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Preisdatenbank abonnieren* PABLO PICASSO (SPANISH 1881 - 1973)MODEL AND SCULPTOR WITH HIS SCULPTURE (FROM THE VOLLARD SUITE) etching on paper, signed and numbered 280/300image size 26cm x 19cm, sheet size 45cm x 32cm overall size 57cm x 45cm Mounted, framed and under glass.Note: certificate of authenticity is included with this lot.
* PABLO PICASSO (SPANISH 1881 - 1973)BULLFIGHT: WOUNDED TORERO (FROM THE VOLLARD SUITE) etching on paper, signed and numbered 227/300image size 19cm x 27cm, sheet size 32cm x 45cm overall size 45cm x 57cm Mounted, framed and under glass.Note: certificate of authenticity is included with this lot.
* PABLO PICASSO (SPANISH 1881 - 1973)PORTRAIT OF VOLLARD I (FROM THE VOLLARD SUITE) etching on paper, signed and numbered 197/300image size 35cm x 25cm, sheet size 45cm x 32cm overall size 57cm x 45cm Mounted, framed and under glass.Note: certificate of authenticity is included with this lot.
Northern European School of the 18th century."Saint Cecilia".Etching on vellum illuminated by hand.Measurements: 19 x 15.5 cm; 23 x 18 cm.A beautiful and subtle border of flowers in the purest Baroque style holds the engraved image, and later illuminated by hand, of Saint Cecilia, the most popular of the Roman martyrs together with Saint Agnes. A young patrician from the Caecilian family, she was forced by her parents to marry, although in the bridal chamber she converted her husband to the ideal of Christian chastity. The young husband had himself and his brother baptised, and both were condemned to death. Because Cecilia refused to offer sacrifices to the gods, she was condemned to die by drowning in the steam of an overheated cauldron, but a heavenly dew cooled her. She was then ordered to be beheaded, but her executioner struck three blows without managing to separate her head from her body. As Roman law forbade further beating of the condemned after these three attempts, Cecilia survived for three days. She died in the presence of Pope Urban and was buried in the cemetery of Callixtus. Since the 15th century, Saint Cecilia has been the patron saint of musicians, singers and organists, as well as organ and string instrument makers. Originally, Saint Cecilia, like most martyrs, did not wear any identifying attribute. It was only at the end of the 15th century, when she became the patron saint of musicians, that she received a musical instrument, a portable or fixed organ, as an attribute.
Northern European School of the 18th century."Saint Sebastian".Etching on vellum with hand-illuminated border.Slight damp stains.Measurements: 18,5 x 15 cm.A beautiful and subtle border of flowers in the purest baroque style frames an etching engraved composition. It is a scene starring Saint Sebastian. Born in Gaul and raised in Milan, Sebastian was a centurion of the first cohort in the time of Emperor Diocletian (late 3rd - early 4th century). Denounced because he exhorted his friends Mark and Marcellinus to remain steadfast in their faith, by order of the emperor he was tied to a post in the centre of the Field of Mars, and served as a live target for the archers who shot him. But he did not die for it. The widow Irene, who wanted to raise his body for burial, noticed that he was still breathing, bandaged his wounds and saved his life. After he was cured, he reappeared before Diocletian to reproach him for his cruelty towards the Christians. He was then scourged, beaten to death in the circus and his corpse was thrown into the Maximian sewer. Shortly afterwards, Saint Sebastian appeared to Saint Lucila in her sleep to reveal to her the location of his remains, and asked her to bury him in the catacombs.
Northern European School of the 18th century."Saint Francis of Borgia".Etching on vellum with hand-illuminated border.Measurements: 17,5 x 14 cm.During his mandate as viceroy of Catalonia (1539-1543), Francisco de Borja strengthened the region against piracy, banditry and the French threat. On this occasion, the saint is shown praying and gazing at a pair of winged angels holding a chalice with the body of Christ. The scene is framed by a striking border of flowers in the purest Baroque style. Saint Francis Borgia (1510-1572), General of the Society of Jesus, Duke of Gandia and Marquis of Lombay, Grand Duke of Spain and Viceroy of Catalonia, was a descendant of the kings of Navarre and the Crown of Aragon, great-grandson of Pope Alexander VI and great-great-nephew of Pope Callixtus III. He was canonised in 1671 by Pope Clement X. His figure began to be depicted in art very early on, almost shortly after his death. His most distinctive iconographic elements are the skull (sometimes crowned), a reminder of his horror and the reason for his change of life when he discovered the decomposition of the Empress Isabella of Portugal on his way to deliver her body in Granada; the ducal crowns on the ground, a sign of his renunciation of all earthly things; and the cardinal's mitres and hoods, also rejected by him. He is also usually depicted with a serene, deeply expressive face, a reflection of his inner self. Another element typical of his iconography is the monstrance, which represents his defence of the Eucharist.
