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Los 257

An engraving by P. Williamson, 1662 of the Right Honourable Mildmay, Earl of Westmoreland, Baron de le Despencer, and Knight of Bath, etc, 26 by 20cm; a print Henry Fane of Fulbeck, 1739-1802, after the portrait by Sir Joshua Reynolds, with information verso reading `The original of this picture is probably Sir J.Reynolds` study for his portrait group of Henry Fane, C. Blair, and Jamigo James (?) painted in 1761 when Henry Fane was aged 22. The original was at Fulbeck till 1887 when it was bought by Lily and Blanch Fane of 23 Charles St. London for £52.10`, in a Hogath Frame, 45 by 34cm; and an etching of Sir Anthony Mildmay, published 1799 by Harding, 28 by 19cm. (3)

Los 259

An etching of `A View of Westmoreland, or an Impression of the Privy Seal`, drawn and etched by Richard Dighton, July 1821, published by T McLean, Haymarket, 30 by 18cm.

Los 315

After G J Pinwell, Robert Macbish: a large etching of a Medieval courtyard filled with a crowd including a minstrel and children, signed in pencil, stamped on the back with Morris & Co, 449 Oxford Street, 37633, in original oak frame, measuring 15 by 33 inches.

Los 441

Four 18th C hand-coloured etching and engravings of castles, including Hever and Dover, all mounted and framed

Los 443

A pair of framed Oriental silk paintings depicting figures on mountainsides, and an early 19th C hand-coloured etching of `The New Stables at Brighton` set in a tray

Los 482

After Alan Moore. "Medway at Sherness" etching signed, glazed and framed, 56cm x 37.5cm.

Los 483

After Alan Moore. "In the Clyde" etching signed, glazed and framed, 56cm x 38cm.

Los 377

1833 Walter Geikie etchings: Illustrative of Scottish character and scenery with biographical introduction by Sir Thomas Dick Lauder 1st Edition 86 plates (some with more than one etching), bound from the original parts, 19th century morocco, a.e.g. rubbed, some stains and margins of some plates repaired, lacking the introduction by Lauder

Los 813

Rowland Langmaid (1897 - 1956) signed etching in glazed frame entitled - Beachy Head, signed and dated in pencil, plate size 7cm x 29cm Further images and condition reports are available at www.reemandansie.com

Los 814

William Lionel Wyllie (1851 - 1931) signed etching in glazed frame - shipping on the River Thames, with Somerset House beyond, signed in pencil, plate size 12.5cm x 30cm Further images and condition reports are available at www.reemandansie.com

Los 815

William Lionel Wyllie (1851 - 1931) signed etching in glazed frame - shipping on the River Thames with Tower Bridge beyond, signed in pencil, plate size 28cm x 19cm Further images and condition reports are available at www.reemandansie.com

Los 897

Rowland Langmaid (1897 - 1956) signed etching - HMS Victory, signed in pencil, in glazed frame, 32cm x 22cm very good condition Further images and condition reports are available at www.reemandansie.com

Los 943

Sir Alfred Munnings (1878-1959) etching in glazed frame - pigs in a sty, 11cm x 17.5cm, together with the original engraved plate Further images and condition reports are available at www.reemandansie.com

Los 649

William Lee Hankey (1869-1952) - etching, male, two females and baby, monogrammed within plate, blindstamped and signed in pencil on mount, 9 x 9.5in.

Los 337

ORIGINAL ETCHING: Vincent Henry Lines 1909-1968, Canal St-Martin Paris c1930, provenance.. collection of the artist`s sister with her inscription verso, measuring 12"x7", in glazed mounted modern wood frame.

Los 338

ORIGINAL ENGRAVING: Josiah Wood Whimper RI (1813-1903), original etching from plate, 2 anglers fishing on river in gorge scene, 8"x6", mounted in glazed wooden frame.

Los 340

ORIGINAL ETCHING: Early etching by Fred Slocombe, painted and etched by same, angler on stream entitle "Trout Fishing", 10"x7", double mounted in glazed frame.

Los 341

PRINTS: (2) Original Chivas Regal advert 1962, depicts leaping salmon on river, in glazed and mounted frame 12.5"x11" and an etching Pont Abergleslyn, depicting an angler in mountain stream scene, in wood glazed frame 13"x11".

