78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Jan Wiegers (1893-1959)Wiegers, Jan (Oldenhove 1893 A'dam-1959) "Farm in Groninger landscape", signed in full l.l. and monogram in red ink l.r., etching (varnis mou)/paper, image size h 29.5 x w 39.5 cm.

EINSTEIN ALBERT: (1879-1955) German-born theoretical physicist, Nobel Prize winner for Physics, 1921. A vintage signed limited edition 9 x 11 drypoint etching of Einstein by artist Hermann Struck, the image depicting the head of Einstein, with slightly unruly hair, capturing both the seriousness and sensitivity of the physicist. Signed (´Albert Einstein´) by Einstein in pencil to the lower margin (the signature somewhat light, although legible) and also signed in pencil by Struck to the lower margin and numbered 89 of 100 in his hand. An appealing signed image. Some very light foxing and minor age wear, largely to the blank margins, otherwise VGHermann Struck (1876-1944) German Jewish artist known for his etchings. Struck created a number of portraits of Einstein (often in larger editions than the present example) and also captured other great minds of his generation including Freud, Nietzsche, Herzl, Ibsen and Oscar Wilde.

Postwick Grove, Norfolk. John Sell Cotman. 19th century soft ground etching, print. Window mounted. Window mount size 59.5cm x 42cm. “7” to the upper right Scarce.

James Priddey (1916-1980) Etching and aquatint "Beddgelert", Welsh village scene with bridge and river, signed and titled in pencil within margin, with Warwick Galleries blind stamp, framed and glazed, image size 24cm x 31cm, another by the same hand together with Arthur J F Bond (1888-1959) Two etchings of boats, signed in pencil within margin, framed and glazed, image size 12.5cm x 16cm (4)

Riez (20th century) Etching and aquatint Young woman wearing blue dress together with another by the same hand depicting a windswept young woman, signed in pencil within margin, oval framed and glazed, image size 44.5cm x 32cm (2)

Ferdinand Schmutzer (Austrian, 1870-1928) 'The Joachim Quartet playing Beethoven'etching, 1904, signed and inscribed in pencil l.r.plate 86 x 124cmCondition ReportOverall: 140 x 103cmTime staining. Creasing to the margin in the bottom right corner. A little light foxing starting to emerge. There are some spots and speckles of dirt on the reverse of the glazing but the print itself does not appear to be affected. Not viewed out of glazed frame.

Thomas Rowlandson (1756-1827) 'Miseries of London' hand-coloured etching, published by R Ackerman, 1807; 25.5 x 36cm, visible and two others: 'The Light Horse Volunteers of London and Westminster', hand-coloured etching and aquatint, published H Amelo, 1798 image 31 x 43.5cm; 'St Valentine's Day or John Bull Intercepting a Letter to his Wife', hand-coloured etching, published by Thomas Tegg, 1809 image 32 x 22cm (3) Condition Report'Miseries of London': overall, 51.5 x 62cm. Light creasing. Some dirty smudges to the bottom left corner, please refer to illustration. The colours appear a little faded. 'The Lighthorse Volunteers LBH, of London and Westminister': overall, 55 x 66.5cm. Timestaining with some faint dirty marks and stains to the sky. 'St Valentine's Day or John Bull Intercept a Letter to his Wife': overall, 41 x 51.5cm. Light surface dirt. Laid down. Not viewed out of glazed frames.

Herbert Thomas Dicksee RE (1862-1942) 'Marauders'etching, signed 'Herbert Dicksee' in pencil l.l., signed with initials in the plateimage 16 x 25cmCondition ReportFramed: 31x 38.5cmTime staining and discolouration. Not viewed out of the glazed frame.

After Thomas Rowlandson (1756-1827)Coaching Sceneetching in colours23cm x 33cmwith another etching after Rowlandson (2) Provenance: Ombersley Court, Worcestershire

A 19th century brass-bound burr walnut writing slope, 40cm wide (w.a.f.); together with a brass frame fire screen inset with a mirrored plate, 44.5cm wide; & a black & white etching titled “The Empty chair, Gad’s Hill – Ninth of June 1870”, 31cm x 50cm, in a glazed frame.

