Charles Tunnicliffe, OBE, RA (1901 – 1979) and others. H.61.5 W.51cm (largest) Wood-engraving of a bird. Signed in pencil by Tunnicliffe. Four small prints by Eric Hebborn (1934 – 1996) English painter and famous art forger. Includes two Van Gogh and one Gainsborough image. Signed in the plate by Hebborn. Carel Weight poster titled ‘Garden of Eden’ hand signed in pencil. Claire Dalby (November 1944) British. Signed wood-engraving. Paul Howdon etching on heavy stock paper signed. Artists’ proof copy. Provenance: from the Tevor Frankland collection.
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Günther Förg (1952-2013)"Ground"Watercolored etching on folded cardboard, with text from Georg Trakl on the left sideSigned and dated 99This print was part of the "Groud" portfolio comprising 20 watercolored prints, each with text on the left, selected by Rudi Fuchs, in an edition of 30 copies.51x36 cm (cartão dobrado/folded cardboard)
Günther Förg (1952-2013)"Ground"Watercolored etching on folded cardboard, with text from Georg Trakl on the left sideSigned and dated 99This print was part of the "Groud" portfolio comprising 20 watercolored prints, each with text on the left, selected by Rudi Fuchs, in an edition of 30 copies.51x36 cm (cartão dobrado/folded cardboard)
Title: Humain-Sur Humain. Color etching print on paper depicting an abstracted geometric image. Color is a deep ocean blue with expressive red splotches. Signature, title, and edition written in pencil along lower edge of image. Artist: Berto LarderaIssued: 1969Dimensions: 22"W x 30"HProvenance: The Bass Museum of Art Condition: Good condition.
Highly detailed aquatint etching print. Image depicts two figures leaving a green forest enclosed by an iron gate with a flock of birds flying overhead; brick red background has leading lines that flow outward from the enclosed forest. Artist signature in pencil on lower right with edition number on lower left. Artist: Lars BoIssued: 1962Dimensions: 25.75""W x 19.75""HProvenance: The Bass Museum of Art Condition: Good condition.
Title: Signe du Feu (translated from French: Fire Sign). Print depicts an abstract impressionist style image with black line etching overlayed with orange and blue colors. Pencil signed by artist on lower right with title in center and edition number on the left. Artist: Camille BryenDimensions: 19.75""W x 25.5""HEdition Number: 42 of 110Provenance: The Bass Museum of Art Condition: Good condition.
Aquatint etching print on paper. Print has an impressed pebbled texture with tonal gray and black outlines and a gradated dark sea green ground. Artist signature in pencil on lower right and edition number on lower left. Artist: Nono ReinholdIssued: 1962Dimensions: 26""W x 20""HEdition Number: 33 of 40Provenance: The Bass Museum of Art Condition: Good condition.
Aquatint etching print on paper depicting an abstract expressionist style image. Depicts muddy swaths, embossed circular impressions, and deconstructed shapes. Artist signature in pencil on lower right and edition number on lower left. Artist: Johnny FriedlaenderDimensions: 19"W x 26.5"HEdition Number: 29 of 85Provenance: The Bass Museum of Art Condition: Good condition.
Fete Champetre a French gendarme listening to an outside concert in Paris in the 1900s. It is an unsigned etching by Jacques Villon (French, 1875-1963). Villon contributed multiple illustrations for Parisian newspapers before creating the Cubist influenced "Golden Section" Group in 1912. Sight size: 13.65"L x 9"H. Frame size: 16.50"L x 20.70"H. x 0.75"W. Artist: Jacques VillonIssued: c. 1960Country of Origin: FranceProvenance: The Bass Museum of Art Condition: Good condition.