Los 2242

A coloured Etching of two figures in a pine forest signed M.J. Hamblin Smith

Los 335

C H BOUCHER AFTER W DENBY SADLER - THE LAWYER, ETCHING SIGNED BY ETCHER AND ARTIST IN PENCIL

Los 417

AFTER WILLIAM LIONEL WYLLIE "Off Portsmouth", a study of various sailing vessels on coast line at sunset, black and white etching, signed in margin lower left

Los 418

AFTER WILLIAM LIONEL WYLLIE "Loch Long", a loch landscape with mountains rising in background, various rowing boats, sailing vessels and motor boats in foreground, black and white etching, signed bottom left (ILLUSTRATED)

Los 101

Leslie Moffat Ward, Old Harry Rocks, etching, 30.5 x 25 cm (12 x 9 3/4 in.); `The Cape Liner Balmoral Castle taking in Cargo at Southampton Docks`, lithograph, 45 x 33.5 cm (17 3/4 x 13 1/4 in.); and two lithographs of Poole Harbour, one signed in pencil (4).

Los 107

William Lionel Wyllie, Portsmouth Harbour, drypoint etching, signed in pencil, 16 x 37.5 cm (6 1/4 x 14 3/4 in.). Label for Deighton`s Strand Gallery.

Los 574

Andrew Watson Turnbull (1874-?). Artist signed proof etching, Loch Katrine, 30.5cm x 22.5cm

Los 579

Various 19thC and later prints and engraving, including John Reid, artist signed etching, fisherman, George Morland coloured etching - children playing at soldiers, approx. 20 items

Los 1356

Arthur Spence, 23 Queen Annes Gate. Signed black and white etching, 28cm x 23cm and other prints

Los 339

John M Aiken (1873-1941), Portrait of a Man in a Hat, etching dated 1916, Richard Lin (b.1933) Abstract Forms, coloured print, 1/70, two portrait mezzotints, a 19th century landscape watercolour and a Japanese scene

Los 370

Alice Barnwell, Bluebell Woods, coloured etching, signed in pencil

Los 66

JAMES MCBEY VENICE, 12 OCTOBER 1925 etching, numbered XIII and signed in pencil by the artist 16cm x 31cm

Los 378

¥ * JOHN BELLANY CBE RA HRSA SELF PORTRAIT- FISHING BOAT, LOCHINVER etching, 1985, signed Framed 19.5cm x 29cm

Los 380

¥ * JOHN BELLANY CBE RA HRSA A SIGHT I SAW ON THE NIGHT PASTURE etching, signed and numbered 14/50 49cm x 52cm

Los 288

W RENIORA(?) Etching - Continental Street Scene, published by Howell & Co, 38.5 x 31.5 cms, graphite signed lower right; Together with Joseph Kirkpatrick print, `Ploughing`, 21.5 x 39.5 cms, graphite signed lower right. (2)

Los 383

Menpes (Mortimer) Whistler as I Knew Him number 464 of 500 de luxe copies signed by the author and with an original etching by Whistler plates some colour captioned tissue guards hinges weak original cloth t.e.g. others uncut spine browned a little soiled spine ends a little worn A. C. Black 1904; and another the first trade edition of the same 4to (2)(2)

Los 451

Schoonebeek (Adriaen 1658-1714) Petr pervyi Imperator prisno pritavitel. Tsar i samoderzhets vserossiyskiy [Peter the First Tsar of all Russia] title in Cyrillic etching 280 x 177mm. 11 x 7in. a very good impression with margins light horizontal crease across centre c.1710. *** During his visit to Holland in 1697 Peter I was taught etching by Schoonebeek and invited him to Russia. This rare portrait with a naval battle in the background includes the Tsar`s black attendant and godson Abram Petrovich Gannibal.

Los 671

Manetti (Saverio) Merlo in gran parte bianco an albino blackbird hand-coloured engraving with etching 345 x 275mm (13 1/2 x 10 3/4 in); with 2 hand-coloured Gould lithographs with trimmed margins of a Buff-breasted Tringa and a Long tailed duck with a Blue-Winged Shoveler by Mark Catesby and 2 others from a different series v.s. all unframed (6)

Los 672

Mazell (Peter) The Male Sparrow Hawk etching with original hand-colouring after Paillou 340 x 295mm (13 1/4 x 11 3/4 in); with 3 other hand-coloured etchings from the same series including The Garganey The Scoter and The Crested Duck and The Eider Duck; with an etching by Haid of The Eider Duck all unframed (5) Condition report: Wide margins slight browning and spotting with a few marginal tears into the sheets.

