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Preisdatenbank abonnierenLorrain (Claude) Berger et Bergère Conversant etching, 7th state, 196 x 253mm., slightly unevenly trimmed just within platemark, occasionally just to border lines, but outside letters below, on paper support, framed and glazed, [M.41 VII], c.1651; with a study of sheep heads, after Karel Dujardin, engraving on blue wove paper, 100 x 175mm., framed and glazed, late 17th century(2)
Piranesi (Giovanni Battista) Carceri plate 13 plate 13 from the Carceri series, a colonnaded interior with a broad staircase, 3rd state with the additional number 361 added in the plate, etching with engraving, 405 x 550mm., hinged into mount, framed and glazed, [H.13 III; F.36; W-E.38], Paris, Firmin-Didot, [1835-39].
Piranesi (Giovanni Battista) 2 Vedute di Roma view under the arches of the Basilica of Constantine, from Vedute di Roma, etching and engraving, 485 x 705mm., with additional numbers in lower corners, dampstained at right side, a few short tears at sheet edges, [H.114 II; F.751; W-E.247], 1st Paris edition, early 19th century; Veduta interna della Basilica di S. Pietro in Vaticano, etching and engraving, 490 x 675mm., additional numbers in cartouche, slight dampstaining and surface dust, some short tears at sheet edges, all well outside the plate, [H.102 II; F.722; W-E.235], 1st Paris edition, early 19th century(2)
Herkomer (Sir Hubert von, R.A.) Ivy half-length classical maiden crowned with an ivy wreath, mixed-method engraving ("Herkomergravure"), 510 x 410mm., signed in the plate, upper right, slight browning towards sheet edges, framed and lgazed in carved ivy motif frame, [Fine Art Society], [1896]. ***A prime example of the inventive printing technique explored by Sir Hubert von Herkomer, R. A. (1849-1914), usually in collaboration with Norman Hirst (1862-c.1955). This involved creating a monotype by applying ink by hand to a lithographic stone, then producing a photogravure of the result. This he dubbed a Herkomergravure. It could then be enhanced with additional mezzotint or etching to give definition to surfaces and outlines, but the overall result remains very free and spontaneous..
Legrand (Louis) Farniente; Le Tub 2 drypoints, one with etching, 250 x 180mm. and 208 x 144mm., respectively, good impressions, the first signed in pencil, numbered 18/50, the second numbered 37/65, each with the Gustave Pellet red stamp, on Pellet et Legrand laid paper, with full margins, in good condition, 1909-10(2)
Renoir (Pierre-Auguste) Berthe Morisot etching, 110 x 90mm., on laid paper with full margins, hinged into mount, exposed area browned, framed and glazed, [D.4], c.1892, but later § Forain (Jean Louis) Le Café de la Nouvelle Athènes, etching with drypoint, 155 x 120mm., signed in the plate, on vellum-type paper, slight browning, hinged into mount, framed and glazed, [G.8], c.1875(2)
Zorn (Anders) Theodore Roosevelt presentation copy, etching, 125 x 85mm., signed in pencil, lower right, inscribed on verso of original backboard `This portrait of President Theodore Roosevelt was given to me in Stockholm, in 1906, by the artist, Anders Zorn, (indistinctly signed), British Legation`, with wide margins, a dampstain to upper right corner, not affecting plate, some marginal spotting, some browning and surface dirt, framed and glazed, [A189; HH127; D188], 1905.
