Herbert Thomas Dicksee RE (1862-1942) ‘My Lady Sleeps’, the artist’s daughter Dorothy (born 1901) asleep alongside a recumbent mastifforiginal etching, 1905, signed in pencil, artist’s proof, published by Frost & Reed, with blind stamp, edition limited to 300, no other state, plate destroyed, on vellumimage 24.5 x 49.6cmProvenance: The Bryan Steele Collection.Condition report: The vellum has discoloured very slightly, a pale margin is visible along the bottom edge by the mount. A couple of faint pale spots above the dogs back in upper right quarter. A couple of very tiny flecks of missing ink above the girls head. A couple of smudges of dirt in the margins. Otherwise in good condition. Not seen outside of glazed frame.
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Johann Wilhelm Weinmann (German, 1683-1741)'Tulipa lutea Sanguineis' from 'Phytanthoza Iconographia'and four others, similar, of tulips from the same albumetching with hand colouringplatemark 33 x 21cm, one in a slightly smaller frame (5)Condition report: All with occasional very soft creases and very light discolouration as one would expect with the age. One with a hard crease in the right margin, and one that has a slight yellow stain throughout. A couple have some light pale brown foxing stains. A couple with some small light indents to the paper. The colours overall are good, a couple are slightly faded and one has a slight smudge of purple underneath the left tulip. The ink of the text has smudged on one. One has a light shimmer to the surface of the paper as if some sort of powder has been spilt on it. None seen outside of the glazed frames. Please see additional photos for details. Phytanthoza Iconographia was published 1737-1745, however we believe these to be later impressions and are more likely 19th century.
Herbert Thomas Dicksee RE (1862-1942)‘The Dying Lion’, a recumbent lion, by the side of a lake, looking towards the heavensoriginal etching, 1887, signed in pencil, artist's proof, as exhibited at the Royal Academy, 1887, number 1444, after the artist's oil paintingimage 25.4 x 46.8cm;a first state proof of the same etching, unframed;a third state proof of the same etching, unframed (3)Provenance: From the artist’s daughter; The Bryan Steele Collection.Condition report: Framed print: A couple of smudges to the margins. Very slightly yellowed. No other obvious flaws. Not seen outside of glazed frame. Unframed third state: Some creases to the margins and tears at the left and lower edge. Large pale stains throughout the margins, along with light surface dirt and light speckles of foxing. A spot of damage to the mane that looks to have been restored. A few tiny white specks to the printed area which seem to be lack of ink. Unframed first state: The paper has yellowed to a light brown. There are light creases to the margins. Some discolouration stains in places. A few spots of foxing. Surface dirt throughout. There are some pale smudges around the vultures, and there is a white spot of damage top right just outside of the platemark.
Herbert Thomas Dicksee RE (1862-1942)‘Onward’, a study of a lion walking left to rightoriginal etching, 1918, signed in pencil, artist’s proof, small limited edition (number not established), published by Frost & Reed, no other state, as exhibited at the Royal Academy 1918, number 1203image 26.3 x 50.8cmProvenance: The Bryan Steele Collection.Condition report: Lightly yellowed. A large but faint crease across the top right corner. A couple of smudges of dirt in the margins. A small patch of abrasion top right. Otherwise a good clear crisp image. Not seen outside of glazed frame.
Herbert Thomas Dicksee RE (1862-1942)A King Charles Spaniel, head and shouldersetching, original printer’s proof, signed and inscribed 'to F Goulding' the printer in pencil, on laid paperimage 24.8 x 19.6cmProvenance: The Bryan Steele Collection.After refinement to the lower body, the etching ‘Bonnie Prince Charlie’ was published as a small limited edition by the Fine Art Society, London, in 1902.Condition report: A light wave to the paper down the righthand side. A few very light smudges and specks of dirt to the margins. A few very tiny flecks of dirt to the background of the printed area. A few very tiny and faint dots of foxing. Not seen outside of glazed frame.
Mathieu Liart (1736-1782) after Andrea Sacchi [or Carlo Marrati] - Sacrifice of Noah, engraving with etching published by J Boydell 1767, from Boydell's Collection of Prints engraved after the Most Capital Paintings in England, a good impression issued prior to publication 'No 36' in pencil, closed tears, creased and soiled, mounted to within image, 46.5 x 48cm, W B Cooke after J M W Turner - Pevensey Bay from Crowhurst Park, 1819, proof engraving for the series of Views of Sussex and Samuel Dunkinfield Swarbreck - Jail Governor's House from College Church Edinburgh 1837, lithograph, plate VIII from Sketches in Scotland (1839) (3) Provenance: (Swarbreck) Mr and Mrs Abel Smith, Daylesford (inscribed) Mounted and framed to Mrs Abel Smith's specification Swarbreck - lifted slightly in mount and a little foxed. Pevensey Bay - creased upper left when laid down and slightly foxed
Joseph Constantine Sadler (1780-1822) and * Hubert after Vice Admiral Sir Jahleel Brenton, 1st Baronet (1770-1844) - Algeciras Campaign Fourth Plate, '.... the British Squadron, consisting of five two deck'd ship, on the afternoon of the 12th of July 180-1...', hand coloured aquatint with etching and engraving on wove, trimmed to platemark, two repaired tears either side of arms and minor creases, small treated stain in sky between the two most prominent flags, published by E Harding, May 19th 1802, 50.5 x 64cm, unframed In the window mount and with hardboard framed backing as supplied to the former owner by Bainton-Williams, London
Hendrick Goltzius (1558-1617)-attributed, The Venetian wedding or the wedding of Antenor, oil on canvas, 98x185 cm. Lit.: etching by Johann Theodor de Bry (1561-1623) at the Herzog Anton Ulrich Museum Braunschweig. Exp; The interesting and charming Scene may symbolise a Parentato ,the relationship between The King of France and Poland Henri III (1551-1589) and the Serenissimas Doge Alvise Mocenigo ( ruled Venice between 1570-1577) of Venice. At King Henris celebrated visit in Venice in the year 1574.
