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Preisdatenbank abonnieren*@Bone (Sir David Muirhead, 1876-1953). Ayr Prison, 1905, drypoint etching on laid paper, the only state, printed in an edition of 41 proofs only, signed in pencil, with wide margins, in very good condition, plate size 12.5 x 17.8 cm (4.9 x 7 ins), sheet size 22 x 29 cm (8.7 x 11.4 ins), mounted Provenance: Purchased by the current owner from Robin Garton circa 1990. Campbell Dodgson 179. (1)
*@Holloway (Edgar, 1914-2008). The Turban (Self-Portrait No. 9), 1937, etching with plate tone on cream paper, from the published edition of 50 impressions, signed and numbered 45/50 below the image, and titled to lower edge, 12.6 x 10.2 cm (5 x 4.1 ins), with margins, framed and glazed Meyrick (1996) 108. (1)
*Wilkinson (Norman, 1878-1971). Spey Pool, circa 1930, etching with drypoint, signed in pencil lower right, plate size 22.5 x 30.3 cm (9 x 12 ins), with margins, framed and glazed, with old printed label to verso of Richard Howarth, Dealer in Works of Art, 25 Preston Road, Blackburn to verso, framed and glazed (glass cracked), together with Playing a Trout in the Shadows, circa 1930, etching with drypoint, signed in pencil lower right, xxx x xxx ins, with margins, framed and glazed, with printed label of Richard Howarth, Blackburn to verso (2)
*Cowern (Raymond Teague, 1913-1986). V‚zelay, 1937, etching on wove paper, signed, titled and dated in pencil, plate size 14.5 x 18.8 cm (5.75 x 7.4 ins) with margins, framed and glazed, together with a late 19th century etching on wove paper of women in a harbour loft mending fishing nets (possibly by a Newlyn or Staithes artist), unsigned, plate size 16.2 x 26 cm (6.4 x 10.5 ins), with good margins, plus a lithographic portrait of Hilaire Belloc by William Rothenstein (1872-1945), dated in the image 1896, framed and glazed (3)
*@Holloway (Edgar, 1914-2008). Self Portrait, 1932, etching on pale cream paper, one of 6 artist's proofs, aside from the published edition of 50, signed, titled and dated in pencil, and marked V/VI AP's to lower margin, and additionally marked in pencil to edge of sheet S.P. No. 6, 1932, a very good impression, plate size 22.7 x 16.2 cm (8.9 x 6.4 ins), with wide margins, framed and glazed (unexamined out of frame) (1)
*Richards (Frederick Charles, 1887-1932). Boodles to St. James's Palace, etching on thin wove paper, signed and titled in pencil, plate size 21.8 x 25 cm (8.5 x 9.75 ins), with margins, mounted, together with A City Built Upon A Hill, The Monastery, Ewot Bridge - Durham, Near S. Pietro - Venice, each signed and titled in pencil, various sizes, plus one other etching by the same artist, The Little Shop under the Arches, unsigned, all except two mounted (the small Venice etching laid down on card) (6)
Herbert Thomas Dicksee British ( 1862 - 1942 ) Coloured Etching, Printed In Sepia. Title ' The Wishing Pool ' Date 1903, From a Poem by Tennyson. Period Frame. Size 18.5 x 27 Inches - 47 x 68.5 cm. Mounted and Framed Behind Glass, Excellent Condition In All Aspects, No Foxing or Fading. Provenance - Original Label to Back Reads - T. Bromley & Son, Fine Art Gallery, Fold Street Bolton.
