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Preisdatenbank abonnierenHerbert Thomas Dicksee RE (1862-1942) 'THE VETERAN' (PORTRAIT OF A BLOODHOUND'S HEAD, FACING LEFT) Original etching on vellum, signed artist's proof, edition of 250, no other state, plate destroyed, published by Frost & Reed, 1921, with blindstamps Pl.43cm square, unframed Provenance: From artist's grandson. The Bryan and Valerie Steele Collection.
Herbert Thomas Dicksee RE (1862-1942) 'THE OLD HOUND' (PORTRAIT OF THE HEAD OF A DEERHOUND, SIDE-FACE) Original etching on vellum, signed artist's proof, edition of 300, one state only, plate destroyed, published by Frost & Reed, 1912, with blindstamp Pl.42.2 x 41.4cm - 37cm circular image within Provenance: The Bryan and Valerie Steele Collection.
Herbert Thomas Dicksee RE (1862-1942) 'ON THE MOORS' (SCOTTISH DEERHOUND) Original drypoint etching on wove, signed artist's proof, edition of 100, no other state, published by Frost & Reed, circa 1926, with blindstamp Pl.24.2 x 26.5cm, unframed Provenance: The Bryan and Valerie Steele Collection. NB Pencil ' 72/150' is an error by the publisher.
Herbert Thomas Dicksee RE (1862-1942) 'GOOD-BYE' (LADY WITH DEERHOUND, BOTH LOOKING WISTFUL, IN THE GARDENS OF PENSHURST PLACE) Original etching on vellum, signed artist's proof, edition of 525, published by C.Klackner, London, 1892, with a remarque of flowers, with blindstamp PI.67 x 50.5cm Provenance: The Bryan and Valerie Steele Collection.
Herbert Thomas Dicksee RE (1862-1942) 'CLOUDS HAVE A SILVER LINING; JUST BIDE A WEE, AND DINNA FRET' (LADY, SEATED, WITH TWO KING CHARLES SPANIELS, LOOKING THOUGHTFULLY AT RAIN ON THE WINDOWS OF PENSHURST PLACE) Original etching on vellum, signed artist's proof, edition of 300, published by The Fine Art Society, London, 1907 with blindstamp Pl.47 x 58.4cm Provenance: The Bryan and Valerie Steele Collection.
Herbert Thomas Dicksee RE (1862-1942) 'ON THE THRESHOLD' (ARTIST'S WIFE ELLA MARIA IN DOORWAY OF A CORNISH COTTAGE, RECUMBENT TERRIER DOG OUTSIDE) Original etching on vellum, signed artist's proof, edition of 300, one state only, plate destroyed, published by Frost & Reed, 1904 Pl.43.6 x 30.5cm Provenance: The Bryan and Valerie Steele Collection.
Herbert Thomas Dicksee RE (1862-1942) 'LUCKY DOG' (LITTLE GIRL OUTSIDE A CORNISH COTTAGE FEEDING A TERRIER - TO THE DETRIMENT OF WAITING GEESE) Original etching on vellum, signed artist's proof, edition of 300, plate destroyed, published by Frost & Reed, 1908, with blindstamp Pl.47.7 x 32.8cm Provenance: The Bryan and Valerie Steele Collection.
Herbert Thomas Dicksee RE (1862-1942) 'THE BOYHOOD OF RALEIGH' AFTER THE PAINTING BY SIR JAMES EVERETT MILLAIS (1829-1896) Etching on vellum, signed artist's proof, edition of 400, published by The Fine Art Society Limited, London, 1901 with blindstamp PI.56.2 x 67.3cm Provenance: The Bryan and Valerie Steele Collection.
Herbert Thomas Dicksee RE (1862-1942) 'LEOPARDESS SHARPENING HER CLAWS' Original etching on wove, signed artist's proof, edition of 150, one state only, published by Frost & Reed, 1923, with blindstamps, plate destroyed Pl.50 x 32.7cm, unframed Provenance: The Bryan and Valerie Steele Collection.
Herbert Thomas Dicksee RE (1862-1942) 'A SIESTA' (TIGER RESTING) Original etching on vellum, signed artist's proof, limited edition (100?), one state only, plate destroyed, published by Frost & Reed 1918, with blindstamp Pl.16.6 x 27.3cm, unframed Provenance: The Bryan and Valerie Steele Collection.
Herbert Thomas Dicksee (1862-1942) 'MATERNAL CARE' (WOUNDED LIONESS PROTECTING HER CUB FROM A CIRCLING VULTURE), AFTER HIS OWN PAINTING 'THE WOUNDED LIONESS' EXHIBIT 665, ROYAL ACADEMY, 1896 Original etching on vellum, signed artist's proof, edition of 275, published by Frost & Reed, 1899 Pl.42.5 x 68cm Provenance: The Bryan and Valerie Steele Collection.
Herbert Thomas Dicksee RE (1862-1942) 'VICTORY' (LION ATTACKING A LARGE PYTHON SNAKE) Original etching printed in blue/black on Japanese vellum, signed artist's proof, edition of 325, published by Frost & Reed, 1919, with blindstamps Pl.45 x 70cm, unframed Provenance: The Bryan and Valerie Steele Collection. Commemorates the end of WWI - also, poignantly, the loss of the artist's only son, killed by a sniper in Flanders late 1918.
