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Los 67

After Valerie Thornton (1931-1991) - `Rooftops, Estella`, ltd ed 9/70, colour etching, pencil signed, titled and dated `77 to margin, 65 x 41 cm

Los 114

After Morland - two engravings - `Gypsy`s Stealing a Child`, 41 x 54 cm and child recovered, 40 x 56 cm to/w etching of mother and children pencil signed Helene Fornstretcher (3)

Los 446

John crome composition sandy wood 1813 etching published by the artists widow 1834, or later, and four various other prints

Los 458

Percy lancaster a dutch town etching signed in pencil and a watercolour attributed to henry bright

Los 25

T.J. Greenwood - etching of a wren, signed in pencil in the margin and numbered 28/100, 4 1/4" x 3", together with a further small picture of goldcrests by the same artist (2).

Los 39

Sydney Jones (19th /20th Century) - St. Mary-le-Bow, Cheapside, 15" x 7 3/4", etching, signed in the margin and further views by the same artist, including The Strand, Staple Inn, Holborn etc.

Los 388

Richard Bawden (b.1936), The Novodichy Convent Moscow, coloured etching no. 26/85, signed in pencil to the margin, 36 x 46cm

Los 1393

Four 1st editions in similar bindings ``Etching & engraving`` by John Buckland-Wright, ``An introduction to English Silver`` by Peter Whilding, ``Britain in verse and Sketch`` by Lindley Searl and ``Fourteen illustrators`` a series of short essays 100 copies printed 1977.

Los 375

AFTER BRENDA HARTILL "Arches I", limited edition black and white etching No`d 1/100 together with AFTER JULIA MIDGLEY "Party Party", black and white etching, signed, titled and numbered in pencil (2)

Los 377

WALID ABU-SHAKRA "Valley", black and white etching, limited edition no`d 7/30, signed and dated 1975 in pencil, together with two others by the same artist (3)

Los 380

AFTER KATHLEEN CADDICK "Shadows", study of trees in a winter landscape, coloured etching, limited edition no`d 147/150, signed and titled in pencil, together with five others by the same artist (6)

Los 394

RONAL CARR "Study of the Owl and the Pussycat", oil on velvet, dated `97, ZEN "Facade I", black and white etching, dated `57, a pair of mixed media studies of African ladies and DAVID ROLT "Study of hands" pen and ink plus two others by the same hand

Los 403

IN THE MANNER OF WILLIAM LIONEL WYLLIE "Steamboats, paddle steamers amd frigates in an estuary scene", black and white etching, a pair of black and white equestrian and figural limited edition engraved prints, and a black and white etching of a head study of a dog

Los 408

AFTER VAL TEMPLE "Antelope", black and white etching No`d 6/35, plus three further etchings/engravings

Los 482

Fawley (Charlotte) “Der Rosenkavalier” Glyndbourne 1980; a large scene from “La Clemenza de Tito” Glyndbourne 1995; a large drawing of Andris Lieper and partner in a Firebird rehearsal 1997 the second in watercolour the others in coloured pastels captioned signed and dated the last with an inscription by Lieper all framed and glazed; and two other drawings by Fawley § Mynnsen (Anne) Pencil and watercolour portrait of Fiona Chadwick as Juliet captioned and signed framed and glazed 298 x 198mm. § Brouet (Auguste) Le Salut etching depicting a ballerina taking a curtain call signed and numbered 62/100 framed and glazed image size 130 x 178mm.; and two others v.s. (9)

Los 191

AFTER JAMES A. M. WHISTLER (American, 1834-1903) Limehouse, etching on laid paper, 5" x 8", mounted but unframed

Los 194

PERCY J WESTWOOD (British, 1878-?)`Cleopatra`s Needle`, signed and title in pencil in the margin, etching, 5 1/4" x 8 3/4" and two further prints (3)

Los 196

FREDERICK FARRELL (British, 1882-1935) `The Horse Guards`, signed in pencil in the margin lower right and titled verso, blind stamp lower left, etching, 8 3/4" x 13"

Los 45

William Lionel Wyllie, `The Battle of Trafalgar`, drypoint etching, signed in pencil, 39 x 88 cm (15 1/4 x 35 in.)

