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78475 Los(e)/Seite
Los 165
Albany E Howarth ARE (British 1872-1936) 'The Choir, Screen Toledo' & 'Notre Dame, Paris, The Rose Window' Pair of etchings, signed in pencil, 68 x 45cm, together with a etching map of Brechin and David Adam SSA (Scottish b.1956) 'Brechin High Street', etching, signed in pencil, 17 x 21cm (4)
Los 187
Nathaniel Buck: four 18th century engravings depicting various castles, comprising; The South West View of Ruthin Castle, two of Denbigh castle, one Rhuddlan, each 28 by 48cm, together with Alan Adam, Linlithgow Palace Gateway etching, 13 by 16cm, and an 18th century William Hogarth print titled Paul Before Felix. (6)
Los 161
Henry Rushbury, two black and white etchings, town scenes with buildings and figures, 6ins x 12ins and 10ins x 13ins, together with W Douglas Macleod, black and white etching, woman washing clothes in a river, 5.5ins x 9.5ins and a pencil sketch, Continental town scene, indistinctly signed, 10ins x 8ins
Los 502
§ Robin Tanner (British, 1904-1988) Christmas, signed centre bottom "Robin Tanner", etching on wove paper, 38 x 33cm; and The Meadow Stile, Kington Langley, signed centre bottom "Robin Tanner fec et imp", etching, 28 x 23cm (2) The Meadow Stile - a little discolouration to the cream edges, and the watermark on the paper can be seen lower right-hand corner. Christmas -
Los 503
§ Leonard Russell Squirrell (British, 1893-1979) The Guildhall, Lavenham, Suffolk signed lower right "Leonard Squirrell" and with another by Albert Goethals (Belgian, 1885-1973), Continental market square, etc. etching (2) 20 x 24cm (8 x 9in) A little browning where the mount is, otherwise fine.
Los 640
Abraham Hogenburg, after Wentzel Hollar Study of a Courtier signed within the print "Wentzel Hollar Sculp / Abraham Hogenberg exc" etching 14 x 18½cm (5 x 7in) Provenance: From the collection of the late Christopher Hogwood, CBE Looks to be stuck down on all four corners. Trimmed and browned.
Los 5250
Pete Matthew, Briar Wood No2 signed, limited edition 24/30 etching; A pair, Cottages in the hills, a coastal town, signed, dated 1968 and 1969, watercolour; A signed engraving; a signed print (2); Barbara C. Shaw, Twentieth century, a pair, Moorland Walk Haworth; Kilsey Cray, signed and titled to verso, oil on board (2); English school, 20th century, The Harbour at Dover, oil on board; Geoffry Web, Twentieth century Tempera, Col de la Haute, Maritime Alps, signed and titled to verso, Acrylic; Guy Stokes, contemporary, A Garden Lake, signed, signed and dated 1987 to verso, oil;H. Fletcher, Twentieth century, Lake in the Mountains, signed, dated 1900, watercolour; Art Journals - Victorian, 1866, 1860, 1867 and 1872 (4)
Los 372
THE RELIGIOUS CEREMONIES AND CUSTOMS OF THE SEVERAL NATIONS OF THE KNOWN WORLD, VOLUMES 1-7PICART, Bernard (German, 1673-1733), The Religious Ceremonies and Customs of the Several Nations of the Known World. Represented in a Hundred Copper-Plates, designed by the famous Picart. Together with historical explanations, and several curious dissertations.... London: printed for Nicholas Prevost, 1731-1737. 7 volumes in 6 books. Folio (415 x 265 mm). Contemporary calf binding. Spine with gilded embossed letters and six raised bands. First English edition. 225 plates by Bernard Picart on separate pages (some folding). Titles printed in red and black with engraved vignettes.LOT NOTES:Bernard Picart presented to the reader various Catholic and Protestant ceremonies on par with religious rites of the followers of Confucius and Buddhists from China and Japan, Indian Fire-worshipers and Yogi, South American Pagan Indians, and Christian Orthodox sacramentals, as well as aboriginal Shaman spells of Siberia and Canada. He described a wide variety of religious ceremonies that conduct a person throughout life: in birth, marriage, sacrifice, sortilege, and funeral. A separate chapter was dedicated to the Court of the Inquisition. The issue is a valuable historic source that reveals religious and everyday life of the West European Jews in the 17-18 Centuries. Picart's publication had great success thanks to his general religious tolerance and objective judgment.LITERATURE: P. Kristeller, History of European Etching of 15-18 Centuries, (Moscow: Iskusstvo, 1939);A. Sevostianov The Masterpieces of European Illustration, (Moscow: Terra, 1996);M. Shelkunov The Art of Book Printing, (Moscow - Saint Petersburg: GIZ, 1926).
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78475 Los(e)/Seite