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Preisdatenbank abonnierenJoseph Winkleman (b.1941) Etching and aquatint on paper "Four Walls", limited edition print, signed, dated 1987 and numbered 88/250 in pencil within margin, framed and glazed, image size 65cm x 49.5cm together with another by the same hand entitled "Bury Knowle", signed, dated 1985 and numbered 150/200 in pencil within margin, framed and glazed. (2)
Richard Beer (1928-2017) Etching and aquatint "Worcester", limited edition, signed, titled and numbered 48/100 in pencil within margin, framed and glazed, image size 50cm x 65cm, together with Frances Freueil acrylic on cardboard cubist-style painting of Aiguille du Dru mountain, signed and titled verso, framed and glazed, image size 23.5cm x 20cm (2)
Anthony Flemming (1936) Watercolour on paper and an etching The first titled Thames Barges in Front of the Royal Naval College, signed lower right, with a limited edition etching of the Ramsgate Trawler, numbered 25/200 and signed lower right in pencil (2), the first 33 cm x 19.5cm together with a signed etching by Jackson Simpson, The Harbour, signed and titled in pencil, 10 cm x 7.5cm (3)
Ivan Khokhlov (Russian, 20th century) Linocut Winnie the Pooh, signed in pencil lower right, framed and glazed, image size 31cm x 20cm, bears Moscow Branch of Art Foundation label verso, together with a 20th century Russian landscape etching, signed, titled and numbered 6/6 892 in Cyrillic, 22 cm x 19 cm (2)
Norman Wilkinson (British, 1878-1971) Drypoint etching Fly fisher netting a trout, signed in pencil lower right, framed and glazed, image size 24cm x 30.5cm, together with another by the same hand depicting a river scene with a trout jumping, signed in pencil lower right, framed and glazed, image size 23.5cm x 31cm (2)
Philip Mead (b.1948) Mixed media on board "Tilt (The Dance Series)", 1997, signed verso, label verso reading 'Exhibited in Mead's Solo Wake-Up Laughing Exhibition, Rocket Gallery, November 1997 to January 1998', 50cm x 35cm Peter Jacques Coloured etching "Two Self-Made Men, Each Thinking the Other More Self Made Than Himself", signed and dated lower right 1978, limited edition 3/50, framed and glazed, 41cm x 41cm
Two leather bound folios and contents. Containing a Muriel Orton Gery signed print 'The Foal', 14.5cm x 10.5cm, a needle book decorated with a landscape print, a Preston Gibb etching 'Canterbury gate Cathedral', signed, 29cmx 22.5cm, two early 20th century copies of 'The Studio Illustrated Magazine of Fine and Applied Art' and more
A SMALL QUANTITY OF PAINTINGS AND PRINTS ETC, to include a still study of wild flowers signed Paul Legagneur, oil on board, approximate size 56cm x 29cm, an indistinctly signed mixed media depiction of an imaginary sea creature, approximate size 29cm x 99cm, a portrait of a male figure from OFLAG XVIII a German prisoner of war camp, signed A Fraisseix 1942, coloured pencil on paper, approximate size 27cm x 19cm, a monochrome drawing of boats on a canal? signed Laqucitio (19)66, an etching of Fisherwomen of Cancale, together with assorted prints
VLADIMIR TRETCHIKOFF 'LOST ORCHID', a vintage print approximate size 53cm x 48cm, together with a monochrome Graham Clarke trial proof etching, approximate size 11cm x 15cm including visible margins and a Robbie Hornby abstract cityscape 'City Heights', signed and titled verso, acrylic on canvas (3)
BOOKS, Six Titles comprising THE TIMES ATLAS OF THE WORLD, Mid-Century Edition in 5 Volumes, edited by John Bartholomew, M.C.,LL.D. Cartographer by Royal Appointment of the late King George V Gold Medallist of the Royal Scottish Geographical Society, Vol. I The World, Australia, & East Asia, pub.1958, Vol. II South-West Asia & Russia, pub. 1959, Vol. III Northern Europe, pub. 1955, Vol. IV Southern Europe And Africa, pub. 1956 and Vol. V The Americas, pub. 1957, all editions in slipcases, most stained or torn, some handwriting to endpapers, EUROPE The Quest of Unity, compiled by Leith McGrandle with an etching by Pietro Annigoni pub. Ranelagh Editions
is a stunning original acrylic painting on canvas, depicting picturesque views over the River Orwell by Suffolk based artist Theronda Hoffman 100cm x 50cm Theronda Hoffman was born in South Africa. She has a BA degree in psychology and history and she completed a graphic full course under Ian Taiton which included techniques such as etching, aquatint, linocuts, monoprints as well as Lithography. She started work as a full time artist in 1989 and she now lives in Ipswich where her home includes a fabulous studio and gallery for people to visit and buy her amazing work. She enjoys travelling to broaden her horizons and her work has been influenced by Picasso, Chagall and has matured into a colour filled expressionistic realism, where she puts the unexpected together. Theronda’s motto in life is "I live to paint and paint to live!” Kindly donated by Theronda Hoffman
An opportunity to join at least 2 of Theronda Hoffman’s popular art classes to create your own masterpiece. Theronda Hoffman was born in South Africa. She has a BA degree in psychology and history and she completed a graphic full course under Ian Taiton which included techniques such as etching, aquatint, linocuts, monoprints as well as Lithography. She started work as a full time artist in 1989 and she now lives in Ipswich where her home includes a fabulous studio and gallery for people to visit and buy her amazing work. She enjoys travelling to broaden her horizons and her work has been influenced by Picasso, Chagall and has matured into a colour filled expressionistic realism, where she puts the unexpected together. Theronda’s motto in life is "I live to paint and paint to live!” Visit her studio and gallery on Main Road, Kesgrave or visit her website www.kesgravearts.co.uk Kindly donated by Theronda Hoffman
