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78472 Los(e)/Seite
Los 1399
After Queen Victoria, 'Islay and Eos', an etching of Queen Victoria's cairn terrier Islay, and Prince Albert's greyhound Eos, 6th state, initialled, dated, and titled beneath in the print 'V.K. From Nature, Sept. 19, 1840', further annotated in pencil l.h. lower margin '6th state, by the Queen', 9.5cm x 14cm within mounts, framed and glazed.
Los 539
Edward King, two etchings, London views, together with two other London etchings by Henry Lambert and S.G. Rowles, largest 34 x 47cmCONDITION: Pair of coloured etchings in poor condition with discoloured ground paper and dirt and fox marking, but colours remain strong, Lambert etching in good clean condition, Rowles etching with damp staining.
Los 2237
Pablo Picasso, (Spanish, 1881-1973), "Jeune Sculpteur Grec avec sa Sculpture: un Homme et un Ephebe (from Vollard Suite)," 1933, printed in 1939, etching on Montval paper with Picasso watermark, pencil signed lower right, from edition of 260, printed by Lacouriere, Paris, published by Vollard, Paris, plate: 10.5"h x 7.5"w, sheet: 17.75"h x 13.25"w
Los 2238
Pablo Picasso, (Spanish, 1881-1973), "Sculpture d'un Jeune Homme a la Coupe (from Vollard Suite)," 1933, printed in 1939, etching on Montval paper with Vollard watermark, pencil signed lower right, from edition of 260, printed by Lacouriere, Paris, published by Vollard, Paris, plate: 14.25"h x 11.5"w, sheet (unframed): 17.75"h x 13.25"w
Los 2239
Pablo Picasso, (Spanish, 1881-1973), "Minotaure Mourant (from Vollard Suite)," 1933, printed in 1939, etching on Montval paper with Vollard watermark, pencil signed lower right, from edition of 260, printed by Lacouriere, Paris, published by Vollard, Paris, plate: 7.5"h x 10.5"w, sheet: 13.25"h x 17.75"w
Los 107
One (1) etching after Rembrandt, two (2) etchings after Goya, 3 items total. 1st item: After Rembrandt Van Rijn (Dutch, 1608-1669) etching on laid paper titled "Beggars Receiving Alms at the Door of a House". Signed and dated "Rembrandt. f. 1648" lower right. Float mounted and housed under glass in a gilt wood frame with an off white linen and giltwood liner. Sheet - 6 3/4" H x 5 1/4" W. Sight - 7 5/8" H x 6" W. Framed - 16 1/8" H x 14 1/8" W. 2nd and 3rd items: Two (2) After Francisco Goya (Spain, 1746-1828), etchings with burnished aquatint on laid paper including plate #21 titled "Cual La Descanonan!" (How They Pluck Her Feathers!) and plate #67 titled "Aguarda Que Te Unten" (Wait Till You've Been Anointed)" from the Los Caprichos series, tenth edition, published by Tomas Harris, printed in the Calcografia for the Real Academia, Madrid. Both titled lower center under image, both numbered top right above image. Both with "Jose Guarro" and Goya wearing a cap watermarks. Both with Abelardo Linares, S.A. Antiguedades, Madrid, Spain paperwork. Both double matted and housed under glass in near identical gilt silver wood frames. Plates approximately 8 5/7" H x 5 7/8" W. Sight - 9 1/4" H x 6 3/4" W. Frames range in size from 16" H x 13" W to 16 3/4" H x 13 5/8" W. Circa 1918-1928. Provenance: Private Southern Collection. CONDITION: Overall good condition. 1st item: Foxing spots, toning/acid burn to sheet and liner. Trimmed to plate lines. 2nd and 3rd items: Plate #21 with toning, few minute foxing spots. Plate #67 with two visible foxing spots, largest 1/4". Not examined outside of frames.
