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Preisdatenbank abonnierenRembrandt van Rijn (1606-1669) Christ Disputing with the Doctors: A SketchEtching and drypoint, 1652, but a later impression of New Hollstein's second state (of two) on cream wove paper without watermark, platemark 93 x 141mm (3 5/8 x 5 1/2in), sheet 105 x 155mm (4 1/8 x 6 1/8in) (unframed) Literature:Hind 277; New Hollstein 281 ii/ii
δ Colin Self (b.1941)Figure No.2: Nude Triptych (a) (Sidey 1058)Etching, 1971, signed, dated and numbered from the edition of 60 in pencil verso, on Crisbrook wove paper, printed by J.C. Editions, published by Editions Alecto, London, the full sheet, 540 x 688mm (21 1/4 x 27in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)La Paresse (Field 66-3G; M&L162c)Etching with aquatint printed in colours, 1966/67, signed and numbered from the edition of XXV in pencil, on Japon nacré paper, as included in 'Les Huit Péchés capitaux', printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, 190 x 140mm (7 1/2 x 5 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Man Ray (1890-1976)Untitled (Anselmino 100)Etching with aquatint printed in blue, 1972, signed and numbered from the edition of 100 in pencil, on watermarked Arches wove paper, printed by Jacques David, Paris, published by Richard Binder Editeur, Brussels, with full margins, sheet 663 x 503mm (26 x 19 3/4in) (unframed)
δ Henry Moore (1898-1986)Mother and Child XXVI (Cramer 696)Etching, aquatint and roulette printed in colours, 1983, signed and inscribed from the HC edition of 15 in pencil, on wove paper, with full margins, sheet 515 x 435mm (20 1/4 x 17in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Roy Lichtenstein (1923-1997)Une Fenetre ouverte sur Chicago (Corlett 271)Etching and aquatint printed in colours with embossing, 1992, signed and numbered from the edition of 80 in pencil, on Velin d'Arches wove paper, as included in La Nouvelle Chute de l'Amerique portfolio, printed by Atelier Dupont-Visat, and published by Les Editions du Solstice, Paris, the full sheet, 482 x 356mm (19 x 14in) (framed)
δ Salvador Dali (1904-1989)Marguerite (Field 69-1A; M&L 298k)Etching with hand colouring in watercolour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Triangle; Convex Mirror (Black and Moorhead 385; Black and Moorhead 412)Lithograph printed in colours, 1975, signed, dated and numbered from the edition of 75 in pencil, on wove paper, printed by Etablissement Guillard, Cachan, image 305 x 400mm (12 x 15 3/4in); together with the etching with engraving printed in colours, 1980, signed, dated, titled and numbered from the edition of 75, on watermarked BFK Rives wove paper, printed by Hector Saunier, with full margins, sheet 650 x 495mm (25 3/4 x 19 1/2in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)The Raven and The Fox (Field 74-1-C; M&L 656a)Etching with pochoir in colours, 1974, signed and numbered in roman numerals from the edition of CXX in pencil, on watermarked Auvergne paper, as included in the portfolio 'La Fontaigne's Bestiary Dalinized', printed by Atelier Rigal, published by Mouret, Paris. with full margins, plate 577 x 400mm (22 3/4 x 15 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)The Fires of Furious Desire (Scottish Arts Council 5, Tokyo 5)Etching with aquatint, 1961, signed, dated and numbered from the edition of 75 in pencil, on Crisbrook wove paper, printed by Maurice Payne, published by Petersburg Press, London, with full margins, 273 x 405mm, (11 ¾ x 16in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong PlateEtching, drypoint and engraving, circa 1639, a good but slightly later impression of New Hollstein's third state (of five), before later rework, on laid paper with watermark of a bunch of grapes [see Hinterding Grapes-B-d], sheet 216 x 292mm (8 1/2 x 11 1/2in), thread margin or trimmed just within the platemark (unframed)Literature:Bartsch 49; Hind 162; New Hollstein 184 iii/v