Los 46

William Lionel Wyllie, River Scene with Shipping, probably The Thames at Tilbury, drypoint etching, signed in pencil, 30 x 49 cm (11 3/4 x 19 1/4 in.)

Los 47

Cecil Aldin, `I`m not allowed on this Sofa`, limited edition drypoint etching 82/100, signed in pencil, 20 x 31.5 cm (8 x 12 1/2 in.)

Los 771

William Lionel Wyllie RA, RI, RE, NEAC (1851-1931) "Steamships off Gibraltar" Signed artist`s proof, inscribed verso, black and white drypoint etching, 16cm by 37cm (pl)

Los 772

William Lionel Wyllie RA, RI, RE, NEAC (1851-1931) "Tynemouth" Signed artist`s proof, black and white etching, 16cm by 37.5cm (pl)

Los 773

Tom McGuinness (1926-2006) "Women at the Colliery Gates" Signed artist`s proof, limited edition print, 50/50 and dated (19)86, black and white etching, 12cm by 14.5cm (pl)

Los 777

Tom McGuinness (1926-2006) "Night Shift" Signed artist`s proof, limited edition print 48/50, dated (19)76, black and white etching with some aquatinting, 7cm by 9.5cm (pl)

Los 788

Alberto Giacometti (1901-1966) Swiss "Annette de Face" Signed artist`s proof, 15/50, originally produced in 1961, black and white etching, 20.5cm by 5.5cm (pl) Possibly a second edition

Los 56

ANTHONY GROSS (1905-1984) Etching, Malandam`s Barn, signed in pencil dated 1923, p 7" x 7.5", framed.

Los 76

MARIANO ANDREU (Spanish 1888-1977) Etching, The Dressing Room, unsigned, Published 1928, No. 173/300, p 7" x 5", framed.

Los 164

JOHN LEWIS STANT Etching, Street scene, Holborn, signed in pencil, p 10" x 6", and an etching, Shambles, York, indistinctly signed in pencil, p 7.75" x 4.75", (2), framed.

Los 189

DOROTHY SWEET Etching, Mermaid Street, Rye, a coloured etching, Continental Street scene, indistinctly signed, and 2 coloured stipple engravings, Portraits of Gainsborough Ladies, (4), framed.

Los 191

A K KIMM Watercolour, Country church, signed and dated 1929, 7" x 10", Colour lithograph after Charles Horne, Rough seas and an etching after Corot, Lake scene, indistinctly signed in pencil, i 16" x 20", (3), framed.

Los 348

MARGARET AULTON Etching, Venice Lagoon, signed in pencil, p4.75" x 10.5", together with 3 other etchings, various artists (4), framed.

Los 509

Herkomer (Hubert). Etching and Mezzotint Engraving, Lectures Delivered at Oxford, 1st ed., 1892, decorative etched frontis. of a print maker cutting a plate, twelve further etched plates (complete as list), very occ. spotting throughout, untrimmed, comtemp. cloth gilt, stained, spine faded, 4to, together with, Baldry (A. L.), Hubert von Herkomer R.A., A Study and a Biography, 1901, etched portrait frontis., dec. title page printed in red & black, half title, fifteen b & w gravure plates and ninety-two photographic illustrations (complete as list), contents shaken, t.e.g., orig. pubs. cloth gilt, rubbed and frayed at extrems., folio, with, Herkomer (Professor Sir Hubert), My School and my Gospel, 1908, title and half title, tipped in colour frontis., numerous tipped in plates throughout, contemp. qtr. cloth, printed label to spine, 4to, together with another four similar (7)

Los 234

* Bath. Cossley (Elizabeth Claybourn), This print was etch’d & the original Drawing was taken by Eliz. Claybourn Cossley from the Corner House at the East End of the North Parade at Bath for which Drawing she had the Honour of a Gold Medal as a premium from the Society of of Arts, Manufactures and Commerce in the year 1759, uncoloured etching, slight spotting and dust soiling, image size 320 x 485mm, framed and glazed. Uncommon. A copy is held by the Victoria Art Gallery in Bath. (1)