Contemporary language based art print displaying poem by artist Kay Rosen titled ""The Man."" Etching on heavy BFK paper. Rosen is a talented language based artist known for her political and feminist work. Embossed seal in lower right hand corner. Indiscernible text impressed to back of piece on righthand edge. White over black double matting with black finished frame. Sight size: 24.5""H x 17.25""W; frame: 32""H x 24.5""W x 0.75""D. Artist: Kay RosenIssued: 1991Condition: Age related wear.
Color etching with embossing on paper after Dali's original 1971 series ""The Visceral Circle of the Cosmos."" Housed in a gold metal frame with a white mat. Signed in pencil lower right: Dali. For Japan series numbered on the lower left: J 18/55. Frame size: 36”W x 47.5”H x 1.25”D. Sight size: 25.25”W x 37”H.Artist: Salvador DaliEdition Number: J 18 of 55Condition: Age related wear.
Color etching ""The Philosopher Crushed By The Cosmos"" after Dali's 1971 original series ""La Conquete du Cosmos."" Housed in a gold metal frame with a white mat. Certificate of Authenticity included. For Japan edition numbered on the lower left: J 10/55 Signed in pencil lower right: Dali Frame size: 36""W x 47.5""H x 1.25""D. Sight size: 25.25""W x 37""H.Artist: Salvador DaliEdition Number: J 10 of 55Condition: Age related wear.
Housed in a gold tone metal frame with an ocher mat. Color etching and drypoint ""The Judgment de Paris"" after Dali's original 1963 Surrealist series 'Mythologie."" Numbered on the lower left: 77/250. Signed in pencil lower right: Dali. Frame size: 32.75""W x 23.75""H x 1""D. Sight size: 28.5""W x 19.5""H.Edition Number: 77 of 250Condition: Age related wear.
John George Mathieson, Scottish, act.1918-1940- Stirling Town; etching, signed 'John G. Mathieson', and titled 'Stirling Town' in pencil (lower edge), 17.5 x 35.4 cm: H. P. Evans, British school, 20th Century- Industrial river scene; etching, signed 'H.P. Evans' in pencil lower right, 21.7 x 37.4 cm., two (2).
George Belcher RA, British 1875-1947- Three etchings of street folk; (i) hand coloured etching, signed within the plate 'George Belcher' (lower left), and signed in pencil 'George Belcher' (lower right), 51.5 x 39.2 cm. (ii) hand coloured etching, inscribed within the plate 'Drawn & Etched by George Belcher May 1918' (lower right), and signed in pencil 'George Belcher' (lower right), 51.7 x 39.3 cm. (iii) hand coloured etching, inscribed within the plate 'Drawn & Etched by George Belcher May 4 1922.' (lower left), and signed in pencil 'George Belcher' (lower right), 51.6 x 41.7 cm., three (3). Condition Report: Framed and glazed, and not examined out of frame. Some possible marks of foxing, wrinkles and marks consistent with handling. Marks and dents to the frames. Overall, fair condition.
