78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

LAURIE RUDLING (XXI)- Three framed and glazed etchings- 'Home Port', 'La Corbiere Light', and 'Space and Time', plus a Jane Hicks mounted etching- St Ives Harbour (4)

H HUMPREY: A coloured etching titled Loyal Souls - or A peep into the Mess-Room at St James's

Quilter (Harry). Preferences in Art, Life, and Literature, 1st edition, number 169 of 280 copies signed by the author, London: Swan Sonnenschein, 1892. 4to, original vellum gilt, top edge gilt, others untrimmed, plates,Gibb (William). Naval and Military Trophies and Personal Relics of British Heroes. A Series of Water Colour Drawings, the Descriptive Notes by Richard R. Holmes, London: John C. Nimmo, 1896. Large 4to, original red pictorial cloth gilt, chromolithographic plates, Vierge (Daniel, illustrator). Pablo de Segovia. The Spanish Sharper. Translated from the Original of Francisco de Quevedo-Villegas, London: by Unwin Brothers at the Gresham Press for T. Fisher Unwin, 1892. Large 4to, original vellum, top edge gilt, others untrimmed, wood-engraved plates, McEvoy (Ambose). The Work of Ambrose McEvoy. [Born August 12th, 1878]. Compiled by Wigs, 1st edition, number 404 of 1500 copies only, London: Colour Magazine, 1923. 4to, original cloth-backed boards, Herkomer (Hubert). Etching and Mezzotint Engraving. Lectures delivered at Oxford, 1st edition, London: Macmillan and Co, 1892. 4to, original cloth, and 7 others similar, 4to and folio, the lot not fully collated and sold as seen (qty: 12)

BRITISH SCHOOL,THE LUMABAS, SWAZILANDcoloured etching on paper, signed indistinctlyimage size 20cm x 28cm, overall size 43cm x 53cm Mounted, framed and under glass.

S.M.LITTENPEURTO DEL VINO, GRANADAEtching, signed in pencil, 38cm x 28cm, framed and glazed, along with an etching by Jackson Simpson, The Dinghy, unframed and laid down (2)

* JACKI PARRY RSA,IMPLEMENTS IN THEIR PLACESetching on paper, signed and titled image size 52cm x 74cm, overall size 72cm x 92cm Mounted, framed and under glass.

PETITE VUE DE L'ETNA PRISE DE LA MAISOU DES AUGUSTINA ,coloured etching on paper, mounted, framed and under glass, 38cm x 45cm overall size, along with a framed print of a train and a painting, also including a rexine fold-up backgammon board (4)

ARCHITECTURAL ETCHING,artist proof, signed indistinctly, mounted, framed and under glass, 62cm x 45cm

Caricatures.- Rowlandson (Thomas) St. Valentine's Day or John Bull intercepting a Letter to his Wife, etching with hand-colouring, on laid paper with watermark 'Edmeades & Pine', platemark 345 x 245 mm (13 1/2 x 9 5/8 in), sheet 370 x 270 mm (14 1/2 x 10 1/2 in), several tears and nicks to edges, with old repair to upper left corner reinforced verso, unframed, [Not in BM Satires], Thomas Tegg, 1809; together with a mixed group of caricatures by various hands, including a reverse copy after Rowlandson's 'Macassar Oil!!', 3 relating to Queen Caroline, each contemporary hand-coloured etched copies after George Cruikshank, a set of four etched contemporary copies after Gillray's 'Easing the Toothache', 'Breathing a Vein', 'Gentle Emetic', and Charming well-again', and nine other coloured lithographs by John 'HB' Doyle and others, various sizes, all unframed, early 19th century (18)

Caricatures.- Phillips (Watts) A Suggestion! The Leviathan, What to do with her now you've got her off, satire on the paddlesteamer "Great Eastern", previously named the "Leviathan" in its planning stages, designed by Isambard Kingdom Brunel and was at the time the largest ship ever built, lithograph with hand-colouring, sheet 335 x 505 mm (13 1/8 x 19 7/8 in), some light toning and minor surface dirt, handling creases, unframed, Day & Son, 1858; together with Gillray's Doublûres of characters; _ or _ striking resemblances in phisiognomy..., 1798, and a mixed group of 16 other caricatures, including Cruikshank's 'The Bottle, in eight plates', an anonymous etching 'The Steward', showing Gabriel Powell, the Recorder of Swansea, standing in front of 'Swansea Theatre', William Heath's 'The Contractor and the Contracted or 195 more than 186', 1810, and others, various sizes, all unframed, [early 19th century] (18)Literature:BM Satires 9261