δ Salvador Dali (1904-1989)L'Ange de la mélancolie (Field 72-5D; M&L 564a)Etching with aquatint printed in colours, 1972, signed and inscribed 'EA' in pencil, an artist's proof aside from the numbered edition of 175, on Arches wove paper, printed by Ateliers Rigal, published by Editions de Francony, with full margins, plate 370 x 575mm (14 1/2 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Espejo Vivo (Field 73-6; M&L 579a)Etching printed in sanguine, 1973, signed and inscribed 'P.A.' in pencil, an artist's proof aside from the edition of 50, on Japon paper, printed by Spectra AG, published by Pinon, with full margins, plate 650 x 500mm (25 1/2 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Cyclopean Make-Up (Field 75-11-F)Lithograph with etching and collaged elements, 1975, signed and numbered in roman numerals from the edition of LXXV, on Japon paper, as included in 'Imaginations and objects of the future', co-published by Merrill Chase, Chicago, and Alan Rich, New York, with full margins, plate (28 1/2 x 21in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)L'Etalon Blanc (Hommage au cheval) (Field 74-9; M & L 639b)The scarce etching printed in sepia, 1973-1974, signed and inscribed 'AP.' in pencil, an artist's proof aside from the edition of 50, on japan paper, printed by Torrents, published by Ärzte-Sammlerkreis, with full margins, plate 495 x 645mm (19 1/2 x 25 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but slightly later impression of New Hollstein's seventh state (of eight) on laid paper with watermark of grapes, evenly printed but with some signs of wear, sheet 534 x 407 mm. (21 x 16 in), lower left corner and other small areas with loss replaced in facsimile (unframed)Literature:Hind 103; New Hollstein 119 vii/viii
δ Salvador Dali (1904-1989)Les Montres gélatines de l'espacetemps (Field 74-12E; M&L 648a)Etching and lithograph printed in colours with embossing, 1974, signed and numbered from the edition of 195 in pencil, on Arches wove paper, printed by Bellini, published by Lavigne, the full sheet, plate 740 x 550mm (29 1/8 x 21 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)The Horse and The Wolf (Field 74-1-L; M&L 658a)Etching with pochoir in colours, 1974, signed and numbered in roman numerals from the edition of CXX in pencil, on watermarked Auvergne paper, as included in the portfolio 'La Fontaigne's Bestiary Dalinized', printed by Atelier Rigal, published by Mouret, Paris. with margins, plate 400 x 577mm (15 3/4 x 22 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Paul Gauguin (1848-1903)Portrait de Stéphane Mallarmé (Mongan/Kornfeld/Joachim 12 II Ba)The rare etching with drypoint, engraving and aquatint, 1891, a fine, richly inked impression printed with tone, one of circa 13 trial proofs printed before the H. Floury edition of 1919, inscribed 'Stéphan Mallarmé imp Gauguin' in violet ink, on thin Japan paper, with wide margins, sheet 310 x 229mm (12 1/4 x 9in) (unframed)
δ Salvador Dali (1904-1989)Plaza Mayor (Duel in the Sun) (Field 73-11; M&L 582b)Etching with pochoir in colours, 1973, signed and numbered from the edition of CL in pencil, on japan paper, printed and coloured by Ateliers Rigal, published by Vison Nouvelle, Paris, with full margins, plate 405 x 590mm (16 x 23 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Gormley (b.1950)DomainEtching, 2013, signed, titled, dated and numbered from the edition of 100 verso in pencil, on wove paper, with full margins, sheet 380 x 303mm (15 x 12in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Self-Portrait Etching at a WindowEtching, drypoint and burin, 1648, a good but a slightly later impression of New Hollstein's final state (of nine), on thick laid paper without watermark, French letterpress text verso, platemark 158 x 131mm (6 1/4 x 5 1/4in), sheet 180 x 149mm (7 1/8 x 5 7/8in) (unframed)Literature:Hind 229; New Hollstein 240 ix/ix
