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78472 Los(e)/Seite
Laxman Pai (Indian) Paris Goa Signed and dated 1959 in pencil, edition: 12/50, etching Image size: 40 x 47.5 cm, plate size: 27 x 35 cm Provenance: Private UK Collection Additional Info: This Limited Edition etching was made during Pai’s time in Paris. Even when in Paris, the subject of Pai’s paintings remained Indian and in particular referenced his Goan roots.
An assorted collection of antique and later costume jewellery. The lot to include hallmarked 925 silver, white metal tests as platinum, white stones, coloured stones, AF jewellery fragments, jewellery boxes, brooch pins, Cuidich'n righ scroll, belt, thistle, chains, bracelets, necklace, pendant, ingot, pearls, cameo, mother of pearl shell, cufflink, moonstone scorpion, scarf clip, aurora borealis, etching, Georgian cut steel button, enamel butterfly, Sarah Cov, bone, knife, repousse, Scottish terrier dog, plastic, beads, wood, spinning top, guilloche enamel, cufflinks, buckle, bullet, pencils, screw back earrings, Mappin Brothers box, Isle of Man, hexagram, swastika and more. Total weight approx 638g. Largest item measures approx 40cm. All weights, measurements and sizes are approximate.
An assorted collection of vintage and later costume jewellery. The lot to include silver, gold and silver tone jewellery, white stones, simulated pearls, coloured stones, bangles, bracelets, rings, pendants, cufflinks, brooch pins, earrings, necklaces, chains, tie clips, buttons, wrist watches, AF jewellery fragments, cloisonne, enamel, mother of pearl, abalone shell, flowers, ceramic, simulated tortoiseshell, Swatch, leather, Philip Mercier, Sicura, Omega, rolled gold, stainless steel, Ingersoll, marcasite, Avon, etching, snake, Albert chain, fish, coins, Jka, plastic, beads, butterfly, druzy stone, niello, carnelian, strawberries, amber, aurora borealis, cross, star of David, malachite, stick pins, charms, tigers eye, chatoyant stones, bone, jewellery boxes and more. Total weight approx 3396g. Largest item measures approx 30cm. All weights, measurements and sizes are approximate.
A notebook believed to be owned by Ebgi himself. It includes an article written by Manhattan Arts/ March-April 1990, newspaper article when American Jewish leaders presented a signed etching by Amran Ebgi to President and Mrs George Bush. Notebook also includes all his works, descriptions, titles, sizes and stories behind them. He also was one of the few still making Ketubot (marriage contract) that would sometimes take him three months to make. In this book is a an information sheet where he collected all the information need to complete one.Ebgi’s etchings have been featured on the cover of the Washington Post. world of Art, Israel, The Miami Herald, and Decor magazine, as well as holiday cards published by UNICEF and Hallmark. His work has also made it to the home of President George Bush. Ebgi has been called a visionary whose imagination combines warmth, sensitivity, and light which gives the complexities of life a subtle structure. If art has the power to bring smiles of joy to individuals and peace amongst nations, then Ebgi is the artist to accomplish that great task. Binder contains around a hundred images. Artist: Amram EbgiIssued: 1990’sDimensions: 12"L x 2.5"W x 12"HCondition: Age related wear.
Etching of Notre Dame Cathedral de Paris with the apse view from the Seine River . This lesser-known angle emphasizes the flying buttresses and the side that French architect Viollet-Le-Duc restored and modified in the 19th century, Etched on lower center: "Notre-Dame de Paris." Pencil signature on lower right: L. Salles (?) Sight size: 7.80"L x 9.60"H. Frame size: 11.10"L x 14.20"H x 0.40"W. Issued: c. 1980Country of Origin: FranceCondition: Age related wear.
A .22" BSA Airsporter Mk II air rifle, number GE44011 (1965-1967), GWO & near VGC, retaining all original finish, the etching clear (score marks down one side of the fore end, small mark on the trigger guard). Purchasers please note: any air gun manufactured after 1939 must either be collected from our premises or posted to an RFD for face to face transaction. £150-200
The Beatles 'Sgt Pepper's Lonely Hearts Club Band' vinyl LP, 1st pressing, mono 1967, with red on white psychedelic sleeve and 'cut-outs' card, Garrard and Lofthouse laminate gatefold cover, run-out etching XEX 637-1 RP/XEX 638-1 ADCondition ReportSleeve is in good condition with slight and worn corners, vinyl has some surface marks but plays well, some occasisonal pops and crackles but no jumping, cut-out card mint, inner sleeve torn at open end.
Leslie Moffat Ward Trial proof etching"Evening at Gasefleet", figures before cottages, unframed Hubert Wilm (1887-1953) Original etching "Dame am Fluss", signed in pencil, 20cm x 17cm, unframed Walter William Burgess (1856-1908) Pair original etchings St Albans Church and river landscape, unframed K Du Jardin Black and white printTwo rams heads, unframed Large quantity of various unframed etchings and other works (1 folio)
Karel Svolinsky (1896-1986)/Modern Dance/signed in pencil/etching, 38.5cm x 26cm paper size/together with a pen sketch of an erotic dancer, 28cm x 21.5cm and two graphic prints by Vladimir Suchanek, all unframed (4) CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Giovanni Benedetto Castiglione (1609-1664)/Orient Head/in profile facing right and wearing a feathered hat/etching, 11cm x 9cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
After Dirk Jacobz Vellert (1511-1544)/The Drunken Drummer/his left foot resting on a drum case and holding a lidded tankard in his right hand/etching, 9.5cm x 6.5cm/and a quantity of other 19th Century black and white engraved portraits CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Ludwig Emil Grimm (1790-1863)/The Botanist/half-length portrait of a young girl seated at a table with specimens of flowers before her/etching, 33cm x 24cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
After Rembrandt van Rijn (1606-1669)/Old Bearded Man/wearing a high fur cap/etching, 20.5cm x 16cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
PLATES TO VIRGIL; an edition of the Vatican Virgil engraved by Bartoli, but his name is not inserted (according to an inscription on the first page). This interesting volume contains approximately fifty-five black and white engravings, each annotated; also a copy of 'Modern Masters of Etching - Frank Brangwyn', published 1924 (2).