A black and white etching - Head of a man, inscribed verso Etching By AE Lawrance, dated 1886, after Van Dyke 19.5 x 14cm approx sheet size, a small black and white engraving of a group of three men at a table in a 17th century Dutch manner, indistinctly inscribed A Oustde, 10.25 x 9cm approx, a further print of a black and white etching - Expulsion from Paradise, attributed to Hans Sebeld Beham (1502-1540) 8 x 6cm approx, also together with one other mounted print of a black and white etching of a seated woman, all unframed (4)
German Etching Assortment (10) items including (7) original depicting portraits, a harbor scene, landscapes and woods having hand notations from collector; (2) from the series 'The Children's Concert' and (1) named the 'Harvest Dance'; all mounted on acid free matting and stored flat in an acid free storage box Height: 16 inches, Width: 20 inches (all) Condition: Very Good, light wear; no damage to etchings noted; box having tears at (2) corners Category: Decorative Arts > Etchings and Prints Estimated Sale Time: 11:43 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9Photograph #10Photograph #11Photograph #12Photograph #13Photograph #14Photograph #15Photograph #16Photograph #17Photograph #18Photograph #19Photograph #20Photograph #21
Kathe Kollwitz (German, 1867-1945) 'Symbolic Plate' Etching Undated, unsigned, depicting mourners surrounding a reclining corpse, 'Muenchen-22' blind stamp lower right, matted and framed; together with Ronau William Woiceske (American, 1887-1953) 'Ashokan' etching, depicting a body of water in a landscape, undated, signed and titled lower margin, matted and framed under glass Property from: a Flossmoor, Illinois collector Height: 9 1/4 inches, Width: 24 1/2 inches (Kollwitz plate mark)Frame Size: 18 1/2 inches by 33 inches Condition: Very Good, toning to each overall Disclaimers: not examined out of the frames Category: Decorative Arts > Etchings and Prints Estimated Sale Time: 11:45 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Charles Bragg (American, 1931-2017) Etching and Offset Lithograph c.1980, pencil signed lower right, etching #52/90 'The Flagellant' and pencil signed lower right, offset lithograph #97/200 depiction of a bacchante and satyr; matted and framed behind glass Property from: a Chicago, Illinois (Lincoln Park) estate Height: 6 inches, Width: 5 inches (sight, etching)Frame Size: 14 inches by 12 1/2 inches Condition: Very Good, no damage to artwork noted; light wear to frames Disclaimers: not examined out of frame Category: Fine Art > Prints Estimated Sale Time: 1:32 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4
Curt Frankenstein (American, 1920-2009) 'VIPs' Etching Undated, signed, titled and #14/50 lower margin, depicting human faces on bird figures; together with Louise Yochim (Ukranian / American, 1909-2003) 'No Escape' lithograph, 1952, signed, dated and titled lower margin, #2/12, depicting a seated bearded figure in a desolate landscape; both matted and framed under glass Property from: a Carol Stream, Illinois collector Height: 13 3/4 inches, Width: 21 3/4 inches (Frankenstein plate mark)Frame Size: 22 1/2 inches by 30 inches Condition: Very Good, toning to Yochim; no other condition issues noted Disclaimers: not examined out of the frames Category: Fine Art > Prints Estimated Sale Time: 1:33 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6
Joan Miro (Spanish, 1893-1983) 'Trace sur l'Eau' Complete Suite of Lithographs 1963; (12) items including the unsigned lithograph wrapper, a two-page etching and aquatint signed lower right margin and #88/100 lower left margin and set of (10) lithographs on onionskin paper, depicting abstract compositions, pulled from the suite published by Maeght Editeur, Paris, each framed under acrylic Property from: a Kalamazoo, Michigan estate Height: 8 1/2 inches, Width: 23 inches (signed print plate mark)Frame Size: 22 1/4 inches by 36 inches Condition: Very Good, wrapper slipped from mounting in frame; original condition creases to wrapper and etching from binding; waviness to each lithograph sheet; tape residue to surface of acrylic only; lacking box Disclaimers: not examined out of the frames Category: Fine Art > Prints Estimated Sale Time: 1:35 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9Photograph #10Photograph #11Photograph #12Photograph #13Photograph #14Photograph #15
Print Assortment c.1965, (4) items matted and framed behind glass including a lithograph by L. Platkin signed lower right AP 'Forest'; an etching by Chris Williams signed lower right AP 'Just Friends' depicting birds; a 1962 woodcut by David W. Stearns signed lower right #3/14 'Boardwalk'; and a 1964 lithograph by Oppenheim signed lower right, depicting Adam and Eve with a serpent Property from: a Chicago, Illinois (Lincoln Park) estate Height: 19 inches, Width: 14 inches (sight largest frame)Frame Size: 27 inches by 22 inches Condition: Very Good, no damage to artwork noted; light wear to frames Disclaimers: not examined out of frames Category: Fine Art > Prints Estimated Sale Time: 1:40 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Framed print of Birmingham High Street, 1812, 50cm x73cm, together with Rowland Langmaid, framed, signed in pencil, etching of ships at sea, approx 16cm x 30cm. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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78475 Los(e)/Seite