Los 250

* Dutton (Thomas Goldsworth). The Naval Review at Spithead, 23rd. April 1856, lithograph after P.J.Ouless, original hand colouring, several repaired closed tears, slight staining, cracking and abrasion to print surface, 475 x 660mm, mounted, framed and glazed, together with, Canot (P. O.), To the Honourable Sir Edward Hawke, Admiral of the Blue....., This Representation of the Glorious Defeat of the French Fleet......, off Belle Isle on the 20th November 1759, uncoloured etching after R.Paton, trimmed to image, stained and rubbed, some surface abrasion and occ. closed tears, later printed title attached to mount below image, 380 x 620mm, mounted, framed and glazed, with, [H.M.S.Victory], Untitled etching, n.d., c.1920, hand coloured etching, old folds, some surface dirt, 305 x 480mm, mounted framed and glazed, together with three others similar (6)

Los 277

* Piranesi (Giovanni Battista, 1720-1778). Veduta della Piazza del Popolo, c.1760, etching on laid with margins, 405 x 545mm, mounted. 1st. edition, 3rd. state. Hind 14. (1)

Los 278

* Piranesi (Giovanni Battista, 1720-1778). Veduta sul Monte Quirinale del Palazzo dell’ Eccellentissima Casa Barberini, Architettura del Cavr. Bernino, c.1760, etching on laid with good margins, old printers fold, 405 x 615mm, mounted. 1st. edition 2nd state. Hind 25. (1)

Los 279

* Piranesi (Giovanni Battista, 1720-1778). Veduta del Palazzo Odescalchi, c.1760, etching on laid with good margins, slight staining and spotting, 405 x 620mm, mounted. 1st. edition, state 2. Hind 26. (1)

Los 280

* Piranesi (Giovanni Battista, 1720-1778). Veduta del Romano Campidoglio con Scalinata che va alla Chiefa d’Araceli, c.1760, etching on laid with margins, one small repaired closed tear just affecting image, 405 x 545mm, mounted. 1st. edition, state 2. Hind 38. (1)

Los 281

* Piranesi (Giovanni Battista). Veduta degli Avanzi delle Camere sepolcrali de’Liberti, e Servi, ec. della Famiiglia di Augusto, Tom. III, XXII, Paris edition, c.1810, etching on wove, good margins, 400 x 605mm, mounted. Luigi Ficacci, ‘Piranesi The Complete Etchings’, no. 298. (1)

Los 282

* Piranesi (Giovanni Battista). Veduta estera delle tre Sale sepolcrali credute della Famigla d’Augusto, Tom. II, XLI, Paris edition, c.1810, etching on laid, good margins, 375 x 505mm, mounted. Luigi Ficacci, ‘Piranesi, The Complete Etchings’, no. 255. (1)

Los 283

* Piranesi (Giovanni Battista). Scenographia Reliquiarum porticus Septorum Juliorum. A Constructio porticui posterior B, C, D Visuntur in oedibus Pamphiliorum E, F, G, H, I, in hypogeis templi Sanctae Mariae in Via Lata, Tab. XXV, c.1760, etching on laid, good margins, 220 x 410mm (1)

Los 310

* Tegg (Thomas (pubs.)). The Dandy and his Postillion - or the waay to Laugh up Hill, 1819, etching with original hand colouring, 230 x 330mm, mounted, framed and glazed (1)

Los 402

FRENCH SCHOOL (EARLY 20TH CENTURY) - A built up river landscape with washer women and twin arched bridge, etching in colours, indistinctly signed in the margin in pencil, `Henri....`, 19" x 25".

Los 405

ALBANY E HOWARTH - `Tom Tower` and `All Souls`, two etchings, each pencil signed in the margin, 10 3/4" x 6" and 9 3/4" x 6"; two etchings by Rissik, each pencil signed in the margin; and Arthur Spencer `St Martin in the Fields`, etching, pencil signed, 8" x 5 1/2" (5).

