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Los 805

* William Holland Publ London April 20 1802 Oxford St- "A Battle Royal"; hand-coloured etching, 24.5x34cm: Charles Williams, British act 1797-1830- "The Cold-Blooded Murderer or the Assassination of the Duke D`Enghein", publ June 2d 1804 by S W Fores No 50 Piccadilly; hand-coloured etching, 24.5x35cm: Nicholas Charles Goodnight, British act 1769-1793- "The Surrender of Government Castle in March 1782 to the late besieging Minority...", publ by J Barrow May 10th 1782; hand-coloured etching, 30x37.5cm: Thomas Rowlandson, British 1756-1827- "The Departure", 1784, publ by H Humphrey; hand-coloured etching, 24.5x35cm: Charles Williams, British act 1797-1830- "The Rival Gardeners", publ Feby 10th 1803 by S W Fores No 50 Piccadilly; hand-coloured etching, 25x35cm., (5) (unframed)

Los 827

Else Meidner, German 1901-1985- Figures at an exhibition; pen and black ink, signed with monogram, dedicated and dated 62, 28x20.5cm: David Peretz, French 1906-1982- "Annabelle a 7 ans"; pencil, signed, inscribed and dated 1955, 33x26.5cm: Zdzislaw Ruszkowski, Polish/British 1907-1990- Portraits of a young girl; two, pencil on tissue thin paper, both signed, one dated 52, 20x16.5cm.,, ea: together with three etchings by the same hand, one of a standing female nude and the other two of children, all signed in pencil, 21x11, 11x15 and 13.5x9cm: Maurice Grossman, American b.1927- Nude; etching, inscribed `Holiday Greetings`, inscribed, signed and dated 1970 within the plate, signed and numbered 11/20 in pencil, 23.5x39cm: together with a collection of thirteen hand-made Christmas Cards sent to Professor J P Hodin, to include Zdener Rada, Charles Russell, Peter Arnold, Ernst Wolfhagen and others, (20) (unframed) Provenance: J P Hodin

Los 832

William Holland, Publ Feby 1804- "Had-In-Tun!_Or a Great Man Badger`d!!; hand-coloured etching, 25x35.5cm: Isaac Cruikshank, British 1764-1811- "The Corporation`s Visit to their Brother in Smithfield or the Hog`s Feast on being Swaron-In", publ S W Fores March 8 1790; hand-coloured etching, 24.5x35cm: John Phillips, British fl. 1825-1831- "The Blessings of Military Law-Givers", publ by S Gans 15 Southampton St Strand July 28 1829; hand-coloured etching, 25.5x36cm: Isaac Cruikshank, British 1764-1811- "John Bull Persuing the Extraordinary Gazette!!", publ by R Ackermann 101 Strand Oct 10 1808; hand-coloured etching, 22x34.5cm: Isaac Cruikshank, British 1764-1811-"The Longitude and Latitude of Warley Camp in the Summer of 1795", publ June 26th 1802 by H Humphrey St James`s Street; etching, 24x30.5cm: George Cruikshank, British 1792-1878- "Home from School_or the Commencment of the Holidays" and "Black Monday_or The End of the Holidays", two, both publ Aug 1st 1835 by Thos McLean 26 Haymarket; hand-coloured etching, 20.2x26cm., ea., (7) (unframed)

Los 1007

A Georgian glass quill stand with Greek key etching, on flattened knop stem and broad foot, to/w a Victorian `Patent Medlock Rolled Tape Casket` - a cylindrical wooden pot and cover with tartan decoration and original paper labels, by Chisholm

Los 1405

Robert Walker MacBeth, signed etching, figures with work horses, published 1885 by Colnaghi, unframed

Los 1503

Rowland Langmaid, signed etching, shipping scene `River Solent` (a/f)

Los 7

`Supplication`, artist proof, etching on canvas, 90 x 65 cm; `Supplication`, a/p collagraph, 87 x 62 cm; `Supplication`, mixed media, 66 x 50 cm (3)

