78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Julian Trevelyan R.A. (British, 1910-1988)Fruit Bats, from Africa Suite (Turner 191) Etching and aquatint in colours, 1966-67, on handmade Crisbrook wove paper, signed, titled and numbered 79/125 in pencil (there were also 18 artist's proofs), printed by London Graphics, with their blindstamp, published by Editions Alecto, London, with full marginsPlate 350 x 475mm (13 3/4 x 18 3/4in)Sheet 570 x 795mm (22 x 31 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Elisabeth Frink R.A. (British, 1930-1993)Man (Wiseman 137) Etching and aquatint in brown, 1986, on Arches wove paper, signed and inscribed 'A/P' in pencil, one of ten artist's proofs aside from the numbered edition of 100, printed by Kelpra Studio, London, with their blindstamp, published by Harpvale Books, Salisbury, with full margins, framedPlate 211 x 197mm (8 1/4 x 7 3/4in)Sheet 297 x 275mm (11 5/8 x 10 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Elisabeth Frink R.A. (British, 1930-1993)Running man (Wiseman 134) Etching in grey, 1985, on Arches wove paper, signed and inscribed 'A/P' in pencil, one of ten artist's proofs aside from the numbered edition of 30, printed by Kelpra Studio, with their blindstamp, published by Waddington Graphics, London, with full margins, framedPlate 211 x 200mm (8 1/4 x 7 7/8in)Sheet 410 x 380mm (16 1/8 x 15in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Antoine Aubert (French, active c.1802-1812), after Pierre Alexandre Tardieu (French, 1756-1844)Napoléon Le Grand: Astre brillant, immense, il éclaire, il féconde et seul fait, à son gré, tous les destins du monde Etching and engraving, 1812, on wove paper, based on a design by Laurent Dabos (French, 1761-1835), published by Gérardy Éditeur, Paris, trimmed on or just inside the platemark, framedSheet 523 x 390mm (20 1/2 x 15 3/8in)For further information on this lot please visit Bonhams.com

Julian Trevelyan R.A. (British, 1910-1988)Gravesend, from Thames Suite (Turner 221) Etching and aquatint in colours, 1969, on J. Green mould-made paper, signed, titled and numbered 9/75 in pencil (there were also 15 artist's proofs), printed by Geoffrey Beardsall and Dorothea Wight, published by London Graphics, London, with full marginsPlate 350 x 472mm (13 3/4 x 18 5/8in)Sheet 578 x 780mm (23 1/4 x 30 3/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eduardo Chillida (Spanish, 1924-2002)Bikaina XI (Koelen 87011) Etching, 1987, on wove paper, signed and inscribed 'P.A.' in pencil, one of two artist's proofs aside from the edition of 50 (there were also ten further artist's proofs in Roman numerals), printed by Taller Hatz, San Sebastian, published by Galerie Lelong, Zurich, the full sheet, framedPlate 110 x 85mm (4 3/8 x 3 3/8in)Sheet 530 x 375mm (20 7/8 x 14 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Paula Rego R.A. (British, 1935-2022)Mermaid Drowning Wendy, from Peter Pan (Rosenthal 86) Etching and aquatint in colours, 1992, on Somerset wove paper, signed and numbered 39/50 in pencil (there were also 14 artist's proofs), printed by Paul Coldwell at Culford Press, with their blindstamp, co-published by Marlborough Graphics and the artist, London, with full margins, framedPlate 278 x 201mm (11 x 7 7/8in)Sheet 615 x 505mm (24 1/4 x 19 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Terry Frost, R.A. (British, 1915-2003)Lemon Green and Black (Kemp 230) Etching and aquatint in colours, 2002, on heavy wove paper, signed, dated and numbered 36/75 in pencil, printed by Hugh Stoneman at Stoneman Graphics, Cornwall, published by Linda Stoneman, Madron, with full margins, framedPlate 380 x 400mm (15 x 15 3/4in)Sheet 565 x 565mm (22 1/4 x 22 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Richard Hamilton (British, 1922-2011)Swingeing London 67 (Lullin 70) Etching and aquatint, with embossing, metallic foil die-stamping and collage, 1968, on mould-made etching paper, signed and numbered 1/70 in pencil, printed by the artist and Giorgio Upiglio at Grafica Uno, Milan, published by Petersburg Press, London, the full sheet, framedPlate 340 x 556mm (13 3/8 x 21 7/8in)Sheet 565 x 728mm (22 1/4 x 28 5/8in)Footnotes:ProvenanceFrom the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Joan Miró (Spanish, 1893-1983)Miró à l'Encre (Dupin 564; Cramer Books 161) Etching with aquatint in colours, 1972, on Arches wove paper, signed and numbered 59/70 in pencil, printed by Morsang, published by XXe Siècle Éditeur, Paris, the full sheet, framedImage 445 x 400mm (17 1/2 x 15 3/4in)Sheet 660 x 503mm (26 x 19 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Domenico Marchetti (Italian, 1780-1844), after Antonio Canova (Italian, 1757-1822)Perseo Trionfante (Pezzini Bernini & Fiornari XXX.S1.I) Etching and engraving, circa 1813, on wove paper, the first state (of two), based on the design by Giovanni Tognolli, Rome, with margins, framed Plate 635 x 455mm (25 x 18in)Sheet 645 x 529mm (25 3/8 x 20 7/8in)For further information on this lot please visit Bonhams.com

