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Preisdatenbank abonnierenRembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of two), on thick cream laid paper without watermark, platemark 151 x 127 mm (6 x 5 in), sheet 160 x 132 mm (6 1/4 x 5 1/4 in), scattered spotting and faint water damage (unframed)Literature:Bartsch 365; New Hollstein 157 ii/ii
Giovanni Benedetto Castiglione (1609-1664) Five head studies, from the series of 'Large Oriental Heads' Etchings, circa 1645-1650, all good well inked impressions on various laid papers, the etching 'Bearded head full-face in shadow' with a watermark of postal horn within crowned armorial device, the portrait traditionally identified as Lorenzo Bernini without watermark but paper appears "early" albeit trimmed just within the the platemark at lower edge, the other 3 on slightly thicker cream laid papers without watermarks, each platemark approx. 180 x 150 mm (7 x 5 3/4 in), some spotting and surface dirt (unframed) Literature: cf. Bartsch 48-53; Bellini 41-45
Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of New Hollstein's sixth state (of six), on cream laid paper without watermark, platemark 181 x 217 mm (7 1/4 x 8 1/2 in), sheet 190 x 225 mm (7 1/2 x 8 7/8 in) (unframed)Literature:Bartsch 94; New Hollstein 312 vi/vi
Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's final state (of seven) on cream laid paper without watermark, platemark 210 x 160 mm (8 1/4 x 6 1/4 in), sheet 218 x 168 mm (8 1/2 x 6 5/8 in) (unframed)Literature:Bartsch 270; New Hollstein 270 vii/vii
** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new Hollstein's third state (of five), on cream laid paper without watermark, before re-working to the shadows and arch, platemark 167 x 130 mm (6 5/8 x 5 1/8 in), sheet 170 x 134 mm (6 5/8 x 5 1/4 in), minor spotting and browning, small margins with rounded corners but not effecting the plate (unframed)Literature:Bartsch 176; New Hollstein 243 iii/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Giovanni Benedetto Castiglione (1609-1664)The Nativity with God the Father, the Dove of the Holy Spirit and Two AngelsEtching, circa 1647, a very good impression on thick laid paper with watermark of fleur-de-lis within a circle, sheet 298 x 203 mm (11 3/4 x 8 in), trimmed to platemark with thread margin to left and upper edge, scattered spotting, minor surface dirt, tipped at upper corners onto old paper support (unframed)Literature:Bartsch 11
δ Salvador Dalí (1904-1989)The beloved feeds among the lillies (Field 71-17J; M&L 477)Etching printed in colours with gold dust, 1971, signed and numbered from the edition of 250 in pencil, published by Leon Amiel, New York, on Arches paper, with margins, plate 400 x 245mm (15 3/4 x 9 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermark, platemark 132 x 102 mm (5 1/4 x 4 1/8 in), sheet 146 x 115 mm (5 3/4 x 4 1/2 in), old folds to edges (unframed)Literature:Bartsch 17; New Hollstein 120 iv/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on laid paper with large Strasbourg Lily watermark, trimmed within platemark at the lower, left and right edges, the upper corners present, sheet approx. 365 x 255 mm (14 1/2 x 10 in), small tear to upper right edge, horizontal drying crease, some minor surface dirt and spotting (unframed)Literature:Bartsch 73; New Hollstein 113 v/ix
Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without watermark, sheet 136 x 124 mm (5 1/4 x 4 3/4 in), trimmed to or just within the platemark, each of the corners slightly cropped diagonally, some spotting and minor toning to the sheet (unframed)Literature:Bartsch 263; New Hollstein 85 v/vProvenance:Property of a Lady, Gloucestershire, UK
** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scratch between the couple, faint burr on the contour of the woman's back, on laid paper without watermark, platemark 78 x 66 mm (3 1/16 x 2 5/8 in), sheet 82 x 70 mm (3 1/4 x 11 1/16 in), small margins rounded in each corner but not effecting the plate margins (unframed)Literature:Bartsch 164; New Hollstein 45 ii/iii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Marc Chagall (1887-1985)Le Couple sur le cheval (see Cramer 107)The original copper plate for the editioned etching, 1980, published by Gérald Cramer, together with a printer's proof in black aside from the edition of 30, overall 400 x 300mm (15 3/4 x 11 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) afterIllustration from Amitiés de