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78472 Los(e)/Seite
Los 26
Stanley William Hayter (1901-1988) Battle/Combat ( engraving and soft-ground etching printed in a unique combination of colours 1953 signed titled Battle and inscribed IV state D a colour trial proof before the edition of 220 published by La Guilde de la Gravure on Johannot wove paper with full margins in good condition 300 x 201 mm (11 3/4 x 8 in)
Los 73
Marc Chagall (1887-1985) Untitled (see.C.books.99) etching with aquatint printed in colours signed and inscribed ea in pencil an artist`s proof aside from the edition of 25 as included in Celui qui dit les Choses sans Rien Dire on Japan Paper with full margins in good condition apart from minor paper discoloration 395 x 295 mm (15 1/2 x 11 3/4 in)
Los 90
Salvador Dalí (1904-1989) The gelatinous watches o lithograph with etching printed in colours 1974 signed in pencil inscribed E.A. an artist`s proof aside from the edition of 195 on Arches paper with full margins in good condition apart from a few handling creases in margins 740 x 550 mm (29 1/8 x 21 5/8 in)
Los 131
Joan Miró (1893-1983) Escalier de la Nuit (D.536) etching with aquatint and carborundum printed in colours signed in pencil numbered 73/75 on Arches paper with full margins a 3cm scrape in the central black area some slight scuffing in the blue crescent other minor defects 485 x 565 mm (19 x 22 in)
Los 145
Pablo Picasso (1881-1973) Personnages masques et F etching with aquatint 1934 from the Suite Vollard from the edition of 50 printed on wide margined Montval Laid paper watermarked Picasso published by Ambroise Vollard printed by Lacourière Paris with full margins in good condition 249 x 348 mm (9 3/4 x 13 3/4 in)
Los 159
Pablo Picasso (1881-1973) after Maternité (g.&p.E etching with aquatint printed in colours 1930 an unsigned impression presumably from the edition published by Chalcographie du Louvre but lacking their blindstamp on wove paper with wide margins overall paper discolouration 699 x 470 mm (27 1/2 x 17 1/2 in)
Los 171
Frank Auerbach (b.1931) Tree At Tretire I (h.7) etching with screenprint 1975 signed and dated in pencil numbered 17/30 on wove paper with full margins in good condition 295 x 294 mm (11 5/8 x 11 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Los 201
Damien Hirst (b.1965) Quene 1-AM etching printed in colours 2004 signed titled and dated in pencil numbered 38/100 published by Other Criteria London on Hahnemuhle paper with full margins in good condition 757 x 757 mm (29 3/4 x 29 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Los 243
Pierre Soulages (b. 1919) Eau-forte No. 6 etching with aquatint printed in brown and black 1957 signed in pencil numbered 10/200 published by Berggruen Ed. Paris on wove paper with full margins in good condition 594 x 434 mm (23 1/2 x 17 1/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Los 273
David Hockney (b.1937) It Picks Its Way from the etching with aquatint printed in colours 1976-77 signed in pencil inscribed B.A.T. in pencil the Bon a Tirer impression before the edition of 200 published by Petersburg Press London on wove paper with full margins in good condition 340 x 430 mm (13 1/4 x 17 in) IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Los 245
* Cruikshank (George). The Mathew-Orama for 1824 - or - Pretty considerable d ___ d particuler Tit Bits from America - being all well at Natchitoches, pub. G.Humphrey, Apr. 15th. 1824, etching with aquatint on wove, original hand colouring, slight finger soiling to margins, 260 x 360mm, together with, Cruikshank (Robert), Blind man’s Buff, pub. C.Tregear. c.1824, aquatint on wove, original hand colouring, 230 x 290mm, with, Cruikshank (George), Barney Buntline and Billy Bowling, or The Advantages of being at Sea, pub. John Alvey Turner, n.d., c.1820, hand coloured etching, calligraphic titles below image, 4pp. (bifolium), printed musical notation to central leaves, paper size 370 x 260mm, with two similar examples (5)
Los 246
* Cruikshank (George). Breaking Up, pub. Dec. 12th. S. Knight, 1826, etching on wove with original hand colouring, 220 x 270mm, together with, Dighton (R.), A Noble General, 1804, etching on wove of Lord Harrington, orig. hand colouring, thread margins, 300 x 235mm, with, Cruikshank (George), Cribbage, Shuffling, Whist and a Round Game!!, pub. G.Humphrey, Oct 30th., 1822, etching on wove with original hand colouring, old fold, 255 x 350mm, plus, Fores (S. W. pubs.), Northern Bears taught to Dance, July 14th. 1801, etching on laid, original hand colouring, some toning and spotting, one repaired closed tear, 260 x 365mm. The last item described shows Admiral Lord Nelson and Admiral Viscount Collingwood and a tough looking British sailor each controlling a chained and muzzled bear. Each bear wears a brass collar reading ‘Denmark’, ‘Sweeden’ and ‘Paulo’. (4)
Los 253
* Gillray (James). The King of Brobdingnag and Gulliver, pub. H.Humphrey, June 26th. 1803, etching with aquatint on wove, bright original hand colouring, small margins, near contemp. ink manuscript annotation on verso, 315 x 255mm. George III holds a spy glass to his eye to examine a Lilliputian Napoleon whom he holds in the palm of his hand. The King pronounces that ‘...you be one of the most pernicious little odious reptiles ever suffered to crawl upon the surface of the earth’. A wonderful example of Georgian jingoism and anti-French propoganda. (1)
