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Los 263

An oil of sheep in a gilt frame, an etching by Margery Bertram 1931, and other pictures

Los 266A

Ray Evans (born 1920), Rural Farmhouse, signed, watercolour, 18cm x 25.5cm, and Pier Browne `In The Cartshed` signed and titled in pencil, etching, No.2/50, dated `93

Los 403

20TH CENTURY SCHOOL - A view over Wharfedale, etching, indistinctly signed, dated possibly `96, titled and numbered 14/90, 7" x 10 1/4"; together with a further etching by the same artist of a mountainous view numbered 60/60 and three further similar (5)

Los 403

Vernon Thomas, British b.1894 exh 1932- The Swing; etching, signed in pencil beneath the plate, 25.5x19.5cm: Greek School, late 20th century- "Owl"; etching, signed and titled in pencil, label to verso, 24.5x19cm, (2)

Los 415

J Lovegrove Holt, British, mid-late 19th century- "A Norwegian Village- Fagerlund near the Sand Fjord"; watercolour, signed, inscribed and dated 30th July 1882, 25x40cm: William Renison, British 1866-c.1940- "Cahir Castle (Tipperary)"; etching printed in colours, signed, titled and dedicated to Frank Welch in pencil, 36.3x58cm: 20th Century- A warrior; oil on unstretchered canvas, signed with monogram `NB`, 36x20.5cm., (3) (unframed)

Los 419

After Jean-Baptiste Pillement, French 1728-1808- Chinoiserie study; hand-coloured etchings, two, both publ 30th June 1760; 22x29.5cm., ea: Richard Evans, Whites Row, Spitalfields, London, Publ., early 19th century- "Spotted Guinea Pigeon and Marginated Long-Tailed Dove"; hand-coloured engraving with etching,23x18.5cm., (3)

Los 424

George Vernon Stokes RBA RMS, British 1873-1954- Birds in flight; hand coloured dry point etching, signed in pencil beneath the plate, 21x32.5cm

Los 443

Mortimer Luddington Menpes NEA RBA RE RI ROI, Australian/British 1860-1938- Cathedral Interior; etching, signed in pencil beneath the plate, 31x16cm: together with two other etchings by the same hand depicting ruins and the facade of a cathedral, both signed in pencil, 20x25cm and 19.5x29.5cm respectively, the three in matching frames, (3)

Los 478

William Walter Burgess RE, British 1856-1908- Westminster and the River Thames; etching, signed in pencil, 20.5x27.5cm

Los 509

James Alphege Brewer, British act. c1909-1938- "Antwerp, early morning"; hand coloured etching printed in colours, signed and titled in pencil beneath the plate, 45x55cm: together with another hand coloured etching by the same artist entitled "Oxford, Brasenose College and High Street", signed and titled in pencil, 22.5x34.5cm, (2)

Los 531

* After John Linnell OWS, British 1792-1882- Sheep grazing in Windsor Forest; etching, signed and dated 1818 within the plate, 14x23cm: Gladys Minola Brodribb, British exh 1927-1940- Hay making view from within a barn; etching, signed in pencil, 12.5x17.5cm: Sir Frank Short RA PRE, British 1857-1945- A woodland pond; mezzotint, signed and dedicated to Francis Bate and dated 1908 in pencil, 28x38cm., (3) (unframed)

Los 542

Berta Molke, Danish b.1938- "The House"; etching in colours, signed, titled and numbered 13/100 in pencil, 45.5x41.5cm: together with two other etchings by the same artist, 37.5x25cm and 24.5x37.3cm (3) (may be subject to Droit de Suite) Note:The Danish graphic artist Berta Moltke trained at Mogens Andersen`s school of art in Copenhagen, at La Grande Chaumière in Paris, and at the Academia de Bellas Artes in Madrid. Her work has been regarded as part of the new wave of Surrealism that arose in Denmark in the 1960s.

Los 552

19th Century- `St. Andrew and the Winged Serpent`; tinsel print, with die cut embossments on silver foil and fabric, artist unknown, mounted in a 19th century maple veneered frame, 29x23cm: Johann Sebastian Müller, German 1715-1792- `A View of the Temple of Comus & C in Vauxhall Gardens`, after A Canaletto, publ & printed by Robert Sayer in London 1751; etching, 26x39.2cm: Félix Benoist, French b.1818- `Paris en 1860`; lithograph printed in colours, 33x47cm: John Brandard, 1812-1863- `Fairy Revels`, publ by M&N Hanhart; lithograph, 27.5x21.5cm: together with a further quantity of mixed prints, 39x52cm., (max) (a lot)

Los 655

E Hedley Fitton RE, British 1857-1929- "Clock Tower, Amboise"; etching, signed within the plate and signed in pencil, 37.7x26.2cm: E Hedley Fitton RE, British 1857-1929- "Pont St Etienne, Limoges", 1910; etching, signed within the plate and signed in pencil, 34.2x42cm., (2) (unframed)