A late 19th century dry point etching, of an elderly man, on a windy day, 18cm x 31cm;   another;   black and white photographs

F Robson, by and after, In Canterbury, coloured etching, signed in pencil;  others, The Village Inn, Village Street;  Robert Brownlee, by and after, Glasgow University;  another, Venice;  etc

§ § Henry Moore (English, 1898-1986) Seated mother and childetching and drypoint on cream wove paper, 1966signed in pencil, 5/50, Printed by Frélaut and Lacouriére, Paris. Published by Marlborough, London. Cramer 78.22.5 x 27cm**conditionreport**Good original condition, ground paper is an even tone but bleached where the tab marks are placed, otherwise two or three fox marks on the paper, other dirt marks on the glass, full sheet is 46 x 55cm, under glass in a plain oak frame with floating mount, Honor Oak Gallery label verso. Purchased from Star Gallery, Castle Ditch Lane, Lewes, 7th August 2001 for £1850PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Albrecht Durer (German, 1471-1528) 'The Turkish Family'etchingmonogrammed10.5 x 7.5cm**conditionreport**Some slight undulation so thought not to be laid down, cropped to the edge of the image, later card mount with Hong Kong Gallery label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A set of twelve Chinese Nanking Cargo ‘Boatman’ blue and white plates, Qianlong period, each 23cm diameterProvenance - bought from Christie’s Amsterdam sale of the Nanking cargo, 28 April 1986, Lot 1679**conditionreport**All with slight etching and scratches to the glaze. One plate has a small splinter chip to the edge. Four plates have some small glaze losses to the edge. Otherwise no cracks or restoration detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Bob Dylan (American, b.1941) 'The Bridge' from the Asia Seriesgiclée print on Hahnemühle 300 gsm museum etching papersigned in pencil, numbered 128/295 from the Arabic Numbers edition55 x 67cm**conditionreport**Very good clean condition with no faults noted, under glass with a plain white mount and silvered frame, Castle Fine Art label and Washington Green COA verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Bob Dylan (American, b.1941) 'Backyard' from the Drawn Blank Seriesgiclée print on Hahnemühle 300 gsm museum etching papersigned in pencil, numbered 34/95 from the Arabic Numbers edition34 x 53cm**conditionreport**Very good clean condition with no faults noted, under glass in a floating mount and dark silvered wood frame, Washington Green label and COA verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Abdur Rahman Chughtai (Pakistani, 1894-1975) Camel on a sand duneetching with aquatintsigned in pencil33 x 37.5cm**conditionreport**Honest untouched condition, main print in good order, what is visible of the margins perhaps slightly discoloured with acid stains showing around the mount, under glass in a thin silvered frame with framers label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

James Jacques Tissot (French, 1836-1902) 'A la fenêtre [At the Window]', [Wentworth 9]drypoint etching on laid paper, 1877signed in the plate with artist's stamp, label verso for the Arthur Jeffress Gallery of Davies Street, London, catalogue number 2719 x 10.75cm**conditionreport**Honest slightly neglected condition, paper looks flat and undamaged albeit evenly discoloured with scattered small fox marks and acid staining around the mount, a fair strength of impression, old card mount and slim glazed gilt frame which is a little rubbed, Gallery label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A set of twenty four Chinese Nanking Cargo blue and white ‘large pagoda’ tea bowls and saucers, Qianlong period, saucers 11.9cm diameter, some damageProvenance Christie’s Amsterdam, 2 May 1986 sale of the Nanking cargo, lot 5047**conditionreport**All pieces with some slight etching to the glaze and slightly misshapen. All of the tea bowls have a few tiny nibbles to the edge of the rim, six of the tea bowls have hairline cracks to the rim and one of the tables has a stained crack just above the foot.The majority of the saucers have a few tiny nibbles to the edge of the glaze. Three saucers have hairline cracks to the rim and two of the saucers have sections of the rim broken out and messily reglued, otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A framed and glazed etching, portrait of a young girl, indistinctly inscribed and signed in French. H.36 W.27cm.