Eduardo Chillida (Spanish, 1924-2002)Plate VI, from E. M. Cioran: Ce maudit moi (Koellen 83013) Etching, 1983, on wove paper, signed and numbered 40/150 in pencil (there were also 20 artist's proofs in Roman numerals), printed by Taller Hatz, San Sebastian, published by Erker-Presse, St. Gallen, the full sheet, framedSheet 320 x 238mm (12 1/2 x 9 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

WILLIAM LIONEL WYLLIE RA (1851-1931); original etching 'A Royal Salute, Tower of London', bearing gallery label verso from Robert Dunthorne & Sons, The Rembrandt Gallery, 28 Castle Street, Liverpool, signed in pencil to the margin lower left, 18 x 39cm, framed and glazed.

Attributed to Thomas Smith of Derby (1715-1767) View of St Vincent's rocks and the Hot-Wells near Bristolsigned or inscribed lower right 'Thos Smith'pencil and watercolour20 x 31cmThe present view is nearly identical to that depicted in an etching of this subject which was made by Antoine Benoist in 1756 after the original by Thomas Smith of Derby. A painting of this composition, but with some differences, attributed to Smith, is in Bristol Museums.

Paul Rajon (1843-1888) after Sir Lawrence Alma-Tadema 'The Bath'inscribed by Alma-Tadema to margin in pencil 'For Mr Rudolph Lehmann, to keep promise, L Alma Tadema, 12 Jan 80'signed within the plateetching, unframed37 x 21cmThe present print is likely dedicated to the German-born portraitist and author, Wilhelm August Rudolf Lehmann (1819-1905). Lehmann attended the Alma-Tadema Banquet of 1899. The daughters of Alma-Tadema and Lehmann are later known to have collaborated. The print was published with the present title in 1880 by Pilgeram & Lefèvre and exhibited in 1887 at the 'Exposition de Gravures du Siècle' in Paris.

Rembrandt Harmensz. van Rijn (1606-1669) A Hurdy-Gurdy Player followed by Children at the Door of a House (The Schoolmaster) (B., Holl. 128; H. 192; New Holl. 191)signed within the plate 'Rembrandt f 1641'etching on laid paper, 1641, first state (of four), trimmed to platemark9.3 x 6.3cmProvenance:Collection of the late Sir Georg and Lady SoltiDiscoloured throughout. Several tears and losses around the margins.

Attributed to Giovanni Francesco Barbieri, called Guercino (1591-1666) Two figures in a landscape Bartsch XVIII.365.3 (under Questionable Prints by Guercino); Rudge II.22 signed within the plate lower left ‘Eques Jo. Fran: Barberius inuentor et f.’ etching, unframed 19.5 x 27.5cmProvenance:Peter Foster of Harcourt, Hemingford GreyFurther examples of the present rare impression can be found in the The Met (Accession Number: 26.70.3(31)) and the Biblioteca Panizzi.

Claude Gellée, called Claude Lorrain (c. 1600-1682) Le Pont de Bois etching 12.5 x 19cm Provenance: Collection of Mrs Sussanah Braithwaite, Cloth Hill Exhibited: London, Agnew, The Etchings of Claude Lorrain, November-December 1988, no. 36 Literature: Lino Manocci, Catalogue Raisonné of the etchings of Claude Lorrain, 1988, no. 38 The present composition is based upon a painting of Rebekah taking leave of her father, painted by Claude for Cardinal Giori, 1640/41, now in the National Museum, Stockholm.