Northern European School of the 18th century."Virgin and Child, the dove of the Holy Spirit and angels".Etching on vellum with hand-illuminated border. Golden haloes.Measurements: 9,5 x 12,5 cm.A striking border of flowers in the purest Baroque style frames an etched composition. It is a scene with the Virgin, the Child Jesus, the dove of the Holy Spirit and a group of winged angels offering her baskets with fruit and flowers. The brightly coloured border is reminiscent of Baroque works in which the beautiful, highly developed garlands competed for prominence with the subject itself.
After Pieter Bruegel the Elder (1525-1569) by Frans Huys (1522-1562)Fleet of Galleys escorted by a Caravel, from 'Sailing Vessels' (Bastelaer 107) Etching and engraving, circa 1565, on laid, a good impression of the first state before the address of Theodoor Galle, published by Hieronymus Cock, trimmed to the platemark, 223 x 290mm (8 3/4 x 11 3/8in)(PL)For further information on this lot please visit Bonhams.com
Walter Richard Sickert A.R.A. (British, 1860-1942)The Old Bedford (The Large Plate) (Bromberg 130) Etching, drypoint and engraving, 1915-16, on thin laid, fourth state of twelve, a proof (publication line for Carfax & Co., London, was added in the third state, but the plate was never published), with margins, 265 x 156mm (10 3/8 x 6 1/8in)(PL)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Pablo Picasso (Spanish, 1881-1973)Antipodistes observés par une Paysanne et sa Petite Fille, from 'El Entierro del Conde de Orgaz' (Bloch 1473; Baer 1384; Cramer books 146) Etching, 1966, on wove, an impression from the unsigned book edition of 263 (there was also a suite of 12 signed impressions on japon nacré), with the 'Conde Orgaz' watermark after a drawing by Picasso, printed by Gustavo Gili S.A., Barcelona, published by Ediciones de la Cometa, Barcelona, with full margins, 218 x 320mm (8 1/2 x 12 1/2in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pablo Picasso (Spanish, 1881-1973)Plaisanterie autour du bain turc, jeux, musique et gateaux, from 'Series 156' (Bloch 1974; Baer 1983.B.a.) Etching, 1971, on wove, with the artist's stamped signature, numbered 36/50 in pencil, printed by Atelier Crommelynck, Paris, published by Galerie Louise Leiris, Paris, 1978, with full margins, 503 x 656mm (19 3/4 x 25 3/4in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Eduardo Chillida (Spanish, 1924-2002)Levitation II (Koelen 66002) Etching printed with plate tone, 1966, on wove, signed and numbered 5/50 in pencil, printed by Impremerie Arte, Paris, published by Maeght Éditeur, Paris, with full margins, 379 x 283mm (15 x 11 1/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Eduardo Chillida (Spanish, 1924-2002)Hommage à Picasso (Koelen 72016) Etching and aquatint printed in tone, 1973, chine collé on Arches, signed and numbered 87/90 in pencil, printed by Arte Adrien Maeght, Paris, published by Propyläen-Verlag, Berlin, with full margins, 760 x 565mm (29 7/8 x 22 1/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Rufino Tamayo (Mexican, 1899-1991)Hombre en Rosa, from 'Rufino Tamayo 8 aguafuertes' Etching printed in colours, 1984, on Guarro, signed and numbered 50/99 in black crayon, published by Polígrafa, Barcelona, the full sheet printed to the edges, 756 x 556mm (29 3/4 x 21 7/8in)(SH)For further information on this lot please visit Bonhams.com
Marino Marini (Italian, 1901-1980)La Sorpresa II, from 'Personaggi' (Guastalla A169) Etching and aquatint printed in colours, 1973, on wove, signed and numbered 13/25 in pencil, printed by Il Cigno, Rome, published by Albra, Turin, with full margins, 643 x 485mm (25 1/4 x 19 1/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Man Ray (American, 1890-1976)Monocopter; Kiki (Abselmino 7; 19) Etching and aquatint printed in colours, 1971, on Arches, signed and numbered 25/100 in pencil, with full margins, 660 x 503mm (26 x 19 7/8in)(SH); together with 'Kiki', etching and aquatint printed in colours, 1971, on Arches, signed and numbered 23/100 in pencil, 657 x 502mm (25 7/8 x 19 3/4in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com
