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78472 Los(e)/Seite
Los 1100C
Philip West (1949-1997)"The Valley of the Kings"Signed and dated (19)78, numbered 4/10, etching, together with Tony Pusey (20th century) Abstract, signed and dated (19)86, pen & ink and Philip Sansom (1916-1999) Figural study, signed and dated (19)44, pen & ink 44cm by 34cm, 38.5cm by 28.5cm and 38.5cm by 29.5cm respectively (3)
Los 116
Signed and numbered A.P. in pencil in the margin, etching and six figurative and still life studies, pencil sketches.etching plate size 24cm x 18cm (9.5in x 7.25in), sketches various sizes 28 x 19cm (11in x 7.5in)Qty: 7Condition report: The prints and sketches are all in good, original condition with strong colours and no obvious faults to report. The prints and sketches are all unframed although the sketches are mounted on card.
Los 8062
John Sell Cotman (1782-1842), a packet of early 19th Century etchings including Arminghall, Erpingham etc; packet of 13 Norfolk & Suffolk brasses circa 1817, framed and glazed etching of South Gate, Yarmouth, 1817; plus a Norwich School etching of children, possibly J.S. Cotman, loose in packet (4)
Los 8269
'Genius. Zeitschrift Fur Werdende unde alte Kunst', Munich, Leipzig, Kurt Wolff, 1919-1921, three volumes in six original parts (all that was ever published), edited Hans Mardersteig and Carl Georg Heise, illustrated throughout with numerous mounted illustrations but apparently lacking the 16 woodcuts/etching/litho's by Schmidt-Rotluff, Franz Kafka, Maxim Gorky, Alfred Dublin, Herman Hesse and others, each folio, original printed wraps, parts 3 & 4 lacking backstrips, 5 & 6 backstrips with part loss/wear, some loose leaves etc (6)
Los 325
After Giovanni Francesco Barbieri, called il Guercino, The Holy Family, etching, 20 x 17cm. Based on the original pen and brown ink drawing at the Accademia, Venice (Mario di Giampaolo, Disegni emiliani, Gallerie dell'Accademia di Venezia, 1993, no. 57)Footnote: Condition report: Water stain upper left. Spotting and browning along the edges. A tear upper right. Creases to the paper. Stuck down. Some discolouration. UNGLAZED.
Los 603
MARGARET KEMP-WELCH, ARE (1874-1968) - EXMOOR PONIES; EXTENSIVE LANDSCAPE, TWO, WATERCOLOUR, 26 X 36CM AND 32.5 X 55CM AND THREE PRINTS, BY THE SAME, COMPRISING A SHEEPFOLD (TWO SUBJECTS) AND A MOUNTAINOUS LANDSCAPE, ETCHING AND AQUATINT WITH MARGINS, VARIOUS SIZES, EACH SIGNED BY THE ARTIST IN PENCIL, TWO UNFRAMED (5) Both watercolours in good condition, the smaller work with some tiny spots of foxing. This is non reflective glazing. The two unframed prints with slight mount stains, the smallest a little creased and slightly foxed
Los 103
ROBERT ARNESON (American 1930-1992) A PRINT, "Brick," 1979, etching and aquatint in colors on paper, signed and dated in pencil L/R, numbered L/L 5/20. 10 1/2" x 14" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Slight crease in U/L corner, torn backing paper, overall good to excellent condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 164
ED PASCHKE (American 1939–2004) A PRINT, "Pump," 1989, etching on Arches paper, signed and dated in margin in pencil L/R, numbered 49/50 L/L, and titled bottom center. Published by Landfall Press. 23" x 17 3/4" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good to very good condition, some discoloration, commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 24
HEIDI KOENIG (German b. 1964) A PRINT, "Hana," aquatint etching with colors on paper, signed in pencil L/R in margin, "Heidi Koenig," titled center and L/L, marked artist proof and special edition number, "AP II/X." 21" x 20 1/2" Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 256
JANNIS KOUNELLIS (Greek/Italian 1936-2017) A PRINT, "Untitled (Image D)," FROM THE SERIES, "Frammenti di Danza," 1982, photo-etching with drypoint in black and blue on wove paper, signed in pencil in margin L/R, numbered 22/75, published by Edition Schellmann and Klser, verso paper tags. 29" x 36" Provenance: Christie's New York, East, Sale 8269, 20th Century Prints, Photographs & Fine Arts - Intl. Corp., lot 287, May 19, 1999, sold; Viart Corporation: Art Management, New York, New York; Jerry Solomon Enterprises, Los Angeles, California. Estate of David E. Brauer, Houston, Texas. Condition: Some smudges in the lower right margin corner, and minor handling and surface wear, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 263
ÉDOUARD MANET (French 1832-1883) A PRINT, "Baudelaire en Face," 1868, etching on wove paper, signed in plate, text "l'eint et Grave par Manet 1865. Imp a Salmon." 3 1/2" x 3" Note: After an 1862 photograph by Félix Nadar. Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
![MORTIMER L. MENPES (Australian 1855-1938) A PRINT, "Portrait Studies [From Whistler As I Knew Him, by Mortimer Menpes]" CIRCA](https://cdn.globalauctionplatform.com/8eb25fc0-b153-4d1d-8d3f-acb6012015bc/15979a50-cb4d-46bb-a8b4-acb7013168c4/468x382.jpg)
Los 309
MORTIMER L. MENPES (Australian 1855-1938) A PRINT, "Portrait Studies [From Whistler As I Knew Him, by Mortimer Menpes]" CIRCA 1880, etching & drypoint on paper, signed in pencil L/R. 7 1/4" x 5 3/8" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 377
JAMES ROSENQUIST (American 1933-2017) A PRINT, "Wind + Lightning," 1978, etching on paper, signed and dated L/R in margin in pencil, "Rosenquist," titled and numbered 63/78 2nd state L/L. 17 3/4" x 38" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 378
JAMES ROSENQUIST (American 1933-2017) A PRINT, "For Gene Swenson," 1978, etching and aquatint on paper, signed and dated in margin in pencil L/R, titled and numbered L/L 77/78 State II. Published by M. Goodman, New York. 17 3/4" x 36" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 480
JAMES ROSENQUIST (American 1933-2017) A PRINT, "Saint Fred," 1978, etching and aquatint on Pescia Italia paper, signed and dated L/R in margin in pencil, numbered 30/78 2nd State L/L. 17 3/4" x 38" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 482
JAMES ROSENQUIST (American 1933-2017) A PRINT, "Hot Lake," 1978, etching and aquatint on paper, signed and dated in margin in pencil L/R, titled and numbered L/L 29/78 State II. 18" x 36" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 505
SALVADOR DALÃ (Spanish 1904-1989) A PRINT, "Don Quixote Man of La Mancha, Le Legacy," 1980, etching and aquatint on Japon Paper, signed in pencil L/R, marked A/P and numbered 35/50. 30" x 22" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Overall very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 555
MARC CHAGALL (French/Russian 1887-1985) A PRINT, "Vision d'Apocalypse," 1967, etching and aquatint on paper, signed in margin in pencil L/R, numbered L/L 28/35. 14 1/2" x 13 1/4" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Los 579
SONIA DELAUNAY (Ukrainian 1885-1979) A PRINT, "Le Rythm IV," 20TH CENTURY, etching in colors on paper, signed in margin in pencil and signed in monogram in plate special edition number 70/100, and verso a paper gallery label. 25" x 17 3/4" Provenance: Harris Gallery, Houston, Texas; Estate of David E. Brauer, Houston, Texas. Condition: Mild expected surface wear, and overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
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78472 Los(e)/Seite