Herbert Thomas Dicksee RE (1862-1942) 'THE KING' (LION ON A ROCKY OUTCROP AT NIGHT, GUARDING HIS TERRITORY) Original etching on vellum, signed artist's proof, edition of 400, published by Frost & Reed, 1902, with blindstamp Pl.53 x 66.5cm, unframed Provenance: The Bryan and Valerie Steele Collection.
Gehry, Frank Owen, Flowing in All Directions, Circa Publishing, 2002, signed Deluxe Edition, numbered 60/100, with laid-in original etching of Disney Hall signed in pencil by Gehry and numbered 60/100, folio, thick card pasted on silver coloured boards, in heavy car clamshell box decorated to exterior with Gehry artwork.Footnote: This publication accompanied the "Frank O. Gehry: Work in Progress" exhibition at The Museum of Contemporary Art, Los Angeles, 7 September 2003 - 26 January 2004. It was published in three variations, this being the rare deluxe edition.
Norman Ackroyd, Windermere in January, Cartmel, signed, titled and numbered 39/90 in pencil, limited edition etching, 45 x 66cm, framed and glazed; with 2008 Summer Exhibition receipt catalogue no. 96 and letter from the artist's studio in Morocco Street London advising on collection/ dispatch.
Mark Evans ARR Hand etched leather panel, signed with monogram 'Black Panther' 75cm x 55cm Provenance: Purchased directly from the artist, artwork comes with an exhibition catalogue titled PrimalMark Evans is an immensely talented London based leather etching artist working with Sorensen leather. His hand crafted leather art is in high demand and is found in exclusive collections worldwide. Evans work involved micro sculpturing within a tenth of a millimetre. One piece can take three months to complete and his larger pieces can sell for up to £500,000.
ANDERS LEONARD ZORN (SWEDISH 1860-1920) SKERRIKULLA 1912 Etching, signed, dated 1912 (in plate), 25 x 20cm (9 3/4 x 7 7/8") James Connell & Sons label verso Condition Report: There are two very small bleached spots located in the left section, upper middle, two similar above the headline and two slightly more noticeable ones close to the right edge of the plate at middle. On close inspection there is a slight diagonal, what appears to be a crease line in the paper, located in proximity to the top right corner area.
WILLIAM STRANG RA, RPE (SCOTTISH 1859-1921) THE PROCESSION (1902) Drypoint etching, signed, signed and dated 1902 (plate), 20 x 40cm (7 7/8 x 15 3/4") Condition Report: There are what look to be scratch marks in the paper in the plate in proximity to the left edge at top , bottom and the upper area of the lower middle section, together with the odd tiny scratch mark in the left hand section. There is a crease line in the paper located at the bottom left hand corner in the area of the margin, and a small, what appears to be loose hair fragment, on the bottom margin on the left.
JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834-1903) ARTHUR HADEN Drypoint etching, signed and dated 1859 (in plate), 20.5 x 13.3cm (8 1/16 x 5 1/4") Condition Report: The paper is noticeably wavy in appearance. The margins are discoloured and mildly foxed, and on very close inspection there is a small, what appears to be, vertical crease line running from eye to mouth. There is a small bleached area in the margin and edge of image upper right and very light foxing noticeable over bottom third of image being most apparent in the bottom corner areas, The paper looks slightly creased in the bottom right hand corner area.
•FRANK BRANGWYN RA, RBA, RE, ROI, RSW (BRITISH 1867-1956) CAFE CAHORS: THE BREWERY, BRUGES Drypoint etching, signed, 20.25 x 25.5cm (8 x 10"), 25.5 x 20.25cm (10 x 8") (2) James Connell & Sons and George Davidson Ltd. labels verso Condition Report: There is slight yellowing discolouration in the margins, most noticeably at the edges of the mounts, in both etchings. There is a tiny foxing mark in the bottom margin of 'Cafe Cahors' in addition to what appears to be very slight rubbing in parts of the bottom margin running parallel to and close to the edge of the image.
WILLIAM WALCOT RBA, RE (BRITISH 1874-1943) ANTHONY IN EGYPT NO. 2 Drypoint etching, signed, 50.5 x 50.5cm (20 x 20") Taylor & Brown label verso Condition Report: There is light discolouration of the margins most evident at the edge next to the mount and a few spots of light foxing around the margins, the largest in the bottom margin at middle. On close inspection the margin paper next to the edge of the plate appears slightly rubbed down the right hand edge. The paper seems slightly wavy in the lower section of the plate.
A .30-30(Win.) 'Model 94 Limited Edition II' commemorative lever-action carbine by Winchester, no. 78E834The gold-plated receiver engraved with bold foliate-scrollwork, the left side with a relief etching of three elk in natural settings, the right side depicting a bull moose being pursued by two wolves, well-figured stock, the round barrel engraved in gold with Limited Edition II by Winchester, with full-length magazine tube20in. barrel, recent Birmingham nitro proofIn a wooden presentation caseThis lot is subject to the following lot symbols: S1
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