dated & titled within the plate, circa 1864, signed in pencil in the margins, plate 14cm x 21.5cm Qty: 3The collection of Joan Elizabeth Mary Streeter.On the Test purchased Craddock & Barnard, August 1986.The Towing path purchased Elizabeth Harvey - Lee, November 2005.Kensington Gardens purchased Garton & Cooke, July 1985.A foxing spot on the top right on the Towing Path.Small tears to the top and bottom margins to OnThe Test.Kensington in good condition.
Los 140
Charles Francois Daubigny (1817 – 1878) La Gardeuse des Chevres, Cliché- Verre, Garrec edition, Delteil 141, image 34cm x 27cm & Les Vaches au Marais, original etching, 4th final state, Delteil 83 iv/iv, image 13.5cm x 23cmQty: 2The collection of Joan Elizabeth Mary Streeter. Both purchased Elizabeth Harvey - Lee, November 1987 & July 2007
Los 142
James Abbot McNeill Whistler (1834 - 1903), The Kitchen, etching, signed & titled within the plate, 1858, signed and inscribed within the plate, second state, plate 22.5cm x 15.5cmThe collection of Joan Elizabeth Mary Streeter. A bequest from Osbert Barnard of Craddock & Barnard, 1986No obvious faults. Framed & glazed, ready to hang.
Los 143
James Abbot McNeill Whistler PRBA (American, 1834 - 1903), Billingsgate, etching, signed & dated 1859 within the plate, plate 15cm x 22.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased DR to Craddock & Barnard, Museum Street, March 1972The etching with no obvious faults. Framed & glazed, ready to hang.
Los 146
Jean Baptiste Camille Corot (1796 – 1875) Souvenir De Toscane, etching, circa 1865, for the Gazette des Beaux Arts, delteil 1, Melot C1 iv/v, image 12cm x 17.5cm, together with Eugene Bejot (1867 – 1931) Le Jardin des Tuileries, etching with aquatint, signed & dated 1906 within the plate, edition of 40, Laran 250 vi/vi, image 20.5cm x 31.5cm and Alfred Taiee (1820-) Demolitions a Paris, engraving, image 15cm x 33cm.Qty: 3The collectio0n of Joan Elizabeth Mary Streeter. Corot purchased Elizabeth Harvey - Lee, June 2002,
Los 148
James Abbot McNeill Whistler (1834 - 1903), Le Forgeron (The Forge), drypoint etching, signed & dated 1866 within the plate, final state on Japan paper, image 19cm x 31cm The collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, April 2004. The London Original Print Fair.No obvious faults.
Los 153
Camille Pissarro (1830 – 1903), Cours La Reine – ou Bords de la Seine,a Rouen, edition 6/18, etching, drypoint aquatint, 1884, posthumous edition, initialed CP in the margins, Delteil 49 iii, image 12cm x 13.5cmFrom the Joan Elizabeth mary Streeter collection. Purchased Elizabeth Harvey - Lee, May 1996.No obvious faults. Framed & glazed, ready to hang.
Los 155
A collection of etchings, comprising - Joseph Pennell (1857 - 1926) St Pauls Pavement, etching, plate 21.5cm x 28cm; Donald Shaw Maclaughlan (1876 – 1938) Low tide – London River, etching, signed, titled and dated within the plate 1910, signed in pencil within the margins, 23.5cm x 31.5cm; David Lucas (1802 – 1881) The Young Waltonians after J S Constable, mezzotint, unsigned, 30cm x 42cm; Hester Frood (1882 - 1971) Gloucester Cloisters, drypoint etching, number 2 of 2, signed within the plate, signed & titled in the margins, 25.5cm x 18.5cm; and Sir Frank Short (1857 – 1945) The Street, Whistable, etching, signed in pencil in the margins, plate 24cm x 34cm and Sunrise over Whitby Scaur, aquatint, signed in pencil in the margins, 20.5cm x 31cmThe collection of Joan Elizabeth Mary Streeter. Pennell, Frood and McLaughlin purchased Craddock & Barnard, February, May & October 1971 .
Los 156
Rembrandt Harmensz Van Rijn (1606 – 1669), Canal with a large boat and bridge, etching, image 8.5cm x 11cmThe collection of Joan Elizabeth Mary Streeter. Purchased Christies London 18th June 1992, lot 176,Original Christies purchase invoice attached to the back. Paper trimmed close to the plate mark. Pencil inscription in Dutch below the plate. Possible restoration down the centre of the image. Paper generally discoloured from age.
Los 158
James Abbot McNeill Whistler (1834 - 1903), St James’s Street, London, drypoint etching, butterfly mark within the plate, plate 27.5cm x 15cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, 1989.Some small foxing spots, otherwise in good condition. Framed & glazed.
Los 165
Charles Meryon (1821 – 1868), three engravings, 'La Rue des Toiles – Bourges', image 20.5cm x 11.5cm; 'Partie de la Cite de paris vers la fin du XVII siècle, sur Larive Gauche de la Seine', image 14cm x 29cm, and 'Rue Pirouette Aux Halles', etching with engraving, circa 1860, image 12.7cm x 10cmThe collection of Joan Elizabeth Mary Streeter. Rue des Toiles purchased Craddock & Barnard, March 1976. Rue Pirouette purchased Elizabeth Harvey - Lee, June 2003.Partie de la Cite de paris with stained and a tear to bottom left and right corners. Otherwise all with no obvious further faults. Bourges framed & glazed.
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78472 Los(e)/Seite