Rembrandt Harmensz van Rijn (Dutch, 1606-1669)The Flight into Egypt; A Night Piece (Bartsch 53; New Hollstein 262) Etching and drypoint, 1651, on heavy laid paper, a good impression of New Hollstein's sixth state (of ten), trimmed to the right platemark otherwise with thread margins Plate 127 x 110mm (5 x 4 1/4in)Sheet 130 x 110mm (5 1/4 x 4 3/8in)Footnotes:ProvenanceHans Rinn, Hamburg, 1899-1993 (Lugt 4048).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Giovanni Battista Piranesi (Italian, 1720-1778)The Staircase with Trophies, from Carceri d'Invenzione (Hind 8; Robison 34; Wilton-Ely 33) Etching and engraving, circa 1749-60, on wove paper, Robinson's fifth state (of six), Robison's second edition, fourth issue, printed during the late 1700s, with wide marginsPlate 546 x 400mm (21 1/2 x 15 3/4in)Sheet 770 x 485mm (30 1/4 x 19 1/8in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Francisco José de Goya y Lucientes (Spanish, 1746-1828) after Diego Velázquez (Spanish, 1599-1660)Felipe IV (Harris 7; Delteil 8) Etching, 1778, on heavy laid paper, without watermark, a good impression from the first edition (of four), printed at the Calcografía, Madrid, 1778-79, with small marginsPlate 375 x 315mm (14 3/4 x 12 1/2in)Sheet 395 x 335mm (15 1/2 x 13 1/8in)Footnotes:ProvenanceKarl von Nagler, Berlin, 1770-1846 (Lugt 2529). Kupferstich-Kabinett, Staatliche Kunstsammlungen, Berlin (Lugt 1606).Kupferstich-Kabinett, Staatliche Kunstsammlungen, Berlin (Lugt 2482).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Edward Hopper (American, 1882-1967)The Cat Boat (Zigrosser 4; Levin p.83) Etching, 1922, a very good impression, on wove paper, with partial watermark Umbria Italia, signed in pencil, from an unknown edition size, with wide margins, framedPlate 200 x 250mm (7 7/8 x 9 3/4in)Sheet 343 x 403mm (13 1/2 x 16in)Footnotes:Edward Hopper worked as a commercial artist and magazine illustrator and is well known for his atmospheric, melancholic depictions of life during the American Depression. Between 1915 and 1923 he focussed on printmaking, depicting urban scenes of New York and Paris and the landscapes of the New England coast, where he spent his summers and learnt to sail.In this etching, the viewer is granted a glimpse into the artist's private world, with an evocative image of a cat boat, a small sailboat with a single sail and the mast fixed towards the bow. Hopper built his own cat boat as a teenager and his technical knowledge and practical experience are evident in the rendering of the sailboat, with its exact tilt counterbalanced by the three sailors, the taut sail catching the wind and the waves swelling along the stern, conveying a sense of movement and adventure.His meticulous execution ensured that a perfectly balanced composition was achieved, with the boat and white sail offset against the dark background of the shoreline, confirming Hopper, as former Moma director Alfred Barr remarked, as 'a master of the pictorial drama'.For further information on this lot please visit Bonhams.com
Léonard Tsuguharu Foujita (Japanese/French, 1886-1968)Chat blanc à la queue noire, from Les Chats (Buisson 29.200) Etching and aquatint, circa 1930, chine collé on Japan paper, signed 'Foujita' and signed again in Japanese 'Tsuguharu', inscribed 'E.A' in pencil, an artist's proof aside from the edition of 100 (there were also ten impressions numbered in Roman numerals), published by Les Editions Artistiques Apollo, Paris, with margins, the sheet set into a mount, framedSheet 317 x 390mm (12 3/8 x 15 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Léonard Tsuguharu Foujita (Japanese/French, 1886-1968)Chat Couché (Buisson C30.136.G) Etching and aquatint in colours, 1930, chine collé on Japan paper, signed and numbered 24/100 in pencil, with margins, framedPlate 260 x 343mm (10 1/4 x 13 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lucian Freud (British, 1922-2011)Head of Bruce Bernard (Hartley 26) Etching, 1985, on cream Arches wove paper, signed with initials and numbered 43/50 in pencil (there were also 15 artist's proofs), printed