PIRANESI, Giovanni Battista. Veduta interna della Basilica di S. Pietro in Vaticano. Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 3rd state with the artist's address and price, 410 x 600 mm., a central vertical fold, slight surface dust, [H.4 III; F.788; WE.137]
PIRANESI, Giovanni Battista. Veduta della Basilica di S. Giovanno Laterano. Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 3rd state with the artist's address and price, 390 x 545 mm., a central vertical fold, marginal surface dust, [H.8 III; F.790; WE.139]
PIRANESI, Giovanni Battista. Veduta della Facciata della Basilica di S. Croce in Gerusalemme. Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 3rd state with the artist's address and price, 405 x 610 mm., a central vertical fold with a parallel soft crease, marginal surface dust with faint browning towards sheet edges, [H.11 III; F.729; WE.173]
PIRANESI, Giovanni Battista. Veduta dell'Esterno della gran Basilica di S. Pietro in Vaticano. Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 4th state with the artist's address and price, and some additional lines of shading, 405 x 610 mm., a central vertical fold with a parallel soft crease, marginal surface dust with faint browning towards sheet edges, [H.5 IV; F.789; WE.153]
PIRANESI, Giovanni Battista. Veduta della vasta Fontana di Trevi anticamente detta l'Acqua Vergine. Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper, 3rd state with the artist's address and price, 400 x 555 mm., a central vertical fold, faint spotting and surface dust, mostly marginal, [H.19 III; F.797; WE.145]
PIRANESI, Giovanni Battista. Veduta del Castello dell'Acqua Paolo sul Monte Aureo. Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper, 2nd state with the artist's address and price, 400 x 615 mm., a central vertical fold, faint spotting and surface dust, mostly marginal, a few other small surface marks, [H.21 II; F.736; WE.174]
PIRANESI, Giovanni Battista. Veduta della gran Curia Innocenziana edificata sulle rovine dell'Anfiteatro di Statilio Tauro, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 1st and only Roman state with the artist's address and price, 405 x 615 mm., a central vertical fold, faint marginal spotting towards the sheet edges, [H.23 I; F.738; WE.176]
PIRANESI, Giovanni Battista. Veduta sul Monte Quirinale del Palazzo dell'Eccellentissima Casa Barberini, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 2nd state with the artist's address and price, 405 x 615 mm., a central vertical fold, faint marginal spotting and slight surface dirt towards the sheet edges, [H.25 II; F.740; WE.188]
PIRANESI, Giovanni Battista. Veduta del Palazzo Odescalchi, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 2nd state with the artist's address and price, 405 x 615 mm., a central vertical fold with a parallel crease, faint marginal spotting and slight surface dirt towards the sheet edges, [H.26 II; F.741; WE.178]
PIRANESI, Giovanni Battista. Veduta del Porto di Ripetta, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 4th state with the artist's address and price, 405 x 615 mm., a central vertical fold, faint marginal spotting and slight surface dirt towards the sheet edges, [H.28 IV; F.814; WE.155]
PIRANESI, Giovanni Battista. Veduta del Ponte e Castello Sant'Angelo, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 3rd state with the artist's address and price, and additional shading, 380 x 585 mm., a central vertical fold, faint marginal spotting and minor damp-staining, slight surface dirt towards the sheet edges, [H.29 III; F.793; WE.156]
PIRANESI, Giovanni Battista. Veduta del Mausoleo d'Elio Adriano (ora chiamato Castello S. Angelo), Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 1st and only Roman state with the artist's address and price, 435 x 555 mm., a central vertical fold with two parallel stripes of pale oil staining, faint marginal spotting and surface dust, [H.30 I; F.743; WE.170]
PIRANESI, Giovanni Battista. Piramide di C. Cestio, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 1st and only Roman state with the artist's address, 390 x 535 mm., a central vertical fold, a small skinned area on verso, some marginal spotting and damp-staining, [H.36 I; F.745; WE.190]
PIRANESI, Giovanni Battista. Veduta degli avanzi del Foro di Nerva, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper, 4th state with the artist's address and price, and additional shading, 405 x 610 mm., a central vertical fold, marginal surface dust, [H.42 IV; F.749; WE.181]
PIRANESI, Giovanni Battista. Veduta del piano superiore del Serraglio delle fiere fabbricato da Domiziano a uso dell'Anfiteatro Flavio, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 3rd state with the artist's address and price, 400 x 605 mm., a central vertical fold, slight surface dirt towards the sheet edges, [H.43 III; F.804; WE.160]
