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Lot 128
Western Models 1:43 scale white metal models, two including ref WMS70 1960 Dodge Polara; ref WMS64 1957 Dodge Custom Royal Lancer, both boxed. Qty: 2Condition report:Dodge Polara = paint is good, the wing mirror is complete loose in a small packet, there is some slight glue residue to the top of the windscreen. Box has a small tear to the corner.Dodge Custom = The roof and side wings are a little grubby, there is a little glue residue to one of the back wing lights. Some very light metal tarnishing to the corner areas. Box is good.
Lot 270
Quantity of Airfix, Revell, and other boxed scale model kits to include; Spad XIII, Thunderbolt Republic P-47D, Corsair F4U-1, Hawker Hurricane Mk I, Supermarine Spitfire VB, Aleutia Tiger, P-51D Mustang Inpact Kits 'Those Magnificent Flying Machines' Bristol Boxkite, etc. Contents unchecked, sold as seen
Lot 5696
OO / HO Track, Kits and Accessories to include Dapol 2 x C030 Travelling Dockside Crane Kit, C005 Water Tower Kit, Wills SS12 Station Garage with Pumps, SS16 Weighbridge and Hut, Metcalfe P0213 Engine Shed Kit, P0232 Goods Shed Kit, P0222 Coaling Stage and P0227 Water Tower and Sand House Kit, Langley Miniature Models F36P pack of painted Morris Dancers and Musicians, other accessories comprise wooden Railway Workshop, pack of brick loads in blocks and 2 x Juweela packs of individual bricks all in OO scale, all are unopened and look in Excellent condition in original packaging, track by Hornby Railways comprises R/H point, small quantity of 1st, 2nd and 3rd radius curves, double straights, half straights plus 2 x Water Cranes, Bachmann Speed Controller (untested) and Faller HO B945 Colliery Headstock Kit (unchecked for completeness) but looks in Good condition in original box. (Qty)
Lot 5716
OO Gauge Locos and Rolling Stock by various manufacturers including Triang, Hornby Railways, Lima and others to include 4-4-0 Triang BR green L1 Class Loco No.31757, Lima 2 x Tank Locos (J50 No.68920 and HO Scale 0-6-0 LMS 4F Class No.4547), conditions are Fair to Good, Rolling Stock includes crimson and cream 57' Composite (one side is faded), 2 x repainted Coaches in BR maroon and SR green, Lima brown and cream Mk.1 Full Brake, Goods Wagons include 4 x Tankers, 3 x Private Owner Opens, various Box Vans, Cattle Van, 2 x Brake Van, plus open wagons, conditions are Fair to Good along with 5 x Hornby Dublo Horse Boxes with doors missing and various flat wagons, conditions range from Poor to Good. (60+)
Lot 5397
Wrenn W2294 4-6-2 LMS photographic grey Princess Coronation Class Loco No.6234 "Duchess of Abercorn", loco is fitted with larger scale driving wheels, very minor rusting to 2 tender axles, condition Excellent to Excellent Plus in generally Good original box lid with crushing to both top corners and complete with instruction booklet but base is a replacement.
Lot 5317
Bachmann N Gauge Limited Edition 25 Year (1989 to 2014) N Scale Models to include 4-6-0 Loco and Tender BR lined green Jubilee Class "Silver Jubilee" No.45552 together with Class 47 BR blue livery Diesel Locomotive with Union Flag to sides and No.47164 together with limited edition certificate No.213 of 500 sets produced and complete with etched brass nameplates. Contents Excellent Plus in wooden presentation box with outer mailer.
Lot 5464
Scratch and Commercially built Gauge 1 Great Northern Railway Bogie Box Van in brown with GN lettering in white to van sides and numbered 56522. Van fitted with Bing / Bassett-Lowke style bogies, finer scale wheels. Marked to the underside Great Northern Railway 30-ton Box Van - Built November 1976 by P Dunkley. Overall Excellent.