by Palm Tree Studios, co-published by James Kirkman, London, and Brooke Alexander, New York, 1986, the full sheet, framedPlate 295 x 295mm (11 5/8 x 11 5/8in)Sheet 506 x 470mm (19 7/8 x 18 1/2in)Footnotes:ProvenanceDesmond Page, London (with their label).Private Collection, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Myself and my Heroes (M.C.A. Tokyo 4) Etching and aquatint, 1961, on handmade wove paper, signed and dated in pencil, from the edition of approximately 50 impressions, printed by Ron Fuller and Peter Mathews at the Royal College of Art, London, published by the artist, the full sheet, framedPlate 260 x 500mm (10 1/4 x 19 11/16in)Sheet 487 x 710mm (19 1/8 x 27 7/8in)Footnotes:ProvenanceThe collection of the late Peter Farley (1954-2022).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney (British, born 1937)Rue de Seine (M.C.A. Tokyo 111; Scottish Art Council 121) Etching and aquatint, 1972, on J Green mould-made paper, signed, dated and numbered 20/150 in pencil, printed by Print Shop, Amsterdam, published by Petersburg Press, London, the full sheet, framedPlate 535 x 435mm (21 1/8 x 17 1/8in)Sheet 890 x 704mm (35 x 27 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)An Erotic Etching (Scottish Arts Council 172) Etching, 1975, on wove paper, signed and inscribed 'proof' in pencil, a proof aside from the edition of 100 (there were also 15 artist's proofs and 26 lettered impressions), printed by Michael Rand, published by Secker and Warburg, London, with the copyright blindstamp, the full sheet, with a deckle edge at left, framedPlate 150 x 112mm (5 7/8 x 4 3/8in)Sheet 214 x 160mm (8 3/8 x 6 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Wayne Sleep (Scottish Art Council 112) Etching, 1969, on Crisbrook handmade paper, signed, dated and numbered 1/30 in pencil (there were also ten proofs), printed by Maurice Payne, London, the full sheet, framedPlate 245 x 245mm (9 5/8 x 9 5/8in) Sheet 376 x 360mm (14 1/2 x 14 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Claude Gellée, called le Lorrain (French, 1600-1682)Le Bouvier (Mannocci 18) Etching and drypoint, 1636, on wove paper, a good impression of the final sixth state, with small marginsPlate 131 x 202mm (5 1/8 x 8in)Sheet 136 x 205mm (5 3/8 x 8 1/8in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Alberto Burri (Italian, 1915-1995)Cretto Nero F (Sarteanesi p.76) Etching and aquatint with embossing, 1971, on Fabriano card, signed and inscribed Buono di Stampa in pencil, a Bon à tirer impression aside from the edition of 90 (there were also 15 artist's proofs), published and printed by 2RC Edizioni d'Arte, Rome, the full sheet, framedSheet 662 x 960mm (26 1/4 x 37 3/4in)Footnotes:ProvenanceChristies, Buono Di Stampa; Prints from the Archive of Stamperia 2RC, London, 26 February 2014, Lot 6.Acquired directly from the above by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Alberto Burri (Italian, 1915-1995)Cretto Nero C (Sarteanesi p.73) Etching and aquatint with embossing, 1971, on Fabriano card, signed and inscribed buono a stampare in pencil, a Bon à tirer impression aside from the edition of 90 (there were also 15 artist's proofs), published and printed by 2RC Edizioni d'Arte, Rome, the full sheet, framedSheet 661 x 962mm (26 1/4 x 37 7/8in)Footnotes:ProvenanceChristies, Buono Di Stampa; Prints from the Archive of Stamperia 2RC, London, 26 February 2014, Lot 7.Acquired directly from the above by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Rembrandt Harmensz van Rijn (Dutch, 1606-1669)Self-Portrait in a Cap and Scarf with the Face dark: Bust (Bartsch 17; New Hollstein 120) Etching, 1633, on laid paper, with watermark RVE, a good but later impression of New Hollstein's fourth state (of five), with small marginsPlate 132 x 103mm (5 1/8 x 4 1/8in)Sheet 141 x 106mm (5 1/2 x 4 1/4in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Rembrandt Harmensz van Rijn (Dutch, 1606-1669)The Card Player (Bartsch 136; New Hollstein 193) Etching, 1641, on heavy laid paper, a good impression of New Hollstein's second state (of five), trimmed