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78472 Los(e)/Seite
Los 1440
JUNIOR ETCHING CLUB. "Passages from Modern English Poets illustrated by the Junior Etching Club." 47 etchings comp including "The Angler" and "A River Stream" by Whistler, all with tissue guards, orig cl gt (covers stained and worn), 4to, aeg, Tegg c1860`s (the second Whistler etching stained).
Los 423
STODDARD, Herbert L. (1889-1970). The Bobwhite Quail- Its Habits, Preservation and Increase. New York: Scribners, 1931. Dimensions: 4to (292 x 212 mm). Signed etching by Frank Benson, color plates after Kalmback and photo illustrations. One quarter vellum and brown cloth, stamped in gilt, top edge gilt, others uncut, with brown cloth slipcase. Two previous owners` book plates on inside cover pasted to endpapers, crack to hinge, pencil marking on front endpaper. FIRST LIMITED EDITION. Numbered 167/ 260, signed by Herbert L. Stoddard.
Los 704
Pierre Charles Canot, French 1710-1777- `Sun Rising` After Claude Le Lorrain, published by John Boydell 1771; etching on paper, oval, 35.5x43cm: James Mason, British 1710-c.1780- `Sun Setting` After Claude Le Lorrain, published by John Boydell 1771; etching on paper, oval, 35.5x43cm, (both in matching gilt & gesso late 18th/early 19th century oval frames) (2) Provenance: Property of the Markham family, William Markham married Daisy Grant, daughter of Sir Francis Grant RA, and thence by descent
Los 711
Attributed to Richard Parr, British c.1707-1754- `A North View of Westminster Bridge; Vue du Pond de Westminster de Cote du Nord` publ. by Robert Sayer; copper engraving, with later hand-colouring, 26x40.7cm: Wenceslaus Hollar, German 1607-1677- `Palatium Archiepiscopi Cantuariensis propae Londinum, vulgo Lambeth House`; etching with later hand-colouring, signed within the plate and dated 1647, 15x32.2cm: British School, mid/late 18th Century- `Lambeth House`; copper engraving with hand-colouring, 18x25cm: Johann August Corvinus, German c.1682-1788- `Prospectus neo edificati Observatory Astronomici in Collegio Academico Soc. Jesu Prolpoect des Collegii derren RR.PP.Sco. Iefu nebfe dem neürerbaüren Observatorii a. Bibliothea episdem Collegii. b. Templuem ad Marià rotunda RR.PP Predicatoru. Thiern a Derren Bibiothec. b. Die Kirch derre RR.PP Dominicaner` after Salamon Kleiner; copper engraving, 23.5x34cm: Gabriel Perelle, French 1640-1695- `Vue de la cour des fontaines et du jardin de l`étang à Fontainebleau` publ. by Nicolas Langlois, Paris; etching, 18.6x27.5cm: Attributed to Mattäus I Merian, German 1593-1650- `Statt Bltzen`; copper engraving, 18.8x36.7cm: European School, late 17th Century- Views of Navarino and Modon, Italy; copper engraving, 33x34cm: E C Schmidt, German 19th Century- `Teinkirche in Prag` after L. Richter; engraving, 16.5x12cm: Anton Rottmann, German 1795-1840- `The English Church`, after Ludwig Rohbock; engraving, 16x21cm , (9) (part-unframed)
Los 716
Jean Carzou, French 1907-2000- Orange Venice; lithograph, artist`s proof, signed and dated 66, 48x65.6cm: After Raoul Dufy, French 1877-1953- `Bather`; etching & aquatint in colours/BKF Rives paper, signed within the plate, 22x31cm: After Bernard Buffet, French 1928-1999- Village Street; lithograph, signed within plate, 31.5x24.2cm: After Paul Cézanne, French 1839-1906- `Le Déjuener sur L`Herbe`; lithograph in colours, 35.2x42.7cm: After Marc Chagall, Russian 1887-1985- `Moses Receiving the Tablets of the Law` 1956; lithograph, 35x26cm, Provenance: The Mark Gallery, London, according to label attached to the reverse of the frame(5) (part unframed) (may be subject to Droit de Suite)
