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78472 Los(e)/Seite
Los 405
British School, late 18th/early 19th century- "Faith"; hand-coloured mezzotint engraving, oval verre eglomise mount with oval aperture, in a gilt metal mounted frame, 13x10cm: J Hinton, 44 Well St., Publ 9 November 1807- "Autumn"; hand-coloured etching, 16x11cm: British School, late 18th/early 19th century- Europe; hand-coloured mezzotint engraving, 16x12.3cm: Carrington Bowles, No 69 St Paul`s Church Yard, London, Publ 2 January 1792- "The Blacksmith Turned Tooth Drawer"; hand-coloured mezzotint engraving, 15.5x12cm: Carrington Bowles, No 69 St Paul`s Church Yard, London, Publ 1 May 1793- "The Discord of Matrimony"; hand-coloured mezzotint engraving, 15x11cm: Robert Sayer, Fleet Street, late 18th/early 19th century- "Too Young to Fly"; hand-coloured mezzotint engraving, 15.5x11.5cm: P Stampa, London, Publ July 24 1800- "Archduke Charles of Austria"; hand-coloured mezzotint engraving, 18x12.3cm., (7) Provenance: from the collection of the Estate of the Hon Christopher Lennox-Boyd
Los 466
Theodore Irving Dalgliesh, British 1855-1941- Lady rowing by a mill with others watching on a bridge, Publ. Oct 16th 1905, W R Havell; etching, signed in pencil, 51x34cm: J Reginald Taylor, British 20th century- "Gaya"; etching, signed in pencil, 12.5x15.2cm: together with another etching by the same artist depicting `A North Devon Estuary", signed and titled in pencil, 6x25.5cm: Richard Moser, Austrian 1874-1924- A building courtyard; etching, signed in pencil, 29.5x18cm: Axel Herman Haig, Swedish 1835-1921- "Santa Maria del Mar, Barcelona"; etching, signed with monogram and dated 1889 within the plate, signed and titled in pencil, 42.5x28cm: together with a 19th century lithograph of a portrait of a gentleman in a rosewood veneered glazed frame, (6)
Los 494
Louisa H Harris, British exh 1894-1920- Lake and forest scene; watercolour, signed, 27x37.5cm: F H Howard Harris, British exh 1882-1901- Haymaking; watercolour, signed, 27x37cm: Briton Riviere RA RE, British 1840-1920- Child and her dog with a gaggle of geese; etching, signed twice within the plate, stamped `Artist`s Proof London`, 53.5x42.5cm, (3)
Los 580
Martin Taylor, British, b.1954- "Shadows": etching with aquatint printed in colours, signed, titled and numbered 51/150 in pencil, embossed with blind stamp, 29x41cm: together with five further etchings with aquatints printed in colours entitled "Oak Shadows", "Spring", "Winter", "Barns" and "Headland", ea. signed, titled and numbered in pencil, ea. embossed with blind stamp, various sizes: Michael Pettersson, British, b. 1938- "Elmswell Church"; etching with aquatint printed in colours, signed, titled, dated `86 and numbered 133/150, embossed with blind stamp, 26x40cm: together with six further etchings with aquatint printed in colours by the same artist, entitled "Flooded Marshes, Dedham", "Swans", "Riverside Inn", "Butley Creek", "Ramshott", "Orwell", ea. signed, titled and numbered in pencil, ea. embossed with blind stamp, various sizes: Patricia Langmead, British, Late 20th/early 21st century- "Felpham Beach"; etching with aquatint printed in colours, signed, titled and numbered 31/200 in pencil, 27.5x35cm: together with two further etchings with aquatints printed in colours entitled "The Wharf" and "Towpath", ea. signed, titled and numbered 6/200 and 4/200 respectively, ea. 35x45cm, (unframed), (16), (may be subject to Droit de Suite)
Los 582
Martin Taylor, British b.1954- "Big Ben from St James` Park"; etching with aquatint printed in colours, signed, titled and numbered 14/150 in pencil, 40x55cm: David Bowyer, British late 20th/early 21st century- "Embankment"; etching with aquatint printed in colours, signed, titled, dated `87 and inscribed AP in pencil, 34.8x42.5cm: together with three further etchings with aquatint printed in colours by the same hand entitled "Greenwich", "Windsor Castle" and "Bauden Bridge", ea. signed, titled, numbered and dated, with blind stamp, various sizes: Paul Draper, British b.1947- "Seven Dials" offset lithograph, signed and numbered 443/500 in pencil, 38x49cm: Alyson Stoneman, New Zealand b.1948- "Bedford Row"; etching with aquatint printed in colours, signed, titled, dated 1977 and numbered 1/60 in pencil, 32.8x41.7cm: After John Saddler, British 1813-1892- "Putney Bridge" after John O`Connor RI; handcoloured etching, 19.3cmx40cm: Jeremy King, British b.1933- "Snow in Oxford"; lithograph printed in colours, signed and inscribed `Artists Proof 8/25` in pencil, 40.5x61cm: Ashley Bloch, British, 21st century- "Thames at Chelsea"; etching with aquatint printed in colours, signed, titled and numbered 24/350 in pencil, 38.5x59cm, (unframed), (10) (maybe subject to Droit de Suite),