MontmartreEtching, 1949, signed in ink, from the edition of 85, published by François Bernouard, Paris, on wove paper, with full margins, sheet 267 x 330mm (10 1/2 x 13in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermark, platemark 105 x 48 mm (4 1/8 x 1 7/8 in), sheet 109 x 50 mm (4 1/4 x 2 in), minor spotting (unframed)Literature:Bartsch 168; New Hollstein 40 ii/ii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** Rembrandt van Rijn (1606-1669)Man in a Coat and Fur Cap Leaning Against a BankEtching, circa 1630, a well inked impression of New Hollstein's final state (of three), printing with plate tone on laid paper without watermark, platemark 115 x 80 mm (4 1/2 x 3 1/8 in, sheet 117 x 83 mm (4 5/8 x 3 1/8 in), small margins, small repair to lower right edge (only visible when backlit), minor spotting and browning (unframed)Literature:New Hollstein 48 iii/iii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good but a later impression of New Hollstein's fifth state (of five), on cream wove paper without watermark, platemark 91 x 83 mm (3 5/8 x 3 1/4in), sheet 100 x 90 mm (3 7/8 x 3 1/2in) (unframed)Literature:Bartsch 136; New Hollstein 193 v/v
James Abbott McNeill Whistler (1834-1903)Annie, SeatedEtching and drypoint, circa 1858-1859, a good impression of MacDonald's final state (of 3), printing with plate tone on thin Chinese laid paper, platemark 130 x 95 mm (5 1/8 x 3 3/4 in), sheet 194 x 152 mm (7 5/8 x 6 in), very faint toning within margins (unframed)Literature:Kennedy 30; MacDonald 32 iii/iii
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate and faint strokes and details largely still present, on laid paper with partial indistinct watermark, platemark 150 x 114 mm (5 7/8 x 4 1/2 in), sheet 154 x 120 mm (6 x 4 3/4 in), some spotting and minor surface dirt, expert repair to upper right corner, fine split (0.5 mm) to upper left edge (unframed)Literature:Bartsch 72; New Hollstein 206 i/ii
δ Joan Miró (1893-1983)Espiru Miró (Dupin 871)Etching with aquatint and carborundum printed in colours, 1975, signed in pencil, numbered from the edition of 50, printed by J.J. Torralba, published by Sala Gaspar, Barcelona, on Guarro wove paper, with the publisher's blindstamp, the full sheet printed near to the edges, sheet 890 x 702mm (35 x 27 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Nude Man Seated on the Ground with One Leg ExtendedEtching and drypoint, 1646, but a later impression of New Hollstein's final state (of 3), on cream laid paper without watermark, platemark 100 x 168 mm (3 7/8 x 6 1/2 in), sheet 108 x 178 mm (4 1/4 x 7 in) (unframed) Literature:Bartsch 196; New Hollstein 234 iii/iii
Herbert Dicksee etching WHERE IS MASTER: The Terrier of Edward VII, Ceaser. Measuring 40cm x 58cm excluding mount and frame. Published by Frost & Reed circa 1911, exhibited at the R.A no. 1422, described as very rare. Vendor refers to this item as HD11803 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching DISTURBED: Lioness looking back over shoulder guarding cubs. Measuring 42cm x 72cm impressed area only, excluding outer margin. Published by Frost & Reed circa 1922 in a limited edition of 325 artist proof's on vellum, and plate destroyed, exhibited at the V.A. in 1925 no. 1062, described as rare. Vendor refers to this item as HD30205 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching BEAR OF THE NORTH: Measuring 47cm x 72cm excluding mount and frame. Published by Frost & Reed 1927 in a limited edition of 100 and plate to be destroyed, exhibited at the R.A. no.1165, described as very rare. Vendor refers to this item as HD50103 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching THE ALARM signed proof on vellum: Alert lion with lioness & cub behind. Measuring 49.5cm x 76cm excluding mount and frame. Published by Frost & Reed 1918, exhibited at the RA also 1918. Vendor refers to this item as HD30217. Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee drypoint etching ALSATIANS: Measuring 35.5cm x 47cm excluding mount. Published by Frost & Reed circa in a limited edition of 150 signed artist's proofs, and exhibited at the R.A. no. 1064 Vendor refers to this item as HD10901 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching Clouds have a Silver Lining: Measuring 45cm x 58cm excluding mount and frame. Published by the Fine Arts society, vendor states this item is rare, circa 1902/04, and refers to this item as HD11103. Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching MATERNAL CARE: The Lioness and her Cub by a pool or river. Measuring 55cm x 74cm frame. Published by Frost & Reed in 1899. Vendor refers to this item as HD30211 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching FOOTSTEPS signed proof on vellum limited run of 325: West Highland White Terrier sitting, with lying Scottish Terrier behind. Measuring 35cm x 64cm excluding mount and frame. Published by Frost & Reed 1926. Vendor refers to this item as HD11904 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching LUCKY DOG: Girl sitting on step and patting dogs head, with 6 ducks waiting to be fed. Measuring 50cm x 36cm excluding mount and frame. Published by Frost & Reed date unknown, described as rare. Vendor refers to this item as HD11801 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching THE FIRE WORSHIPERS: Showing a King Charles Spaniel and Deerhound. Printed by Frost and Reed in 1906, but originally printed in 1899 by C. E. Clifford and Co. It was exhibited at the Royal Academy in 1899, no. 1515. It is not only a Deerhound but HD's own dog, Sir Brian Measuring 43cm x 56cm excluding mount. Vendor refers to this item as HD10711 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching THE BEND IN THE RIVER: Measuring 40cm x 50cm excluding mount and frame. Published by Frost & Reed circa 1915 in a limited edition of 100 and plate destroyed, exhibited at the V.A. no. 290, described as very rare. Vendor refers to this item as HD60004 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching NEARING HOME: The shepherd and his herd of sheep nearing Home. Measuring 55cm x 66cm excluding frame. Published by Frost & Reed, and exhibited at the V.A. in 1902 no. 2358. Vendor refers to this item as HD50501 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching RAIDERS signed proof on vellum: Lioness in coiled spring position with lion behind. Measuring 39cm x 65cm excluding mount and frame. Published by Frost & Reed 1899 and exhibited at the RA in the same year. Vendor refers to this item as HD30214. Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Miscellaneous collection of prints, predominantly 19th century, some earlier, some later, including etchings, engravings, lithographs, some in mounts, some tipped to scrapbook pages, some loose. To include a mezzotint portrait of William Walsh, by John Faber after Sir Godfrey Kneller, 1735; an engraved portrait of Gilbert Burnet, Bishop of Salisbury, by van der Giest after Edward Lutterell, London: C. Diecy, n.d.; La Tempete [The Storm], engraved by C. E. Cousinet after Joseph Vernet, n.d.; a stylized portrait of Jean-Baptiste Carpeaux, etching, indistinctly signed in pencil, and other prints, including topographical & architectural views, animals, children's illustrations. Together with The Third Tour of Doctor Syntax, third ed., London: Ackermann, n.d., illustrated with numerous hand-coloured aquatint plates by Thomas Rowlandson. Condition varied, collection sold as found with all faults
Collection of five framed & glazed maps and prints, comprising: a 17th-century map of Huntingdonshire, by Joan Blaeu, uncoloured engraving on laid paper; an 18th-century map of the South Part of Scotland, by Andrew Johnston, hand-coloured engraving on laid paper; a sheet of engraved designs for a bridge to cross the Thames from Blackfriars to Southwark, submitted to The Rt. Hon. Slingsby Bethell Esq., published 1756; a 19th-century French architectural lithograph of a hotel design by E. Duquesne, and an etching of two girls carrying branches over a mound, 'Annie & Christine', numbered 8/10, signed indistinctly & dated 1978 at lower margin (5)
Rembrandt van Rijn, Harmensz.: (1606 Leiden - Amsterdam 1669). Der Zeichner nach dem Modell. Radierung auf feinem Bütten 1641. Plgr. 9,3 x 6,4, Blgr. 10,8 x 8 cm. Unter Passep. mont. New Ho. 192 IV (von VI). B. 130. W.-B. 130. Ausgezeichn. Abdruck des IV. Zustands vor den weiteren Überarbeitungen. - Etw. gebr., Gebrauchssp., sonst gut erhalten. - The draughtsman after the model. Etching on laid paper, under passepartout. Somewhat browned, worn. D
Crystal decanter with silver mounts, 800/000, oval shaped pouring decanter with etching and a silver sawn frame with images with figures and floral decoration. Also equipped with a silver sawn handle and edge with volutes and figures. The stopper has a silver ball with a figure. 15x10x23cm. In good condition.
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