Los 254
* Gillray (James). The King of Brobdingnag and Gulliver (Plate 2d.) - Scene - ‘Gulliver manoeuvring with his little Boat in the Cistern’ - vide, Swift’s Gulliver, pub. H.Humphrey, Feb 10th. 1804, etching on wove with original hand colouring, occ. spotting and slight dust soiling, small stain to image, remnants of old backing card adhered to verso, 350 x 455mm (1)
Los 255
* Heath (William, pseud. Paul Pry). The March of Intellect, pub. G.Humphrey, Jany. 23rd. 1828, etching on wove with original hand colouring, very slight spotting, occ. marginal repaired closed tears, 235 x 340mm. One of series of caricatures published betwenn 1825 and 1829.The series lampooned the political and social issues of the day. Here, fantastical modes of transport, gas lights, the Thames Tunnel and a proposed bridge across the English channel are all satirised. Workers are seen relaxing in the street with a butcher and a coalman playing chess, an apple seller is reading Byron and the coach driver is deeply engrossed in a copy of ‘The Times’. The implication is that if the working classes aquired knowledge through education they would then neglect their duties. (1)
Los 258
* Hunt (Leigh Harrison, 1858-1937). Moored boats and cottages, etching, dated 1891, 290 x 520mm, framed and glazed, together with Whydale (Ernest Herbert, 1886-1952), A fiddler and two figures by a tree, etching, signed in pencil, 300 x 250mm, laid onto card, and Sharland (Edward W., 19th/early 20th cent.), Notre Dame, Paris, etching, signed and titled in pencil, 230 x 305mm, plus four other etchings by Sharland of the interiors of Bath Abbey and Exeter, Salisbury & Chester Cathedrals, each approx. 400 x 220mm (7)
Los 259
* Indian miniatures. Four watercolours, mid 19th c., opaque watercolours on paper heightened with gold, each with several lines of Persian script, one image heavily wormed and stained, each approx. 190 x 95mm, mounted, framed and glazed, together with, Matthioli (Pietro Andrea), Five botanical engravings, Venice, [1568], hand coloured wood engravings of herbs and vegetables, each approx. 125 x 65mm, mounted, framed and glazed, with, Watts (Simon?), Elizabeth Queen of England, 1773, soft ground etching, printed in black and sanguine, some overall spotting, 400 x 280mm, mounted, framed and glazed (10)
Los 275
* Railway prints. A mixed collection of thirteen railway prints and engravings, 19th century, including, Bury (T.T.), View of the Railway across Chat Moss, pub. R.Ackermann, 1831, aquatint etching by H.Pyall, original hand colouring, 230 x 255mm, mounted, framed and glazed, together with, Bourne (J.C.), Entrance to Birmingham Station, pub. Day & Hague, n.d., c.1838, lithograph with orig. hand colouring, very slight spotting to margins, 255 x 325mm, mounted, framed and glazed, with, Bury (T.T.), Coaches &c. employed on the Railway, pub. Ackermann & Co., 1833, aquatint etching by H.Pyall, original hand colouring, some toning and slight spotting, slight abrasion to image, 220 x 245mm, mounted framed and glazed, plus, The Last of the Coaches, n.d., c.1840, unattributed lithohraph with orig. hand colouring, slight spotting, 215 x 270mm, mounted, framed and glazed, with, Bourne (J.C.), Blisworth Cutting, pub. 1839, tinted lithograph, 265 x 365mm, mounted, framed and glazed, together with another eight railway and railway related lithographs and engravings including examples by Bourne, Mason, Carmichael and Brandard, various sizes and condition, all framed and glazed (13)
Los 235
ORREFORS GLASS A `Wish to the Moon` glass vase, designed by Edvin Ohrstrom, of hexagonal pillow form with a copper wheel engraved etching or girl looking at the stars (etched on the back side), signed `Orrefors, Ohrstrom 2769.C.9.S.` to the base, 4 1/4" high, 6 1/2" across, together with one further glass vase, possibly Orrefors, engraved to the front with running deer, numbered 2466-V to the base, 6 1/4" high (2)
Los 185
After John Frederick Herring A Glimpse of an English Homestead Engraving by G. Paterson 56 x 86cm; 22 x 34in With an etching of Salisbury Cathedral 46 x 30cm (2)++Herring: Yellowing to the paper and some staining especially visible in the margin. Slisbury: Some staining and foxing* All lots marked with an asterisk are subject to VAT on the hammer price.‡ All marked lots may be subject to Droit de Suite / Artist`s Resale Right.For details please see www.woolleyandwallis.co.uk department page.All condition reports are a guide only and should be used as such.
Los 189
William Lionel Wyllie R.A. (1851-1931) Inner Harbour Portsmouth Signed Etching 9 x 33cm; 3½ x 13in++Good condition* All lots marked with an asterisk are subject to VAT on the hammer price.‡ All marked lots may be subject to Droit de Suite / Artist`s Resale Right.For details please see www.woolleyandwallis.co.uk department page.All condition reports are a guide only and should be used as such.
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78472 Los(e)/Seite