Man Ray (American, 1890-1976)Letter A (L'A); Magie de L'image Etching and aquatint printed in colours, 1971, on Arches, signed and numbered 14/100 in pencil, with full margins, 502 x 604mm (19 3/4 x 23 3/4in)(SH); together with 'Magie de L'image', etching and aquatint printed in colours, 1971, on Arches, signed and numbered 13/100 in pencil, with full margins, 662 x 505mm (26 1/8 x 19 7/8in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946)La Cité, Paris (Black 114) Etching, circa 1930, on J.Whatman wove, signed in pencil, with an inscription by Katherine Nevinson in pencil on a label affixed verso, the full sheet, 255 x 392mm (10 x 15 3/8in)(SH)Footnotes:ProvenanceGifted to the present owner in 1969 by Nevinson's widow, Katherine.For further information on this lot please visit Bonhams.com
Sam Francis (American, 1923-1994)Salmon (Lembark I.9; SFE-4B) Etching and aquatint printed in colours, 1973, on wove, signed and inscribed 'AP 8/11' in pencil, one of eleven artist's proofs aside from the numbered edition of 45, printed by Stamperia 2RC, Rome, published by 2RC Edizioni d'Arte, Rome, with their blindstamp, with full margins, 635 x 890mm (25 x 35in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Frank Stella (American, born 1936)Riallaro, from 'Imaginary Places' Etching, aquatint, collagraph, lithograph and screenprint in colours, 1995, on handmade wove, signed, dated and inscribed 'A.P. 8.' in pencil, one of ten artist's proofs aside from the numbered edition of 24, published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet printed to the edges, 1182 x 825mm (46 1/2 x 33 1/2in)(SH)For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)The Sexton Disguised as a Ghost, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 86; Scottish Arts Council 89) Etching and aquatint, 1969, on Hodgkinson handmade wove, signed and numbered 21/100 in pencil, inscribed 'G Portfolio' in sepia ink verso, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, 620 x 445mm (24 3/8 x 17 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)French Shop (MCA Tokyo 112; Scottish Arts Council 122) Etching and aquatint printed in black and red, 1971, on wove, signed, dated and numbered 69/500 in pencil, printed by the Print Shop, Amsterdam, published by the Observer, London, with full margins, 626 x 536mm (24 5/8 x 21 1/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Homage to Michelangelo, from 'Omaggio a Michelangelo' (MCA Tokyo 162; Scottish Arts Council 173) Etching and aquatint printed in black and red, 1975, on BFK Rives, signed, dated and inscribed 'h.c.' in pencil, an hors commerce impression aside from the numbered edition of 200, printed by Atelier Crommelynck, Paris, published by Studio Bruckmann, Munich, with full margins, 595 x 793mm (23 3/8 x 31 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Gillian Ayres C.B.E., R.A. (British, 1930-2018)Sikar II Etching with aquatint and carborundum printed in colours, with extensive hand-painting, 1993, on wove, signed, dated and numbered 74/100 in pencil, printed by Jack Shirreff at 107 Workshop, Wiltshire, with full margins, 1087 x 1068mm (42 3/4 x 42in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Tracey Emin (British, born 1963)Sitting with You Etching printed in blue, 2013, on wove, signed, titled, dated and numbered 73/200 in pencil, published by Counter Editions, London, the full sheet, 299 x 224mm (11 3/4 x 8 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Damien Hirst (British, born 1965)Providence, 2009 Etching and aquatint printed in colours, 2009, on wove, signed and numbered 17/45 in pencil, published by Other Criteria, London, with the artist's inkstamp, with full margins, 473 x 391mm (18 5/8 x 15 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Ben Nicholson O.M. (British, 1894-1982)Palaestra (Lafranca 28) Etching printed with tone, 1966, on wove, inscribed 'bon a tirer BN' in pencil, a bon à tirer impression before the numbered edition of 50, printed by François Lafranca, co-published by Ganymed Original Editions