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* Gillray (James). The Military Caricaturist, London: H. Humphreys, December 6th, 1799, etching on wove paper with contemporary hand colouring, trimmed to platemark, some glue and paper residue to verso, 350 x 240 mm QTY: (1)NOTE:BM Satires 9442. A caricature of Colonel of the Artillery Thomas Davies (1737-1812), an amateur landscape artist, naturalist, and caricaturist, who was supposed to have spoken slightingly of Gillray.
* Lommelin (Adriaen, circa 1637-1677). Marie de Barbancon, Princess of Arenberg, Antwerp: Joannes Meyssens, circa 1645, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), indistinct collectors ink stamp to verso, plate size 282 x 200 mm (11 1/8 x 7 7/8 ins), sheet size 305 x 220 mm (12 1/8 x 8 5/8 ins), together withJode (Petrus de, 1570-1634). Beatrice de Cusance, Princess of Cantecroix, Antwerp, circa 1645, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), plate size 250 x 200 mm (9 7/8 x 7 7/8 ins), sheet size 420 x 317 mm (16 1/2 x 12 1/2 ins),Neeffs (Jacobus, 1610- after 1660). Marie-Marguerite de Berlaymont, [Antwerp]: Joannes Meyssens, circa 1649, engraving on laid paper after Anthony van Dyck, with jester/fool watermark, plate size 278 x 202 mm (11 x 8 ins), sheet size 363 x 268 mm (14 1/4 x 10 1/2 ins),Bolswert (Schelte Adams, 1586-1659). Albert de Ligne, Prince of Arenberg and Barbancon, circa 1677, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), plate size 243 x 183 mm (9 5/8 x 7 2/8 ins), sheet size 332 x 260 mm (13 x 10 1/4 ins),Bailliu (Pieter de, 1613- after 1660). Albert de Ligne, Prince of Arenberg and Barbancon, circa 1650, engraving on laid paper after Anthony van Dyck, verso strengthened at head and foot (creased at foot), trimmed to plate mark, plate/sheet size 475 x 331 mm (18 3/4 x 13 ins),Bolswert (Schelte Adams, 1586-1659). Landscape by moonlight with horse grazing, from the Small Landscapes series, circa 1650, etching on laid paper after Peter Paul Rubens (1577-1640) published by Gillis Hendricx, trimmed to plate mark and laid down on mount board, plate/sheet size 317 x 455 mm (12 1/2 x 18 ins)QTY: (6)
* Gillray (James). The Chancellor of the Inquisition marking the Incorrigibles, London: H. Humphreys, March 19th, 1793, etching on wove paper with contemporary hand colouring, large margins, light overall toning, 500 x 330 mmQTY: (1)NOTE:BM Satires 8316.Edmund Burke holds up a large sheaf of paper headed 'Black List' as he walks towards the door of the 'Crown & Anchor' tavern, the headquarters of The Association for Preserving Liberty and Property against Republicans and Levellers.
Apiary Press. Insects, Apiary Press, Northampton, Massachusetts, 1959, 11 etched plates by Helen Marie Fesenmaier, including 5 with colour backgrounds, original stitched wrappers, small etching of a spider mounted to upper wrapper, 4to, limited edition 9/10, signed by the aritst and inscribed 'Pat - you really made this possible - many thanks! 'English girl' you won't be forgotten. Helene', together with Fish's Book of Beasts, Apiary Press, 1960, title with small etching of a fish, 8 etched plates by Janet Fish, a few minor spots to Bugs plate, further plate of Bugs loosely inserted, original paper-covered boards, spine faded, one or two light marks, 4to, limited signed edition 4/25, plus Vsevolod Mikhailovich Garshin. The Red Flower, translation by Max Wei Yeh, Apiary Press, 1961, etched portrait frontispiece and 8 etchings by Carol Heimburg, original paper-covered boards, spine faded with small losses from insect predation, 4to, limited signed edition 4/30 QTY: (3)
A captivating collection of art glass and crystal decorative bowls and plates, each showcasing distinct artistry and craftsmanship. This set includes a striking red crystalline-glazed ceramic bowl, its surface adorned with exquisite floral-like formations, complemented by a translucent blue glass bowl with a rippled, shell-like texture. A clear etched glass plate features intricate floral and fan motifs, enhancing its delicate allure, while an aqua-green ruffled-edge glass dish presents a fluid, organic form. The collection embodies a diverse range of techniques, from crystalline glaze artistry to precision glass etching and vibrant color infusion. A remarkable assortment for collectors and admirers of fine glass and ceramic artistry. Largest item measures 14.75" dia.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
This exquisite Baccarat Colombine vase showcases a striking geometric design with faceted crystal details that reflect light beautifully. The sculptural form adds a modern yet timeless elegance, making it a standout decorative piece. Baccarat's signature etching is present on the base, ensuring authenticity. Measures 2.75"L x 3.5"H. A refined addition to any fine crystal collection.Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.
A clear crystal highball glass in the Rohan pattern, featuring densely etched scrollwork across the entire bowl. The cylindrical form rests on a thick, clear base. The detailed etching displays repeated symmetrical scroll motifs. The base is marked with the Baccarat logo. This item is housed in its original red Baccarat box.Issued: 20th centuryDimensions: 5.5"HCountry of Origin: FranceCondition: Age related wear.
Marigold Halse (XX) Roland Morris collection Mousehole Rocks-Low-Tide, watercolour on paper, signed, 23.5cm x 33cm together with an etching of St Michaels Mount, 12cm x 17cm. (2) Roland Morris was a well known maritime archeologist, historian, writer and entrepreneur based in Cornwall, particularly Penzance. His most famous discovery was the wreck of the Association also working on other major wrecks around the Cornish coast. He also opened the Admiral Benbow a much celebrated pub filled with nautical themed decoration.
Edgar Chahine (French-Armenian; 1874-1947) - Portrait of Anatole France, in his library, surrounded by antiquities and books, signed in pencil by the artist, monogrammed and dated 1900 within the plate, etching, 33 x 45cm The sheet typically foxed in places, some surface marks; broad margins.
2 modern copper plate etchings to inc Anthony Dawson "The Whale - Southwold" and Charles John Watson "The Dropped Ball", the largest approx 36cm x 22cm, Kathleen Caddick (b. 1937) - "Houghton Mill" - hand coloured etching, limited edition 8/350 and signed in pencil, approx 67cm x 54cm inc frame and Qty of limited edition prints etc to inc Jeremy King print of Cothele Quay, other limited edition prints of the Thames near Maidenhead, Marlow & Caversham and a 3d display of a Norfolk Wherry by Brian Martin, the largest approx 81cm x 61cm (9)
A qty of various pictures and prints to include Graham Clarke (b.1941) a vintage limited edition coloured etching entitled "Mon Canari" signed and titled in pencil, approx 28cm x 26cm inc frame, Sheila Stafford - 2 vintage limited edition coloured etchings entitled "River Garden I & III" signed and titled in pencil, the largest approx 33cm x 33cm inc frame, A framed watercolour of autumnal leaves, indistinctly signed and a small watercolour of foxes signed Andrew (9)

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