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78475 Los(e)/Seite
J Lovegrove Holt, British, mid-late 19th century- "A Norwegian Village- Fagerlund near the Sand Fjord"; watercolour, signed, inscribed and dated 30th July 1882, 25x40cm: William Renison, British 1866-c.1940- "Cahir Castle (Tipperary)"; etching printed in colours, signed, titled and dedicated to Frank Welch in pencil, 36.3x58cm: 20th Century- A warrior; oil on unstretchered canvas, signed with monogram `NB`, 36x20.5cm., (3) (unframed)
After Jean-Baptiste Pillement, French 1728-1808- Chinoiserie study; hand-coloured etchings, two, both publ 30th June 1760; 22x29.5cm., ea: Richard Evans, Whites Row, Spitalfields, London, Publ., early 19th century- "Spotted Guinea Pigeon and Marginated Long-Tailed Dove"; hand-coloured engraving with etching,23x18.5cm., (3)
Mortimer Luddington Menpes NEA RBA RE RI ROI, Australian/British 1860-1938- Cathedral Interior; etching, signed in pencil beneath the plate, 31x16cm: together with two other etchings by the same hand depicting ruins and the facade of a cathedral, both signed in pencil, 20x25cm and 19.5x29.5cm respectively, the three in matching frames, (3)
James Alphege Brewer, British act. c1909-1938- "Antwerp, early morning"; hand coloured etching printed in colours, signed and titled in pencil beneath the plate, 45x55cm: together with another hand coloured etching by the same artist entitled "Oxford, Brasenose College and High Street", signed and titled in pencil, 22.5x34.5cm, (2)
* After John Linnell OWS, British 1792-1882- Sheep grazing in Windsor Forest; etching, signed and dated 1818 within the plate, 14x23cm: Gladys Minola Brodribb, British exh 1927-1940- Hay making view from within a barn; etching, signed in pencil, 12.5x17.5cm: Sir Frank Short RA PRE, British 1857-1945- A woodland pond; mezzotint, signed and dedicated to Francis Bate and dated 1908 in pencil, 28x38cm., (3) (unframed)
Berta Molke, Danish b.1938- "The House"; etching in colours, signed, titled and numbered 13/100 in pencil, 45.5x41.5cm: together with two other etchings by the same artist, 37.5x25cm and 24.5x37.3cm (3) (may be subject to Droit de Suite) Note:The Danish graphic artist Berta Moltke trained at Mogens Andersen`s school of art in Copenhagen, at La Grande Chaumière in Paris, and at the Academia de Bellas Artes in Madrid. Her work has been regarded as part of the new wave of Surrealism that arose in Denmark in the 1960s.
19th Century- `St. Andrew and the Winged Serpent`; tinsel print, with die cut embossments on silver foil and fabric, artist unknown, mounted in a 19th century maple veneered frame, 29x23cm: Johann Sebastian Müller, German 1715-1792- `A View of the Temple of Comus & C in Vauxhall Gardens`, after A Canaletto, publ & printed by Robert Sayer in London 1751; etching, 26x39.2cm: Félix Benoist, French b.1818- `Paris en 1860`; lithograph printed in colours, 33x47cm: John Brandard, 1812-1863- `Fairy Revels`, publ by M&N Hanhart; lithograph, 27.5x21.5cm: together with a further quantity of mixed prints, 39x52cm., (max) (a lot)
Malcolm Osborne RA PRE, British 1880-1963- Portrait of a man; drypoint etching, signed in pencil, 31x18.5cm: Alice von Berg, British exh 1883-1921- "The Martello Tower"; etching, signed and titled in pencil, 10x17.5cm: Edward John Burrow FRGS, British 1869-1935- "West Tower & Crimean Monument, Westminster", publ by W H Beynon & Co Cheltenham; etching, 27x20.5cm: together with a mixed quantity of 19th and 20th century prints, (a lot) (one box)
George Frederick A Belcher ARA, British 1875-1947- "Two Ladies of Walham Avenue taken from Life"; hand-coloured etching with aquatint, signed and dated 1971 within the plate, signed in pencil, 28.7x21.3cm: George Belcher- "Mrs Harris of Follop Yard taken from Life"; etching with aquatint, signed and dated 1918 within the plate, signed and inscribed in pencil, 28x19cm: Louis Marcel Fréaud Myr, French 1893-1964- Football match; etching with drypoint, signed and inscribed ``Epreuve d`Artiste` in pencil, 14x19.5cm: Ali Bellagha, Tunisian 1924-2006- Standing female nude and horse; linocuts, both signed and numbered 5/20 and 2/10 respectively, 16x8.5 and 11x14cm: Rosemary Myers, British, mid-late 20th century- "Norfolk Poppies"; woodcut printed in colours, signed, titled, numbered 1/75 and dated 79 in pencil, 43.5x31cm., (6) (part unframed) (may be subject to Droit de Suite)
* Johan Jakob von Strüdt, German 1773-1807- "Die Spinnerin", after Nicholas Bercham; aquatint etching printed in sepia, 40x46.5cm: Luigi Scaramuccia, Italian 1616-1680- "The Miracle of St Benedict", 1654, after Lodovico Carracci; etching on laid, 54x40.5cm: Ludwig Eduard Lütke, German 1801-1850- "Lehn` am Baum, betrachtend, wean die Trpfen dichter fallen, mich auf meinen Stock"; engraving, 10.5x6.5cm: Italian School, 18th century- "Fontana sopra al Teatro di Belvedere a Frascati"; engraving, 20.5x13cm., (4) (unframed)
An unframed Etching/Print depicting a park entrance via gated railings with a large classical arch monument surmounted by a warrior and horse and other classical building with in the foreground two ladies travelling in a landau as other figures, children and a dog pass time in the sun, some hand colouring in watercolour and gouache, 6 1/2`` x 9 7/16`` approx
BESANT, Walter, Westminster, Chatto & Windus, 1895. Frontis etching by Francis S. Walker. Illus. by Patten & others. 4to. T.e.g. 1/2 bds. glt. spine. Tog.with CRUIKSHANK, George (Ill.) Sunday in London, Effingham Wilson, 1833. slim 8vo. marbled endpp. & edges. Full cf. scuffed. Plus PALEY, William, Natural Theology or Evidences of Existence and Attributes of The Diety, London, 1818. 18th edn. 8vo. diced cf. scuffed. plus 2 other leather bd. books. 5

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