and Marlborough Fine Art, London, with the Lafranca blindstamp, with full margins, 323 x 372mm (12 5/8 x 14 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Wilhelmina Barns-Graham C.B.E. (British, 1912-2004)Six Lines Etching printed in sanguine, 2002, on wove, signed, dated and numbered 06/70 in pencil, printed by Graal Press, Edinburgh, with margins, 193 x 265mm (7 5/8 x 10 3/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Leon Kossoff (British, 1926-2019)Chaim Etching, drypoint and aquatint printed with plate tone, 1990, on wove, signed, titled, dated and inscribed 'A/P' in pencil, an artist's proof, with margins, 133 x 95mm (5 1/4 x 3 3/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Walton Ford (American, born 1960)Limed Blossoms (Deluxe Edition) Etching and aquatint printed in colours, 2007, on wove, signed, dated and numbered 65/100 in pencil, from the deluxe edition, printed by Wingate Studio, New Hampshire, published by Taschen, New York, with the printer's blindstamp, with full margins, loose as issued, housed in the original brown cloth-covered slipcase, 468 x 354mm (18 3/8 x 14in)(SH); together with the accompanying book 'Walton Ford: Pancha Tantra', additionally stamp-numbered '0065' and signed in black ink on the title page, all housed in the original brown cloth-covered solander box, overall size 552 x 425 x 85mm (21 3/4 x 16 3/4 x 3 3/8in)(Folio)(2)For further information on this lot please visit Bonhams.com
Jan van der Velde II (Dutch, 1593-1641)River landscape with travellers on a road Etching after Gerrit van der Horst, 1628, a strong impression, with the address of C.Visscher, on laid, with watermark of Fleur-de-lys on a crest (M.122), with margins, with ink inscription in the lower plate, plate 200 x 292mm; together with Jan van Londerseel after David Vickboons Parable of the owner of the vineyard (H.22), on laid, trimmed inside the plate, with made-up red ink border around the image, sheet 428 x 528mm (16.85 x 20.78 inches)(unframed)(2)For further information on this lot please visit Bonhams.com
Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figure: Point (Cramer 425) Etching and aquatint printed in colours, 1976, on wove, signed and numbered 40/100 in pencil, printed and published by Il Bisonte, Florence, with full margins, 168 x 245mm (6 5/8 x 9 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Henry Moore O.M., C.H. (British, 1898-1986)Four Mother and Child Studies (Cramer 442) Etching and aquatint printed in colours, 1976, on wove, signed and numbered 52/100 in pencil, printed and published by Il Bisonte, Florence, with margins, 329 x 245mm (13 x 9 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Henry Moore O.M., C.H. (British, 1898-1986)Sheep, Back View, plate 10 from 'Sheep Album' (Cramer 200) Etching printed in black, 1972, on handmade wove with the artist's watermark, signed, inscribed 'PL. X' and numbered 47/80 in pencil, printed by Lacourière et Frelaut, Paris, published by Gérald Cramer, Geneva, with full margins, 302 x 380mm (11 7/8 x 15in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Rembrandt Harmensz van Rijn (1606-1669)Joseph telling his dreams (Bartsch 27; New Hollstein 167) Etching, 1638, on laid, New Hollstein's fourth state of six, trimmed to the platemark at upper and left edges, otherwise with thread margins, 110 x 83mm (4 3/8 x 3 1/2in)(PL)(unframed)For further information on this lot please visit Bonhams.com
Victor Pasmore R.A. (British, 1908-1998)Stromboli (Lynton 85) Etching and aquatint printed in colours, 1980, on wove, signed, dated and numbered 33/90 in pencil, printed and published by 2RC, Rome, with their blindstamp, with full margins, 720 x 1420mm (28 3/8 x 55 7/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Victor Pasmore R.A. (British, 1908-1998)Harmony of Opposites Etching and aquatint printed in colours, 1995, chine collé on wove, signed and numbered 25/35 in pencil, with full margins, 430 x 610mm (16 7/8 x 24in)(PL)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Rembrandt Harmensz van Rijn (1606-1669)The Star of the Kings: A Night Piece (Bartsch 113; New Hollstein 263) Etching with touches of drypoint, circa 1652, on laid, New Hollstein's third state (of four), with narrow margins; together with The Tribute Money (B.68; NH.138), etching with touches of drypoint, circa 1634, on wove, New Hollstein's final fourth state, with thread margins; and The Agony in the Garden (B.75; NH.269), etching and drypoint, 1657, on wove, New Hollstein's third, final state, trimmed to the platemark, 94 x 143mm (3 5/8 x 5 5/8in)(PL)(unframed)(3)For further information on this lot please visit Bonhams.com
