78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78472 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78472 Los(e)/Seite
Los 262
*George Soper (British 1870-1942), The Count, dry point etching, signed bottom right, the left dated 1919, framed glazed and mounted, frame size 45cm x 36cm *ARR may apply to this lotFoxing and staining to the mount, possibly water damage to the top section, minor wear to both corners, pease see images attached.
Los 54
Edmund Blampied, Jersey 1866-1966 - Absent-Minded; pencil on paper, signed and titled lower right 'E. Blomfied Absent-minded', 27.6 x 20.8 cm: together with an etching on paper by the same artist, 'Un précieux, 1936', signed and numbered '2/56' and signed again and dated in the plate, image size 30 x 22.2 cm (2) (ARR)
Los 707
AFTER JOHN EVERETT MILLAIS 'FOR THE SQUIRE' A MEZZOTINT PRINT, engraved by George H. Every, the mount has cut apertures bearing pencil signatures of Millais and Every, label for Thomas Agnew & Sons verso, approximate size including frame 67cm x 54cm, together with a Hans Hering pen and ink sketch depicting a landscape with letter or poem verso, a signed Heaton Cooper print with personal inscription verso 'To Jennifer with all good wishes for Christmas 1948, from all the Heaton Coopers', an etching by Tianey Timec depicting a water buffalo, a small early 20th century painting on wood depicting a religious figure, late 19th century handmade needlepoint picture etc (box and loose)
Los 116
▴ James McIntosh Patrick RSA (1907-1998)'The Three Sisters, Glencoe', 1928drypoint etching, signed 'McIntosh Patrick' and inscribed with title in brown ink plate mark 18 x 25cmProvenance: With the Fine Art Society, London, May 1997.Condition ReportFramed size 36 x 42cmNot viewed out of glazed frame. Paper overall stained brown, foxing. Pin holes to lower margin near mount.
Los 119
▴ Gerald Leslie Brockhurst RA (1890-1978)'Aglaia'etching, 1926, signed 'GL Brockhurst' in pencil l.r. and in reverse in plate l.l.plate 13.8 x 10.4cmCondition ReportFramed: 40 x 30cmLight time staining with two small brown spots to the upper right corner near the plate edge. Unexamined out of glazed frame.
Los 23
▴ James McBey (1883-1959)'Rouen'etching, signed 'James McBey' in pen l.r., and numbered 'XXXV' l.l., also signed, inscribed with title and dated 1916 in plateplate 16.5 x 36cmCondition ReportFramed: 37 x 54.5cmSome light time staining. There are small indentations to the paper visible throughout the sky. Unexamined out of glazed frame.
Los 24
▴ James McBey (1883-1959)'Macduff'etching, signed 'James McBey' in pen l.r., and numbered 'IX' l.l., also signed, inscribed with title and dated 1921 in plateplate 30 x 18.5cmCondition ReportFramed: 50 x 37cmTime staining with some small specks of light surface dirt. Unexamined out of glazed frame.
Los 25
▴ James McBey (1883-1959)'Avila'etching, signed 'James McBey' in pen l.r., and numbered 'IX' l.l., also signed, inscribed with title and dated 1911 in plateplate 17 x 27.5cmCondition ReportFramed: 37.5 x 46cmLight time staining with a couple of spots of foxing starting to emerge. Unexamined out of glazed frame.
Los 28
▴ Norman Ackroyd RA (b.1938)'The Flannan Isles - Roariem'etching and aquatint, signed and dated 'Norman Ackroyd 12' in pencil l.r., inscribed as titled and numbered '12/90'plate 32 x 50cmExhibited: Royal Academy of Arts, London, Summer Exhibition, 2014, cat no.176.Condition ReportFramed: 57 x 74.5cmSome light time staining. Well presented and ready to hang. Unexamined out of glazed frame.
Los 639
Henry Mortikar (Mortecai) Rosenberg (1858 - 1947) Oil on Canvas. Signed and dated (1942) lower left. Artist to the Mobile, Alabama Museum of Art. Provenance: Deaccessioned from Museum to benefit their collections, care and acquisition fund. Sight Size: 19.75 x 15.5 in. Overall Framed Size: 23.5 x 19.5 in. Henry Rosenberg was an American painter and print maker during the end of the 19th C. and beginning of the 20th C. He was recognized as an impressionist, a tonalist and a symbolist painter. His artistic training started in Chicago where he was to become an early member of the Academy of design. He then went to Munich to study under Frank Duveneck at the Royal Academy. He then studied in Florence and Venice, Ital where he learned the art of etching from none other than James Abbott McNeil in 1880. They boarded and worked together. He painted and learned from William Merritt Chase in Venice. He was strongly influenced in Venice by his artist friend Arnold Bocklin. For 10 years he was a recognized painter at Pont-Aven, Brittany. Here he painted alongside Paul Gauguin in 1886 with whom he befriended. He studied or worked with many important artist of his day. Henry Rosenberg was a principal of the Victoria school of art in Halifax, Nova Scotia, from 1898 to 1910. He also was an honorary president of the Nova Scotia Museum of Fine Arts. He lived in Alabama towards the end of his life for health reasons. After his death in 1947 the Museum of Mobile, Alabama. Was granted the Rosenberg estate, consisting of his life?s collection of paintings and prints. Making this the Mobile Museum of Arts first acquisition.