19TH CENTURY CONTINENTAL SCHOOL "Street scene with figure and horse in foreground" watercolour, unsigned 65 cm x 42 cm, 19TH CENTURY ENGLISH SCHOOL "Cottage front scene with figures and chickens" watercolour, unsigned 25 cm x 56 cm together with an etching and a coloured engraving (4)

AFTER WINIFRED AUSTEN "Flycatchers", drypoint etching, signed in pencil to margin lower right, titled lower left, image size 14 cm x 18.5 cm, sheet size 20 cm x 26 cm CONDITION REPORTS There is a small dent in the on the right hand side lower corner. There is some small creases above the head of the right hand bird's head and another to the left of the left hand birds wing. Two edges are cut straight the other two are more rough. General wear and tear conducive to age and use. See images for more details.

Napoleonic Interest - A large Coalport mug, circa 1813printed and hand coloured with a Cossack and a French Soldier duelling on horseback, titled 'Cossack Mode of Attack' in blue to the base, 14cm high and 11.2cm diameterProvenance: Ivor Southorn Collection.Notes: This print is inspired by a satirical etching by Samuel Knight, published in January 1813.Condition:Good condition with no damages or repairs. Slight firing crack to the upper portion of the handle and some gilt wear to the rim.

Michael Louis Jacques (b. 1945) - A 20th century signed hand coloured etching. The etching depicting a family deer drinking from the river with dense forest to the back drop. Signed and titled by the artist. Framed and glazed. Measures approx. 36cm x 30cm. 

The Ichnography of New Plan of the City of Bath. Etching being mounted, framed and glazed. Together with a framed etching of The Saturday Magazine No 473 November 16th 1839 ' View of Wolverhampton '  City of Bath map measures 19cm x 12cm

James Abbott McNeil Whistler (1834-1903), Billingsgate, drypoint etching, 22.5cm x 14.5cm, glazed and framed 40cm x 32.5cm.

Various pictures and prints to include Mr Fox's Hunt Breakfast by Harry Bingham Nielson (1861-1941) colour print, lithographs, etching, etc.

Various pictures and prints including signed limited editions, original works, Venetian scene oil painting, William Young Ottley etching after Caravaggio, Indian painting on stone, watercolour signed 'B G Healey 89', etc.

Gilt framed bevelled edge mirror with horse and caravan etching. Not available for in-house P&P

ZAO WOU-KI (1920-2013)Sans titre, 1992 (Agerup, 360)Eau forte et aquatinte sur Chine appliquée sur Arches Signée, datée et numérotée 74/75Editée et imprimée par l'atelier Lacourière et Frélaut, Paris 80 x 68 cmEtching and aquatint on China paper applied to Arches paper, signed, dated and numbered 74/75Footnotes:ProvenanceCollection particulière, ParisThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PIERRE AUGUSTE RENOIR (1841-1919)La danse à la campagne, 2e planche, circa 1890 (Delteil/Stella, 2)Eau-forte en noir sur vélin Porte le cachet de la signature Editée par Ambroise Vollard, Paris 33 x 24,5 cm - grandes margesBlack etching on wave paper, estamped and signed Footnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceFor further information on this lot please visit Bonhams.com

PIERRE AUGUSTE RENOIR (1841-1919)Le chapeau épinglé II (La fille de Berthe Morisot et sa cousine), 2ème état, Circa 1894 (Delteil/Stella, 7 II)Eau-forte et pointe sèche sur noir sur vélin Porte le cachet de la signature Editée par Ambroise Vollard, Paris 32,5 x 25 cm Etching and drypoint on black on wove paper, with the signature stampFootnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceFor further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Minotaure endormi contemplé par une femme, 1933 (Bloch, 193 ; Baer, 352)Planche 86 de la suite VollardEau-forte sur vergé de Montval filigrané 'Picasso'Tirage à 260 épreuves à petites margesPorte le timbre sec : H. Petiet éditeur Paris (Lugt 2021a)34 x 45 cmEtching in black on Montval laid paper with the 'Picasso' watermark, edition of 260 with small margins Footnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PIERRE AUGUSTE RENOIR (1841-1919)Baigneuse assise, circa 1897 (Delteil/Stella, 11)Planche extraite de « La Vie et l'œuvre de Pierre-Auguste Renoir » Eau forte en noir sur vélin Porte le cachet de la signature Edition totale à 1 000 exemplaires Editée par Ambroise Vollard, Paris 32,1 x 24,7 cmBlack etching on wove paper, with the signature stamp, edition of 1 000Footnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceFor further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Femme nue, la jambe pliée, 1931 (Bloch, 141 ; Baer, 208 B d)Planche 8 de la suite VollardEau-forte en noir sur vergé de Montval filigrané « Picasso »Tirage à 260 épreuves à petites marges Porte le timbre sec : H. M. Petiet (Lugt 5462)44,5 x 35 cmEtching in black on Montval laid paper with the 'Picasso' watermark, edition of 260 with small marginsFootnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Sueño y Mentira de Franco (Planche I), 1937 (Bloch, 297; Baer, 615)Eau forte et aquatinte sur vélin de MontvalEdition à 850 exemplairesDimensions de la plaque: 31,7 x 42 cmEtching and aquatint on Montval laid paper, from the edition of 850This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

