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78472 Los(e)/Seite
Los 507
19th CENTURY ENGLISH SCHOOL "Queen Elizabeth" and "Queen Margaret", a pair of hand-coloured engravings depicting Queen Elizabeth I, housed in a verre eglomise mount and gilt and gesso frame, together with 19th CENTURY ENGLISH SCHOOL "Haymaking, Herring`s Agricultural Scenes", colour print, a 19th CENTURY framed print "The corn bin" and a 19th CENTURY etching "The cottager`s wealth" (5)
Los 404
* Dieter Roth, German 1930-1998- Untitled; lithograph printed in blue and violet, signed, numbered 1/28 and dated 72 in pencil, 63.5x89cm: together with one other similar lithograph by the same hand, similarly signed, numbered 1/28 and dated 72 in pencil: G Lowry, mid-late 20th century- "Night Sleep"; etching with aquatint, signed, titled, inscribed `AP` and dated 72 in pencil, 69.8x53cm: Gerald Scarfe b.1936- Emperor of cats; lithograph printed in colours, signed, titled, numbered 27/99 and dated in pencil, 64.5x50cm: Tavee, mid-late 20th century- Doorway; etching, signed, dedicated and dated 15 September 1984 in pencil, 56.5x75.5cm: After Ernst Fuchs, Austrian b.1930- "Ernst Fuchs, Munchen Wolfgang Ketterer Villa Stuck Das Graphisch Werk 1945-67 6.9.-15.10.67 Prinzregenten Straze", publ by Brenner Brahm & Co., Frankfurt am Main; lithograph/poster printed in colours, 86x60.5cm: Feliks Topolski, Polish 1907-1989- Autobiography; mixed technique screenprint, and off-set lithograph printed in colours, signed and inscribed `AP` in pencil, bears publisher`s blind stamp, 100x75cm: together with a further nine artist`s prints and reproductions by and after different hands, all mid-late 20th century, many signed, (17) (unframed) (may be subject to Droit de Suite)
Los 471
John Reginald Brunsden ARE b.1933- "Manobier Castle"; etching with aquatint printed in colours, signed, titled, inscribed `Artist`s Proof` and numbered 12/15 in pencil, 8.8x22.2cm. Provenance: with Business Art Galleries, New Academy Gallery, London, according to label attached to the reverse : Brenda Hartill RE b.1943- "Pastoral Elements X"; etching with carborundum in colours, signed, titled, numbered 2/100 and dated 98 in pencil, 18x11.5cm: together with one other similar etching by the same hand, titled "Elements XIII", signed, titled, numbered 34/150 and dated 93 in pencil, 20x12cm., (3) (may be subject to Droit de Suite)
Los 490
William Heath (Paul Pry) 1795-1840- "The Battle of Waterloo June 18th 1815, Dedicated with Permission to Lieu. General the most Noble Henry William Paget, Marquis of Anglesey & Earl of Uxbridge GCBKMF & KSG"; etching with spirit-ground aquatint, aquatinted by Richard Reeve 1780-1825, rare, with defects, unexamined out of the frame, 42x55cm: W Kobell, early-mid 19th century- "Darstelling der Samrlich...Dede a son Altesse Imperiale L`Archiduc Charles..."(Battle scene); etching with aquatint, touched by hand, after H Mansfield: Follower of Sir Thomas Lawrence PRA- An Officer standing by a canon with battle scene beyond; stipple-engraving: After Richard Caton Woodville II 1856-1927- "The Charge of the Light Brigade"; published by Henry Graves 1895, photogravure, A/F condition very poor, (4) (part unframed)
Los 532
Herman Armour Webster 1878-1970- "Vieilles Maisons - Rue Hautefeuille - Paris"; and "Sur le quai Montebello, Paris 1909" signed; etchings 28.5x14.5cm and 20x13cm respectively: Maria Burges Whinney 1914-1995- "View from Burnt Lane", signed, numbered 45 of 75; etching 20x15cm: After Armand Guillaumin 1841-1927- Windmills in Holland; etching 13.5x18.2cm: a small collection of Mexican folk art of painted flowers and birds of paradise; gouache on wood bark 37x30cm (largest): "The Trojan Woman" Oxford Playhouse, circa 1963; a mixed-media theatre design on paper, 38x27.5cm: a Haitian/African style painting, signed indistinctly; gouache on black paper, 25x32.5cm: and a variety of medical, floral, topographical and reproduction prints, (part unframed) (a lot)
Los 589
Luigi Rossini 1790-1857- "Veduta degl`Avanzi del Secondo Piano delle Terme Diocelziane"; published Roma 1823, etching, good impression, laid on to card, 59x52cm: Raphael Morghen 1758-1833- "Theologia"; line engraving, after Bernardino Nocchi 1741-1812 after Raphael 1483-1520, laid on card, 44x40cm (2) (unframed)
Los 599