on or slightly into the platemark Plate 88 x 82mm (3 1/8 x 3 1/2in)Sheet 93 x 83mm (3 5/8 x 3 1/4in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A FINELY CARVED PINE PIER MIRROR IN THE MANNER OF MATTHIAS LOCK, EARLY 19TH CENTURY With shaped rectangular plate, the frame pierced and carved with rockwork, scrolling foliage, pomegrate, flower heads and satyre masks, the cresting with Cupid's bow and arrow, the apron with cornucopia of flowers 178cm high, 102cm wide Provenance: Formerly the Messel family collection at Nymans Removed to The Padouk Room at Holmstead Manor in 1947 after the disastrous fire and thence by descent to Oliver Messel Supplied by Oliver Messel to Frederick and Phyllis Baden Watkins for Flaxley Abbey, Gloucestershire Mirrors with opposing satyr head masks are usually attributed to Matthias Lock based on the design published in his Six Sconces (1744, 1768), plate 4 (ed. E. White, Pictorial Dictionary of British 18th Century Furniture Design, Woodbridge, reprinted 2000, p. 325). An etching from the original pattern book consisting of six plates of designs for wall-mirrors and sconces (with brackets for holding candles) is in the Victoria & Albert Museum (27811:6). A pier glass after this design was made for John, 2nd Earl Poulett (1708-1764), for the Tapestry Room at Hinton House, Hinton St George, Somerset (V&A, W.8-1960). Another mirror is at Ramsbury Manor, Wiltshire (R. Edwards, The Dictionary of English Furniture, Woodbridge, rev. edn. 1954, vol. II, p. 339, fig. 72). A pair of English giltwood pier glasses, c. 1760, attributed to Lock is at Uppark House, West Sussex (NT 137655.1-2). A related mirror of similar date is illustrated in G. Wills, English Looking-glasses, London, 1965, p. 87, no. 61. Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, Joints opening to the frame, some signs of filler to the jointsThe mirror plate with bloom and depletion, it has age but Dreweatts wouldn't guarantee the originality of the plateThe surface is stripped Please refer to additional images for visual reference to condition Condition Report Disclaimer
James Abbott McNeil Whistler (1834-1903)/Billingsgate/drypoint etching, 15cm x 22.5cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Dame Laura Knight DBE RA RWS (1877-1970)/Spanish Dancer No 1/signed in pencil/etching and aquatint, 27cm x 21.5cm CONDITION REPORT: Minor foxing to bottom margin and top right corner.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
John Skinner Prout, R.I. (British, 1806-1876) 'Sydney Illustrated', Part I and Part IIlithographwith descriptive letter press by J. Rae. M, J.S. Prout & Co, Illustration Lithographic Establishment, O'Connell Street, Sydney, 1842Part I containing lithographic plates of Sydney Cove, Woolloomooloo Bay, Miller's Point, Port Jackson, Part II with ‘Note to subscribers’, a lithographed slip, tipped-in, Sydney Cove, The Lower Fall of Willoughby, Sydney from Mrs Darling's Point, with additional loose related printsplates 18.5 x 28cm, overall folio 43 x 28.5cm***CONDITION REPORT***Original wrappers heavily foxed, wrappers and pages foxed with creasing and folding to the edges and corners, part I with ten numbered pages, part II numbered up to page 22.Additional prints:- aquatint, Austrialian Aboriginal Native spearing a kangaroo, 18.5 x 25cm, title is in pencil- St Peter's Chuch and Parsonage, Cooks River N.S.W. printed and published by W. Baker, King Street, Sydney, with pencil note inscribed relating to the Collier Family vault being in the cemetery, sheet overall 25.5 x 40.5cm- lithograph by Prout of the Cathedral Church of St Mary, Sydney NSW, sheet overall 43 x 30cm, very tatty around the edges- etching by JC, of the Post Office, George Street, Sydney, sheet overall 29 x 52.5cm, title is inscribed in pencil, torn and creased around the edges- hand coloured engraving, 'Caffres, Aboriginies of Caffraria' by J, Chapman, published by Wilkes 1800, sheet 27 x 20.5cm, paper discolouredPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.

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78472 Los(e)/Seite