Los 139
Childe (Frederick) Hassam (American, 1859-1935) etching titled "Old Lace," depicting a bridge with town in the background and rowboats, foreground. Artist's monogram signature in pencil, lower right margin, with "imp" and pencil inscription lower left, "Selected for FJ Dearden by CH 1921". Also signed with monogram and dated "1915" in the plate lower right. Printed on white wove paper taken from a section of the Old Testament visible to one margin. Etching hinge mounted on cardstock, reverse of cardstock with pencil inscription reading "#1 Dearden 1153-A 4503 #1". Housed in a gilt wood frame with placard to lower margin with artist's name and title. Image - 6 3/4" H x 6 3/4" W. Sight - 7 1/8" H x 7" W. Framed - 20 1/2" H x 15 5/8" W. Early 20th century. Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: Overall toning to image, some waviness noted to paper.
Los 140
Childe (Frederick) Hassam (American, 1859-1935) etching titled "Portsmouth Church," with view of a church on a hill surrounded by other town buildings and a body of water in the foreground. Artist's monogram signature in pencil, lower right margin, with "imp" and pencil inscription lower left, "Selected for FJ Dearden by CH 1921". Also signed with monogram and dated "1921" in the plate lower left. Printed on white wove paper taken from a section of the Old Testament visible to one margin. Etching hinge mounted on cardstock, reverse of cardstock with pencil inscription reading "#2 Dearden 1153-A 4503 #2". Housed in a gilt wood frame with placard to lower margin with artist's name and title. Image - 8 3/8" H x 5 7/8" W. Sight - 8 3/4" H x 6 1/4" W. Framed - 20 1/2" H x 15 5/8" W. First quarter 20th century. Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: Overall light toning to image, minor waviness noted to paper. Minor scattered abrasions to the frame.
Los 516
Two (2) Louis Icart (French, 1888-1950) signed etchings: Symphony in Blue and Miroir de Venise. 1st item: "Symphony in Blue," 1936, etching and aquatint with handcoloring, pencil signed 'Louis Icart'' lower right, artist's blindstamp lower left and publication line upper left. Sight - 23 1/4" H x 19 1/2" W. Framed - 30" H x 26" W. Ref. Holland, Catania & Isen, 461. 2nd item: "Miroir de Venise," 1937, etching and aquatint with hand coloring, pencil signed "Louis Icart" lower right, artist's blindstamp lower left and publication line upper left. Sight: 23" H x 19" W. Framed - 30" H x 26" W. Provenance: the estate of Victor T. Patterson, Franklin, TN. Note: born in Georgia and educated at the Parsons School of Design, Victor Patterson served as a cultural representative to Russia with Dwight D. Eisenhower's "People to People" program (prior to its privatization) before moving to the Nashville, Tennessee area to pursue a career in interior design. He was associated with Bradford's for many years before starting his own business. He decorated the Tennessee Governor's Mansion and the home of several country music stars in the 1970s, and filled his home on Franklin's historic Fourth Avenue with art and antiques from his frequent travels. CONDITION: Not examined out of frames. Both appear to be in very good condition with minor toning. Some grime to mats and tape residue to glass. Frames in very good condition.
Los 545
1st & 2nd items: Two (2) Henry (Harry) Ziegler (New York, 1889-1968) etchings, both portraits of the American artist Joseph Pennell, one with a pencil inscription reading top margin "Presented to F. J. Dearden from Henry Zigler and lower margin "A very interesting portrait of a very interesting - but maddening person. Joseph Pennell" and pencil signed by the artist. The other with a pencil inscription reading, "F J Dearden, imp._ from _ Henry Ziegler". 1st etching housed in a gilt wood frame with linen mat. 2nd etching housed in a simple wood frame. Image - 6 7/8" H x 5" W. Sight - 7 3/4" H x 5 3/4" W and 9 1/4" H x 7 1/4" W. 3rd item: Ink and watercolor titled "White Man Wins" depicting a circle of Native American males and cowboys playing cards. Signed and dated 1930 lower margin together with the inscription "To my friend F. J. Dearden. Kind regards, from the artist, 1931". Housed in a gilt and painted wood frame. Sight - 11 1/8" H x 14 1/4" W. Framed - 17 1/4" H x 20 1/2" W. All with a letter from the artist to F.J. Dearden regarding the drawing in this lot. Artist's Biography: Henry (Harry) Ziegler studied art with W.R. Leigh and Joseph Pennell. He is known for his western subject illustrations and paintings, and was the illustrator of Cowboy Stuff, an edition of 50 etchings. (Source: Askart). Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: 1st item: overall good condition. Light toning to paper. 2nd item: Toning to paper, abrasions to the frame. 3rd item: Some light toning to paper. Scattered abrasions to the frame.
