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78475 Los(e)/Seite
Los 557
AUGUSTUS EDWIN JOHN, OM, RA, RP (1878-1961)URSULA 1903 (CD 52), etching on wove, second (final) state with margins, signed by the artist in pencil, 16.4 x 9.8cm, s.18.4 x 11.5cmIn apparently excellent condition with a note on the backboard to the effect purchased from Tooth`s Gallery London in March 1960. Unexamined out of the frame
Los 558
GERALD LESLIE BROCKHURST, RA, RE (1890-1978)JEUNESSE DORÉE (KATHLEEN NANCY WOODWARD)1942 (Fletcher 80), etching, a very rich impression on cream laid paper with margins, signed by the artist in pencil and with inscription To John and Mary Doutte, 27.5 x 22.5cm, s. 34.5 x 25cm, unframedMinor creases in lower margin and one extreme top right, in both cases well clear of the image
Los 570
WILLIAM LEE HANKEY, RWS, RE (1869-1952)PRAYERetching with aquatint on wove, a rich, velvety impression, signed by the artist in pencil, 24.5 x 16cm, s.28 x 18.5cmIn fine condition in old window mount in narrow ebonised frame by a Nottingham framer, c1920 and undisturbed since, unexamined out of the frame
![William Alison Martin [1878-1936] - La Rochelle, Quai Valin - etching, signed and inscribed in pencil in the margin plate siz](http://lot-images.atgmedia.com/SR/35909/2870769/346-201352419339_468x382.jpg)
![After Claude Gellée [Claude Lorrain] - Berger et Bergère Conversant, late 18th Century monochrome etching, approx 20cm x 26.5](http://lot-images.atgmedia.com/SR/10123/2875813/159-201365111825_468x382.jpg)
Los 726
Carrington Bowles, Map & Printseller, No 69 St Pauls Church Yard, London, Publ- "Spring and "Summer"; mezzotints, a pair, 35x26cm., ea: Miss Ollivier, British act. 1785- "The Poor Soldier", after Charles Ansell, publ by Le Noir, under the Arches of the Royal Palace No 43; hand-coloured stipple engraving, 38x32cm: Pietro Bonato, Italian 1765-1820- "Werter contemplating Charlotte`s Wedding Ring", after Henry Kingsbury; stipple engraving printed in colours, 38x34cm: Mme Breton, French, Publ, Rue des Noyeres pres cette St Jacques No 30 au 2e, early 19th century- "Susan`n and Osmund"; stipple engraving printed in colours, 38x33cm: Francis Jukes, British 1747-1812- "This View of Sheene Bridge Co of Kerry Ireland", after Thomas Walmsley, publ Jan 1st 1800 by T Walmsley 15 Argyle St Bath and F Jukes 10 Howland St London; hand-coloured aquatint, 35.7x47cm: Samuel Alken, British 1756-1815- "Artullery Bridge between Kenmare and Killarney", after Thomas Walmsley, publ by F Jukes No 10 Howland Street Jun 20 1798; hand-coloured aquatint, 34.5x44.5cm: Francis Jukes, British 1746-1812- "View of Britain Ferry from Norton near the Mumbles", after Thomas Walmsley; aquatint printed in colours, 27x38cm: Francis Vivares, British 1709-1780- "View of the Ancient Temple of Minerva Medica at Rome Built by Augustus Caesar", after Thomas Smith of Derby, publ 15 July 1746; etching on paper laid down on canvas, 39x54.5cm., (9) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Los 727
Albany E Howarth ARE, British 1872-1936- Venice; etching with drypoint, signed in pencil, 18.5x21cm: Princess Augusta Sophia, British 1768-1840- Head of a woman; etching in sepia, signed with monogram, inscribed, and dated 1785 within the plate, 21x18cm: Percy Thomas, British 1846-1922- Two Women seated by a window; etching with drypoint, signed within the plate, 7x11cm: After Alfred Dawson, British act 1858-1922- "Charles Kinglsey`s House & Church, Eversley Hants"; photogravure, signed in pencil, 11.5x17cm: Joseph Knight, British 1837-1909- Figure on a country lane at dusk; etching, signed and dated 1884 in pencil, 16x12cm: L Russell Conway, British b.1882- "Arlington Row at Bibury, Gloucester", 1934; etching, 12.8x15.5cm: together with three other etchings by the same hand, "The Church and Almshouses at Chipping Campden, Gloucester", "Arlington Row, Bibury, Gloucester" and a view of an old Tudor house, the latter signed and dated 1912 in pencil, 15.5x13cm, 6x8cm and 19x15cm: Axel Hermann Haig RE, Swedish 1835-1921- Figures in the doorway of a cloister; etching, signed with monogram and dated 1916 within the plate, signed in pencil, 38.5x25cm: Thomas James Harriss, British 1901-1930- "Interlude"; etching, signed, inscribed and dated 1928 in pencil, 24.5x16cm: Thomas James Harriss, British 1901-1930- "Haslemere, Surrey"; etching, signed, titled and dated 1927 in pencil, 25x16cm: Frances Sylvester Walker RHA RE, Irish 1848-1916- Tranquil river landscape; etching with drypoint, signed in pencil, 23x17cm., (12) (may be subject to Droit de Suite) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Los 771