After John Frederick I Herring 1795-1865- Jockey and Trainer/The Morning Ride; watercolour on paper, bears inscription `Dooner RA`, 17.5x25cm: Ernest Herbert Whydale, 1886-1952- Cart Horses unloading; etching, signed in pencil, 16.5x18.5cm: Issac Cruickshank c.1756-1811/16- `Scotch Washing`; stipple engraving, signed within the plate, 20x16.5cm: together with two other late 19th and 20th century lithographs of friars, 27.5x20cm., ea., (5)
Los 626
Alan James Middleton b.1951- "Wray Common, Reigate"; watercolour on paper, signed and dated `73, 23x32.9cm: Paul Bisson, early/mid 20th century- "Pett Level"; etching and aquatint on paper, edition 2/350, bears signature, 28.8x13.2cm: Robert Palmer mid/late 20th century- "Kings College Hospital"; etching on paper, edition 76/150, bears signature and dated `73, 25.9x33cm: Greenwood, late 20th century- Waterlily Pond; aquatint printed in colours, edition 25/350, bears signature, 37.3x43.5cm: After Marjorie Blamey 1919-2005- Goldcrests and winter foliage study; reproduction printed in colours, bears signature within the plate, 33x24cm: together with 3 further prints by the same hand in matching frames, (8) (may be subject to Droit de Suite)
Los 643
William Lionel Wyllie RA RE 1851-1931- "Eel Boats on The River Thames in front of Tower Bridge"; etching, signed in pencil, 20x25cm: together with one other etching by the same hand titled "Shipping Moored off Sheerness", signed in pencil, 9x33.5cm: Rowland Langmaid 1897-1956 exh 1924-1930- "Old Portsmouth"; etching, signed in pencil, 8.5x33cm: William Strang RA RE RP 1859-1921- "Portrait of J B Clark"; etching, signed and dated 1910 within the plate, signed and inscribed `David Strang imp Final State (of 6) in pencil, 25x17.5cm: together with one other etching by the same hand of a Portrait of Dr Balfour, signed within the plate, 22x16cm., (5) (mounted) (unframed)
Los 688
Patrick Procktor RWS RE RA 1936-2003- Sadie and Prudence", 1982; aquatint printed in colours, signed and inscribed `Artist`s Proof` in pencil, 24.8x45cm. Provenance: with The Redfern Gallery, London according to label attached to the reverse of the frame: Patrick Procktor RWS RE RA 1936-2003- Garden gateway; aquatint printed in colours, signed and inscribed `AP` in pencil, 34.5x27cm: Late 20th Century- Tomato and pliers; mixed technique print with off-set lithography, printed in colours, etching and roulette, signed, numbered 23/75 and dated 1977 in pencil, 60x75.5cm: Michel Oelman b.1941- "Unexpected Visitor", "Sacred Tree" and "Fishermen`s Bridge"; etchings, three from two suites, "Early One Morning II" and "Jacob`s Ladder", each signed, titled and numbered 15/75, 84/95 and 83/95 in pencil , respectively, 31x29cm., ea., (6) (may be subject to Droit de Suite)
Los 693
After Rembrandt van Rjin, 18/19th century- Portrait of the artist`s father; mezzotint, 18x15.5cm: J Pass act.1805- "Filaria and Fistularia"; engraving: Edward J Cherry, 19/20th century- Street scene; dry-point etching, signed: Steiger, early 20th century- "Isoa Bella"; lithograph, signed and titled in pencil: Taylor, 18/19th century- "An Algerine Funeral"; engraving: together with a folio of other 18/29 and 20th century prints, engravings, etchings and reproductions by and after various hands, to include the Arch of Constantine; London`s Bombed Churches; Dr Martin luther; Dieux Gaulois; Assembly Rooms Bath; Eaton Hall; Veronica Officinalis and others, (A/F) (a lot) (unframed)
Los 695
John Bulloch Souter, British 1890-1972- "Reduced Study for Etching Nude Reclining..."; pencil, squared for transfer, with further inscription and dedication for William Mitchell, 16x18cm: together with an etching indistinctly titled "A *** Balcony", and signed in pencil, signed and dated within the plate, a good impression with margins, 26x40cm, (2) Note: John Bulloch Souter, painter, draughtsman, printmaker and restorer. Born in Aberdeen, studied at Gray`s School of Art. After serving in the Royal Medical Corps during World War I. Shortly after becoming a portrait painter, painting sitters such as Gladys Cooper, Ivor Novello and Fay Compton. He exhibited at The Redfern Gallery, the Fine Art Society, Royal Scottish Academy and the Royal Academy. During World War II he worked in the Censorship Department as a translator also restoring paintings at Windsor Castle. (unframed)
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78472 Los(e)/Seite