Willem Gerard Hofker (1902-1981)Horses on the quay, etching dated 1948, 15x43 cm

Anton Mauve (1838-1888)Foresters, etching 11x19.5 cm

Marius Bauer (1867-1932)Bazaar in Cairo, etching 23x15 cm

Marc Chagall (1887-1985)Fables de la Fontaine, etching after the original, 29.5x23.5 cm

Kees Slegt (1946-)Chair, etching, own print 6/20, outside dimensions are 51x34 cm

3 wall decorations; collage with 3 French prints, outer size is 31x53 cm, signed Bard Reindersma, Enkhuizen, etching 70/350, 14x21 cm and signed A Wieringa, Drommedaris van Enkhuizen, color etching 28/250, 25x18 cm

Anton Heyboer (1924-2005)Composition, etching, own print dated 1985, outside size is 44x48 cm

Ru van Rossem (1924-2007)Wouldn't it be too bad if Christ was black, color etching dated 1974, 23/35/50x70 cm, outside size is 66x91 cm

Paul Damsté (1944-)Modern composition, etching numbered 8/90, outer size 66x53 cm

To include Francis Wheatley 'The Riot in Broad Street 7th June 1780'; Otto Goetze 'Woman with a Muff', dry point on plain paper, indistinctly signed lower left; 'A View of the River Thames near Northleigh', hand coloured etching; 'Vue De Paris Prise Du Bassin De La Seine, Entre Le Pont Neuf Et Le Pont Royal', hand coloured engraving of Paris; Finlayson 'Elizabeth Dutchess of Hamilton and Branton and Dutchess of Argyle', mezzotint; JA Beauce 'The Emperor Napolean III at the Battle of Solferino, hand coloured print on paper; WL Baker 'Winchester College Close'; a roundel advertising Oxfordshire Cricket Club 1787, watercolour on paper and othersLargest 43cm x 62cmQty: 9Generally good condition throughout, wear commensurate with age and use, notable damage to Napolean III with a rip up the centre, heavy toning to the Otto Goetze otherwise toning and foxing throughout commensurante with age and use.

A collection of six prints to include Frederick Farrell 'St Margaret's Church, Westminster', etching on paper; Frederick Halpern 'Old Wooden Bridge', etching and aquatint on paper, signed and numbered 'F Halpern 2/25' ; Maxine Lalanne, 'Bords de la Seine à Argenteuil', etching on paper, signed and titled within the plate; Alfred Percy Winteringham 'Solitude', etching and aquatint on paper; a French street scene indistinctly signed lower right, etching on paper; and an etching of Bamburgh Castle, indistinctly signed below the plate lower right.The largest 30cm x 20cmQty: 6Various conditions, particularly notable mount burn to the picture of Bamburgh Castle, toning throughout notable particularly on the French street scene, foxing to the mount of the Old Wooden Bridge.

A study of a male nude; a seated nun; R.S. Lloyd - Autumn, watercolour on paper; In the manner of Hogarth, from Mr Walpole in his Anecdotes of Painting; four busts, etching on paper; An elevation of the facade of a shop in Rouen said to be Claude Monet's lodgings whilst painting the Cathedral.The largest 23 x 36.5cmQty: 5The male nude is a print.

PIERO DORAZIO (ITALIAN, 1927-2005)Fuga signed, dated, numbered and titled in pencil 'Dorazio 1968 13/16 p.a.' (in lower margin) etching with aquatint 12.5 x 17.5cm ARR Provenance Private collection, UK

WILLIAM BELL SCOTT (BRITISH, 1811-1890) AFTER ALICE BOYDThe Incantation of Hervor etching image size 8.2 x 7.2cm, plate size 9.5 x 9.5cm

EDGAR CHAHINE (FRENCH, 1874-1947)Portrait of Anatole France signed and titled in pencil 'EdgarChahine' (in lower margin) etching 24.5 x 38cmProvenanceThe collection of Mr. Marcus Linell

HENRY WILKINSON (BRITISH, 1921-2011)Pair of flat coat retrievers signed and numbered 'Henry Wilkinson 74/150' (lower margin) etching in colour 24.5 x 30cm ARR

'Yamatane Museum of Art, One Hundred Selected Masterpieces of Contemporary Japanese Paintings', with slipcase, together with, 'Modern Masters of Etching, Frank Brangwyn R.A', 1924 (2)

Halpern, pair of pencil signed limited edition etching depicting a harbour and a coastal scene

JAMES PRIDDY (1916-1980) 'CHRIST CHURCH PASSAGE, BIRMINGHAM', a drypoint etching depicting a passageway, leading to New Street, all the buildings on the right are now demolished, signed and titled to lower margin, approximate size 51cm x 32cm, some mount burn to the edges

William Lionel Wyllie (1851-1931), etching, 'Villefranche', signed and inscribed in pencil, 17.5 x 39cm