John Brunsdon ARCA ARE, British, b.1933- "Houses of Parliament"; etching with aquatint printed in colours, signed, titled and inscribed `Artist Proof 4/15` in pencil, 38x42.5cm: together with three further etchings with aquatints printed in colours by the same hand entitled "Tower Bridge", "Tower of London" and "Hampton Court from the River", each signed, titled and inscribed in pencil, ea. approx. 38.42cm, (4), (unframed), (may be subject to Droit de Suite)
Los 775
Julian Otto Trevelyan RA, British 1910-1988- "Villa Joyosa" (Turner 277); etching with aquatint printed in colours, signed, titled and numbered 35/50 in pencil, 35.4x47.5cm: Note: a number of proofs were taken in 1973 and signed `Artist Proof`, the plate was editioned in 1982 as part of the portfolio 35 Artists Printmaking, edition 50, 5 APs and 1 HC, on Whatman mouldmade, published Royal College of Art, London: Carl Toms, British 1927-1999- Covent Garden Opera House; lithograph printed in colours, signed and numbered 97/100 in pencil, 76x56cm, (2), (unframed), (rolled) (maybe subject to Droit de Suite)
Los 817
Walter James Steggles, British 1908-1997- "Norton Hill Colliery" c.1927-8; etching, signed in pencil beneath the plate, 14x20cm., (unframed), (may be subject to Droit de Suite) Note: These works were exhibited at the Whitechapel Art Gallery no.103 A certificate of authenticity accompanies this lot, signed by the niece of the artist
Los 82
Jacob Krämer (1892-1962): Bust Portrait, charcoal signed and dated '18 inscribed 'To Harold from Jacob' 30cm x 27cm; Bust Portrait, black ink inscribed 'To Harold from Jacob' 25cm x 20cm; 'The Blind Beggar', second impression artist's etching titled signed and dated 1918 in pencil also inscribed 'To J H Wood' 19cm x 22cm (all unframed) Provenance: Gift from the artist to John Harold Wood artist, author (Jamaican Palette 1955) and Landscape Gardener (Gold medal winner RHS Chelsea Flower Show 1913) DDS - Artist's resale rights may apply to this lot
Los 1369
An early 19th century hunting hanger, straight SE blade 19”, with traces of etching, brass hilt with scalloped irregular shell guard, crossguard and hoof quillon, knucklebow and hoof terminal into plain pommel and backstrap, bone grips secured by 3 oval studs. GC (hilt a little loose and bent). Plate 9
Los 1374
A silver hilted smallsword, c 1775, hollow triangular section blade 32½”, with traces of etching, pierced oval guard with studded panels around the edge and scrolled inner panel, the crossguard, token pas d’ane rings, hollow centre section, knucklebow and hollow ball pommel studded and engraved overall, simulated cord and crimped band grip, maker’s mark WK and lion to underside of guard and traces of marks to pas d’ane rings (William Kersill, London 1749-77). GC for age (blade cleaned over pitting, minor repairs to guard and damage to pommel) Plate 9
Los 731
Stanley William Hayter Nautilus color etching Stanley William Hayter (British, 1901-1988) "Nautilus," 1969, color etching, 21.25" x 17.25", pencil signed, dated, titled and numbered, edition of 50, unframed taped to mat along upper and lower edges of verso; light creasing to paper; otherwise in good condition Starting Price: $250
Los 737
James Coignard Composition color etching carborundum James Coignard (French, 1925-2008) "Composition," c. 1980, color etching with carborundum, 25.5" x 19", pencil signed lower right, numbered lower left, edition of 75, framed not examined out of frame; appears to be in good condition Starting Price: $100
Los 231
E.T. Hurley etching Mt. Adams Through the Trees view from Kentucky E.T. Hurley etching, "Mt. Adams Through the Trees, (view from Kentucky)," 1936, 12" x 9", signed, framed, elaborate detail capturing Hurley`s ability as a world renowned etcher, great color and condition not examined out of frame; appears to be in good condition Starting Price: $250
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78475 Los(e)/Seite