Los 665
Gerald L. Brockhurst (English, 1890-1978) etching on cream wove paper, portrait of the artist James McBey (British, 1883-1959), sixth state of nine, circa 1931. Signed in pencil in lower right margin "G. L. Brockhurst." Framed under white mat and glass in an etched bronze metallic frame. Sight - 12" H x 8 1/2" W. Framed - 21" H x 17" W. Provenance: The Estates of Olen Bryant and late Vanderbilt University art professor Thomas Brumbaugh, Clarksville/Cottontown, Tennessee. Note: Thomas Brumbaugh was a co-author/editor of the book, THE ART OF GERALD BROCKHURST, published by the Georgia Museum of Art, 1993. CONDITION: Excellent condition. Not examined out of frame.
Los 670
Two (2) pencil-signed works on paper by John Edward Costigan and Adolf Arthur Dehn. 1st item: John Edward Costigan (Rhode Island/New York, 1888-1972) etching on paper titled "Workers in the Field", published by Associated American Artists, New York. Great Depression era scene depicting a family in a desolate field, foreground, a worker and a horse, left middle ground with a farmhouse and a plain in the background. Signed "J. E. Costigan" lower left in the plate, signed "J. E. Costigan N. M. - S. M. E." in pencil, lower right margin. Includes original brown paper frame backing with artist's label indicating that this image was the winner of the 1934 Shaw Prize. Retains original mat. Plate - 8 1/2" H x 12 7/8" W. Sight - 9" H x 13 1/8" W. Mat - 14 5/8" H x 18 3/4" W. 2nd item: Adolf Arthur Dehn (New York/Minnesota, 1895-1968) limited edition lithograph on paper titled "Threshing", published by Associated American Artists, New York. Landscape scene depicting cattle and chickens in an enclosed pen to the right of two buildings, foreground, several men participating in the threshing process, middle ground, a line of trees below a cloudy sky, background. Signed "Adolph Dehn" in pencil, lower right under image. Includes original brown paper frame backing with artist's label. Retains original mat. Sight - 9 3/4" H x 12 7/8" W. Mat - 15" H x 18 1/8" W. Both items American, second quarter 20th century. CONDITION: Overall good condition with toning/acid at matte edges. Hinge mounted to mat. 1st item also has a few minute foxing spots.
Los 903
Salvador Dali (Spanish, 1904-1989) drypoint etching, "Adam and Eve," from Fine Arts 260. Pulled in five colors on Rives paper in the workshop of Ateliers Rigal, France, and completed in August 1972. Signed in pencil lower right and numbered 150/1000 lower left. Retains the original gallery papers and certificate of authenticity. Housed in a modern chrome frame with linen liner. Plate - 15 1/2" H x 12 3/4" W. Sight - 19 1/4" H x 12" W. Framed - 25 3/4" H X 18 1/4" W. CONDITION: Not examined out of the frame. Some waviness noted to paper, otherwise overall very good condition.
Los 966
Felix-Hilaire Buhot (France/England, 1847-1898) etching titled in the plate lower left "Clock Tower London" depicting the Westminster Tower. Housed in a gilt wood frame. Plate - 11" H x 15 5/8" W. Sight - 11 1/2" H x 16" W. Framed - 19 1/2" H x 23 1/2" W. Circa 1884. Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: Significant toning and scattered foxing to etching and matte. Not examined out of the frame.