Paul César Helleu (French, 1859-1927), coloured dypoint etching, the artist's daughter Helene, signed in pencil, 35 x 33cm

James McBey (1883-1959), drypoint etching, 'Rouen', signed in ink, dated in the plate 1916, 16.5 x 36.5cm

Herbert Dicksee (1862-1942), etching, 'The Twilight Hour', signed in pencil, published Frost & Reed, 1917, 53 x 64cm

William Lionel Wyllie (1851-1931), etching, 'Southwark Bridge', signed and inscribed in pencil, 14 x 34cm

*John D. Edmonds (British, Contemporary) - Abstracts composition with birds in the window - Colour etching - 60 x 60cm - Numbered 1/1, signed, inscribed and dated '99

Surrealismus Raoul Hausmann (1886 Wien - 1971 Limoges)Hommage à Marcel Duchamp. 1968. Farbradierung auf Arches-Velin. 33 x 22,5 cm (37,9 x 28,5 cm). Signiert, datiert und nummeriert sowie in der Platte signiert, datiert und bezeichnet. Lose in Orig.-Umschlag, innen mit typographischem Text. - Papier im Unterrand ganz leicht gewellt, winziges Nadellöchlein in einer Ecke, verso sehr vereinzelt winzige, sehr blasse Braunflecken, insgesamt sehr gut. Umschlag innen mit blassem Abdruck der Graphik, insgesamt sehr gut. Prachtvoller, farbfrischer Druck mit schmalem Rand, rechts mit dem Schöpfrand. Eines von 125 Exemplaren. - Aus: Monument à Christophe Colomb et à Marcel Duchamp. - Druck bei Éditions Georges Visat, Paris. Clour etching on Arches wove paper. Signed, dated and numbered as well as signed, dated and indicated in the plate. Loose in original cover, with typographical text on the inside. - Paper slightly buckled in lower margin, tiny pinhole in one corner, very isolated tiny, very faint brown stain on the verso, all in all very good. Cover inside with faint print trace, all in all very good. Splendid, colour-fresh impression with narrow margin, deckle edge on the right. - One of 125 copies. - From the portfolio "Hommage à Christophe Colomb et à Marcel Duchamp". - Printed by Éditions Georges Visat, Paris.

Surrealismus Hans Bellmer (1902 Kattowitz - 1975 Paris)Hommage à Marcel Duchamp. 1970. Vernis mou auf Arches-Velin. 16 x 11,5 cm (38 x 27,8 cm). Signiert und nummeriert. Lose in Orig.-Umschlag, innen mit typographischem Text. - Papier in zwei Rändern minimal gewellt, insgesamt sehr gut. Ausgezeichneter Druck mit deutlich eingeprägter Plattenkante und breitem Rand, rechts mit dem Schöpfrand. Nicht bei Pieyre de Mandiargues. - Eines von 125 Exemplaren. - Aus: Monument à Christophe Colomb et à Marcel Duchamp. - Druck bei Éditions Georges Visat, Paris. Softground etching on Arches wove paper. Signed and numbered. Loose in original cover, with typographical text on the inside. - Paper minimally buckled in two margins, all in all ver good. Superb impression with clearly impressed platemark and wide margin, deckle edge on the right. - One of 125 copies. - From the portfolio "Hommage à Christophe Colomb et à Marcel Duchamp". - Printed by Éditions Georges Visat, Paris.

Zao Wou-Ki. (1921 Peking - 2013 Nyon, Schweiz). Une migration. 1974. Aquatintaradierung auf hauchzartem China aufgewalzt auf Arches Velin (mit WZ). 18,6 x 9,8 cm (33 x 25 cm). Signiert, datiert und nummeriert. - Obere linke Ecke leicht knickspurig. Verso sehr leichte Oberflächenanschmutzungen. Insgesamt sehr gut und ausgesprochen schön. Prachtvoller, gratiger und atmosphärischer Druck mit mitdruckender Plattenkante, breitem Rand, Schöpfrand an der unteren Seite. Agerup 250. - Unsere Arbeit mit leicht abweichenden Blattmaßen. - Eines von 50 Exemplaren der Extrasuite außerhalb der Auflage. - Anlässlich des gleichnamigen Buches von Roger Laporte als Illustration erschienen. - Hg. Editions Fata Morgana, Montpelllier. - Druck bei Atelier Lacourière et Frélaut, Paris. Aquatint etching on gossamer China rolled onto Arches wove paper. Signed, dated and numbered. - Upper left corner slightly creased. Very slight surface soiling On the verso. Overall very good and exceptionally fine. Splendid, burnished and atmospheric impression with co-printed platemark, wide margins, scoop margin at the lower side. - Our work with slightly deviating sheet dimensions. - One of 50 copies of the extra suite aside the edition. - Published as an illustration on the occasion of the book of the same name by Roger Laporte. - Pub. Editions Fata Morgana, Montpelllier. - Printed by Atelier Lacourière et Frélaut, Paris.