Rembrandt van Rijn (1606-1669) The Baptism of the EunuchEtching with touches of drypoint and plate tone, 1641, but a slightly later impression of New Hollstein's third state (of four), before further reworking, on cream laid paper without watermark, sheet 185 x 214mm (7 1/4 x 8 3/8in), trimmed with thread margins or just within the image, small repair to loss in lower edge and two further small restored pin holes (unframed)Literature:Hind 182; New Hollstein 186 iii/iv
δ Salvador Dali (1904-1989)Portrait of La Fontaine (from La Fontaine's Bestiary Dalinized) (Field 74-1-A; M&L 653)Etching with drypoint, 1974, signed and numbered from the edition of 250 in pencil, on Arches paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 760 x 560mm (29 7/8 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Man Ray (1890-1976)Monocopter (Anselmino 7)Etching with aquatint printed in blue, 1972, signed and numbered from the edition of 100 in pencil, on watermarked Arches wove paper, printed by Jacques David, Paris, published by Richard Binder Editeur, Brussels, with full margins, plate 493 x 395mm (19 1/2 x 15 1/2in) (unframed)
δ Henri Matisse (1869-1954)Figure Allongée Devant Uncarrelage (Duthuit 204)Etching, 1929, signed and numbered from the edition of 25 in pencil, on Chine appliqué mounted onto wove support, with full margins, sheet 117 x 196mm (4 5/8 x 7 3/4 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669) A Hurdy-Gurdy player followed by children at the door of a house ('The Schoolmaster')Etching, 1641, but a later impression of New Hollstein's final state (of four) on laid paper without watermark, platemark 93 x 63mm (3 5/8 x 2 1/2in), sheet 106 x 76mm (4 1/4 x 3in), good margins (unframed)Literature:Hind 141; New Hollstein 144 vii/vii
Jim Dine (b.1935)From 'Ten Hand-Colored Winter Tools II' (Carpenter 32.6)Lithograph with extensive hand-colouring in acrylic, 1973-89, signed, dated and numbered from the edition of 18 in pencil, on German Etching Deluxe wove paper, printed by Petersburg Press, New York, co-published by Pace Editions, New York, and Waddington Graphics, London, the full sheet, 603 x 451mm (23 3/4 x 17 3/4in) (unframed)
δ Salvador Dali (1904-1989)God, Time, Space, and the Pope (Field 74-8I; M&L 667d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in Roman numerals for the edition of 35 in pencil, on Japan nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Zao Wou-Ki (1921-2013)Untitled (Agerup 161)Etching with aquatint printed in colours, 1965, signed, dated and numbered from the edition of 90 in pencil, on Arches wove paper, printed and published by Atelier Lacouriere et Frelaut, Paris, the full sheet, 560 x 760mm (22 x 30in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Toledo (Field 64-2-B; M&L 94)Etching with aquatint printed in brown, 1964, signed and numbered from the edition of 100 in pencil, on Auvergne wove paper, as included in 'Spain', published by Berggruen, Paris, with full margins, plate 590 x 435mm (23 1/4 x 17 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
A Victorian 1827 Pattern Naval Sword, the 77cm single edge fullered steel blade bearing traces of etching, the brass hilt with hinged guard, cast with a crowned fouled anchor and with lion head pommel, with wire bound fishskin grip, lacks scabbard; a Pair of German Fencing Foils, each with blade stamped SOLINGEN, the brass hilt with open double kidney shape guard, ribbed leather grip and ovoid pommel; a Paul Leon Fencing Sabre, with a later blade and aluminium bowl hilt (4). 1 - Black patching to blade, etching very faint. Some fishskin missing from grip with some loose wires, lacks scabbard. 2 - Grey patching to blades, otherwise good. 3 - Deep rust pitting to blade. Rust pitting to wire binding of grip and pommel
A Late George III Light Cavalry Trooper's Sabre, in the style of a 1796 Pattern, with 83 cm, broad, slightly curved and fullered steel blade, retaining traces of gilt-highlighted etching including trophies of war, Royal Coat-of-Arms and possible date, ''178?'', the gilt brass stirrup hilt with ribbed marine ivory grip. Blade with significant pitting and a number of small nicks to edge. Gilding to hilt worn in places. Grip with small area of loss, numerous small natural cracks and two larger cracks.