Los 198
Johnny FRIEDLAENDER (1912 - 1992). 8 Blatt aus "Paare"50 cm x 33 cm Blattgröße. Je Graphik / Druck / Aquatinta - Radierung? Edition 95 Abzüge. Je handsigniert. Referenz: Schmuckling 419 - 426. Siehe auch "Paare und Blumen (1971)". Zustand siehe Fotos. Leicht lichtrandig nach alter Passepartoutfassung. Nicht ausgerahmt. Versand kann organisiert werden.Johnny FRIEDLAENDER (1912 - 1992). 8 sheet from "Couples". Each graphic / print / aquatint - etching? Edition 95 prints. Each signed by hand. Reference: Schmuckling 419 - 426. See also "Couples and flowers (1971)". Condition see photos. Lightly light-margined after old mount. Not unframed. Shipping can be organized.
Los 207
Rudolf Werner ACKERMANN (1908 - 1982). 3 Blatt.Maße verschieden. Siehe Fotos. Graphik, wohl Radierung. Je signiert. Versand kann organisiert werden.Rudolf Werner ACKERMANN (1908 - 1982). 3 sheets. Dimensions different. See photos. Graphic, probably etching. Each signed. Shipping can be organised.
Los 88
A cased set of etching tools purported to have been owned by Thomas Bewick (1753 - 1828), including a handwritten note 'I bought this box of wood engravers tools at the sale of John Hancock’s effects after his death. There was some tradition that they had belonged to Thomas Bewick the wood engraver. J C Richardson', including eight tools, and assorted blocks, the base of the case with hand drawn diagram, a/f, case29.5 by 17 by 7.5cm high.
Los 178
Jim Dine (American, born 1935)Braid (First State) (Krens/Williams College 148) Etching, 1972, on German Etching paper, signed, dated and numbered 1/46 in pencil (there were also 3 artist's proofs), printed by Maurice Payne, New York, published by Petersburg Press, New York, with the artist's copyright blindstamp, with full margins, framedPlate 895 x 600mm (35 1/4 x 23 5/8in)Sheet 1055 x 781mm (41 5/8 x 30 3/4in)For further information on this lot please visit Bonhams.com
Los 181
Jim Dine (American, born 1935)A Girl and Her Dog II (Krens/Williams College 37) Etching and embossing with hand-colouring in watercolour, 1971, on J. Green mould-made paper, signed, dated and numbered 12/75 in pencil, printed by Maurice Payne, New York, published by Petersburg Press Ltd., New York, with the artist's copyright blindstamp, with full margins, framedPlate 683 x 540mm (26 7/8 x 21 1/4in)Sheet 895 x 715mm (35 1/4 x 28 1/8in)For further information on this lot please visit Bonhams.com
Los 196
David Hockney R.A. (British, born 1937)According to Prescriptions of Ancient Magicians, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 51) Etching, 1966, on Crisbrook handmade paper, signed, dated and inscribed 'I/XXV' in pencil, one of 25 artist's proofs in Roman numerals aside from the numbered edition of 75, printed by Alecto Studios, London, published by Editions Alecto, London, with their ink stamp verso, with full margins, framedPlate 348 x 222mm (13 3/4 x 8 3/4in)Sheet 578 x 435mm (18 3/4 x 17 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 197
David Hockney R.A. (British, born 1937)In An Old Book, from Illustrations for thirteen poems from C.P. Cavafy (Scottish Arts Council 52) Etching, 1966, on Crisbrook handmade paper, signed, dated and numbered 35/75 in pencil, printed by Alecto Studios, London, published by Editions Alecto, London, with their ink stamp verso, with full margins, framedPlate 350 x 227mm (13 3/4 x 9in)Sheet 575 x 398mm (22 5/8 x 15 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 199
David Hockney R.A. (British, born 1937)For John Constable (MCA Tokyo 175; Scottish Arts Council 189) Etching with aquatint, 1976, on handmade Crisbrook wove paper, signed and inscribed 'A.P XII/XX', one of 20 artist's proofs aside from the numbered edition of 100, printed by Dany Levy, London, published by Bernard Jacobson Gallery, London, with the artist's blindstamp, with full margins, framedPlate 273 x 349mm (10 3/4 x 13 3/4in)Sheet 382 x 447mm (15 1/8 x 17 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 201
David Hockney R.A. (British, born 1937)A Moving Still Life, from The Blue Guitar (MCA Tokyo 195; Scottish Arts Council 216) Etching with aquatint in colours, 1976-77, on wove paper, signed and numbered 173/200 in pencil, published by Petersburg Press, New York and London, with full margins, framedPlate 345 x 425mm (13 5/8 x 16 3/4in)Sheet 458 x 526mm (18 x 20 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 207
