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Los 36

MARILYN SOUTHEY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (25/35) BLACK AND WHITE ETCHING, Inscribed with title “Tête-à-Tête”,5 ½” x 7”

Los 38

FRANCES ST CLAIR MILLER (20TH CENTURY), SIGNED AND NUMBERED 9/75 IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed “Luxembourg Gardens”, 14” x 13 ½”

Los 65

MERCIE K LACK, SIGNED IN PENCIL TO MARGIN, TWO COLOURED WOODBLOCKS, Inscribed “The Smith” and “The Stable Window”, 6” x 8” and 6 ½” x 5”; together with EDOUARD CHIMOT, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (1/3) COLOURED ETCHING, Erotic Subject, 5” x 7”, all mounted but unframed (3)

Los 71

PAUL CESAR HELLEU, SIGNED IN CRAYON TO MARGIN, BLACK AND WHITE ETCHING, Mother and Child, 10” x 14”, unframed (A/F)

Los 76

S L BROOKES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “The South Gate, Kings Lynn”, 7” x 5”

Los 77

FRANK PATON, SIGNED IN PENCIL TO LOWER MARGIN, BLACK AND WHITE ETCHING, “Royal and Ancient” (St Andrews 1798), 8” x 10”

Los 79

F B JOWETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “St Ives Bridge”, 7” x 9”

Los 80

BORIS O’KLEIN, SIGNED IN PENCIL TO MARGIN, HAND COLOURED ETCHING, ….. Beau Blond ?, 6” x 18”

Los 81

BORIS O’KLEIN, SIGNED, HAND COLOURED ETCHING, A La Queue, (Comical Parisian Dogs), 6” x 18”

Los 92

GRAHAM CLARKE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (208/400) COLOURED ETCHING, “Paris – First Stop”, 5” x 4”; together with GRAHAM CLARKE, SIGNED IN PENCIL TO MARGIN, COLOURED ARTIST’S PROOF ETCHING, Inscribed “Pilchard Practise”, 5 ½” x 7” (2)

Los 108

FRANK MARTIN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (80/150) COLOURED ETCHING, Inscribed “The Brasserie Hoffmann”, 12” x 18”, unframed

Los 766

An Surrealist etching and three other modern etchings

Los 537

Fred A Farrell, Buckingham Palace, etching, signed in pencil, framed.

Los 447

SUE WYATT. Unemployment, etching, pencil signed and dated 1933, Pl. 7 x 5 1/2 in; and a miscellaneous selection of prints including two steel plate engravings depicting the interior of Westminster Abbey; seven (7)

Los 423

Rowland Longuard, a framed etching Cleopatra`s needle and an oil on canvas, Paris on a rainy day. (2)

Los 183

Gerald Leslie Brockhurst RA (1890-1978), `Pepita`, etching, signed in pencil lower right, signed and , with Print Collectors` Club monogram in the plate, unframed, 11 x 10.5cm (4 1/4 x 4 1/8in)

Los 190

Edward Gilbert Hester (c.1843-1903), , after Cecil Aldin, A boxer puppy, etching, signed in pencil by both Aldin and the engraver, published 1899 by Thos. McLean, 43 x 34cm (17 x 13 1/2in), together with an engraving of `Dignity and Impudence` by George Zobel after Sir Edwin Landseer (2)

Los 193

Pieter Soutman (Dutch, 1580-1657), , after Sir Peter Paul Rubens, Silenum Patrem, Bacchi nutritium, Ventricosum temulentum, inter Satyras libidines spumantem, , tabella haec exhibet (`The Drunken Silenus`), etching, dated 1642in the plate, 45 x 49cm (17 1/2 x 19 1/4in)

Los 222

Louis Philippe Boitard , (French, fl. 1733-1767), A mother and her daughter, pen, ink and watercolour, inscribed `from the life` lower left, 18 x 11cm (7 x 4 1/2in). Engraved: the two figures can be seen in the crowd in Boitard`s etching The Covent Garden Morning Frolick, 9 October 1747 (British Museum) (see back of frame)

Los 322

An Art Deco painting of a man sat at a piano, possibly 1920s, with signs of restoration, together with a Limited Edition etching by Graham Everden of a rural landscape, with certificate of authenticity

Los 328

After Cecil Aiden, a colour etching `The Spread Eagle Inn` from the Old English Inns series, stamp for Eyre & Spottiswoods, signed in pencil

Los 380

Ward, Leslie Moffat. (1888 - 1978). Ely. A view of the cathedral from the harbour. A handcoloured etching. Signed L Ward in pencil.