Los 11

`Lux Perpetua`, a/p, etching, 2/3, dated `96, 80 x 55 cm; Dancing Figures, 90 x 75 cm; abstract figural study, 95 x 65 cm; `Corpus et Anima`, 65 x 100 cm (4)

Los 163

E.S. Lumsden - `Triske Monastery`, etching, no. 14, pencil signed to margin, 29 x 34 cm

Los 1334

Henry Wilkinson, artist signed Limited Edition proof etching, a gun dog in a river landscape

Los 1335

Henry Wilkinson, artist signed proof Limited Edition etching, two terriers in a landscape

Los 1344

Graham Clarke, small artist signed Limited Edition etching, a beached fishing boat

Los 1347

Graham Clarke, artist signed Limited Edition etching, `History of England`

Los 722

A 18th Century coloured etching entitled `Byrsa Londinensis vulgo the Royal Exchange` showing a cherub flying over three exterior walls, circa 1790, framed 15cm x 25cm

Los 16

GROUP OF FIVE BLACK AND WHITE PRINTS, Old Master Portraits; together with AFTER MEISSONIER, INDISTINCTLY SIGNED IN PENCIL TO MARGIN BY ETCHER, BLACK AND WHITE ETCHING (PUBLISHED BY ALFRED BELL 1926), Cavaliers on Horseback Drinking Before a Tavern, assorted sizes (6)

Los 28

AFTER W HOGARTH, BLACK AND WHITE ETCHING, “The Laughing Audience”, 5 ½” x 4 ½”.

Los 40

JOHN-JACQUES DE BOISSIEU, MONOGRAMMED AND DATED 1790 IN MARGIN, BLACK AND WHITE ETCHING, “Ecrivahn Public”, 10” x 15”.

Los 65

AFTER J S COTMAN, BLACK AND WHITE ETCHING (PUBLISHED 1813), “Oxburgh Hall”, 13” x 10”.

Los 68

AFTER J S COTMAN, BLACK AND WHITE ETCHING (PUBLISHED 1813), “North East View of Gillingham Church”; plus two similar Etchings, assorted sizes (3).

Los 87

AFTER J S COTMAN, BLACK AND WHITE ETCHING, The North West View of Binham Priory, Norfolk, 7” x 10 ½”.

Los 92

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Old Waterloo Bridge from the South Bank”, 7” x 13 ½”.

Los 95

DAVID YOUNG CAMERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Montivilliers”, 7” x 8 ½”.

Los 96

MARGARET CANE, SIGNED IN PENCIL TO MARTIN, BLACK AND WHITE ETCHING, Reclined Nude on a Beach; plus two further Etchings by different hands, assorted sizes, all unframed (3).

Los 97

J H WILEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Brixham Harbour”; together with E J MAYBERRY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, The Harbour, Lynmouth; plus two further Etchings by different hands, assorted sizes (4)

Los 98

ERNEST HERBERT WHYDALE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Evening”; together with three further Etchings by different hands, assorted sizes (A/F) (4)

Los 103

ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, St Paul’s from the River, 9” x 12”; together with JOHNSTONE BAIRD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Thames River View, 10” x 14” (2).

Los 106

ARTHUR HEINTZELMAN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, The Pilgrim, 8” x 6”.

Los 116

WILLIAM PALMER ROBINS, SIGNED AND DATED 1924 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Haymaking on the Waveney”, 8” x 13”, mounted but unframed.

Los 117

WILFRID BALL, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING (PUBLISHED MARCH 1908 BY W R HOWELL & CO), Country Landscape, 13” x 21”

Los 118

ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Porte St Pierre, Auxerre” (see Fine Arts Society label verso), 11” x 7”.

Los 119

REUBEN MORING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Conwy Castle, 8” x 15”; together with W RENISON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Ely Cathedral, 11” x 14” (2)

Los 120

HENRY JOHN STARLING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Thurne Mill, Norfolk”, 7” x 9”.

Los 122

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Ducks Down”, 8” x 9”

Los 123

LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Portrait of James M Martin (Squirrell’s Patron), 9” x 6 ½”.