Giovanni Battista Piranesi (Italian, 1720-1778)The Man on the Rack, from 'Carceri d'Invenzione' Etching with engraving, 1761, on heavy laid paper, with watermark Fleur-de-Lys in a circle surmounted by a Crown (Robison 20), a very good impression of Robison's fifth state (of six), the fourth issue, from the Second Edition (mid to late 1770s), or an early printing from the Third Edition (1778-1799), with the central vertical fold, with margins, 642 x 495mm (25 1/4 x 19 1/2in)(SH); together with 'The Drawbridge' (Robison 33), etching with engraving, 1749-60, on heavy wove paper, a posthumous impression of Robison's sixth and final state, Fifth (Firmin Didot, 1835-1839) to Sixth Edition (1839-c.1940), with the number 355 added to the upper left of the print, with margins, 620 x 482mm (24 3/8 x 19in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Foliate Head, plate I from 'Eightieth Anniversary Portfolio' (Levinson 354) Etching and screenprint in colours, 1983, on wove, signed and numbered 16/75 in pencil, printed by Kelpra Studio, London, published by Orde Levinson, with the printer's blindstamp, with margins, 450 x 651mm (17 3/4 x 25 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
James Gillray (British, 1756-1815)The Bridal-Night (BM 9014) Etching and aquatint with hand-colouring, 1797, on laid, published by H. Humphrey, London, with margins, 341 x 486mm (13 3/8 x 19 1/8in)(SH)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Old Church of Mynachlogddu (Levinson 399) Etching and aquatint printed in colours, 1987, on wove, signed and numbered 61/70 in pencil, printed by Kelpra Studio, London, published by Orde Levinson, with margins, 395 x 534mm (15 1/2 x 21in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Yellow Flowers (Levinson 392) Etching and aquatint printed in colours, 1987, on wove, signed and numbered 47/100 in pencil, printed by Kelpra Studio, London, published by CCA Galleries, London, with margins, 407 x 550mm (16 x 21 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Dahlias and Ferns (Levinson 391) Etching and aquatint printed in colours, 1987, on wove, signed and numbered 53/100 in pencil, printed by Kelpra Studio, London, published by CCA Galleries, London, with the printer's blindstamp, with margins, 405 x 550mm (15 7/8 x 21 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Terry Frost R.A. (British, 1915-2003)Zeus Light (Kemp 150) Etching and aquatint printed in colours, 1996, on wove, signed, dated and numbered 44/45 in pencil, printed by Stoneman Graphics, Cornwall, co-published by the artist and Stoneman Graphics, Cornwall, with full margins, 480 x 450mm (18 7/8 x 17 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Hoyland R.A. (British, 1934-2011)Tembi Etching and aquatint printed in colours, 1980, on wove, signed, dated and inscribed 'Brians Proof' in pencil, a proof aside from the numbered edition of 60, printed by Kelpra Studio, London, published by Waddington Graphics, London, with the printer's blindstamp, with full margins, 682 x 923mm (26 7/8 x 36 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Georges Rouault (French, 1871-1958)Amer Citron, from 'Cirque de l'Etoile Filante' (Chapon/Rouault 242) Etching and aquatint printed in colours, 1934-5, on Vergé de Montval laid, from the total edition of 280, printed by Lacourière, Paris, published by Ambroise Vollard, Paris, 1938, with full margins, 447 x 342mm (17 5/8 x 13 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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