Los 328

Collection of Welsh Rugby Union Centenary glass ware and other souvenirs – to incl 1981Glass engraved rugby ball – issued to JL Hayes mounted on a wooden plinth, 1980 Welsh Rugby Union Centenary Commemorative FDC depicting a Welsh And French player and Commemorative Envelope –mounted on a card holder, and Welsh Rugby Union Centenary Presentation Copper Etching – Centenary Year 1980/81, celebrating 8 Grand Slams and 16 Triple Crowns to front, and mounted in gilt frame overall 24cm x 32cm . (VG) (3)

Los 7

AFTER THOMAS ROWLANDSON (1756-1827) "A Kick-Up at a Hazard Table!", published by William Holland 1790, signed within the image with title to the margin, hand-coloured etching, 14.25" x 19", and another hand-coloured engraving after Rowlandson 1789 (2)

Los 8

AFTER THOMAS ROWLANDSON (1756-1827) "Smithfield Sharpers" or "The Countrymen Defrauded", published 1787 and etched by IK Sherwin, printed title to the margin, hand-coloured etching, 13.25" x 16", and a pair of hand-coloured engravings after Rowlandson "An Italian Family" and a"A French Family" (3)

Los 12

AFTER JOSEPH MALLORD WILLIAM TURNER (1775-1851) A view of Worcester College, engraved by James Basire, titled with details to the margin, (note the incorrect artist`s initials on etching), engraving, 16" x 21.75" and a folio of other topographical etchings including views of Oxford (a lot)

Los 17

JAMES ABBOTT MACNEIL WHISTLER (1834-1903) Billingsgate on the Thames", 1859, from a series of sixteen etchings on the Thames, signed and dated within the image, etching, 6" x 9" (plate). See illustration

Los 20

WALTER GREAVES (1846-1930) "The Chelsea", printed signature within the image, and further signed in pencil to the margin, etching, 4.25" x 8.75" (plate)

Los 21

WILLIAM LIONEL WYLLIE (1851-1931) "The Princes Royal and Lion during battle", published 17th June 1918, signed in pencil to the margin, etching, 12" x 23.5". See illustration

Los 32

SALVADOR DALI (1904-1989) "Molten Clock", printed signature and date 1968 within the image, further signed in blue to the margin, Collectors Guild Ltd and Society of the Verification of New Engravings authentication label, verso, polychrome etching, 6.75" x 4.75" (plate). See illustration

Los 33

SALVADOR DALI (1904-1989) "Galas Godley Back", signed in pencil to the margin and initialled E.A in pencil, published by Transworld Art, drypoint etching with stencil, 15.75" x 12" (plate). See illustration

Los 39

SAMUEL PALMER (1805-1881) "The Herdsman`s Cottage", etching, 4.5" x 3.5"

Los 49

JAMES BRETHERTON (fl. 1770-1790) After the original by William Henry Bunbury (1750-1811), "Warley-Ho!", titled and inscribed 1782 to the plate margin, etching, 11" x 15.75" (plate) and a hand coloured etching "Money Lenders" by Thomas Rowlandson, engraved by WH Humphrey (2)

Los 52

AFTER JACOB RUYSDAEL (1625-1682) Knarled tree within a cottage landscape, printed signature in margin within the plate, 18th century impression, etching, 7.75" x 10.75" and an etching of a landscape with cattle after Nicholas Berghem (1620-1653) (2)

Los 54

JOHN CROME (1768-1821) Study of tree trunks either side of a lane, possibly from an edition published by the artists widow in 1834, soft ground etching, 8" x 6.5" (plate) and "Road at Heathersett, Norfolk" after John Crome (2)

Los 55

SAMUEL PALMER (1805-1881) "Opening the Fold" from Virgils "Eclogues", printed signature within the image, etching, 4.5" x 6.25"

Los 56

ADRIEN VAN OSTADE (1610-1685) "La Fileuse", printed signature and date 1652 within the image, etching, 5.5" x 7" (plate). See illustration

Los 57

REMBRANDT VAN RIJN (1606-1669) Landscape with a cow watering beside a barn, H.240, B.257, M.164, second state (circa 1650), etching, 4" x 5" (plate). See illustration

Los 58

REMBRANDT VAN RIJN (1606-1669) "Jacob & Laban", B.118, H.183, second state, printed signature in reverse and dated 1641 within the image, inscribed in sepia ink indistinctly and dated 1815, verso, etching, 5.75" x 14.5". See illustration

Los 59

REMBRANDT VAN RIJN (1606-1669) "The Virgin & Child with the Cat", R.63, H.275, first state with white spots, printed signature, dated 1654 and initialled cartouche "CABD" within the image, sunflower and letter "D" collectors stamp for the Donnadieu Collection, verso, etching, 3.75" x 5.75" (plate). See illustration Provenance: The collection of Captain Alcide Donnadieu (1791-1861)n (Lugt. 726) Collection recorded as being dispersed in three Sotheby`s sales: Sale I on 22nd June 1836 and Sale III on 4th May 1866 note engravings by Rembrandt.