FRANÇOIS-XAVIER LALANNE (1927-2008)Le chien, 2004 Eau forte et linogravure réhaussée de mine de plomb sur vélin de Rives Monogrammée en bas à droiteEdition à 75 exemplaires (celui-ci n°32)Edité par Serendip, Paris38 x 28 cm Etching and linocut on Rives wove paper, monogrammedEdition of 75, this one being n°32 This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

CHU TEH-CHUN (1920-2014)Sans titre, circa 1980 Eau forte et aquatinte en couleurs sur papier Signée et numérotée 26/5065,5 x 50 cmColour etching and aquatint on paper, signed and numbered 26/50This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Minotaure et Femme Derrière un Rideau, 1933 (Bloch, 199, Baer, 367)Issue de La Suite Vollard, 1933 Eau forte sur vélin de Montval (Filigranné Picasso)Signée au crayonEdition à 260 exemplairesImprimée par Lacourière, Paris Editée par Ambroise Vollard, Paris Dimensions de la feuille: 33,7 x 44 cmDimensions de la plaque: 19,4 x 26,7 cmEtching on Montval laid paper (watermarked Picasso), signed in pencil, from the edition of 260This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (NE EN 1927)Arbre de vie, 1973 Eau forte et aquatinte en couleursSignée et numérotée 31/90Editée par 2RC Edizioni d'Arte, Rome (avec le timbre sec)95 x 95 cmEtching and aquatint in colours, signed and numbered 31/90This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

ZAO WOU KI (1920-2013)Dans les provinces du Nord, 1990 (Agerup, 345)Ouvrage comprenant une eau-forte et aquatinte en noir sur vélinOuvrage numéroté 61/80, signée par l'auteur et l'artiste sur le justificatif de tirageLacourière, imprimeur, ParisZoé Christiani, éditeur, Paris25 x 20,8 cmBook comprising an etching and aquatint in black on vellum, numbered 61/80, signed by the author and the artist on the justification pageThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Au bain, 1er octobre 1930 (Bloch, 136 ; Baer, 201 B d.)Planche 3 de la suite VollardEau-forte en noir sur vergé de Montval filigrané «Vollard »Tirage à 260 épreuves à petites marges Porte le timbre sec : H. M. Petiet (Lugt 5462)44,5 x 35 cmEtching in black on Montval laid paper with the 'Vollard' watermark, edition of 260 with small margins Footnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

1809 A.D. Charlin - El Kab (Elethyia) - Bas-relief sculpté sur l'une des faces de la grotte principale - Proof etching on laid paper of plate 68 from La Description de l’Égypte (first volume) with later backing sheet. 360 grams, 130.5 x 87 cm (51 1/4 x 26 1/2 in.).From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopaedia devoted exclusively to the remains of ancient Egypt. The image depicts wall-carvings from the main chamber. For this specific lot, 5% import VAT is applicable on the hammer price

1817 A.D. Charles-Louis Balzac & Berthault - Alexandrie. Vue de l'esplanade ou grande place du Port Neuf, et de l'enceinte des arabes, première partie - Proof etching on laid paper of plate 97 from Description de l'Égypte: ou, Recueil des Observations et des Recherches qui ont été Faites en Égypte Pendant l'Expédition de l'Armée Française with later backing sheet. Cf. similar print in the New York Public Library collection - IMAGE ID 1268810. 220 grams, 110.5 x 66.5 cm (sheet) (43 1/2 x 26 1/4 in.).From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. For this specific lot, 5% import VAT is applicable on the hammer price

