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Preisdatenbank abonnierenFrancis St Clair Miller (b. 1947)Piazzetta San Marco - winter evening, signed, inscribed and numbered 59/100 in pencil to the margin, etching in colours, 60 x 41cmFrom the Estate of Francis and Larissa Haskell. Francis Haskell (1928-2000) was an art historian, author and professor of Art History at the University of Oxford. His wife Larissa (1931-2024) was a noted Russian art historian, and was curator of Venetian drawings at the Hermitage.
John Grigsby'Valley Trees', etching with aquatint, pencil signed in the margin, titled and numbered 33/100, 15 x 20.5cm; and three further works by James Beale; June Berry and Anne Joyce, various sizes, all unframed (4)From a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request.
E Owen Jennings (b. 1899)'Still Aire', etching, pencil signed in the margin, titled and numbered 39/50, 19 x 21cm, unframedFrom a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request.
Arthur Hackney (1925-2010)'Dappled horse in a Surrey field', etching, pencil signed in the margin, titled, numbered 19/50 and dated 1960, 30.5 x 29cm; Henry Martyn Lack - An Italian beach, 20 x 26.5cm; Norman Webster - Derelict Croft at Elgol, Skye; Kenneth Lindley - Dorset Coast near West Bay; and Michael Chaplin - Cloud Machine, all pencil signed in the margin, all unframed (5)From a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request.
Norman Ackroyd (b. 1938)'Jackson's Pond VI', etching with aquatint, pencil signed in the margin, titled, numbered 94/110 and dated '85, 17.5 x 13.5cm, unframedFrom a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request.
Norman Ackroyd (b. 1935)'Snow at Coniston', etching with aquatint, pencil signed in the margin, titled, numbered 85/100 and dated '98, 16 x 11.5cm, unframedFrom a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request. in good condition.
Sally McLaren (b. 1936)'Stubble Fields', artist's proof, etching with aquatint in colours, pencil signed in the margin and titled, 17.5 x 22cm; and three further etchings, artists to include: Rosamund Jones; John McPake; and Michael Middleton, all unframed (4)From a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request.
Cyril Lawrence J Fereday (1917-2001)'Church Moustiers Ste Marie', etching with aquatint, pencil signed with initials to the margin, titled, numbered 19/120 and dated 1986, 17.5 x 12.5cm; three further etchings by Jo Barry; Fran Wesselman and Joseph Winkelman; and one further by Edwina Ellis, all unframed (5)
J Alphege Brewer (1909-1938)Chancel - St Paul's Cathedral, etching, pencil signed in the margin, 65.5 x 42cm; Axel Herman Haig (1835-1921) - 'An Old German Mill' and 'An Old Hanse Town', a pair, etchings, 26 x 17.5cm; and Oulda Pasquier (b. 1889) - 'Bruxelles, Hotel de Ville', etching, pencil signed in the margin, 28.5 x 21cm (4)From a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request.
Robert Sayer: an 18th century satirical etching, "Oxford Street Man Loaded with Mischief, for Matrimony", subtitled "A Monkey, A Magpie and Wife, Is the True Emblem of Strife", T B Burton: a signed etching, "Rafters and Pewter", in strip frame, a print of the Interior of Louth Church Lincolnshire, and another print
Gloucester And Tewkesbury Sketches by Edward J. Burrow, The Grosvenor Studios Cheltenham, with article by the very Rev. H. Donald M. Spence (Dean of Gloucester) on 'The Great Abbeys of the Severn Lands' printed by Horace Edwards of Cheltenham and limited to 50 copies only (copy 48) a vellum backed folio with printed boards [Includes etchings of The Palace Yard Gloucester; Mill & Abbey Tewkesbury and etching of The Severn Below Tewkesbury, signed in pencil]
René Lalique (French, 1860-1945), a 'Deux Figurines, Bouchon Figurines' scent bottle, No. 90, designed in 1912, the centre with relief-moulded decoration of two stylised female figures amongst foliage, stencilled 'R. Lalique France',12cm wide4cm deep13cm high (2)Condition ReportNo detected chips or losses. The side with the relief etching with two noticeable scratches to the lower half of the exterior. Some minor watermarks on the inside. Additional images uploaded.