Los 588
Katie Clemson, Australian 1949-2007- "Comon Team"; lithograph printed in colours, signed titled, dated 1981 and numbered 10/25 in pencil, 67.5x48cm: Mary Beresford-Williams NSA, British b.1931- "The Beach Ball"; lithograph printed in colours, signed, titled, dated `81 and numbered 10/25 in pencil, 52x38cm: together with two further lithographs printed in colours by the same hand entitled "Night Race" and one depicting a mother and child at the beach, both signed, dated and inscribed in pencil, various sizes: Adrian George, British b.1944- Female nude in the shower; lithograph printed in colours, signed, dated 1981 and numbered 16/75 in pencil, 79x58.5cm: Pete Kosowicz, English b.1959- "Kate with Daffodils"; etching with aquatint printed in colours, signed, titled, and numbered 3/35 in pencil, 50x39.5cm: Steve Farell, British, late 20th century- "Babels Tower"; etching with aquatint printed in colours, signed, titled, dated `88 and numbered 6/50 in pencil, 55x39.2cm: Simon Marsh, British b.1961- "Early Diver"; etching with aquatint printed in colours, signed, titled and numbered 6/10 A/P in pencil, 21x49cm, (unframed), (9), (may be subject to Droit de Suite)
Los 638
D Taylor, British late 20th/early 21st century- "Tailor Made"; mixed technique screenprint in colours, signed, titled and numbered 80/120 in pencil, 77.5x56cm: Neil Bassant, British mid/late 20th century- "The Road Through Cuxton"; mixed technique etching with aquatint, signed, titled, dated `65 and numbered 8/10 in pencil, 50x60cm: together with another print by the same artist titled "Chatham: Night", signed, titled, dated `65 and numbered 1/10 in pencil, 45x57cm: together with a quantity of prints and reproductions by and after various contemporary hands including two Oriental prints, a number of unframed original works and reproduction prints in colour by and after Paul Mann, British 1907-1994, (a lot), (may be subject to Droit de Suite)
Los 654
Valerie Thornton, British 1931-1991- "St Margaret`s Kings Lynn"; etching with aquatint printed in colours, signed, titled, dated `78 and numbered 45/50 in pencil, 58x40cm: together with another etching with aquatint by the same artist entitled "Estella", signed, titled, dated `76 and numbered 31/70 in pencil, 44x29cm, (2) (may be subject to Droit de Suite)
Los 657
British School, late 20th century- "Northern Spring"; mixed technique print with embossing, signed, titled, numbered 47/100 and dated 1976 in pencil, 71x54cm: together with two other similar prints entitled "Dawn" and "Clouds over Hills" by the same artist: Wilkinson, British late 20th/early 21st century- "Fellside in Winter Sunlight of January"; etching with aquatint printed in colours, diptych on two sheets, signed on one sheet, titled and numbered 45/80 in pencil on the other sheet, ea. 40x48cm: together with another diptych by the same artist titled "Sunlight and rain across Nab scar/Rydal, winter morning", ea. 39.5x50cm, (5 in 7 frames)
Los 670
European School, late 19th/early 20th century- Standing draped male nude; black chalk heightened with white on buff paper, 67x34cm: European School, early-mid 20th century- Group figure study; etching with drypoint, unsigned, 34.5x34.5cm: Mid-Late 20th Century- Sunbathers; watercolour, signed with monogram and dated 72 in pencil on the mount, 49x32cm: (3) (part unframed)
Los 220
Frederick Landseer Griggs/Fen Monastery/signed and numbered 24/44/etching Condition Report: There are a few marks on the paper which show in the image otherwise in good condition, comes from the collection of the late John Limbrey, who was chief designer to Robert Welsh of Chipping Campden, he was steeped in the Arts and Crafts and the Guild of Handy Craft movements
![James McIntosh Patrick [ARR]/Highland Landscape/signed and numbered, 15/75/etching/18 x 25.5cm (7" x 10")/ARR - Artist's Resa](http://lot-images.atgmedia.com/SR/1804/2871318/221-2013712155433_468x382.jpg)
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78472 Los(e)/Seite