1820 A.D. Phillipeaux - Thebes - Medynet-Abou. Combat Naval sculpte sur la face exterieure du palais exposee au nord - Proof etching on laid paper of plate 10 from La Description de l’Egypte: Antiquites, Volume II: Commission des sciences et arts d’Egypte with later backing sheet. 375 grams, 130.5 x 67 cm (51 1/4 x 26 1/2 in.).From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on on laid paper with an 'Egypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armee française, publie par les ordres de Sa Majeste l’Empereur Napoleon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopaedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The frieze is from the palace wall of Meninet - Abou. For this specific lot, 5% import VAT is applicable on the hammer price

Menjoliguet, Carey Williams angling print, etching and Royal Thames Royal Yacht club regatta 1939 (4).

SALMON, William, Polygraphice: or, the Arts of Drawing, Engraving, Etching, Limning, Painting, Vernishing, Japaning, Gilding, & etc, 2 volumes bound in 1, engraved portrait frontispiece, 8vo, one plate, amateur rebind in natural coloured calf, 1701, with one other. *Sold with all faults not subject to return

JACKSON, John - A Treatise on Wood Engraving, Historical and Practical, upwards of three hundred Illustrations engraved on wood, half morocco, re-backed, stout 4to, Charles Knight. 1839, With - Hamerton, Philip Gilbert - The Unknown River, 37 etched plates, org. decorative cloth, 4to, Seeley, Jackson, and Halliday.1871, With - Haden, Seymour, About Etching, many plates inc. original etching, org. morocco backed cloth, sl. rubbed, 4to, Fine Art Society, 1879, With - Hubbard, E, Hesketh, On Making & Collecting Etchings, illust. org. buckram backed boards, 8vo, 1920, With one other (5).

John Smith (c.1652-c.1742) after Sir Godfrey Kneller (1646-1723) - Edward Montagu, Viscount Hinchingbrooke, [London]: Sold by J. Smith at ye Lyon & Crown in Russell Street, Covent Garden, n.d. [1700], mezzotint, 35 x 25cm, John Faber Jr (1684-1756) after Thomas Hudson (1701 - 1779), The Honourable William Fortescue, Justice of the Common Pleas, [London], 1741, mezzotint, 35 x 25cm, Richard Houston (1721-1775) after Sir Joshua Reynolds PRA (1723-1792), The Honourable Mrs. Barrington (née Elizabeth Vassall), [London, c. 1758], mezzotint, contemporary hand-colouring, 35.5 x 25.5cm, & Lady Diana Beauclerk (née Spencer, 1734-1808), Portrait of Georgiana, Duchess of Devonshire, oval, unlettered ?proof, [London: probably Published by Thomas Macklin, n.d., c. 1782], coloured stipple engraving and etching, 19cm x 16cm, (4) Condition evidenced by images. The frames in country house condition, with typical wear and losses.

WILL PYE: 'A BIT OF OLD WEYMOUTH', ETCHING 42 x 52cm (framed), and two other views of Weymouth harbour by Pye (3)

GEORGE SOPER 1870-1942: 'THE SOWER', ETCHING signed 33 x 38cm (framed), with 7 John S. Goodall books, and two football programmes; Weymouth F.C. v Manchester United 1987

Olive B Stephens - An original miniature etching designed for her Majesty The Queen's doll house. Accompanied by a letter from the Prime Minister 1925.Of local interest inspected at Frost & Reed Ltd, fine art publishers 10 Clare Street, Bristol. Limited edition of 120. With paper work and original envelopes. Art measures 3.1cm x 3.8cm. 

Two framed prints. Including limited edition print 'Old Lady' no 7/251, 20.5cm x 14cm, and a signed etching 'Causey Arch' in Stanley, signed Rex Horfield, 26cm x 21.5cm, all framed and glazed.

After Francisco Goya (Spanish. 1746 – 1828). Four lithographs from Los Caprichos (The Caprices). Including 'Alla va esco'. Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

After Francisco Goya (Spanish. 1746 – 1828). Four lithographs from Los Caprichos (The Caprices). Including 'Linda Maestra!' (Pretty Teacher!). Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

('The Holy Pigs of Amsterdam'). From the series '33 Etchings inspired by medieval arbitrariness, court decisions and other historical documents', no. 15 in the series. Etching and aquatint, signed in pencil bottom left below the image, ca. 1970. Image 41 x 32.5 cm, framed under glass. Excellent condition, not inspected outside frame.

