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Preisdatenbank abonnierenCaricatures. Dighton (Robert Junior, 1786-1865), Four hand coloured etched caricatures of officers in the Foot Guards, two dated 1803, all with titles in pencil reading 'An Officer in the Foot Guards taken from Life' or similar, plate dimensions approx. 300 x 165 mm, together with an etching by the same artist of a cannon entitled 'A Correct Sketch of the Turkish Piece in the Park', approx. 180 x 275 mm, framed and glazed (5)
Ferenc Gogos, b.1936- 'Napussiony'; woodcut printed in colours, signed, titled , inscribed and dated '67, 49x36cm: Dolf Reiser, b.1898- 'Graveyard of Ships'; aquatint printed in blue, signed and inscribed 'Artist's Proof' in pencil: A Kendall- Untitled; etching, signed, inscirbed 'A/Proof' and dated '65 in pencil: Connal- 'Summer's Day'; aquatint in colours, signed titled and numbered 15/50 in pencil, (4)
Various Properties Graham Sutherland, O.M., 1903-1980 Cray fields Signed in pencil, inscribed twice State I 15 F. / keep this proof Etching, unframed Plate: 11.5x12cm.; 4.5x4.75in. (2) Executed in 1925, in an edition of 85 and published by Twenty-One Galleries, London. To be sold together with Cudham, signed in pencil, executed in 1924, in an edition of 42, etching, by the same hand, unframed. Literature Martin Hammer, Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950, London, 2005, illustrated p.58 (another from the same edition)
Graham Sutherland, O.M., 1903-1980 Lammas Signed in pencil and inscribed imp. Etching, unframed Plate: 11x16cm.; 4.25x6.25in. (2) Executed in 1926, in an edition of 89, published by Twenty-One Gallery, London. To be sold together with Barrow Hedges Farm, signed in pencil, executed in 1924, in an edition of 46, etching, by the same hand, unframed.
Graham Sutherland, O.M., 1903-1980 May green Signed in pencil and inscribed imp Etching, unframed Plate: 11x15.5cm.; 4.25x6.25in. (2) Executed in 1927, in an edition of 18. To be sold together with Meadow Chapel, signed in pencil, executed in 1929, in an edition of 60, etching, by the same hand, unframed.
Graham Sutherland, O.M., 1903-1980 The garden Signed in pencil and numbered 14 Etching, unframed Plate: 21x15.5cm; 8.5x6.25in. (2) Executed in 1931, in an edition of 30. To be sold together with Cottage in Dorset, Wood End, signed in pencil and numbered 22/60, etching, by the same hand, unframed. Literature Martin Hammer, Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950, London, 2005, illustrated p.61 (another from the same edition)
Graham Sutherland, O.M., 1903-1980 Pecken wood Signed in pencil Etching, unframed Plate: 13.5x18.5cm.; 5.5x5.5in. (2) Exectued in 1925. To be sold together with Warning Camp, signed in pencil, executed in 1924, in an edition of 56, etching, by the same hand, unframed. Literature Martin Hammer, Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950, London, 2005, illustrated p.55 (another from the same edition)
Graham Sutherland, O.M., 1903-1980 Number forty-nine Signed in pencil and inscribed imp. Etching, unframed Plate: 25x17.5cm.; 10x7in. (2) Executed in 1924, in an edition of 60 and published by Twenty-One Gallery, London. To be sold together with Poling Potteries, signed in pencil, executed in 1924, in an edition of 19, by the same hand, unframed. Literature Martin Hammer, Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950, London, 2005, illustrated, p.56 (another from the same edition)
*Dayes (Edward). The Promenade in St. James's Park, pub. P. Gaugain, January 1793, b & w soft-ground etching, by S.D. Soiron, after Edward Dayes, one or two minor marks and marginal repairs, approx. 450 x 670 mm (17.5 x 26.5 in), mounted, together with An Airing in Hyde Park, pub. P. Gaugain, January 1796, fine b & w soft-ground etching by P. Gaugain after Edward Dayes, approx. 445 x 665 mm (17.5 x 26 in), mounted (2)
Gavarni (Paul, i.e. Chevalier Sulpice Guillaume). Masques et Visages, Notice par C.-A. Sainte-Beuve, Paris, Calmann Lévy, n.d., c. 1880s, numerous b&w litho. plts., orig. cloth backed boards, rubbed and marked, some minor wear and fraying to extrems., folio, together with Duret (Theodore). Die Impressionisten, Berlin, 1909, b&w plts., etc., lacks all orig. etchings, together with a 1914 second edition of the same work, lacking the two original etchings by Renoir, orig. vellum/orig. vellum-backed boards respectively, a little rubbed and some minor marks, large 8vo, with The Studio, An Illustrated Magazine of Fine and Applied Art, col. 22, 1901, Special Summer Numbers, 1901, 1902 & 1904 (Beauty's Awakening, Modern Etching and Engraving & The Royal Academy), plus the New Woodcut by Malcolm C. Salaman, The Studio Special Spring Number 1930, and The Studio: A Bibliography, & a Reprint of the General Index, 1893-1901, all orig. green cloth, except woodcut vol. and Bibliography in orig. wrappers, 4to and Bourcard (Gustave). La Cote des Estampes des différentes ecoles Anciennes et modernes, Paris, 1912 (9)
*Theatre. Prints & engravings, mostly 19th century, including 'Melle Sarah Bernhardt', late 19th century hand coloured litho after 'Theo' (approx. 350 x 260 mm), together with Sayer (Robert, pub.), Miss Nancy Dawson, late 18th century, uncoloured mezzotint, approx. 350 x 250 mm, plus others related including a humourous etching published by Fores in 1827 and entitled 'Othello/Romeo and Juliet' (approx. 70 x 210 mm) (approx. 22)
Alphonse Legrors 1837-1911- 'Le gue'(The Ford)', drypoint etching, signed in pencil, 13x16cm, bears George Davidson Ltd, 123 Sauchiehall St Glasgow, label verso: Douglas Ion Smart 1879-1970- 'Angers', drypoint etching, signed in pencil: Charles Henry Baskett 1872-1953-'Slambridge', aquatint, signed in pencil, 14x18cm; together with four further hand-coloured engravings of 18th century Military Dress. (7)
Thomas Rowlandson 1756-1827- 'Highland Broad Sword, as practised by the Dismounted Troops of the Light Horse Volunters of London & Westminster, Henry Angelo, fencing and Broadsword Master to the Light Horse Volunteers',etching, aquatinted by I.Hill, Publ: As the Act directs June 20th 1799,54x75cm; Francesco Bartolozzi RA- 'Louis Joseph de Bourbon, Prince De Conde, Prince Du Sang', Stipple engraving, after M de Tott; together with two further 18/19th century engraving and photogravure by and after various hands. (4)
European school 20th century- Dinosaurs; gouache on paper, original art work for illustration, 35x52cm: together with over twenty-five other similar artworks by the same hand: E Sargieson- 'The Postal'; etching with aquatint, signed and nunbered 4/10 in pencil: together with a folio of 20th century watercolour and mixed media studies to include Timothy Marwood and other hands, (a lot), (unframed)
William Lee Hankey 1869-1952- Women and child; drypoint etching, monogrammed within the plate, and signed in pencil, 32x27cm: After Maurice Utrillo- Parkland; lithograph printed in black, signed and dated within the plate 1927, numbered in pencil 41/200, together with seven further 19/20th century etchings by various hands. (9)
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