Ca. 1-200 AD.A carnelian intaglio set in a later gold ring, showcasing a skillfully rendered portrait of the god Mercury. As a prominent figure in Roman mythology and religion, Mercury holds a multifaceted significance within the pantheon. Mercury is commonly associated with communication, commerce, travel, and eloquence, making him a central deity in Roman religious and social contexts. In this particular portrayal, Mercury is depicted facing left, capturing the artist's attention to detail in presenting a distinct and lifelike representation. The gaze of the god is depicted with a nuanced complexity, with the artist employing masterful techniques to convey Mercury's divine presence. The gaze may exude a sense of alertness, intelligence, and an aura of confidence, encapsulating the god's associations with cunning and intellect. The intaglio further accentuates the fine features of Mercury's face, carefully carved with precision and delicacy. Notably, the artist has paid special attention to the depiction of the god's hair, etching intricate details that lend a sense of texture and realism to the composition. Depictions of gods in Roman glyptic art served as a means of visual communication, expressing religious beliefs and asserting cultural identities. These representations not only conveyed the physical characteristics of the deities but also encapsulated their associated attributes, powers, and narratives. Size: D: 17.93mm / US: 7 3/4 / UK: P; 9.89g Provenance: Private UK collection; Ex. old Swiss family collection formed in the 1990s.
COCTEAU, JEAN (1889-1963), "Orpheus", Radierung/Papier, in der Platte signiert, darunter mit Bleistift bezeichnet 'E. A', HxB: Platte ca. 16x12 cm, Passepartoutausschnitt ca. 27,5x19 cm, Außenmaße Rahmen ca. 50x37 cm. Altersspuren. Im Passepartout hinter Glas gerahmt (part. beschädigt).| COCTEAU, JEAN (1889-1963), "Orpheus", etching/paper, signed in the plate, inscribed 'E. A', HxW: plate approx. 16x12 cm, passe-partout cut-out approx. 27.5x19 cm, outer dimensions of frame approx. 50x37 cm. signs of age. Framed behind glass in a passe-partout (partially damaged).
NÄGELE, REINHOLD (1884-1972), "Hochzeitsanzeige", Radierung/Papier, in der Platte monogrammiert 'R. N.', darunter mit Bleistift von Hand signiert, HxB: ca. 8x6,5 cm, Blatt ca. 16,5x14 cm, Außenmaße Rahmen ca. 18x15,5 cm. Gebräunt und Lichtrand. Mit verglastem Rahmen.| NÄGELE, REINHOLD (1884-1972), "wedding announcement", etching/paper, monogrammed 'R. N.', signed by hand in pencil underneath, HxW: approx. 8x6.5 cm, sheet approx. 16.5x14 cm, outer dimensions of frame approx. 18x15.5 cm. Browned and light edge. With glazed frame.
BOCHNER, MEL (geb. 1940), "Two / 2 Plates", 1993, Farbradierung/ Büttenpapier, unten betitelt, nummeriert '17/20', signiert und datiert, HxB: Platte ca. 22,5x60,5 cm (ca. 47,5x80 cm im Rahmen). Altersspuren. Im Rahmen hinter Glas gerahmt. PROVENIENZ: Privatsammlung Professor Dr. Karin von Maur, Stuttgart, ehemals stellvertretende Direktorin der Staatsgalerie Stuttgart.| BOCHNER, MEL (geb. 1940), "Two / 2 Plates", 1993, color etching/laid paper, titled, numbered '17/20', signed and dated below, hxw: plate approx. 22.5x60.5 cm (approx. 47.5x80 cm in the frame). signs of age. Framed behind glass. PROVENANCE: Private collection Professor Dr. Karin von Maur, Stuttgart, former associate director of the Staatsgalerie Stuttgart.
DALÌ,SALVADOR (1904-1989) "Portrait aux signatures" 1971 Mappenwerk: "Calderón, La vie est un songe", Farbradierung, sig., Ex: 130/250, HxB: 32,5/24,5 cm. Papier gleichmäßig gebräunt, Knitterspuren. HxB: 74/58 cm. | DALÌ,SALVADOR (1904-1989) "Portrait aux signatures" 1971Portfolio work: "Calderón, La vie est un songe", colour etching, sig., Ex: 130/250, HxW: 32,5/24,5 cm. Paper evenly browned, creases. HxW: 74/58 cm.
HUNDERTWASSER, FRIEDENSREICH (1928-2000) "Bärnbacher Andacht" 1987 Radierung und Farbaquatinta auf Velin, signiert, datiert und nummeriert, Ex. 83/380, im unteren Randbereich befindet sich der Eindruck mit Titel und Aufteilung derAuflage, HxB: 18/29,5 cm. Rahmen, HxB: 61/70 cm. | HUNDERTWASSER, FRIEDENSREICH (1928-2000) "Bärnbacher Andacht" 1987Etching and colour aquatint on wove paper (papier vélin), signed, dated and numbered, Ex. 83/380, in the lower margin is the imprint with title and division of theEdition, HxW: 18/29,5 cm. Frame, HxW: 61/70 cm.

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78472 Los(e)/Seite