Klassische Moderne - Expressionismus Paul Adolf Seehaus (1891 Bonn - 1919 Hamburg)2 Arbeiten. Nachlassabzüge von 1919 nach den Drucken von 1917. Je Radierung auf Japan. Blattmaße je 35 x 24,7 cm. Je bezeichnet "Nachlass Seehaus", nachlassnummeriert und signiert durch Seehaus' Ehefrau Gertrud Drascher. Zusätzlich in der Platte vom Künstler signiert. Mit Bezeichnungen von fremder Hand in Bleistift, auch verso. - Mit leichten Griffspuren, in Rändern kaum merklich angebräunt, mit Bleistiftannotationen. Punktuell mit leichtem Papierabrieb, auch verso. 1 Arbeit unten links leicht fleckig. Insgesamt gut. Azusgezeichnete, gratige Drucke mit klar zeichnender Plattenkante und sehr breitem Rand. Je eines von 25 Exemplaren, die im Nachlass des Künstlers posthum erschienen sind für die Mappe "In Memoriam Paul A. Seehaus. Düsseldorf", hg. von Alfred Flechtheim 1919. - Enthält: - Weg mit Obelisk - Straße mit Schiene. 2 works. Estate prints from 1919 after the prints from 1917. Each etching on Japan. Each inscribed "Nachlass Seehaus", estate numbered and signed by Seehaus' wife Gertrud Drascher. Additionally signed by the artist in the plate. - With slight handling marks, hardly noticeably browned in margins, with pencil annotations. Light paper abrasion in places, also on the verso. 1 work slightly stained on lower left. Overall good. Superb, burr-like impressions with finely drawn plate mark and very wide margin. - Each one of 25 copies published posthumously by the artist's estate for the portfolio "In Memoriam Paul A. Seehaus. Düsseldorf", published by Alfred Flechtheim in 1919 - With works as mentioned above.

Zeitgenössische Kunst Jean-Charles Blais (1956 Nantes - lebt in Paris und Vence)3 Arbeiten. In: Trois Nuits. 1985. Je Radierung und Aquatinta auf Velin. Blattmaße je ca. 65 x 49,5 cm. Je signiert und nummeriert. In Orig.-Portfolio mit Baumwollschließen (diese gebrauchsspurig). - Insgesamt sehr gut erhalten. Prachtvolle, kräftige und nuancierte Drucke in nahezu formatfüllender Darstellung. Je eines von 25 Exemplaren. - Hg. Galerie Buchmann Gallery, Basel. 3 works. Each etching and aquatint on wove paper. Each signed and numbered. In original portfolio with bands (with traces of use). - Altogether very well preserved. Splendid, strong and nuanced impressions in nearly full-format depiction. - Each one of 25 copies. - Published by Buchmann Gallery, Basel. - From: Trois Nuits.

Frantisek Kupka. (1871 Opocno, Böhmen - 1957 Puteaux bei Paris). Glockenklänge. 1912. Radierung auf Richard de Bas-Bütten (m. Wz.). 28,1 x 22,7 cm (51,5 x 32,7 cm). Mit dem roten Signaturstempel sowie in der Platte signiert. - Oben mittig winziger, blassbrauner Fleck, verso vereinzelte kleine, blassbraune Flecken, in den Außenrändern ganz leicht gegilbt, unten winzige Bleistiftannotationen, insgesamt sehr gut. Ganz ausgezeichneter Druck mit zartem Plattenton und leicht eingeprägter Plattenkante, mit Rand, an drei Seiten mit dem Schöpfrand. Posthumer Abzug. - Vom Kubismus und Futurismus inspiriert, fügen sich die abstrakten, kunstvoll arrangierten Bildelemente unserer Darstellung einem Klangbild gleich in rhythmischer Melodie. Sie zeugen von der Auseinandersetzung des Künstlers mit dem Zusammenhang von Malerei und Musik. Etching on Richard de Bas wove paper (with watermark). With red signature stamp as well as signed in the plate. - Tiny, faint-brown stain on upper middle, isolated, small faint-brown stains on the verso, hardly yellowed in outermost margins, small pencil annotations at bottom, all in all very good. Extremely superb impression with delicate plate tone and slightly impressed plate mark, with margin, deckle edge on three sides. - Posthumous print.