Dame Paula Rego R.A. (British, 1935-2022)Goosey-Goosey Gander, from Nursery Rhymes (Rosenthal 51) Etching and aquatint, 1989, on wove paper, signed and inscribed 'A/P' in pencil, one of 14 artist's proofs aside from the numbered edition of 50, printed by Culford Press, London, with their blindstamp, co-published by the artist and Marlborough Graphics, London, with full margins, framedPlate 210 x 226mm (8 1/4 x 8 7/8in)Sheet 520 x 380mm (20 1/2 x 15in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 208
Dame Paula Rego R.A. (British, 1935-2022)Him, from Pendle Witches (Rosenthal 125) Etching and aquatint, 1996, on wove paper, signed and numbered 'A 65/75' in pencil, printed by Culford Press, with their blindstamp, co-published by the artist and Marlborough Graphics, London, with full margins, framed; together with the accompanying De Luxe edition book 'Pendle Witches', signed by the artist and the poet, Blake Morrison, and numbered 65 in pen, published by Enitharmon Press, LondonPlate 163 x 189mm (6 3/8 x 7 3/8in)Sheet 255 x 295mm (18 1/8 x 11 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 210
Prunella Clough (British, 1919-1999)Starlings, from Nine London Birds Sugar-lift etching, 1994, on wove paper, signed and numbered 80/80 in pencil, printed and published by the Byam Shaw School of Art, London, with full marginsPlate 178 x 230mm (7 x 9in)Sheet 305 x 410mm (12 x 16 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 213
Craigie Aitchison (British, 1926-2009)Pink Crucifixion (Peck 42) Etching in colours with carborundum and hand-colouring, 2004, on wove paper, signed and numbered 43/50 in pencil (there were also ten artist's proofs), printed by 107 Workshop, Wiltshire, co-published by Timothy Tayler Gallery and Waddington Galleries, London, the full sheetSheet 762 x 650mm (30 x 25 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 23
John Piper C.H. (British, 1903-1992)Little Cressingham, Norfolk (Levinson 365) Etching and aquatint in colours, 1984, on wove paper, signed and numbered 33/100 in pencil (there were also ten artist's proofs), printed by Kelpra Studio, London, published by CCA Galleries, London, with their blindstamp, with margins, framedPlate 460 x 633mm (18 1/8 x 25in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 299
Etel Adnan (Lebanon, 1925-2021)L'Apocalypse Arabe Etching in colours, 2020, on wove paper, signed, dated and numbered 65/100 in pencil, published by Galerie Lelong & Co., Paris, the full sheet; together with the accompanying book L'Apocalypse Arabe, both housed within the original purple solander boxSheet 295 x 200mm (11 5/8 x 7 7/8 in)Overall 320 x 223 x 30mm (12 5/8 x 8 3/4 x 1 1/4in)(Box)(2)For further information on this lot please visit Bonhams.com
Los 3
Rembrandt Harmensz van Rijn (Dutch, 1606-1669)Male Nude Seated and Standing (Bartsch 194; New Hollstein 233) Etching, circa 1646, on heavy laid paper, a later impression of New Hollstein's sixth state of eight, with small marginsPlate 194 x 128mm (7 5/8 x 5in)Sheet 210 x 142mm (8 1/4 x 5 5/8in)For further information on this lot please visit Bonhams.com
Los 301
Etel Adnan (Lebanon, 1925-2021)L'Express Beyrouth-Enfer Etching in colours, 2021, on Arches wove paper, signed, dated and numbered 75/100 in pencil, published by Galerie Lelong & Co., Paris, the full sheet; together with the accompanying book 'L'Express Beyrouth-Enfer', published by Galerie Lelong & Co., Paris, both housed within the original blue solander boxSheet 295 x 195mm (11 5/8 x 7 5/8in)Overall 320 x 225 x 30mm (12 5/8 x 8 7/8 x 1 1/2in)(2)For further information on this lot please visit Bonhams.com
Los 317
Caio Fonseca (American, born 1959)Quintena Spit-bite, sugar-lift aquatint, soft-ground etching and hand stamping in colours, 2004, on wove paper, signed, dated and numbered 14/50 in pencil, printed and published by Paulson Press, Berkeley, with their blindstamp, with full marginsPlate 733 x 1023mm (28 7/8 X 40 1/4in)Sheet 958 x 1228mm (37 3/4 x 48 3/4in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Loading...-
78472 Los(e)/Seite