Renowned local artist Theronda Hoffman has generously agreed to create an original commissioned painting for the highest bidder. Where that’s a stunning landscape based on a photograph of a treasured memory, a favorite Suffolk landscape, a pet or family portrait or a striking animal. Painting description to be confirmed. Theronda, will create a unique, one of a kind lasting treasure especially for you. Canvas of up to 60CM X 60CM Subject, materials, sizing, medium and materials to be discussed with artist and agreed. This item is open to bidders not attending the event and will be subject to postage costs should the highest bidder live outside of Suffolk Theronda Hoffman was born in South Africa. She has a BA degree in psychology and history and she completed a graphic full course under Ian Taiton which included techniques such as etching, aquatint, linocuts, monoprints as well as Lithography. She started work as a full time artist in 1989 and she now lives in Ipswich where her home includes a fabulous studio and gallery for people to visit and buy her amazing work. She enjoys travelling to broaden her horizons and her work has been influenced by Picasso, Chagall and has matured into a colour filled expressionistic realism, where she puts the unexpected together. Theronda’s motto in life is "I live to paint and paint to live!” Visit her studio and gallery on Main Road, Kesgrave or visit her website www.kesgravearts.co.uk Kindly donated by Theronda Hoffman Subject, materials, sizing, medium and materials to be discussed with artist and agreed. This item is open to bidders not attending the event and will be subject to postage costs should the highest bidder live outside of Suffolk Note - the attached images are of artworks by the artist to give an idea of her style as the winning bidder with be able to get a special commissioned piece
George Soper RE (1870-1942) "The Quarry Team" (1920) Signed in pencil, black and white etching, together with two further signed etchings by the same artist "Autumn Ploughing" (1921) and "Timber Hauling Number 2", 19.5cm by 31cm, 18cm by 29.5cm and 19.5cm by 29.5cm respectively (3) a) The Quarry Team: Slight undulations, and low level creases throughout - see images in raking light. A couple of small lumps - faults in paper? Light timestaining/darkening of paper throughout, particularly at edges. A couple of foxing spots.b) Autumn Ploughing: Picture plane is pretty even. Timestaining and mottled brown patching particularly to the left side. Brown foxing spots throughout.c) Timber Hauling: Small bumpy undulations throughout - see images in raking light. Slight darkeing of paper with strong brown timestaining where in contact with mount. A few small brown spots around the nose of the 3rd horse from left.
William Lionel Wyllie RA RBA (1851-1931)"The Battle of Trafalgar"Signed in pencil, a black and white etching, together with two further signed etchings by the same hand of a similar subject matter, 19cm by 40cm, 17.5cm by 38cm and 17.5cm by 37cm respectively (3) (all unframed)1) Very slight undulations visible in raking light. One tiny pinprick indent with tiny brown mark top right corner. Possibly very slight darkening of paper and a few dark marks on the outer edge of the paper under mount bottom left corner. 2) Paper pretty flat and even. Tiny brown spot to the top right corner and one to the outer edge of the paper under the mount. Possibly very slight darkening of paper. 3). Very slight undualtions visible in raking light. One tiny brown spot to centre left sky, and a few dark marks at the edges of the sheet. Possibly very slight darkening of paper, particularly to top left corner under mount.
George Soper RE (1870-1942) Loading the cart in Winter Signed in pencil, black and white etching, together with two further black and white etchings by the same hand depicting a team of horses ploughing, 19.5cm by 32cm, 23cm by 34.5cm and 14cm by 24cm respectively (3) a) Pair Harrowing: Very slight undulations to the paper visible in raking light. Paper mottled yellowish throughout, particularly in the sky and around the horse. One lighter greyish patch in sky - possibly restoriation? A couple f darker brown spots.b)Loading Cart in Winter: Slightly bumpy paper/finescale undulations - see image in raking light. One small lump to the left of the post. Slight timestaining/darkening of paper, one yellow accretion in foreground.c) Cart being Pulled from Mud: Slight small scale undualtions to right and bottom edge and verticle 'wrinkling' to the centre of the sky - see image in raking light. One tight crease centre to edge - 1 inch long. Slight rubbing of paper in the foreground below the lead horse. Slight timestaining/darkening of paper particularly at the edges.
Arthur John Trevor Briscoe RE (1873-1943) "The Shadow of the Mainsail" Signed in pencil, black and white etching, together with a further signed black and white etching by George Soper "Landing Fish, St Ives", 16cm by 29.5cm and 18.5cm by 27cm respectively (2) a) The Shadow of the Mainsail: Undulations across image runing top to bottom. Yellow/brown timestaining around edges strongest where in contact wiht mount, slight darkening of paper throughout.b) Landing Fish, St Ives: Slighty bumpy/uneven picture plane. Slight darkening of paper with brown timestaining at the mount. A few minor foxing spots.
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