Los 125

AFTER SIR A J MUNNINGS, BLACK AND WHITE PRINT, Racehorses; together with J R K DUFF, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Shepherd and his Sheep; and C H BASKETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Ufford”; and EDWARD J CHERRY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, St Bartholomew The Great Medieval Gatehouse, assorted sizes (4).

Los 126

W H SWEET, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “St Mark’s Square, The Lion of St Mark”, 5 ½” x 7”; together with DOUGLAS ION SMART, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “The Morning Rest”, 6 ½” x 8” (2).

Los 137

IAN STRANG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Harley Street 1928”, 10” x 13”, unframed.

Los 140

HARRY MORLEY, ARA, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “The Home Guards Window”, 6” x 7 ½”, mounted but unframed.

Los 142

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Dock Scene, 13” x 10”, unframed.

Los 147

ALFRED BENTLEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The Mouth of the Highlands, 9 ½” x 18”.

Los 148

ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “A Dutch Mill”, 11 ½” x 9 ½”, unframed.

Los 149

WILLIAM WALCOT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Chelsea Old Church”, 3 ½” x 6”, unframed.

Los 149A

DAME LAURA KNIGHT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Bare Back Riding”, 10” x 5”.

Los 150

DOUGLAS ION SMART, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Albi”, 9” x 14”, mounted but unframed.

Los 151

E S LUMSDEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Lamayuru” 8” x 12”, mounted but unframed (A/F).

Los 152

JOHN TAYLOR ARMS, ARE, SIGNED AND DATED 1937 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (EDITION OF 109), “Oviedo, The Holy”, 12” x 4”, mounted but unframed.

Los 153

PAUL DRURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), Head of a Young Woman, 6” x 4 ½”, mounted but unframed.

Los 154

L C ROSENBERG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE DRY POINT ETCHING, “Rue du Pont Vieux, Nice”, 8 ½” x 5”, mounted but unframed.

Los 155

C W TAYLOR, ARE, SIGNED IN PENCIL TO MARGIN, LINE ENGRAVING AND ETCHING (FOR THE PRINT COLLECTORS CLUB), “Before Burford”, 8” x 6”, mounted but unframed.

Los 160

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The White Mill, Canterbury”, 5 ½” x 7 ½”; together with SIR FRANK SHORT, SIGNED AND DATED 1883 IN PLATE, BLACK AND WHITE ETCHING, “Venetian Lamp”, 9” x 5” (2).

Los 161

LEONARD RUSSELL SQUIRRELL, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Footbridge at Blakeney”, 6 ½” x 10 ½”, mounted but unframed.

Los 163

STANLEY ANDERSON, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FROM AN EDITION OF 109 FOR THE PRINT COLLECTORS CLUB), “The National Gallery”, 8 ½” x 11”.

Los 164

EDWARD J CHERRY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Street Scene, 5” x 3 ½”; together with three further ETCHINGS by different hands (4)

Los 165

F L GRIGGS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Laneham”, 5” x 4 ½”.

Los 166

SIR WILLIAM RUSSELL FLINT, SIGNED IN PEN TO MARGIN, BLACK AND WHITE ETCHING, “A Venetian Brazier”, 4 ½” x 8”.

Los 167

REGINALD GREEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Blakeney Quay”, 6 ½” x 10”.

Los 168

ANDREW A AFFLECK, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Venetian Waterway, 8” x 12”.

Los 186

ONE VOLUME: MASTERS OF ETCHING – ARTHUR BRISCOE, PUBLISHED 1930 BY THE STUDIO LIMITED, featuring 23 black and white plates, overall size 9 ½” x 12 ½”.

Los 200

WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED IN PENCIL BY BOTH TO MARGIN, BLACK AND WHITE ETCHING, “Right of Way” (1903), 14 ½” x 19”; together with WALTER DENDY SADLER, ENGRAVED BY W BOUCHER, SIGNED IN PENCIL BY BOTH TO MARGIN, BLACK AND WHITE ETCHING, “Hearts are Trumps” (1892), 14 ½” x 20” (both mounted but unframed) (2).

Los 201

WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Joy in Remembrance” (1912), 15” x 11”; together with WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “From Overseas” (1919) (2).

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