Kiki Smith. (1954 Nürnberg). Nocturne. 2006. Farbquatintaradierung mit Prägedruck auf Velin. 44 x 58 cm (48,5 x 66 cm). - Insgesamt sehr gut und ausgesprochen schön. Prachtvoller, gratiger Abzug der nahezu formatfüllenden Darstellung, mit Schöpfrand an zwei Seiten. Exklusiv für die Chalcographie du Louvre realisiert (mit dem Blindstempel). - Hg. von Ateliers d'Art de la Rmn-GP, Saint-Denis. - Seit 1989 beauftragen das Musée du Louvre und die Réunion des Musées Nationaux zeitgenössische Künstler mit der Herstellung von Gravurplatten für die Werkstatt der Chalcographie, die für den exklusiven Druck verantwortlich ist. Colour quatinta etching with relief printing on one wove paper. - At all very good and extremely fine. Splendid, burr-like impression of the almost full-size depiction, with scooped margins on two sides.

Italienische Moderne 3 Arbeiten. 1963 - 1973. Mit 1 Farbradierung, 1 Kaltnadelradierung und 1 Gouache, je auf verschiedenen Velin bzw. 1 Arbeit auf schwarzem Japan. Blattmaße von 44,8 x 37,4 cm bis 53,5 x 63,3 cm. Je signiert, datiert, 2 Arbeiten nummeriert und 1 Arbeit betitelt. 1 Arbeit mit dem Trockenstempel "Libreria Prandi reggio E." Je punktuell unter Passepartout montiert und unter Glas gerahmt. - Teils mit leichteren Randläsuren. 2 Arbeiten im Passepartoutausschnitt je leicht angebräunt sowie mit Braunflecken, auch verso. Insgesamt noch gut. Die Drucke ausgezeichnet und kontrastreich. Die Gouache in satten, erdigen Tönen. Enthält je 1 Arbeit von: - F. Bonaldi - Giuseppe Guerreschi - Mario Calandri. - Beigegeben: - 1 nicht identifizierter Künstler, 1 Aquatintaradierung. - Eines von 100 bzw. 10 römisch nummerierten Exemplaren. 3 works. 1 colour etching, 1 drypoint and 1 gouache, each on different wove paper and 1 work on black Japan. Each signed, dated, 2 works numbered and 1 work titled. 1 work with the dry stamp "Libreria Prandi reggio E." Each mounted under mat and framed under glass. - Partly with minor marginal losses. 2 works each slightly browned in mat opening and with brown stains, also On the verso. Still good overall. The prints excellent and rich in contrast. The gouache in rich, earthy tones. - With works from artists as mentioned above. - One of 100 resp. 10 roman numbered copies.

Geometrische Abstraktion Shigeru Izumi (1922 Osaka - 1995 Japan)Work XXVI. 1979. Radierung auf Velin. 42 x 29,5 cm (65,5 x 49,5 cm). Signiert, betitelt und nummeriert. Verso mit Etikett, dort mit typographischen Werksangaben. - Linke untere Ecke leicht bestoßen, obere rechte Kante mit Knickspur. Punktuell blasse Flecken, insgesamt gut. Ausgezeichneter, gratiger Druck mit breitem Rand. Eines von nur 15 Exemplaren. Etching on wove paper. Signed, titled and numbered. On the verso with label, there with typographic work details. - Lower left corner slightly bumped, upper right edge with crease. Light stains in places, good overall. Superb, burr-like impression with wide margin. - One of only 15 copies.

