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Herbert Thomas Dicksee RE (1862-1942)‘His Majesty’ (study of a lion's head full face) original etching on Japan paper, signed artist’s proof, remarque of a fly (lower left margin), edition of this state limited to 25 therefore very rare, published by C E Clifford & Co., London, 1888image 59.7 x 47.6cmProvenance: From the artist’s grandson; the Bryan Steele Collection.Exhibited: Royal Academy 1888, no.1595;World’s Columbian Commission International Exhibition, Chicago 1893.
Herbert Thomas Dicksee RE (1862-1942)'Study of a Lion'original etching on vellum, signed artist’s proof, edition of 150, no other state, published by Frost & Reed, 1915image 19 x 49cmProvenance: the Bryan Steele Collection.Exhibited: Royal Academy 1915, no. 293.Condition report: See images.Some rippling to the upper edge of the paper, otherwise in good order. Unexamined out of frame.
Herbert Thomas Dicksee RE (1862-1942)‘Study of a Leopard’. original etching on paper, signed artist’s proof, edition of 100 only, no other state, published by Frost & Reed, 1922, with blindstamps, plate destroyed image 18.2 x 40.7cmProvenance: From the artist’s grandson; the Bryan Steele Collection.Exhibited: Royal Academy 1922, no. 1025.
Herbert Thomas Dicksee RE (1862-1942)‘A Tigress’ (full-face study of the head of a snarling tigress)original etching on Japan, signed artist’s proof, edition of this state limited to 200, published by C E Clifford & Co., London, 1891image 57.7 x 49.5cm Provenance: the Bryan Steele Collection.Exhibited: Royal Academy 1891, number 1594;World’s Columbian Commission International Exhibition, Chicago 1893. Condition report: There is some rippling to the paper and some spots akin to foxing along the bottom, see image. Unexamined out of frame.
[Queen Mary's Dolls' House, 1921-24] Ducks in flight about land, miniature dry-point etching, 2.5 cm x 4 cm, laid on card in period mahogany bead frame, a printed label vero reads "Proof of Etching made by request of Princess Marie Louise for The King's Library in the Queen's Dolls' House, 14 cm x 10 cm overall
Signed and numbered A.P. in pencil in the margin, etching and six figurative and still life studies, pencil sketches.etching plate size 24cm x 18cm (9.5in x 7.25in), sketches various sizes 28 x 19cm (11in x 7.5in)Qty: 7Condition report: The prints and sketches are all in good, original condition with strong colours and no obvious faults to report. The prints and sketches are all unframed although the sketches are mounted on card.
A Christopher Richard Wynne Nevinson (1889-1946) artist's proof etching, Le Pont Royal, Paris, signed in pencil, 29.5 x 44.5 cm (including margin) Provenance: Given to the vendor by the artist circa 1940Report by RBThis was given to the vendor by Nevinson as a little girl, generally good, although a little brown to the borders, it is signed in pencil to the lower right hand corner, although this is a little faint, where the image has been embossed into the paper it almost looks like stress fractures going around this to the border, in a modern frame Otherwise no issues
A Robert Tilling artist's proof etching, a cat, 11 x 25 cm, and Continental school, late 20th century, fishing boats, oil on board, indistinctly signed, 44 x 54 cmReport by RBThe Robert Tilling etching is in good condition, although the mount has some foxing and the glass is crackedThe oil painting of the fishing boats, generally good, some good build up of the paint using the palette, although some parts are thin of paint, some cracking. From a family who lived in Jersey
Colin Self (1941), figure with umbrella,etching, signed and dated 2008, limited edition 14/20, 18 x 16 cm (unframed)Provenance: From the estates of the late David & Ann Graves, David who was Hockney?s assistant and Ann who was his muse.Ann Upton met David Hockney in 1960 and by 1962 became his model and featured in many drawings and paintings. In the early 1970?s David Graves met Ann Upton through a mutual friend and they started living together. Graves, who was a sculptor and paper restorer, met Hockney at the opening night of Rakes Progress at Glyndebourne Opera where DH designed the set.By the late 1970?s DG became DH?s assistant, later moving to Hollywood with him and in the early 1980?s began to appear in his drawings.David and Ann married in Hawaii 1983 where Hockney was their ?wedding photographer? creating a photographic collage of the occasion, along with drawings.In 2013, after many years as assistant to David Hockney, David and Ann Graves retired to Sherborne, Dorset, where David liked to research and write plays. Ann died in 2017 to be followed by David in 2019
NORMAN WILKINSON (1878-1971), Trout Fishing on the River Garry and A Spey Pool, Two pencil signed etchings, 20cm x 30cm and 22cm x 30cm, SYDNEY J TUSHINGHAM (1884-1968), Neapolitan Carts, Pencil signed etching, 20cm x 37cm, James Connell & Sons Ltd label verso, (3)Foxing and staining to two of three, glass smashed in one. Paper discoloured and faded.
EILEEN ALICE SOPER (1905-1990), Children playing tug of war and cart racing, Two pencil signed etching 10cm x 17c, Also three books illustrated by Eileen Soper including When Badgers Wake 1955, Wild Encounters 1957 and Wildings The Secret Garden 1991, (5) Condition Report:Very good condition, no damage

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