PIRANESI, Giovanni Battista. Veduta del Tempio di Bacco, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 2nd state with the artist's address and price, 400 x 605 mm., a central vertical fold, slight surface dirt towards the sheet edges, [H.48 II; F.753; WE.184]
PIRANESI, Giovanni Battista. Veduta degli avanzi di due Triclini che appartenevano alla Casa aurea di Nerone, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 3rd state with the artist's address and price, 415 x 550 mm., a central vertical fold, a small area of slight skinning on verso, faint marginal spotting and minor damp-staining, slight surface dirt towards the sheet edges, [H.50 III; F.812; WE.149]
PIRANESI, Giovanni Battista. Veduta dell'Atrio del Portico di Ottavia, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 4th state with the artist's address and price, 400 x 600 mm., a central vertical fold, faint marginal spotting and minor damp-staining, slight surface dirt towards the sheet edges, [H.58 IV; F.815; WE.166]
PIRANESI, Giovanni Battista. Veduta interna dell'Atrio del Portico di Ottavia, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 3rd state with the artist's address and price, 415 x 550 mm., a central vertical fold with a parallel crease, marginal surface dirt with slight browning and damp-staining towards the sheet edges, [H.59 III; F.816; WE.167]
PIRANESI, Giovanni Battista. Veduta del Ponte Molle sul Tevere che niglia lontan da Roma, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 1st and only Roman state with the artist's address and price, 440 x 675 mm., a central vertical fold with a printer's crease in the lower section, faint marginal surface dust, [H.64 I; F.767; WE.197]
PIRANESI, Giovanni Battista. Veduta delle due Chiese, l'una detta della Madonna di Loreto l'altra del Nome di Maria presso la Colonna Trajana, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 1st and only Roman state with the artist's address and price, 430 x 690 mm., a central vertical fold, oil staining in the side margins, other marginal spotting, a splitting crease across the upper left sheet corner but well outside the plate, [H.66 I; F.849; WE.199]
PIRANESI, Giovanni Battista. Veduta interna della Basilica di S. Giovanni Laterano, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving on thick laid paper, 2nd state with additional shading, 430 x 675 mm., a central vertical fold, slight marginal browning and surface dirt, [H.88 I; F.726; WE.221]
PIRANESI, Giovanni Battista. Veduta della Villa dell'Emo. Sig.n Card. Alesandro Albani fuori di Porta Salaria, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving on thick laid paper with a fleur-de-lys in a double circle watermark, 1st and only Roman state, 445 x 700 mm., a central vertical fold, oil staining in the side margins, other marginal spotting, [H.89 I; F.853; WE.222]
PIRANESI, Giovanni Battista. Veduta degl'Avanzi del Foro di Nerva, Rome, c.1774from the Rome edition of 'Vedute di Roma', etching with engraving on thick laid paper with a fleur-de-lys in a double circle watermark, 1st and only Roman state, 480 x 710 mm., a central vertical fold with a short split at the head and a parallel crease, some marginal spotting and surface dirt, [H.95 I; F.750; WE.228]
PIRANESI, Giovanni Battista. Title page for Vedute di Roma. Rome, c.1774Rome edition, etching with engraving, on thick laid paper with a fleur-de-lys in a double circle watermark, 3rd state with the artist's address and price, 405 x 545 mm., a central vertical fold, slight surface dust on recto, more heavily dust-stained on verso, [H.1 I; F.719; WE.134]
Ivor Mervyn Pritchard RCA (1886 - 1948), by and after, Pharaoh Akhenaten, monogrammed, signed and titled within plate, signed in pencil by the artist in margin, etching, 21cm x 14cm; others, Penmon, Anglesey, 2nd final proof, signed, titled and dated 1924 within plate, signed, titled, inscribed and dated 1924 in pencil by the artist in margin, etching, 14cm x 16.5cm; another, [3]
Jean Carzou (Armenian 1907-2000), by and after, Canal a Venice, signed, dated '92, limited edition 245/250, lithograph, 38cm x 53cm; another, Ramon Dilley (French, bn. 1933), La Plage a Deauville, signed artist proof, lithograph, 61cm x 53cm; another, Peter Ford, 'Throng', signed, etching, No. 4 of 5, (3)
A limited edition silver plate by Franklin Mint, decorated with an etching entitled 'Riding to the Hunt', by James Wyeth, diameter 20.5cm, gross weight approximately 5.78ozt, in original box with certification, together with a silver four coin 'Olympic coin proof set' in fitted case, gross weight approximately 4.3ozt.
WW1 Imperial German Model 1889 Trooper’s Private Purchase Cavalry Sword.A good example with etched decoration to the blade. This includes the Imperial Eagle and Thropies of War. The hilt is of the regulation pattern incorporating an Imperial Eagle. Complete with original scabbard this being post 1906 with a single fixed loop. Etching to the blade clear slight age wear.