Los 967
Group of three (3) Luigi Kasimir (Austrian, 1881-1962) and Robert Kasimir (Austrian, 1914-2002) colored etchings of European scenes. 1st-2nd items: Two (2) Luigi Kasimir etchings. One Innsbruck street scene with a cathedral visible in the background, and the second a winter landscape scene titled in lower left corner within the plate "An Der Himmelstrasse". Artlore gallery label on back of Innsbruck piece. 3rd item: One (1) Robert Kasimir etching depicting a view of Salzburg with mountains in the background. ArtLore gallery label on back. All images matted and housed under glass in gilt wood frames and signed in graphite below images in lower center. Plate sizes range from 9 3/4" H x 9 1/4" W to 14" H x 19 1/2" W. Sights range from 10 1/4" H x 9 3/4" W to 14 3/4" H x 20 1/8" W. Frames range from 19 3/8" H x 18 3/8" W to 24 1/2" H x 29 3/8" W. Mid 20th century. CONDITION: Overall good condition. 3rd item: some wear to matte.
Los 982
Three (3) historical artworks, including one (1) drawing of the Alamo, one (1) etching of Louis XVIII, and one (1) etching of Abraham Lincoln. 1st item: American School pastel and gouache drawing depicting the Alamo in San Antonio, Texas, site of the The Battle of the Alamo (February 23-March 6, 1836) a pivotal event in the Texas Revolution. Signed and dated "Elkentt[?] '32" lower right under image. Housed under glass in a molded gilt and green frame. Image - 12" H x 9 1/8" W. Sight - 15 3/4" H x 11 3/4" W. Framed - 18 1/4" H x 14 3/8" W. Circa 1932. 2nd item: Steel plate engraving titled "Louis XVIII, Roi de France & de Navarre" drawn and engraved by Pierre Bouillon (1776-1831), published by Chez Bance, Paris. Depicting a bust portrait of Louis XVIII wearing a military uniform. Ink inscriptions in French and English text above and below plate marks. Housed under glass in a black wooden frame with faux wooden veneer and gilt wood rabbet edge. Plate - 13" H x 10" W. Sight - 15 1/2" H x 11 1/2" W. Framed - 19" H x 15" W. Note: Louis XVIII (1755-1824), known as "the Desired" was King of France from 1814 to 1824, except for a period in 1815 known as the Hundred Days. He spent twenty-three years in exile, from 1791 to 1814, during the French Revolution and the First French Empire, and again in 1815, during the period of the Hundred Days, upon the return of Napoleon I from Elba. 3rd item: Otto J. Schneider (Illinois, 1875-1946) limited edition etching on paper depicting the Abraham Lincoln: The Man statue in the Lincoln Park in Chicago, IL by Augustus Saint-Gaudens (New York/New Hampshire/Massachusetts/France, 1848-1907). Signed "Schneider" in pencil lower right. Published by the Chicago Society of Etchers Club, Chicago, 1927. Matted and housed under glass in a black wooden frame with gilt silver trim. Plate - 11 1/2" H x 6 3/8" W. Sight - 12 1/4" H x 7 1/8" W. Framed - 18 7/8" H x 12 5/8" W. Early 20th century. Provenance: The Estate of Mrs. Frank Wood, Evansville, Indiana and Dickson, Tennessee. CONDITION: All items in overall good condition. Not examined outside of frames. 1st item: Toning/acid burn, foxing spots. Smudging of pastel. Debris under frame. 2nd item: Foxing spots, dampstaining to majority of sheet. 3rd item: Toning/acid burn.
Los 195
A 19th Century Colonial wars Queen Victoria 1845 / 54 pattern officers infantry sword having a pierced and folding half basket hilt with VR cypher, shagreen and wire wrapped grip, domed pommel, decorated backstrap, fullered curved single edged blade with faint etching for Jones Of Regent Street. Measures; 97cm overall.
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78472 Los(e)/Seite