A German Third Reich Fire Department Officer's Dagger/Sidearm, the 41cm double edge steel blade faintly etched with martial trophies within foliate strapwork, the nickel plated hilt with flat trefoil quillons to the crossguard centred by a helmet and axe, wire bound leather grip and acanthus capped ball pommel, the brown leather scabbard with nickel plated mounts and twin suspender rings, 54.5cm. Blade is very rust pitted making the etching difficult to make out.The nickel plating of the hilt and scabbard is very worn. The scabbard had a crease to the leather just below the locket.
A Georgian Five Ball Spadroon Hilt Sword, the 68cm single edge curved steel blade with a broad and narrow fuller, faintly etched with a crown, diapering, martial trophies and thistles to each side, the gilt brass hilt with five ball guard and knuckle bow, fluted and reeded square section ivory grip set with a band centred by an elliptical panel engraved MLRVA, with cushion shape pommel, 81cm, lacks scabbard. Black patching to most of the blade, with faint etching and nicks to the edge. Slight wear to the gilt on the hilt. Lacks scabbard.
A Victorian 1827 Pattern Rifle Regiment Officer's Sword, the 82cm single edge fullered steel blade etched with a strung bugle and foliate tendrils, with Proof poincon and maker's name Forbes, Camden Town, the steel gothic hilt pierced and engraved with a strung bugle, with partially chequered back strap, wire bound fishskin grip and steel scabbard; a Very Similar Sword, the blade faintly etched with crowned VR cypher, the hilt with smooth back strap, and with associated steel scabbard (2). Both have black patching and rust pitting to the blades, the etching is faint. The latter sword has dents to the scabbard which does not quite fit.
A 19th Century Argentinian Malacca Sword Stick, the 60cm single edge fullered steel blade etched with foliage, dated 1887, the ricasso with maker's mark for J Motta, Buenos-Aires, with foliate engraved brass collar, ebony handle and brass ferrule, 81cm. Etching to blade is quite faint, some pitting. Bruising to handle and dent to ferrule tip.
A George V 1897 Pattern Infantry Officer's Sword, the 82cm fullered steel blade etched with crowned GVR cypher and foliate tendrils, with Proved poincon, by Pipe & McGill, Bedford, the plated steel hilt pierced and engraved with crowned GVR cypher, with wire bound fishskin grip and leather service scabbard. Etching worn. Leather scabbard is a little shabby
A Victorian 1897 Pattern Infantry Officer's Sword, the 82.5cm single edge fullered steel blade etched with crowned VR cypher and foliate tendrils, with Proof poincon and maker's name W S Carver, King Street, St. James's, the steel hilt pierced and engraved with crowned VR cypher, with partially wire bound fishskin grip and steel scabbard; a Victorian 1897 Pattern Infantry Officer's Sword, the 82cm epee blade etched with crowned VR cypher, the nickel plated steel hilt pierced with crowned VR cypher, partially wire bound fishskin grip and with steel scabbard (2). 1 - Black patching to blade. Deep pitting to hilt. Loss of wire binding a fishskin. Black patching and pitting to scabbard. 2 - Etching to blade is quite crisp. Loss of wire binding a fishskin to grip. Scabbard has deep pitting
Leonard Russell Squirrell (1893-1971) chalk and charcoal - Moonlit scene, inscribed with dedication to Charles Baskett, ‘To my old friend & master Mr C. E. Baskett, Dec. 1921’, in glazed gilt frame, 33cm x 43cm N.B. Charles Baskett was etching Master at Ipswich School of Art and taught Squirrell. Leonard Squirrell later took over the etching class in 1930
JAMES HAMILTON MACKENZIE (1875-1926) 'THE GONDOLA' an etching of a Venetian scene depicting figures and a gondola, signed and titled to the lower margin, label verso, text reads 'Final Proof Etching' dated 9/9/20, framed, approximate size 32cm x 26cm, together with 'Alhambra' by Vaughan Trowbridge, a limited edition etching 17/40, signed to the margin, framed, approximate size 34cm x 25cm (2)
JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834 - 1903), ST JAMES'S STREET, (LONDON) 1878 etching and drypoint on ivory laid paper, monogrammed with butterfly in the plate 27.5cm x 15.2cm Mounted, framed and under glass. Note: State 4/4. Known impressions of this plate 36. Catalogues: Kennedy 169; Glasgow 178, Mansfield 165.
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