Los 717
Michael Wolgemut, German 1434-1519- `Pius and Frederick III` from the Nuremberg Chronicle; woodcut, 13.6x22.7cm: After Agostino Musi Dei Veneziano, Italian 1490-c1569- Portrait of Caesar; copper engraving, stamped Dr. Lieberg and A&B, (verso), inscribed (verso), 25.5x17cm Provenance: From the Collection of Dr. Lieberg and P. Davidson: Jacobus Neefs, Belgium 1610-1660- Portrait of Francis Synders, after Sir Anthony Van Dyck; etching, 24.5x15.8cm: After Cornelis Ploos Van Amstel, Dutch 1726-1798- River Scene by Moonlight, after Aert I Van der Neer, Dutch 1603/04-1677; aquatint, plate 76, from an edition in 1821, 19x26.5cm: Philibert-Louis Debucourt, French 1755-1832- `Rivage D`Italie`, after Claude Joseph Vernet; copper engraving, 39x52cm Provenance: Robert Guérault, London (according to label attached verso), (5) (part unframed)
Los 718
AMENDMENT: REVISED ESTIMATE £200-250: After Rembrandt Van Rijn, Dutch 1606-1669- The Strolling Musicians; etching on wove, 14x11.6cm: After Rembrandt Van Rijn, Dutch 1606-1669- Three Oriental Figures (possibly Jacob & Laban); etching on wove, reverse signature within plate, bears a corner of a stamp on top right edge, 14.7x11.5cm: After Johannes II Lutma, Dutch 1624-1685/89- `Ioannes Lutma Aurifecx. Portrait de Vaters` 1656; etching and roulette, 23.4x19.6cm, (3) (mounted, unframed)
Los 719
Stanley Anderson RA RE, British 1884-1966- `Toledo Cathedral` 1928; etching, drypoint, from the edition of 80 proofs, signed within the plate, signed and titled in ink, 24.5x30cm: Sir Francis Seymour-Haden PRE, British 1818-1910- `The Complete Angler` 1877; etching, drypoint, signed in pencil, 13.5x20cm: Sir Francis Seymour-Haden PRE, British 1818-1910- `Shepperton` 1864; etching on laid, signed in pencil and bears inscription, 14x12cm: Alphonse Legros RE, French 1837-1911- Rain shower; etching, drypoint, signed in pencil, 17.5x24cm: Alphonse Legros RE, French 1837-1911- Trees in rural landscape; etching, drypoint, signed in pencil, 29x22.5cm: Henry Macbeth-Raeburn RA RE, Scottish 1860-1947- `The Bridge of Alcántara, Toldeo` 1889; etching, drypoint printed in sepia, signed and titled in pencil, 17.3x25.1cm: Sir Charles Holroyd RE, British 1861-1917- Man kneeling at the altar; drypoint etching, signed and dedicated to John Murray, 22.5x20cm, (7) (mounted, unframed) (may be subject to Droit de Suite)
Los 720
Sir Frank Brangwyn RA RWS RBA, British 1867-1956- `Pelago`; etching, drypoint, signed, 35x40cm: Henry Macbeth-Raeburn RA RE, British 1860-1947- `Cannon St. Station, Low Tide`; etching on vellum, signed in pencil, 20x35.4cm: Frank Harding, British exh 1885-1890- `St. Michael`s Mount`; etching, signed and titled in pencil, 16x25cm: Jacques Beurdeley, French 1874-1954- `La Cabane de Pêcheur`; etching, signed and numbered 15/50 in pencil, blindstamp `Ed Sagot Editeur, Paris`, 20x25.2cm., (4) (mounted, unframed) (may be subject to Droit de Suite)
Los 729
Bernard Howell Leach, British 1887-1979 exh 1925-1927- "St Luke`s Chelsea/The Gothic Spire"; etching, signed with initials and titled in pencil, 28.5x22cm, (may be subject to Droit de Suite) Provenance: with The Chenil Gallery, London, according to label attached to the reverse of the frame, Note: The label on the reverse of this picture is inscribed with the artist`s address being 32 Rue St Cloud, Clamait Seine, Paris
Los 731