William IV General Officer’s 1831 pattern Mameluke hilted swordA rare early example by Widdowson & Veale 73 Strand, London (details to the forte). The blade is etched with Crowned WIVR Cypher, General Officer’s device and floral decoration. Gilt cross guard with floral decoration with General Officer’s device to the centre. Two piece Ivorine grip with two floral head gilt studs. Housed in black leather and gilt mounted scabbard, the top mount with the cutler’s details. Overall condition is good, etching to blade clear, some gilt dulling.
Scottish. 93rd Sutherland Highlanders Victorian pre 1881 Officer’s broadsword.A good scarce possibly fighting example, the straight doubled edged, double fuller blade with etched decoration of a crowned VR cypher, also the regimental title ‘93rd SUTHERLAND HIGHLANDERS’ and Battle Honours the last being ‘LUCKNOW’. The forte with the retailer’s details of “Jones & Co” of London. The hilt with regulation basket guard, retaining original scarlet and buff leather liner. This enclosing a shagreen grip with twist wire binding. Housed in its full polished brown leather field service scabbard of the correct pattern. Overall Good Condition, small edge nicks to the blade, etching faint to parts, overall dark patina to steelwork.
Crimean War Period Highland Regiment Officer’s Basket Hilted Broadsword by Wilkinson.A good and rare example of the regulation pattern. The double edged straight 32 inch blade is decorated with etched decoration. This includes a crowned VR cypher and to the reverse an Order of the Thistle Star. The cutler’s details are to the forte and the back of the blade with the number 6931. The hilt with full basket, retaining scarlet and buff leather lining. Housed in original black leather scabbard with steel mounts. To obverse of each mount with engraved decoration. Fitted with frog hook, to the top mount and two loose rings. Etching to the blade clear. The etching to the blade of the Order of the Thistle may indicate carried by an Officer of the Scots Fusilier Guards.
Victorian Rifle Volunteers Officer’s Sword.A good 1845 pattern, the single-edged blade with strung bugle device and “Rifle Volunteers” surmounted by a Victorian Crown. The obverse with entwined VR cypher and crown. Fixed guard of fire gilt metal bearing entwined VR Crowned Cypher. Shagreen grip with twist wire binding complete with buff sword knot. Housed in original steel scabbard now painted black. Etching to blade clear. The sword has been refurbished at some time and now with some minor wear to plating, traces of fire gilt to the hilt. GC.
Honourable Artillery Company Infantry Officer’s Regimental Pattern SwordA scarce example, with straight single edged blade. The guard closely follows a Guards pattern, with a flaming grenade device with “HAC” to the ball. Housed in polished brown leather field service scabbard. PLEASE NOTE the blade has been re-polished at some time no etching remains. Overall GC.
2nd VB Worcestershire Regiment Edwardian Officer’s Infantry pattern SwordA rare 1901-08 example, the single-edged slightly curved blade decorated with EVIIR entwined cypher surmounted by a crown, regimental title “2nd VB Worcester Regt” and with etched overlaid initials of the original owner. The forte with the retailer’s details of “Hobson & Sons”. The hilt of the regulation pattern, the guard incorporating crowned EVIIR cypher, Shagreen grip with copper twist wire binding. Housed in original steel scabbard. Etching clear, blade with stain spots. GC. Hilt with some surface rust. HQ at Worcester
Victorian Indian Army 1847 Infantry Pattern Officer’s sword.A good example with single edged fullered, slightly curved blade decorated with a VRI entwined cypher surmounted by crown. Gilt metal hilt with crowned VRI cypher to the guard, shagreen grip and copper twist wire binding. Housed in steel scabbard fitted with two loose rings. Etching remains clear. Hilt and scabbard with some age wear. GC
WW1 London Irish Rifles Officer’s Sword.A scarce regimental example of the Light Infantry pattern. The straight blade with etched decoration of a GVR crowned cypher and Regimental title “London Irish Rifles”. The hilt of the regulation pattern the guard incorporating a light infantry crowned bugle. Housed in polished brown leather field service scabbard. The sword with age wear, surface rusting spots to the blade and rusting to the guard. Scabbard with damage to the chape. Etching remains clear overall.
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