Los 2

Thomas Rowlandson, The Dull Husband, coloured etching, signed and dated 1789 in the plate, 18 x 23.5cm (plate), good margins

Los 27

John William Edy after Robert Clevely, The Defeat of the Dutch fleet under the Command of Admiral de Winter by a British Squadron, handcoloured aquatint with etching, published 1798 by John Harris, London 54 x 74cm (visible); together with HMS Fairy and Harpy After W Anderson, 48 x 67cm (visible) (somewhat stained) (2)

Los 41

Winifred Austen (British, 1876-1964), Shelducks, etching, signed lower right, 20 x 25cm (image)

Los 42

William Lionel Wyllie (British, 1851-1931), Mackerel Boats, Shoreham, etching, signed in pencil, 19.5 x 24.5cm (image); Antwerp,etching, signed, 12.5 x 30cm (image)

Los 47

Sir Henry Rushbury RA, Les Baux, Provence, Drypoint etching 1922, signed, one of 50 proofs, 24 x 34cm (image); with City of Durham, etching, signed, 24 x 32.5cm (image) (2)

Los 52

Nathaniel Sparks RE (British, 1880-1957), Birdlip Hill, 1923, aquatint, 21 x 38cm; Essex Court or Milford Lane, etching, signed, 27 x 12cm (image); together withAfter T G Dutton, The Clipper Ship "Yorkshire", 1100 tons, coloured etching, 31 x 46cm (image); together with No.29 Topsham,watercolour,signed, 23.5 x 34.5cm; Still Life of Spring Flowers in a Vase, watercolour, signed (marked in pencil Copyright the property of Haigh and Son), 39 x 35cm (4)

Los 7

ROBERT WALKER MACBETH AFTER FREDERICK WALKER `Marlow Ferry`, etching, pub. c. 1885, 13" x 19"; and a pair of fencing engravings (3).

Los 12

WILLIAM LEE HANKEY (1869-1952) `Two Sisters`, etching, inscribed in pencil to margin `W. Lee Hankey inv. del et imp. Plate 19 No. 8` and also with `W.L.H.` blind stamp, 6 3/4" x 5 1/2" (see illustration).

Los 25

MALCOLM OSBORNE (1880-1963) Bruges, signed in pencil in the margin, aquatint, 13 1/2" x 10 1/2"; Wilfred C Applebey (fl.1889), The Doorway, 14 St. Vincent Place, Glasgow, signed, titled and numbered in pencil in the margin, etching, 12" x 6 3/4" (2)

Los 26

MALCOLM OSBORNE (1880-1963) Sir Francis Joseph, President of F.B.I., signed in pencil in the margin, etching, 13 1/2" x 10 1/4"

Los 28

ALBANY E. HOWARD (1872-1936) Guildhall, London, signed and titled in pencil in the margin and with blind stamp, etching, 22 3/4" x 17"; together with an etching of The Prudential Building in 1933, 9 1/2" x 7 1/4" (2)

Los 29

FREDERICK LANDSEER GRIGGS (1876-1938) `The Ford`, etching, pencil signed in the margin, 5 3/4" x 9 1/2" (see illustration).

Los 32

FREDERICK LANDSEER GRIGGS (1876-1938) `Tattershall Cathedral`, etching, pencil signed in the margin, 7" x 10 1/4" (see illustration).

Los 33

WILLIAM WALCOTT (1874-1943) Freemason`s Hall, Great Queen Street, London, etching, pencil signed in the margin, 15" x 12 3/4" (see illustration).

Los 35

ROBERT SARGENT AUSTIN (1895-1973) The beggars, etching, pencil signed in the margin and dated 1924, 4 1/2" x 3 3/4"; and A Legros, study of a gentleman seated in a chair, etching, pencil signed in the margin, 6" x 5" (2).

Los 36

HENRY RUSHBURY (1889-1968) `Sant Agostino, San Gimignano`, etching, pencil signed in the margin, 6" x 8 3/4".

Los 37

NORMAN WILKINSON (1878-1971) `The Haunt of The Brown Trout River Garry`, etching, pencil signed in the margin, 6 3/4" x 9 3/4".

Los 43

DAVID LAW View of Lancaster with Castle and Cathedral, etching, 7" x 10"; R. Forbes, Railway Arch, Snow Hill, etching, signed and numbered 12/30, 13" x 20" (2).

Los 48

GIOVANNI BATTISTA PIRANESI `Veduta dell `Anfiteatro Flavio, detto il Colosseo`, etching, 17" x 27 1/2" (see illustration).

Los 55

ANTONI WATERLO Landscape with huntress, etching, 11 1/2" x 9 3/4"; and Vivares after Claude Lorraine, river landscape, engraving, 12" x 15" (2).

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