Col. etching, 79 x 56 cm, titled, signed, dated ('85) and numb. (4/20) below image. (2) "Baudelaire". Col. etching, 78 x 53 cm, titled, signed, dated (1980) and numb. (3/12) below image. (3) "Italiaanse notitie". Etching, printed in brown, 78 x 53 cm, titled, signed, dated (1980) and numb. (II/III) below image. -and 5 other prints, all signed, dated and numb. -and 3 other items by Tolman. All in excellent condition. (total 11)

Gebrandschilderd glas, glas in lood. Ontwerpen en uitvoeringen van gebrandschilderde ramen en lampen, glasmozaïken [sic], lichtreclame. Bifolium advertorial card printed in orange, 8.5 x 13.5 cm (folded), ca. 1915, woodcut front and typography des. by Schrier. Advertising his own company (w. his partner, H. de Ru, 1902-90). (2) Centraal Instituut voor Christelijken Socialen Arbeid (CICSA). Prospectus. Amst., CICSA, n.d. (ca. 1925), (12) p., orig. stapled woodcut wr. by Schrier (monogrammed N.S.), sm. 8vo. (3) Gezin en School. Maandblad voor Leeraren en Ouders. Ed. Mevr. Dr. J. v.d. Bergh van Eysinga-Elias a.o. Year 1, no. 4. Aerdenhout, "De Bunte", April 1926, 63-82 p., some advertisement, orig. woodcut wr. by Schrier. -and 7 others w. designs by Schrier, incl. an etching w. 1920 New Year's greeting, a woodcut ordering card for the periodical Boekennieuws issued by Wereldbibliotheek/ Maatschappij voor Goede en Schoone Lectuur, Amst. (2 copies) and 4 programs w. lithogr. wr. for the Stadsschouwburg Haarlem (1925-28 and 1 undated). Added: Huib de Ru. Teekenaar, sierkunst (unused leaf of writing paper, w. splendid woodcut letterhead) and Het Jan de Bakker gedenkraam in de Jacobskerk, Den Haag (commemorative booklet, 1930, window des. by M. Nauta and executed by firm Schrier en De Ru). (total 13)

Haarlem in etsen en woorden. Haarlem, 1985. 5 texts by Nijgh, each w. an etching by K. Okx, no. H.C. Together in orig. (sl. worn) hcl. portfolio (cl. ties lacking), 45 x 35 cm. Sl. browning.

'Gezigt van een Gedeelte de Stad Amsterdam: Naar het schildery van W. van de Velde Ao. 1686, Berustende in de Schryers Tooren (...).' Willem Writs, naar Willem van de Velde, naar Izaak Jansz. de Wit, 1771. Etching, 27.6 x 41.2 cm. In passe-partout, under glass. Good condition, not inspected outside frame.

Cover and label designed by Jean Michel Basquiat. Vinyl record, with offset litho printed record sleeve and label, printed white on black both sides, 31.5 x 31.5 cm. On the label 45 RPM is mentioned, but it spins on 33 RPM. Matrix etching side 1: TT001 A-E-1, side 2: TT 001 B-E-1. Cover and label in very good state, the record itself looks unused.

Published by Peninsula, Eindhoven, in conjunction with the annual meeting of the Internationales Künstler Gremium and the 10th anniversary of the Apollohuis, Eindhoven. Comprises a large cardboard box, 80 x 100 x 4.5 cm, containing 15 prints by members of the IKG produced in various techniques (photography, silkscreen, etching, computer print, monotype). Printed in an edition of 40 copies, all prints numbered and signed. This is copy X/XV. Artists include: Marina Abramovic (Dragon Head, colour photograph, 50 x 66 cm), Claudia Costa, Gunter Demnig, Andrzej Dluznieuwski, Hetum Gruber, Franziska Megert, Maurizio Nannucci (The possible Plan, silkscreen), Boris Nieslony, Ann Noël (Bo Peep-Caution Explosive, silkscreen), Jürgen O. Olbrich/Wolfgang Hainke, Paul Panhuysen, Sef Peeters, Maria Anna Potocka, Eva-Maria Schön and Nicholaus Urban. Large box in fine state, prints are very good. The international artists' committee (IKG), was founded in Cologne in 1976 by renowned artists such as Joseph Beuys, Jochen Gerz, Klaus Staeck et al, committed to freedom of art, information and press.