Wiener Aktionismus - - Arnulf Rainer. (1929 Baden b. Wien). 3 Arbeiten in: Blick auf den Louvre und den Palais de Thuilleries. 1992. Je Farbradierung auf Arches Velin (mit WZ). Blattmaße je 40,4 x 50,6 cm. - Insgesamt sehr gut und ausgesprochen schön. Prachtvolle, farbkräftige und gratige Radierungen mit breitem Rand. 3 works.. Each colour etching on Arches wove paper (with watermark). - Altogether very good and extremely fine. Splendid, richly coloured and burr-like etchings with wide margins.- From an unlimited edition. - Realised exclusively for the Chalcographie du Louvre (with the blind stamp). - Ed. by Ateliers d'Art de la Rmn-GP, Saint-Denis.

Karin Kneffel. (1957 Marl). Trauben. 2005. Farbaquatintaradierung auf Velin. 60 x 60 cm (77 x 77 cm). Signiert, datiert und bezeichnet "e.a.". - Insgesamt sehr gut und ausgesprochen schön. Prachtvoller, farbleuchtender und nuancierter Druck mit mitzeichnender Plattenkante, breitem Rand und Schöpfrand an 2 Seiten. Exemplar épreuve d'artiste außerhalb der Auflage. Colour aquatint etching one wove paper. Signed, dated and inscribed "e.a.". - Overall very good and extremely fine. Splendid, colourful and nuanced impression with platemark, wide margins and scooped margins on 2 sides. - Copy épreuve d'artiste aside the edition.

Klassische Moderne Lovis Corinth (1858 Tapiau - 1925 Zandvoort)Kutschenpferde. 1917/18. Vernis Mou auf Maschinenbütten. 10 x 14 cm (25 x 28 cm). Signiert und nummeriert. Punktuell auf Unterlage und unter Passepartout montiert. - Im Passepartoutausschnitt lichtrandig. Punktuell leicht fleckig. Verso mit umlaufender Klebebandmontierung. Insgesamt gut. Ausgezeichneter Druck mit breitem Rand. Müller 456. - Eines von 150 Exemplaren. Soft-ground etching on machine-made laid paper. Signed and numbered. Spot-mounted to underlying mat and under passepartout. - Light-stained in the passepartout section. Slightly stained in places. On the verso with surrounding adhesive tape mounting. Good overall. Superb impression with wide margin. - One of 150 copies.

Dada Hans Richter (1888 Berlin - 1976 Locarno)o.T. (abstrakte Komposition). 1969. Farbaquatinta, Carborundum und Collage auf Lana pur fil-Velin (m. Wz.). 22 x 32,8 cm (28,2 x 38,3 cm). Signiert, datiert und nummeriert. Lose in Orig.-Umschlag, innen mit typographischem Text. - Winziges Nadellöchlein oben rechts, in den beiden oberen Ecken minimal bestoßen, insgesamt sehr gut. Umschlag innen mit blassem Abdruck der Graphik, insgesamt sehr gut. Ausgezeichneter, nuancierter Druck mit schmalem Rand, unten mit dem Schöpfrand. Eines von 125 Exemplaren. - Aus: Monument à Christophe Colomb et à Marcel Duchamp. - Druck bei Éditions Georges Visat, Paris. Colour etching, carborundum and collage on Lana pur fil wove paper (with watermark). Signed, dated and numbered. Loose in original cover, with typographical text on the inside. - Tiny pinhole on upper right, both upper corners minimally bumped, all in all very good. Cover inside with faint print trace, all in all very good. Superb, nuanced impression with narrow margin, deckle edge at bottom. - One of 125 copies. - From the portfolio "Hommage à Christophe Colomb et à Marcel Duchamp". - Printed by Éditions Georges Visat, Paris.

Informel Emil Schumacher (1912 Hagen/Westf. - 1999 Ibiza)o.T. (informelle Komposition). Um 1982. Aquatintaradierung mit Reliefprägung auf schwerem Velin. 24,5 x 49,5 cm (52,5 x 74,7 cm). Signiert und nummeriert. Verso mit Galerie-Stempel. - Ecken leicht knickspurig. Insgesamt sehr gut. Prachtvoller, gratiger und texturierter Druck mit breitem Rand, Schöpfrand an der unteren Seite. Eines von 50 Exemplaren. Qquatint etching with relief embossing on wove paper. Signed and numbered. On the verso with a gallery stemp. - Corners slightly creased. Very good overall. Splendid, burnished impression with structure and wide margins, scooped margin on the lower side. - One of 50 copies.