Fan design.- English School (18th century) Unmounted fan-leaf, with Chinese vignettes and decoration, etching on laid paper with large watermark of rosary beads, platemark 270 x 515 mm (10 3/4 x 20 1/4 in), sheet 375 x 555 mm (14 3/4 x 21 3/4 in), spotting and surface dirt, rough edges with nicks and tears, handling creases, unframed, [circa 1750 or slightly later]

NO RESERVE Old master prints.- Vaillant (Wallerant) Portrait of the artist, Jacob van der Does (1623-1673), mezzotint, proof impression before letters in published state, brown ink inscription 'Le Piper' over pencil, on laid paper without watermark, sheet 170 x 135 mm (6 3/4 x 5 1/4 in), thread margins, some spotting and browning, some minor re-touching to rubbing and surface loss in the plate, unframed, [circa 1660-1675]; together with 7 others, including two engravings by Jan Sadeler, Italia and Germania, after Hans von Aachen, from the series 'Four European Countries', [cf. New Hollstein 48-51], Munich, [c. 1594], two engravings of Biblical subjects by other members of the Sadeler family after de Vos, an etching by Van Ostade of 'Peasants dancing outside an Inn' [Hollstein 47], all unframed, 16th to 19th century (6)

Colour etching and aquatint by Richard Beer (1928) “Hotel de la Gare” no 23/70 signed, 43x37cm

Church Interiorsigned, etching and aquatint, artist's proof55 x 43cm

William Strang (Scottish 1859-1921)The Prodigal Son, etching, signed ‘W. Strang’ and dated 1882 in the plate17.5 x 20cm

A collection of prints of include, a 19th century Victorian print of nursery scene, a coloured reproduction print of Wycombe Abbey, William Renison (1893-1938), The John Knox House, 1917, etching, Florence M. Leicester, Cheney Court, Winchester, etching, three etchings of gun dogs and four sporting prints

A collection of prints to include, John F. Greenwood (1885-1954) three wood engravings of Ely Cathedral from A Short History of Ely Cathedral (1954), Old Court, King’s College, Cambridge, etching, View of Part of the Village of Barnwell near Cambridge, etching, Magdalene College Library, aquatint

Théophile Alexandre Steinlen (1859-1923), Bather, signed lower right, etching and aquatint, 33 x 32cm

Edmund Blampied (1886-1966), The Stranger, signed in pencil (lower left), titled faintly in pencil (lower right), etching, 26 x 34.5cm

After George Belcher RA, A Hero of the Ring and His Agent, Jimmy Wilde & Teddy Lewis, etching, 52.5 x 38cm.

along with five glass decanters of different styles mainly of magnum or near magnum size, one with etching inscribed 'Brandy' within central cartouche66 x 43 x 32cmCondition report: Surface of top is worn with dry cracking, some small areas of loss to edges. Scratch to front panel and with other wear commensurate with age.

Collection of local interest to Leicestershire, etching and prints, 19th Century silver plate boxed cars, hunting horn etc

A low grade silver oval etching entitled Paysage, length 34.5cm, height 26.5cm, mounted to a green velvet base and framed, stamped .800

JOHN HOWARD (B. 1958) - 'Spaghetti Junction Study No. 5', etching, signed in pencil and numbered 2/10, framed, 45cm x 58cm, frame size 67cm x 78cm, also another etching 'Pyramide de Birmingham' by the same hand. (2)

AFTER PAUL CEZANNE - 'Tete de Femme', etching, later restrike from the original plate of 1873, signed in the plate, framed, 12cm x 10cm, frame size 36cm x 24cm.

WILLIAM LIONEL WYLLIE (1851-1931) - A view of the Houses of Parliament from the Thames, etching, signed in pencil, framed, 11cm x 33cm, frame size 29cm x 53cm.