Michael Fell, British b.1939- "People and Pilgrimages"; etchings with aquatint, 26 on a shared sheet, signed, titled and inscribed `A/P`, ea. 7.6x4.7cm and one 14x13.7cm: together with a quantity of other etchings with aquatints, some in colours, by the same artist, depicting figural and social commentary subjects and religious themes, various sizes, all signed, titled and inscribed `A/P` in pencil: Yves Brayer, French 1907-1990- Les Chevaux; lithograph printed in colours, signed and numbered 423/500, 36.5x26.6cm: After Josef Israels, Dutch 1824-1911- A family eating dinner around a table in an interior scene; etching, 23x27cm: together with a quantity of further, etchings and aquatints and prints by various hands (a lot) (unframed) (may be subject to Droit de Suite) Note: Michael Fell studied at St Martins and the City and Guilds School of Art. He has held one man shows at the Mall Gallery and Jordan Gallery, London. In 1972 his etchings were selected for the Modern Prints and Drawings exhibition at the British Museum and several remain in the permanent collection.
Los 873
Anthony Benjamin, British 1931-2002- "After the Rain"; etching with aquatint printed in colours, signed, dated `77, titled and numbered 3/20 in pencil, 41x59cm: together with six further etchings with aquatint printed in colours by the same hand entitled, "Omen", "Sphere", "Rope", "Tyne Cott", "Chain", "Crete", all signed, titled, numbered in pencil, various sizes, (7) (unframed) (may be subject to Droit de Suite)
Los 874
Richard Bawden RE, British b.1936- "Felines"; etching with aquatint printed in colours, signed, titled and numbered 10/85 in pencil, 41.5x58cm: together with two other etchings with aquatint by the same artist entitled "Midnight Visitor" and "Nightwatch", both signed, titled and numbered in pencil, 40x57cm and 42x30cm respectively: Louise Bawden, British late 20th century- "Atom"; etching with aquatint, signed, titled and numbered 21/40 in pencil, 20.6x16.4cm, (4), (unframed), (may be subject to Droit de Suite)
Los 275
After Eugene Meissonier, black and white etching, two 17th century duellists being held back by compatriots with an upturned table with cards scattered across the floor, published by C E Clifford, London 1903, signed by the engraver, 64x77cm, framed and glazed, also a late 19th century etching depicting a young girl playing an organ with her young man looking lovingly at her, indistinctly signed, dated 1879, 41x24cm, framed and glazed, E Burrow-`The Chapel from Brew House Yard, Eton`, signed E Burrow 81, 25cmx20cm, framed and glazed (3)
Los 538
*Printing Press. An ÔArt Equipment` Model 4824 Etching Press, of steel construction, with solid steel top roller (115mm diameter) and bottom roller (100mm diameter), heavy spoked operating wheel with double width wooden handle, plank dimensions 122 x 60cm (48 x 24ins), overall dimensions 130 x 112 x 122cm (51 x 44 x 48ins, height x width x length), includes three felt printing blankets In excellent condition. (1)
Los 592
Walcot (William, 1874-1943). St. Paul`s, London, uncol. etching, signed in pencil by the artist, image size 15 x 22 cm, framed and glazed, together with Knight (Charles, editor), Virtue`s Imperial Shakespeare, orig. parts (complete), n.d., c. 1870s, numerous stee-eng. plts. (two engs. now extracted and separately framed and glazed), orig. printed wrappers, folio, with other late Victorian/early 20th-c. magazines and periodicals, including The Magazine of Art, The Bookman, Picture Post, Life, etc. (4 cartons)
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78472 Los(e)/Seite