Los 657

Malcolm Osborne RA PRE, British 1880-1963- Portrait of a man; drypoint etching, signed in pencil, 31x18.5cm: Alice von Berg, British exh 1883-1921- "The Martello Tower"; etching, signed and titled in pencil, 10x17.5cm: Edward John Burrow FRGS, British 1869-1935- "West Tower & Crimean Monument, Westminster", publ by W H Beynon & Co Cheltenham; etching, 27x20.5cm: together with a mixed quantity of 19th and 20th century prints, (a lot) (one box)

Los 675

George Frederick A Belcher ARA, British 1875-1947- "Two Ladies of Walham Avenue taken from Life"; hand-coloured etching with aquatint, signed and dated 1971 within the plate, signed in pencil, 28.7x21.3cm: George Belcher- "Mrs Harris of Follop Yard taken from Life"; etching with aquatint, signed and dated 1918 within the plate, signed and inscribed in pencil, 28x19cm: Louis Marcel Fréaud Myr, French 1893-1964- Football match; etching with drypoint, signed and inscribed ``Epreuve d`Artiste` in pencil, 14x19.5cm: Ali Bellagha, Tunisian 1924-2006- Standing female nude and horse; linocuts, both signed and numbered 5/20 and 2/10 respectively, 16x8.5 and 11x14cm: Rosemary Myers, British, mid-late 20th century- "Norfolk Poppies"; woodcut printed in colours, signed, titled, numbered 1/75 and dated 79 in pencil, 43.5x31cm., (6) (part unframed) (may be subject to Droit de Suite)

Los 676

* Johan Jakob von Strüdt, German 1773-1807- "Die Spinnerin", after Nicholas Bercham; aquatint etching printed in sepia, 40x46.5cm: Luigi Scaramuccia, Italian 1616-1680- "The Miracle of St Benedict", 1654, after Lodovico Carracci; etching on laid, 54x40.5cm: Ludwig Eduard Lütke, German 1801-1850- "Lehn` am Baum, betrachtend, wean die Trpfen dichter fallen, mich auf meinen Stock"; engraving, 10.5x6.5cm: Italian School, 18th century- "Fontana sopra al Teatro di Belvedere a Frascati"; engraving, 20.5x13cm., (4) (unframed)

Los 235

W. L. Wyllie (1851-1931): monochrome finished copper plate etching impression of warships in convoy, signed in pencil to the lower left margin, 9 by 35cm.

Los 241

W. L. Wyllie (1851-1931): monochrome finished copper plate etching impression of working boats and figures from the South Bank of the Thames, signed in pencil to the lower left margin, 20 by 25cm.

Los 243

W. L. Wyllie (1851-1931): monochrome finished copper plate etching impression of working boats on the Thames from the South Bank looking towards St Paul`s Cathedral and Nelson`s Column, signed in pencil to the lower left margin, 11 by 33cm.

Los 248

W. L. Wyllie (1851-1931): monochrome finished copper plate etching impression of working boats on the Thames from the South Bank looking towards the Houses of Parliament, signed in pencil to the lower left margin, 11 by 33cm.

Los 1540

An unframed Etching/Print depicting a park entrance via gated railings with a large classical arch monument surmounted by a warrior and horse and other classical building with in the foreground two ladies travelling in a landau as other figures, children and a dog pass time in the sun, some hand colouring in watercolour and gouache, 6 1/2`` x 9 7/16`` approx

Los 2053

A J.L.S Simpson etching ``Glasgow University``. Proof stamped V & Co.

Los 2058

An Etching by Alex Kirk (Active 1915) depicting ``Brig o Dee Braemar``

Los 1702

WILLIAM STRANG SANCHO THE GOVERNOR etching, signed in pencil 17cm x 20cm

Los 1704

WILLIAM STRANG THE STRUGGLE etching, signed in pencil 19.5cm x 15cm

Los 1706

WILFRED APPLEBY THE CLOCKTOWER, HOUSES OF PARLIAMENT etching, signed and titled in pencil 29cm x 24cm

Los 1709

IN THE MANNER OF MARION HARVEY SPANIEL etching, signed M.Harvey in pencil 25cms High x 30cms Wide

Los 1770

LATE NINETEENTH CENTURY SCHOOL WIND BLOWN SPRING etching, signed indistinctly 14cm x 38cm

Los 304

WILFRED APPELBY Edinburgh Medical College Pencil signed etching, 35cm x 22cm

Los 305

WILFRED APPELBY University of Edinburgh Pencil signed etching, 19cm x 31cm

Los 306

WILFRED APPELBY Canongate Tollbooth, Edinburgh Pencil signed etching, 17cm x 30cm

Los 307

ALBANY E HOWARD Scottish Nation War Memorial Pencil signed etching, 21cm x 34cm

Los 308

J BOWER John Knox`s House, Edinburgh Pencil signed etching, 25cm x 37cm

Los 311

Framed plan of the city of Edinburgh as proposed by Architect William Edgar 1742 600cm x 300cm and a print of an etching of Edinburgh University, 36cm x 22cm

