An engraving by P. Williamson, 1662 of the Right Honourable Mildmay, Earl of Westmoreland, Baron de le Despencer, and Knight of Bath, etc, 26 by 20cm; a print Henry Fane of Fulbeck, 1739-1802, after the portrait by Sir Joshua Reynolds, with information verso reading `The original of this picture is probably Sir J.Reynolds` study for his portrait group of Henry Fane, C. Blair, and Jamigo James (?) painted in 1761 when Henry Fane was aged 22. The original was at Fulbeck till 1887 when it was bought by Lily and Blanch Fane of 23 Charles St. London for £52.10`, in a Hogath Frame, 45 by 34cm; and an etching of Sir Anthony Mildmay, published 1799 by Harding, 28 by 19cm. (3)
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1833 Walter Geikie etchings: Illustrative of Scottish character and scenery with biographical introduction by Sir Thomas Dick Lauder 1st Edition 86 plates (some with more than one etching), bound from the original parts, 19th century morocco, a.e.g. rubbed, some stains and margins of some plates repaired, lacking the introduction by Lauder
Menpes (Mortimer) Whistler as I Knew Him number 464 of 500 de luxe copies signed by the author and with an original etching by Whistler plates some colour captioned tissue guards hinges weak original cloth t.e.g. others uncut spine browned a little soiled spine ends a little worn A. C. Black 1904; and another the first trade edition of the same 4to (2)(2)
Schoonebeek (Adriaen 1658-1714) Petr pervyi Imperator prisno pritavitel. Tsar i samoderzhets vserossiyskiy [Peter the First Tsar of all Russia] title in Cyrillic etching 280 x 177mm. 11 x 7in. a very good impression with margins light horizontal crease across centre c.1710. *** During his visit to Holland in 1697 Peter I was taught etching by Schoonebeek and invited him to Russia. This rare portrait with a naval battle in the background includes the Tsar`s black attendant and godson Abram Petrovich Gannibal.
Manetti (Saverio) Merlo in gran parte bianco an albino blackbird hand-coloured engraving with etching 345 x 275mm (13 1/2 x 10 3/4 in); with 2 hand-coloured Gould lithographs with trimmed margins of a Buff-breasted Tringa and a Long tailed duck with a Blue-Winged Shoveler by Mark Catesby and 2 others from a different series v.s. all unframed (6)
Mazell (Peter) The Male Sparrow Hawk etching with original hand-colouring after Paillou 340 x 295mm (13 1/4 x 11 3/4 in); with 3 other hand-coloured etchings from the same series including The Garganey The Scoter and The Crested Duck and The Eider Duck; with an etching by Haid of The Eider Duck all unframed (5) Condition report: Wide margins slight browning and spotting with a few marginal tears into the sheets.
John William Edy after Robert Clevely, The Defeat of the Dutch fleet under the Command of Admiral de Winter by a British Squadron, handcoloured aquatint with etching, published 1798 by John Harris, London 54 x 74cm (visible); together with HMS Fairy and Harpy After W Anderson, 48 x 67cm (visible) (somewhat stained) (2)
Nathaniel Sparks RE (British, 1880-1957), Birdlip Hill, 1923, aquatint, 21 x 38cm; Essex Court or Milford Lane, etching, signed, 27 x 12cm (image); together withAfter T G Dutton, The Clipper Ship "Yorkshire", 1100 tons, coloured etching, 31 x 46cm (image); together with No.29 Topsham,watercolour,signed, 23.5 x 34.5cm; Still Life of Spring Flowers in a Vase, watercolour, signed (marked in pencil Copyright the property of Haigh and Son), 39 x 35cm (4)

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