Los 57

DAVID CARPININI (WELSH, 20TH CENTURY), "A Word in Your Ear", limited edition artist proof etching, signed in pencil. 10" x 19".

Los 452

Dorothy Woollard (1886-1986) `Place des Cordeliers, Dinan` Etching Signed in pencil 22.2cm x 16.5cm Framed and glazed; and `Firs` Etching Signed in pencil 28cm x 22.5cm Framed and glazed, (2).

Los 766

A .177” BSA “Improved Model D” underlever air rifle, 43¼” overall, barrel 19½”, number S73899 (1913-14), retaining faint traces of etching on air chamber, walnut butt with chequered pistol grip. GWO & above average condition

Los 827

Simone Hudon: a small limited edition etching, "Quebec 1938", and two smaller etchings, Dutch Colonial house and tree lined track

Los 841

After Wouverman: an engraving, 17th Century figures drinking outside a tent, a set of five Noel Gregory landscape prints, unframed, H Herkomen (by and after): an etching, portrait of the artist and his children, and a number of other pictures

Los 101

Ferdinand Bol (1660-1680). Bearded old man, profile to right [H.17]. Etching. 8 x 7cm (3 x 3 in). with a copy etching after Rembrandt’s Hay-Barn with a Flock of Sheep. Etching. 8 x 17.5cm (3 x 7 in) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%

Los 102

Jacques Callot (1592-1635). The Martyrs of Japan [L. 594]. Etching, first state of two, early impression on paper with an Interlaced Cs watermark. 17 x 11.5cm (6 3/4 x 4 1/2 in). With the Two Large Views of Paris [L. 667-668], modern impressions (3) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%

Los 106

Daniel Hopfer (1470-1536). The Lovers, [B.70; H.78]. Etching, 2nd state c.1520. 22.5 x 15.5cm (8 7/8 x 6 1/8 in)

Los 108

José de Ribera (1591-1652). The Lamentation [B.1; BR.17]. Etching with drypoint. 19.5 x 25.5cm (7 3/4 x 10 in) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%

Los 111

Virgil Solis (Nuremberg, 1514-1562). Soldier [B IX.274.253; H.192]. Etching and engraving. With collector’s ink stamps of von Lanna [Lugt, 2773], and Davidsohn [Lugt, 654], on the verso. 11.5 x 8.5cm (4 1/2 x 3 1/2 in). Thirteen Soldiers engaged in fencing exercises [B IX.276.261]. Engraving. With ink stamps of the Staatlichen Museen [Lugt, 2398], and Davidsohn [Lugt, 654] on the verso. 4.5 x 7.5cm (1 3/4 x 3 in). Judith’s History. Engraving. With collector’s ink stamps of von Lanna [Lugt, 2773], and Davidsohn [Lugt, 654], on the verso. 6 x 23cm (2 1/2 x 9). (3) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%

Los 117

Giovanni Battista Piranesi (1720-1778). Veduta di Piazza di Spagna, from Vedute di Roma. Etching with engraving, 4th state of 8, Rome edition with artist’s address and price. [H.18 IV; F.795; W-E.154]. 40.5 x 60cm (16 x 23 1/2 in). Unframed

Los 118

Giovanni Battista Piranesi (1720-1778). Piramide di C. Cestio, from Vedute di Roma. Etching with engraving, 1st state, Rome edition. [H.36 I; F.745; W-E.190]. 39 x 53.5cm (15 1/4 x 21 in). Provenance: with PColnaghi & Co.

Los 119

Giovanni Battista Piranesi (1720-1778). Colonna Trajana, from Vedute di Roma. Etching with engraving, 4th state of 7, Rome edition. [H.51 IV; F.798; W-E.150]. 55 x 41cm (21 1/2 x 16 in). Provenance: with PColnaghi & Co.

Los 120

Giovanni Battista Piranesi (1720-1778). Colonna Antonina, from Vedute di Roma. Etching with engraving, 4th state of 7, Rome edition. [H.52 IV; F.799; W-E.151]. 54.5 x 40cm (21 1/2 x 15 3/4 in). Provenance: with PColnaghi & Co.

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