Henry Lambert, The Horse Guards, Whitehall, etching, 4 1/4" x 6", and a further etching by the same artist of The Entrance to the Temple, 6 3/4" x 5", a watercolour of a Continental city scene next to a river, indistinctly signed (Arguillar), and a pencil sketch of a man's back, signed Diane Pollack.
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A post 1902 RN officer's sword, almost straight, fullered blade 31½", with faint traces of etching, regulation solid half basket hilt incorporating crowned fouled anchor, with turn down inner portion which locks to scabbard, lion's head pommel and backstrap, wirebound sharkskin grip, in its brass mounted leather scabbard. Basically GC, the hilt retaining approx 35% gilt (one or two small rust patches to heavily cleaned blade)
Salmon, William Polygraphice, or the arts of drawing, engraving, etching, limning, painting. London: J. Crumpe, 1678. 8vo, additional engraved title & 17 plates, lacking portrait, later half morocco, ex Edinburgh Public Libraries copy with withdrawn stamp on endpaper, some damp-staining; Temple, William Miscellanea. the second part. London: R. & R. Simpson, 1690. 8vo, contemporary calf, [WIng T653], scorchmark to dedication leaf, rebacked; Verstegan, R. Restitution of decayed intellignence. London: J. Kirton, 1653. 8vo, engraved title vignette and 10 plates, contemporary calf, [Wing V269]. some repairs to signature G affecting a few letters, rebacked (3) .

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