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Preisdatenbank abonnierenDenis Dighton 1792-1827- 'Sr David Dundas KB, Commander in Chief', orig publ April 1810 by Dighton, N 4 Spring Garden Char Cross; hand-coloured etching, from a later edition, 27.3x20cm: together with three other hand-coloured etchings of military subjects by the same hand from the same or similar suite, (4)
NELSON DAWSON (1859-1941) Fishing vessels moored at a harbour wall, etching in colours, inscribed in pencil to the margin, 5 1/4" x 9" an etching of a Church tower, signed J Wright; and two dry point engravings by Henry Rayner 'Chelsea' and 'Les Sylphides' together with a letter by Frances Rayner, his daughter, the last two items unframed (4).
* Caricatures & satirical engravings. Vernet (Carl, after), Les Aveugles, c.1830s,. hand coloured etching, approx. 290 x 395 mm, together wine two finely hand coloured aquatints of Swiss girls in regional dress, each approx. 155 x 115 mm, a hand coloured etched caricature of Wellington entitled 'The Man Wot Drives the Queen', pub. E.King, April 1829 and measuring approx. 340 x 240 mm, plus others similar (approx.35)
Barrow (John). Dictionarium Polygraphicum: Or, the Whole Body of Arts Regularly Digested, 2 vols., 2nd ed., corrected and improved, 1758,. eng. frontis. to vol. 1, fifty four folding eng. plts., contemp. calf, some wear, old manuscript label on upper cover of vol. 1, 'The Whole Body of Arts Very Scarce', 8vo Contains information on the arts of limning, Japanning, Gilding, Engraving, Etching and Mezzotinto, Refining, Compounding, Transmutation and Tinging all sorts of Metals and Minerals, Staining all sorts of Glass and Marble, Dyeing all sorts of Materials, Linen, Woollen, Silk, the Art of Tapestry Weaving, a description of Colours, Natural and Artificial, the Whole Art of Pyrotechny, and the Chinese method of making Porcelain, etc. (2)
Jackson (John). A Treatise on Wood Engraving, Historical and Practical, pub. Charles Knight, 1839,. b&w illusts. to text, t.e.g., contemp. half red morocco, rubbed and some marks, large thick 8vo, together with Strauss (Walter L.), Chiarocuro, The Clair Obscur Woodcuts by the German and Netherlandish Masters of the XVIth and XVIIth Centuries, a complete catalogue with commentary, pub. Thames & Hudson, 1973, numerous tinted illusts., etc., orig. cloth in d.j., 4to, plus Ramiro (Erastene), Catalogue Descriptif et Analytique de l'Oeuvre Gravé, 2nd ed., Brussels, 1893, several b&w plts., t.e.g., contemp. full calf, (with orig. printed wrappers bound in), rubbed and heavily scuffed, large 8vo, limited ed. 103/200, and others on prints and print making, including Etching by Charles Kirkpatrick Sharpe, 1869, Reynolds Stone Engravings, 1977, Pre Raphaelite Prints, by Rodney Engen, 1995, The Beggarstaff Posters, by Colin Campbell, 1990, some catalogues, etc. (approx. 50)
London. 'Panorama of the River Thames in 1845', pub. Illustrated London News,. uncoloured panoramic wood engraved view, a little browning and fraying to side margins, image approx. 300 x 2390 mm, together with 'Sketches in London in 1851', large folding uncoloured wood engraving incorporating several views, some creasing and splits to folds, laid onto linen, approx. 720 x 975 mm, plus two others including an etching of Dover Castle after Myra H. Hughes (4)
Three First World War Chromolithographic Recruiting Posters, published by the Parliamentary Recruiting Committee:- "Whose Absent? Is It You?", no.125; "There's Room For You. Enlist Today", no.122; "Come Along, Boys!" no.22; a similar poster published by the War Savings Committee "War Loan. Lend Your Savings to the Nation To-Day", no.22; a recruiting showcard "Come and Do Your Bit. Join Now"; a framed etching Launch of the Nelson.(6).
Charles Murray, crucifixion , etchingCharles Murray (1894-1954), Crucifixion, signed in pencil in the margin, with blindstamp, etching, 32 x 16cm.; 12.5 x 6.25in. * Had first one-man show at Leicester Galleries in 1946, another following at Batley Art Gallery in 1950. Memorial exhibition at Temple Newsam House, Leeds, 1955 and an Edinburgh International Festival show at the Merchant Company Hall in 1977. Tate Gallery and Scottish National Gallery of Modern Art hold his work.
C.F. Tunnicliffe, Malcolm Salaman, etchingCharles Frederick Tunnicliffe R.A. (1901-1979), Portrait of Malcolm Salaman, etching, 22.5 x 20cm.; 9 x 8in. * Illustrated in 'Portrait of a Country Artist' by Ian Niall, 1985, page 50. After Tunnicliffe won a scholarship to the Royal College of Art in 1921 he met Malcolm Salaman who was instrumental in arranging the first publication of a portfolio of Tunnicliffe's etchings.
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