An early 20th century woodcut of Shire Bearnagh Co. Down, monogram indistinct, a Peter Grahame etching of Ely Cathedral, and one other print, along with a 19th century Minton Chinese Marine pattern meat platter Location: LWM

Mixed pictures to include a watercolour beach scene, Continental watercolour depicting figures with mountains to the background, a Woolcott watercolour depicting a scene in Devon, and an etching by Dorothy Griffiths

Frank Harding-Harwich a coastal scene etching signed, framed and glazedLocation:

An 18th century hand-coloured engraving, "Little Brown Thrush", in strip frame, an 18th century aquatints and etching, portrait of Princess Sophia Matilda after Reynolds, in strip frame, and two hand-coloured prints, landscapes

Graham Clarke signed limited edition (196/400) etching 'Bon Chance' or 'The Shores of Albion Recede', busy harbour scenes of England and France, 52 x 61cm, in moulded wood frame.

Orovida Camille Pissarro signed etching 'Just Cats', dated 1948 lower right 30 x 23cm

Graham Clarke signed limited edition (310/400) etching 'Notte Todaye', moated castle with sword wielding visitors, 57 x 72cm, with booklet of notes verso, in distressed gilt frame

Claude Rowbotham (1964-1949) signed coloured etching lights over London WW1, 18 x 29cm

Three watercolour landscapes comprising K.S. Hewitt Loch Etive 12.5 x 19cm, Roy Preston winter landscape 25 x 35cm and A.G. Collins harbour scene 28.5 x 21.5cm, together with an etching of a mill 17 x 10.5cm

Orovida Camille Pissarro signed etching 'Siamese Cat & Kittens', dated 1946 lower right 20 x 25cm

George Criukshank 'Nobody made fun of~' a comical etching plus Chinese government bond

Hedley Fitton (1857-1929). Notre Dame Bourges, etching, signed in pencil to margin and titled, 46cm x 34cm.

A GLAZED SIGNED JAMES PRIDDEY ETCHING OF SHAKESPEARES BIDFORD OVERALL SIZE - 42CM X 35CM

Wilfried L. Vinsow, 'St Paul's, from Bankside', etching, signed in pencil to margin, framed and glazed, image size 23 x 15cm. With oval etching portrait of a lady, silhouette portrait, and small watercolour landscape. (4)

An etching of the river Thames with St Pauls cathedral in the background and Cleopatra's needle on the left , signed S Tushingham lower right , 49 cm x 39.5 cmsome foxing an staining to the white mount

EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002).Untitled, from the book "Aromas", 2000.Etching on thick Velin paper, copy 60/120.Ed. Edouard Weiss, Paris.Signed and justified by hand.Size: 54 x 43 cm."Guided by a scent", the final sentence in the book "Aromas" by Chillida, sums up the artist's spirit when working, allowing himself to be guided by the materials, by their essence. As the sculptor himself explained it: "The form, at the beginning, is almost like an undefined aroma that imposes itself as it becomes more precise. This pre-knowledge or aroma is my guide to the unknown, the desired and the necessary". This is an engraving from the book by Eduardo Chillida made up of five etchings, three woodcuts, two silkscreen prints with relief, together with 38 pages of text that, through graphic work, poems, reflections and philosophical quotations, both by the artist himself and by various thinkers, brings us closer to the Basque artist's thought and work through the keys that have marked his career: time, space, music, freedom, matter, light and the sea. Published on the occasion of the artist's 76th birthday. In "Aromas" Chillida the plastic artist and Chillida the writer join hands to reveal the poet, the philosopher and the profound thinker. The edition consists of 160 graphic series with the numbering; 1-120; I-IX (suite); I-IX (suite in grey Eskulan); H. C. 1-10; E. A. 1-12.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.

EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002).Untitled, from the book "Aromas", 2000.Etching on thick Velin paper, copy 60/120.Ed. Edouard Weiss, Paris.Signed and justified by hand.Size: 54 x 43 cm."Guided by a scent", the final sentence in the book "Aromas" by Chillida, sums up the artist's spirit when working, allowing himself to be guided by the materials, by their essence. As the sculptor himself explained it: "The form, at the beginning, is almost like an undefined aroma that imposes itself as it becomes more precise. This pre-knowledge or aroma is my guide to the unknown, the desired and the necessary". This is an engraving from the book by Eduardo Chillida made up of five etchings, three woodcuts, two silkscreen prints with relief, together with 38 pages of text that, through graphic work, poems, reflections and philosophical quotations, both by the artist himself and by various thinkers, brings us closer to the Basque artist's thought and work through the keys that have marked his career: time, space, music, freedom, matter, light and the sea. Published on the occasion of the artist's 76th birthday. In "Aromas" Chillida the plastic artist and Chillida the writer join hands to reveal the poet, the philosopher and the profound thinker. The edition consists of 160 graphic series with the numbering; 1-120; I-IX (suite); I-IX (suite in grey Eskulan); H. C. 1-10; E. A. 1-12.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.

EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002).Untitled, from the book "Aromas", 2000.Etching on thick Velin paper, copy 60/120.Ed. Edouard Weiss, Paris.Signed and justified by hand.Size: 54 x 43 cm."Guided by a scent", the final sentence in the book "Aromas" by Chillida, sums up the artist's spirit when working, allowing himself to be guided by the materials, by their essence. As the sculptor himself explained it: "The form, at the beginning, is almost like an undefined aroma that imposes itself as it becomes more precise. This pre-knowledge or aroma is my guide to the unknown, the desired and the necessary". This is an engraving from the book by Eduardo Chillida made up of five etchings, three woodcuts, two silkscreen prints with relief, together with 38 pages of text that, through graphic work, poems, reflections and philosophical quotations, both by the artist himself and by various thinkers, brings us closer to the Basque artist's thought and work through the keys that have marked his career: time, space, music, freedom, matter, light and the sea. Published on the occasion of the artist's 76th birthday. In "Aromas" Chillida the plastic artist and Chillida the writer join hands to reveal the poet, the philosopher and the profound thinker. The edition consists of 160 graphic series with the numbering; 1-120; I-IX (suite); I-IX (suite in grey Eskulan); H. C. 1-10; E. A. 1-12.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.

EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002).Untitled, from the book "Aromas", 2000.Etching on thick Velin paper, copy 60/120.Ed. Edouard Weiss, Paris.Signed and justified by hand.Size: 54 x 43 cm."Guided by a scent", the final sentence in the book "Aromas" by Chillida, sums up the artist's spirit when working, allowing himself to be guided by the materials, by their essence. As the sculptor himself explained it: "The form, at the beginning, is almost like an undefined aroma that imposes itself as it becomes more precise. This pre-knowledge or aroma is my guide to the unknown, the desired and the necessary". This is an engraving from the book by Eduardo Chillida made up of five etchings, three woodcuts, two silkscreen prints with relief, together with 38 pages of text that, through graphic work, poems, reflections and philosophical quotations, both by the artist himself and by various thinkers, brings us closer to the Basque artist's thought and work through the keys that have marked his career: time, space, music, freedom, matter, light and the sea. Published on the occasion of the artist's 76th birthday. In "Aromas" Chillida the plastic artist and Chillida the writer join hands to reveal the poet, the philosopher and the profound thinker. The edition consists of 160 graphic series with the numbering; 1-120; I-IX (suite); I-IX (suite in grey Eskulan); H. C. 1-10; E. A. 1-12.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.

MANOLO VALDÉS BLASCO (Valencia, 1942)."La Reina Mariana como pretexto (Klee)", 1984.Etching, copy 68/75.Signed and justified in pencil.Size: 42 x 30 cm (footprint); 70 x 56.5 cm (paper).The endless iconographic possibilities offered by Diego Velázquez's canvases are demonstrated in the work in question, painted by Manolo Valdés in 1984. As its name suggests, in the series "Queen Mariana as a pretext" Valdés uses the famous painting "Queen Mariana of Austria" (painted by the Sevillian painter between 1652 and 1653) to adapt it to works by avant-garde artists: Miró, Malevich, Klee and Braque, among others, make this series a true declaration of intent by the Valencian artist, vindicating the role of the great traditional and modern painters in the evolution of the history of art.Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan, the silver medal at the II International Biennial of Engravings in Tokyo, the Bridgestone Art Museum prize in Lisbon, the National Prize for Plastic Arts, the medal at the International Festival of Fine Arts in Paris, the International Festival of Fine Arts in Paris, the International Festival of Fine Arts in Paris, the International Festival of Fine Arts in Paris, the International Festival of Fine Arts in Paris and the International Festival of Sculpture in Paris, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andrés Bello in Venezuela, the prize of the National Council of Monaco, the Gold Medal for Merit in Fine Arts, the Prize of the Spanish Association of Art Critics and the Prize for the Best Print Artist, among others. Formally, Valdés produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. He is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.

EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002).Untitled, from the book "Aromas", 2000.Etching on Velin paper, 60/120.Ed. Edouard Weiss, Paris.Signed and justified by hand.Size: 54 x 43 cm."Guided by a scent", the final sentence in the book "Aromas" by Chillida, sums up the artist's spirit when working, allowing himself to be guided by the materials, by their essence. As the sculptor himself explained it: "The form, at the beginning, is almost like an undefined aroma that imposes itself as it becomes more precise. This pre-knowledge or aroma is my guide to the unknown, the desired and the necessary". This is an engraving from the book by Eduardo Chillida made up of five etchings, three woodcuts, two silkscreen prints with relief, together with 38 pages of text that, through graphic work, poems, reflections and philosophical quotations, both by the artist himself and by various thinkers, brings us closer to the Basque artist's thought and work through the keys that have marked his career: time, space, music, freedom, matter, light and the sea. Published on the occasion of the artist's 76th birthday. In "Aromas" Chillida the plastic artist and Chillida the writer join hands to reveal the poet, the philosopher and the profound thinker. The edition consists of 160 graphic series with the numbering; 1-120; I-IX (suite); I-IX (suite in grey Eskulan); H. C. 1-10; E. A. 1-12.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.

A William Lee Hankey Etching Sea Village with Figures and Boats, Church to Background, Signed in Pencil and Monogrammed WLH, 20x12.5cms

An Early 20th Century Asprey Drinks Tray Having Two Handles in the Form of Hunting Horns, Glazed Tray Top with Etching 'One Mile From Gretna', Asprey Plaque to Base, 53.5x42.5cms

Two Framed J Alfred Swatkins 1888-1923 Peroperro Cornwall Etching, Signed by the Artist, 20x28cms

HERBERT DICKSEE (1862-1942) 'THE CREST OF THE HILL' etching , signed, 43cm high x 67cm wide, together with another three engravings (4)

AN ETCHING OF CERNE ABBAS ABBEY GATE with other prints and printed advertising mirror

A black & white etching by E. Willis Paige titled “Richmond Yorks”, 7¾” x 10¾”; two other black & white etchings; & various other decorative pictures.

A group of pictures to include a Sue Howells (b. 1948) signed limited edition print 'In The Vale', 29cm x 33cm, together with a Jan Dingle limited edition etching 'The Old Mill', 37cm x 28cm and three other prints by various artists, all framed and glazed

Royal Liver Friendly Society Agent's Office brass wall sign, 20cms x 33cms wide; together with a framed early 20th C etching of 'Boney Bothered or an Unexpected Meeting'; and a selection of collectibles including cigarette cards, novelty Napoleonic bottle opener, brass keyhole escutcheons, and other items.

RICHARD BEER (British, 1928-2017) 'Quattro Canti (Palermo)', colour etching with aquatint, numbered 31/100, signed, printed and published 1966, 60cm x 45cm, framed. (Subject to ARR - see Buyers Conditions)

Two framed pictures of maps. To include a printed map of Cambridgeshire, and etching of Lincolnshire. Etching H:26cm, W: 20cm.

James Bretherton (1750-1799) after Henry William Bunbury (1750?1811) etching. Published as the Act directs May 1772. By J. Bretherton No. 134 New Bond Street. An etching of a horseman riding away from Cambridge to Newmarket (Eques Cantab) H: 17.5cm W:23.6cm.

Two framed etchings and one print of Emmanuel College, Cambridge. To include J.Sadler after A Pugin print, S Sparrow after I K Baldrey, etching, along with an etching by David Loggan. Largest: H: 30cm, W:43.5cm.

Graham Clarke (British, b.1941) limited edition coloured etching titled 'Ready Sir?' (200/200). Framed and signed in pencil. Comes with wooden easel. H:42cm, W:34.5cm.