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Preisdatenbank abonnierenMichael Fairclough (British 1940-): Dunstanburgh Castle, aquatint signed and numbered 292/295 in pencil, together with two watercolours by Robert Tucker (British 1807-1891), etching by Albany E Howarth, and two watercolours one signed Alec Wright the other indistinctly signed with monagram (6)
A collection of various loose works comprising, David Young Cameron, Perth Bridge, drypoint etching (19.5cmx28cm), David Young Cameron, Arran, drypoint etching (14.5cmx27cm), Early Morning print, printed by Douglas Cameron (32cmx50cm) and Holmon Hunt, One the Hill Side print. (33.5cmx41cm) (4)
'Irish dwarf'.- Gravelot (Hubert François, 1699-1773), After. Owen Farrel the Irish Dwarf, engraved portrait with etching by James Hulett, sheet 380 x 228mm., trimmed to just within platemark, very short split to upper margin, some spotting or light staining, lightly browned, little chipping, tipped-in to card at corners and middle, James Hulett, 'Publish'd May ye 27th 1742.'. *** Rare. Farrel was born in County Cavan in 1716. After being in service to a Colonel in Dublin he toured with a show, and then arrived in London, where he begged. Before his death he sold his body to the surgeon Mr. Omerod, who upon the former's death prepared his skeleton, which found its way into the museum of the Duke of Richmond. We note that the Wellcome and Yale copies of the print are similarly trimmed.
CUNNINGHAME GRAHAM R. B. The District of Mentith. Ltd. ed. deluxe 60/250, signed by the author & the illustrator, D. Y. Cameron. With a slipped in orig. etching by Cameron & plates being reproductions of his wash drawings. Quarto. Leather backed brown cloth with title label, light damp stng. & some wear & rubbing, in torn d.w. but contents clean. Stirling, 1930; also A. F. Hutchison, The Lake of Mentith, Its Islands & Vicinity, subscribers list, illus. by Walter Bain, orig. dark cloth in d.w., Stirling, 1899, with a slipped in envelope of photographic views of the Lake of Mentith & Vicinity.
Andre Bicat (French, 1909-1996) Female form abstract,signed in pencil - numbered edition 20/25etching and aquatint38.5cm x 29cm;with a further etching and aquatint of a green and blue abstract composition, signed in pencil, numbered edition 23/30, 39cm x 29cm; and a signed print, numbered edition 25/25, 28cm x 22cm, both by the same hand (3)largest frame size: 55cm x 45cm
Frank Potter (British, 1887-1958) London bomb crater, rebuilding.signed in pencil lower rightetching laid down on board39cm x 34cm (sheet size)unframedPainter born in Stoke Newington, London, the son of a printer and publisher, signed in pencil lower right, beyond the press mark "Frank Potter". 35 x 30cm to the press mark.Laid down board size: 47cm x 41.5cm
William Strang RA RPE (Scottish, 1859-1921) Jobsigned 'Wm Strang' in pencil to margin and further inscribed 'David Strang imp.'signed in the plate 'WStrang'etching25 x 17.5cmThe sheet is in a clean condition with no visible signs of foxing or spotting. The paper has some very minor yellowing. The pencil signature is clean and clear, foun lower right. There are no visible signs of tears or rips to the paper. This etching has not been examined outside the frame.The etching is framed and glazed.
20th Century Modern School Vanessa - Female nudesigned in pencil - numbered edition 12/25 etching and aquatint17cm x 14cm;with a further signed in pencil etching and aquatint, titled 'The Temperate House' - Kew Gardens, 36cm x 25cm; and a signed acrylic on paper depicting a street scene with a post box and church in the distance, (unglazed), 28cm x 20cm (3)
After Richard Cosway, engraved by John Conde, Mrs Fitzherbert, coloured engraving, the entire 43 x 35cm, published 1792 and Robert Dighton the Elder (1741-1814) , Old Q-UIZ., the old GOAT of Piccadilly (), etching, 25 x 21cm, published 25th February 1796, red ink title subject The Duke of Queensbury to lower right at margin, framed and glazed (2)
Gillray, James. 1805 Uncorking Old Sherry. Published March 10th 1805 by H. Humphrey St. James Street London. An early 19th century hand-coloured satirical etching on wove paper. Some age-toning, hand colouring remaining bright, orig. margins intact. Depicting William Pitt uncorking a bottle containing Richard Brinsley Sheridan, with his 'stale jokes' and 'stolen jests' bursting forth. Mounted, framed & glazed.Measures approx. 36.8cm x 26.6cm, 53cm x 41cm to include frame.
JAMES JACQUES JOSEPH TISSOT (1836-1902). PROMENADE DANS LA NEIGE (Wentworth 48). Etching with drypoint, 1880, from the edition of 100, with printed text from Keats (`She will bring in spite of frost/ Beauties that the earth hath lost`) Image 52.7 x 26cm. *CR Foxing and scattered damp stains; faint creases within image in white background on left.
William Walcot (1874-1943) 'Berkeley Square, London', etching, signed in pencil lower right, unframed, 22cm x 34cm, 'Euston Road, St Pancras', etching, signed in pencil lower right, unframed, 22cm x 34.5cm, 'View of the Thames', etching, signed in pencil lower right, unframed, 26cm x 41cm and 'Portland Place, London', etching, signed in pencil lower right, unframed, 23cm x 33cm (4) All are unframed, two are mounted. With minimal marks and slight discolouration, otherwise seems ok.
William Walcot (1874-1943) 'Marble Arch, London', etching, signed in pencil lower right, 14.5cm x 23cm, 'Portland Place', etching, signed in pencil lower right, 17cm x 24cm, 'Cornhill, Royal Exchange', etching, signed in pencil lower right, 18cm x 20cm and 'Berkeley Square', etching, signed in pencil lower right, 16cm x 23cm (4) Overall ok with minimal display wear to the frames as expected.
Walter Francis Crittall (1887-1956) 'Old Farm, Walberswick, Suffolk', etching, signed in pencil lower right, unframed,14cm x 23cm and one other by the same artist 'Blythburgh', etching, signed in pen lower margin, unframed, 22.5cm x 28.5cm (2) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Rudolf Helmut Sauter (1895-1977) oil still life vase of flowers in a window, signed lower right 41 x 43cm, together with an oil on panel possibly Venice, signed lower right 18.5 x 27cm, pastel study of figures on a beach, signed lower left, study still life flower in a Chinese vase, signed to lower edge and eleven further watercolours and prints including an etching and a likely pen and ink study of a windmill under repair
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