Los 531

BESANT, Walter, Westminster, Chatto & Windus, 1895. Frontis etching by Francis S. Walker. Illus. by Patten & others. 4to. T.e.g. 1/2 bds. glt. spine. Tog.with CRUIKSHANK, George (Ill.) Sunday in London, Effingham Wilson, 1833. slim 8vo. marbled endpp. & edges. Full cf. scuffed. Plus PALEY, William, Natural Theology or Evidences of Existence and Attributes of The Diety, London, 1818. 18th edn. 8vo. diced cf. scuffed. plus 2 other leather bd. books. 5

Los 44

MALCOM OSBOURNE (1880-1963) - An extensive landscape with fields and trees, etching, inscribed in pencil to the margin and dated 1921, 6 1/4" x 13 3/4"; and two further works by Bernard Rice and Sydney Lee, all similarly framed (3)

Los 34

After Thomas Rowlandson, `The high mettled racer`, hand coloured etching, 29.5cm x 37cm also the two companions (3)

Los 155

Herbert Dicksee - a framed and glazed etching of horses ploughing a field, signed

Los 53

After F. Marriott - `Courtyard Moret` (View of a French Coaching Inn with Figures and Children in a Courtyard), colour etching, signed and titled, within an ebonized frame.

Los 88

Frank Brangwyn - `The Bridge of Alcantara`, monochrome etching, signed in pencil, approx 36cm x 46cm.

Los 89

Frank Brangwyn - `The Road to Montreuil`, monochrome etching, signed in pencil, approx 29cm x 37cm.

Los 90

William P. Robins - View of a Barn, monochrome etching, signed in pencil, together with two further etchings by Albany E. Howarth.

Los 105

Edward King, after Cecil Tatton Winter - View of the Royal Exchange, London, colour etching, signed in pencil by both artists, together with two colour etchings of similar interest.

Los 131

After William Strang - The Crucifixion with Figures kneeling in front of Christ, early 20th Century etching, signed, approx 27cm x 30cm, together with a colour print after Gerald Scarfe.

Los 139

Ortega - Study of Three Oriental Figures crouching in a Field, mid-20th Century coloured etching with aquatint, signed, indistinctly titled and editioned 7/20 in pencil, within a gilt frame.

Los 143

Eugène Béjot - `Le Quai de la Rive Nemue Marseille`, mid-19th Century monochrome etching, signed in pencil, approx 18cm x 22cm, within a gilt frame.

Los 174

Philip Kappel - Harbour Scene with a Figure unloading Cargo from a Boat, monochrome etching, signed, inscribed and dated 1929 in pencil, approx 20cm x 25cm, within an ebonized frame.

Los 175

Philip Kappel - View of a Road lined with Palm Trees, monochrome etching, signed, inscribed and dated 1930 in pencil, approx 28cm x 18.5cm, within an ebonized frame.

Los 176

Philip Kappel - Figures on a Ship`s Stern, monochrome etching, signed and dated 1934 in pencil, approx 21cm x 26cm, within an ebonized frame.

Los 177

Philip Kappel - `Crossed Trails, Venezuala` (Figure on Horseback looking towards Pack Ponies and Attendant), early/mid-20th Century monochrome etching, signed and titled in pencil recto, titled label verso, approx 26cm x 31.5cm, within an ebonized frame.

Los 178

Philip Kappel - Figures on the Deck of a Boat, monochrome etching, signed, inscribed and dated 1925 in pencil, approx 24.5cm x 19cm, within an ebonized frame.

Los 179

Philip Kappel - Lady seated Side-saddle on a Donkey, early/mid-20th Century monochrome etching, signed in pencil, approx 20cm x 16cm, within an ebonized frame.

Los 180

Philip Kappel - Coastal View with Ocean Liner and Tugboat, monochrome etching, signed, inscribed and dated 1934, approx 23.5cm x 30.5cm, within an ebonized frame.

Los 181

Philip Kappel - Figures repairing Nets in a Boatyard, monochrome etching, signed, inscribed and dated 1933 in pencil, approx 26.5cm x 21cm, within an ebonized frame.

Los 203

Warren Davis - `The Running Nymph`, monochrome etching, signed in pencil, approx 23cm x 17cm, within a titled mount and oak frame.

Los 219

Edmund Casarella - `Barnyard Gossip`, mid-20th Century monochrome etching, signed, titled and dated `50, approx 27cm x 19cm.

Los 230

A 19th Century monochrome etching published by R. Sickelmore Jr, `Brighthelmston, 1779` (Map of the Town), together with a collection of mostly 19th Century engraved maps, the majority county maps.

Los 19

JOSEPH SIMPSON RBA (BRITISH 1879-1939) THE BOHEMIAN-PORTRAIT OF ROBERT LOUIS STEVENSON Original etching, signed and inscribed "16/50 2nd state" in pencil 25 x 17cm Note : Bourne Fine Art (Edinburgh) labels verso.

Los 161

EILEEN ALICE SOPER RMS (BRITISH 1905-1990) MARBLES artist`s proof etching, signed in pencil, 12.5cm x 17cm Label verso: Andrew Duthie, Fine Art Dealer, 426 Sauchiehall Street, Glasgow

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