GALE, NORMAN (1862 – 1942; poet). An extensive series of autograph letters to [Lydia Jennie] Winifred Craven (1886-1984), the first dated 1919,Winifred had written to Gale initially as an admirer of his work; his letters to her are at first mildly formal, he discussing his work and making suggestions regarding her own writing. As well as becoming his "Pupil" (he was "Master" and often signs himself so) she assumes a secretarial role, typing up his manuscripts, arranging publication and sending out complimentary copies of his works according to lists of recipients drawn up by Gale – three of these lists are present. Their relationship would appear to change rather, in perhaps June 1923, the content leads us to surmise that they may have become lovers. He begins to sign himself, "Masterwoodman", "Your hungry Little Norman with devotion", "Fairyman", and "The Only Snowdrop`s Only Fairyman sends his hopes, his fire, his love", My love to you, my want of you is – well, Honey Guess!" He addresses Winifred as, "Giver of Gold", "Freckleflower", "Cherished Snowdrop", "Woodmaid", "Refined Honey", and "My three flowers in one" etc.Gale hardly ever dated his letters to Winifred but approximately 80% are datable from the postmarks of the envelopes addressed to Winifred variously at Kingsbridge, Devon and Wilmington House, East Grinstead and elsewhere; those of 1938-39 to her in Italy and Egypt.Present are three signed statements in which he gives to Winifred the copyright of his published and unpublished works, with the titles listed. Curiously although written in different years, 1926, 1930, & 1938, all are dated June 1st. The statement of 1926 commences, "the terms of our agreement having been satisfied, I now acknowledge that the copyright of the following books are your outright property".A number of the letters are accompanied by leaves of autograph poetry sent by Gale to Winifred as revisions or new work for her opinion; 27 such poems (on 37-leaves) are dispersed throughout the series. Together with a few signed greetings cards, an etching of Gale (the frontispiece of "A June Romance" [1894] inscribed to Winifred with the title-page still attached); two photographs of Gale; and an attractive portrait miniature of Winifred. Also, two charming letters from Gale to the young Suzanne Craven (Lucas) at Roedean sending a copy of "Messrs. Bat & Ball" for the school library.A remarkable series of lyrically passionate letters that reveal much of interest, not only in relation to his work and manner of composition but also his deepest feelings, hopes and anxieties. He never had any money, having no interest in, "£s shillings and pence", preferring to give his publications away to those he thought worthy recipients. Amongst the letters is a cheque for £5.00 he had sent to Winifred to cover postage costs – it remains uncashed. In October 1930, facing ruin, he writes asking Winifred to purchase a "Sheraton Bureau" – "… Is it possible for you to give me £50 for it … .how I detest being forced to write this ….. I am at the far end; nearly beaten in fact. Nearly. When I admit that I am beaten you will understand that your Fairyman is Finished . By the way I Love You".Transcripts of extracts of some of the letters that we have read are available upon request.
Norman Ackroyd (b.1938) shropshire etching with aquatint 1994 signed titled and dated in pencil numbered 59/60 on wove paper with full margins in good fresh condition 595 x 885mm. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Elizabeth Blackadder (b.1931) red still life the rare etching with aquatint printed in colours 1989 signed in pencil numbered 31/50 on wove paper with full margins in good fresh condition 200 x 250mm. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Elizabeth Blackadder (b.1931) konchi-Inn kyoto etching printed in colours 1992 signed in pencil numbered 14/50 on wove paper with full margins in good fresh condition 100 x 135mm. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Cecil Collins fool carrying a child etching 1987 signed titled and dated in pencil numbered 36/48 on Somerset wove paper with full margins in good condition 205 x 150mm with John Bellany (b.1942) etching 1987 signed in pencil numbered 36/48 on wove paper with full margins in good condition 225 x 225mm (2)
Stanley William Hayter amazon (b.&m.165) engraving with soft-ground etching 1945 signed titled and dated in pencil numbered 4/50 on wove paper with full margins in good condition apart from two small scrapes in background at lower left minor soiling and occasional creases in margins 625 x 403mm.
Stanley William Hayter danae (b.&m.213) engraving with soft-ground etching printed in colours 1954 an exceptionally bright fresh impression signed titled and dated in pencil numbered 85/95 published by Kornfeld und Klipstein Bern on wove paper with full margins in good condition 408 x 303mm.
Howard Hodgkin (b.1932) nick (h.32) etching with aquatint printed in colours with extensive hand-colouring in yellow pink and blue wash 1977 signed and dated in pencil numbered 100/100 on wove paper the full sheet printed to the edges in good condition sheet 470 x 585mm. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Howard Hodgkin put more flags out now etching with aquatint and carborundum printed in colors with extensive hand-colouring 1992 signed and dated in pencil numbered 33/75 on wove paper the full sheet printed to the edges in good condition 350 x 500 mm. *** . IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Peter Howson (b.1958) johnie etching 1987 signed titled dated and inscribed AP V in pencil an artist`s proof aside from the edition on wove paper with full margins in good condition 330 x 245mm. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
John Hoyland (b.1934) untitled. ochre - pink Etching with aquatint and carborundum printed in colours 1971 signed and dated in pencil numbered 16/40 on wove paper with full margins in good condition 300 x 250mm. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
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![GALE, NORMAN (1862 – 1942; poet). An extensive series of autograph letters to [Lydia Jennie] Winifred Craven (1886-1984](http://lot-images.atgmedia.com/SR/10628/2772909/49.JPG)