Los 60

REMBRANDT VAN RIJN (1606-1669) "St. Jerome in a dark chamber", H.201, R.105, Muntz.247, second state, printed signature and date 1642 within the image, etching, 6" x 6.75". See illustration

Los 61

REMBRANDT VAN RIJN (1606-1669) "Rembrandt and his wife Saskia", H.144, R.19, Muntz.21, second state, printed signature and date 1636 within the image, black collectors monogram for the Ginsburg Collection and indistinct pencil inscription "... W. Knighton`s ..." etching, 4.25" x 3.75" (plate). See illustration Provenance: The collection of Dr. Christian David Ginsburg (1831-1914) (Lugt.1145). The collection is recorded as being dispersed at Sotheby`s 20-23rd July 1915 and records a notable amount of Rembrandt engravings.

Los 66

CHARLES MERYON (1821-1868) "Le Stryge" 1853, six state of eight before the title, printed initials within the image, printed signature, reverse date and publishers details to the margin, etching, 6.5" x 4.75", oval. See illustration

Los 69

AFTER EDOUARD MANET (1832-1883) "Baudelaire de Profil en Chapeau", 1862, printed monogram and publishing details within the image, dry point etching, 4" x 3.25"

Los 300

Misc. collection of art incl. a charcoal depicting a woman 14 x 7 cms, an etching depicting the wind and a black and white tribal figure 13 x 17 cms together with an original Japanese pen and ink drawing depicting three figures signed bottom right, Yoko inscribed Margaret and James, Yoko, provenance New York 19 x 14 cms together with an oil on board figure of a naked lady signed Yoko to the back of the painting. 41 x 30 cms.

Los 604

Fairbanks and Sykes Fighting Knife Some Etching to Blade

Los 1200A

Early 20th century dry point etching of a young girl, indistinctly signed in pencil 14 x 10in. (36 x 25cm)

Los 1132

REVISED ESTIMATE: £200-300. William Lionel Wyllie RA (1851-1931) - `Tantallon Castle and Bass Rock`, dry point etching, signed in pencil 9 x 29in. (23 x 74cm)

Los 1193

W L Wyllie, etching , scene of London and the Thames, signed 6½ x 14.40in. (15 x 37cm)

Los 1209

Edgar J Maybury, etching of Blackfriars Bridge, London Executor sale; From the collection of a Bournemouth connoisseur collected by him and his father over the last 50 years 26 x 21in. (66 x 53cm)

Los 1233

W L Wyllie dry point etching seascape signed in pencil Executor sale; From the collection of a Bournemouth connoisseur collected by him and his father over the last 50 years 9 x 20in. (23 x 51cm)

Los 1262

W L Wyllie. Dry point etching moored boats, signed in pencil Executor sale; From the collection of a Bournemouth connoisseur collected by him and his father over the last 50 years 9 x 12in. (23 x 30cm)

Los 1309

Etching - "Homeless" late 19th century, and another "The Apple Picker" 13"x16" and 17"x12.5" (in frames).

Los 198

After John Hamilton Mortimer (1740-1779), SELF PORTRAIT, AN ETCHING HIGHLIGHTED WITH HAIR; A PLAIN ETCHING Two, oval 35 x 29cm (2)

Los 213

*Elize von Holleben (German), `CURTAINS`, etching with aquatint, signed in pencil, inscribed with title and dated plate size 49 x 38.5cm; Diana England, `SWIMMING POOL NO.1` etching with aquatint, signed in pencil, inscribed and numbered 1/25 plate size 49.5 x 49.5cm; Jean Marriott, `BLIND GEESE AND DOORS` etching with aquatint, signed in pencil, inscribed and dated `75 and numbered 2/15 plate size 50 x 42.5cm, with lunette above (3)

Los 215

*Olwen Jones RWS (b.1945), `MICROFORM I`; Lithograph printed in colours, signed in pencil and inscribed and numbered 27/30 Sheet size 60 x 52cm; and another by the same hand, `PLANET FORM I` Screenprint and etching with aquatint, signed in pencil, inscribed with title and numbered 1/20 plate mark 46 x 40cm (2)

Los 220

*Walter Hoyle (1922-2000), PLANETS, 1969, etching and aquatint, signed in pencil, inscribed with title and numbered 53 /60 Sheet size 79 x 58cm

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