RUSKIN: 'MODERN PAINTERS' FIVE VOLUMES (lacking index vol), George Allen, 1888, and three volumes of 'The Magazine of Art' (8), Wonderful Lond, Ed St John Adcock, The Later Works of Aubrey Beardsley, John Lane, The Bodley Head, The Harmsworth Atlas and Gazeteer, Songs of Shakespeare, Illustrated by the Etching Club
Jacques-Philippe Le Bas (1707-1783) after Rembrandt Harmenszoon van Rijn (1606-1669) - Christ Healing the Sick, a copy in reverse of the print traditionally known as The Hundred Guilder Print, signed within the plate with a facsimile of the Dutch Old Master's signature, titled Le Seigneur guérissant les Malades, s.l. [Paris]: s.n. [François & Henri Louis Basan], n.d. [1789-1810], etching, 24 x 27.5cm, [New Hollstein 239; Hind (1923) 236; White & Boon (1969) 74] A clean and fresh example. Minor paper flaw in the upper-right portion, yet displaying well overall; the margin with two or three very slight scuffs. The sheet somewhat toned, slight surface ripple. Unexamined out of frame.
John Brunsdon ARCA (1933 - 2014) British artist, three limited edition etching and aquatints including 'Boy and Ox' pencil numbered 33/35, signed lower right, image size 33 x 23, F & G, 'Fisherman', pencil numbered 9/35 and signed lower right, 33 x 22cm, F & G and 'Port Launay' numbered 23/35 and signed lower right
From the Studio of Fred Cuming. Jan Toorop (1858-1928), etching, Seated woman, copyright Vorst and Tas, Amsterdam, 31 x 23cm. Condition - good Note: “This is an interesting side lot of art and artistic ephemera from the extensive collection of Fred Cuming RA and his wife Audrey, who travelled and worked together around the UK and Europe. They were avid collectors of objects, anything curious or beautiful, many of these items would have caught their eye for some rare aesthetic or technical quality but quite often many items would simply have possessed a unique and naïve charm. There are several pieces that may have been the work of a student or amateur, nevertheless they found them exquisite. The majority of pieces from this small collection were displayed in their home for many years among an incredibly rich and varied array of his own work and that of his contemporaries. They would have been purchased over the course of a period spanning five decades or more, from the family’s early beginnings at Egerton House in Kent, Hythe, Wittersham and finally Iden in East Sussex where the family settled.”
From the Studio of Fred Cuming. Michael B. White (Sussex artist), etching, 'Two Sprats In Love', signed in pencil, limited edition 9/20, 27 x 37cm. Condition - fair Note: “This is an interesting side lot of art and artistic ephemera from the extensive collection of Fred Cuming RA and his wife Audrey, who travelled and worked together around the UK and Europe. They were avid collectors of objects, anything curious or beautiful, many of these items would have caught their eye for some rare aesthetic or technical quality but quite often many items would simply have possessed a unique and naïve charm. There are several pieces that may have been the work of a student or amateur, nevertheless they found them exquisite. The majority of pieces from this small collection were displayed in their home for many years among an incredibly rich and varied array of his own work and that of his contemporaries. They would have been purchased over the course of a period spanning five decades or more, from the family’s early beginnings at Egerton House in Kent, Hythe, Wittersham and finally Iden in East Sussex where the family settled.”
From the Studio of Fred Cuming. Laurence Perugini (1880-1940), colour etching, 'Thistles', signed in pencil, limited edition 5/25, 31 x 22cm. Condition - poor to fair Note: “This is an interesting side lot of art and artistic ephemera from the extensive collection of Fred Cuming RA and his wife Audrey, who travelled and worked together around the UK and Europe. They were avid collectors of objects, anything curious or beautiful, many of these items would have caught their eye for some rare aesthetic or technical quality but quite often many items would simply have possessed a unique and naïve charm. There are several pieces that may have been the work of a student or amateur, nevertheless they found them exquisite. The majority of pieces from this small collection were displayed in their home for many years among an incredibly rich and varied array of his own work and that of his contemporaries. They would have been purchased over the course of a period spanning five decades or more, from the family’s early beginnings at Egerton House in Kent, Hythe, Wittersham and finally Iden in East Sussex where the family settled.”
From the Studio of Fred Cuming. Michael Farrell (1940-2000), limited colour etching 5/25, ‘Wounded Wonder’, signed in pencil, 34 x 44cm. Condition - fair Note: “This is an interesting side lot of art and artistic ephemera from the extensive collection of Fred Cuming RA and his wife Audrey, who travelled and worked together around the UK and Europe. They were avid collectors of objects, anything curious or beautiful, many of these items would have caught their eye for some rare aesthetic or technical quality but quite often many items would simply have possessed a unique and naïve charm. There are several pieces that may have been the work of a student or amateur, nevertheless they found them exquisite. The majority of pieces from this small collection were displayed in their home for many years among an incredibly rich and varied array of his own work and that of his contemporaries. They would have been purchased over the course of a period spanning five decades or more, from the family’s early beginnings at Egerton House in Kent, Hythe, Wittersham and finally Iden in East Sussex where the family settled.”
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