Lot 5377
Triang TT Train Set and Trackwork comprising TA Passenger Set containing 0-6-0 BR black Jinty Tank Loco No.47607 (number and totem decals beginning to wear), 2 x BR maroon Suburban Coaches (Composite and Brake) along with oval of brown track along with plastic battery box, conditions Fair to Good in Fair to Good box base with insert but lid is Poor with split corners and sides, quantity of unboxed brown track including 3 x L/H points, 4 x R/H points, various curved and straight sections plus half curves and half straights along with terminal rail and uncoupling rail, plus double track level crossing with no gates and 3 x brown sleepered buffer stops, Triang P5 controller (untested) but is in original box, also in lot 2 x OO Scale plastic station book stalls and 2 x Lineside Huts (unknown make), conditions Fair. (qty)
Lot 5642
OO Gauge Triang / Hornby Coaches 6 x brown and cream Pullman Cars (5 x 1st and 1 x Brake), 4 x maroon Operating Mail Coach, maroon Utility Van, 2 x maroon Coaches (Composite and Restaurant Car), 9 x crimson and cream Coaches including Restaurant Car, Brakes and Composite, 4 x Scale length Coaches 2 x Great Western brown and cream (Brake Composite and Composite), 2 x Brake 2nd Mk.1 type (green and crimson and cream), conditions range from Fair to Good. (26)
Lot 5692
Miscellaneous Railway items comprising OO Gauge Bachmann 32-151A 2-6-0 BR lined black N Class Loco No.31816, condition Good Plus to Excellent in Good Plus box, Triang Railways R224 crimson and cream Restaurant Car, condition Good in Fair box, Hornby Railways blue/grey Operating Mail Coach, condition Good. Also in lot H&M Clipper Controller (untested but looks in Good condition in original box) and Kitmaster No.20 TT Scale maroon 2nd Class Corridor Coach kit (box still manufacturer shrink wrapped) and therefore assumed Mint in Excellent box. (5)
Lot 5395
Wrenn W2242 2-6-4 LMS lined maroon Princess Coronation Class Loco No.6247 "City of Liverpool" and fitted with large scale driving wheels, tender has full lining to sides and over curve to coal section, condition Near Mint in replacement Wrenn box with typed labels to both ends and reproduction stamp to base.
Lot 483
Modern toys Britains 1/16th scale Big Farm remote control John Deere 6430 tractor No. 42518 and Square Baler No. 4168 (2), Maplin Forklift Challenge radio control No. N87GA, Hess Toy Truck and Helicopter battery-operated, plus pair of laminated Lamborghini Diablo and Ferrari 355 posters, generally excellent in good or better boxes (some cellophane tears). Contents unchecked for completeness or correctness and untested. Viewing recommended. Qty 5+posters (2B)
Lot 39
Sir Frank Bowling R.A. (British, born 1934)Untitled acrylic and collage on canvas60.9 x 91.5 cm. (24 x 36 in.)Footnotes:ProvenanceThe Artist, by whom gifted to the parents of the present owner, circa 1978, thence by family descentPrivate Collection, U.K.Born in what was then British Guyana in 1934, Frank Bowling moved to London aged 19 and after a few years was accepted to study at the Royal College of Art. There he became part of the fabled generation of students (enrolled 1959-1962) whose emergence announced a shift in the prevailing fashion from 1950s abstraction to 1960s pop. His fellow students included Derek Boshier, Pauline Boty, David Hockney, Allen Jones, R.B. Kitaj and Peter Phillips. Bowling achieved success rapidly with a solo exhibition mounted at the Grabowski Gallery the year he graduated, from which the Arts Council purchased the canvas Birthday (1962), and he was subsequently selected for inclusion in the era-defining photobook Private-View compiled by Bryan Robertson and John Russell in 1965.Throughout the late 1960s his work embraced a hard-edged pop aesthetic in which dazzling slabs of colour fuse with text, pin-up and screen-printed imagery. Yet Bowling yearned for development. He had first visited New York in 1964 where he met Jasper Johns and Larry Rivers and two years later he relocated to the city. There he quickly began exhibiting with Terry Dintenfass, and before long received the Guggenheim fellowship, allowing him to take a large studio in SoHo. His immersion in New York's colour field painting gave rise to his highly regarded 'Maps' series (1966-1971) in which Bowling combined his by then abstract approach with political and personal concerns. Massive in scale (some span more than 6 meters) they present forms representative of continents, hovering in front of shimmering fields of stained colour. These works featured prominently in his first solo institutional show, staged at the Whitney Museum of American Art in 1971 (when Bowling was aged 37), to much acclaim.Ever the progressive, his practice developed further in 1973 when he first developed his 'poured' painting method. In his studio Bowling built a wooden platform on which a canvas would be supported. This could then be tilted to allow for the paint, poured from a height, to run down the canvas in a controlled manner. Whilst managing the palette to some extent, this technique purposefully allowed for an element of automatism to enter his work. Curator of the recent and highly celebrated Tate retrospective, Elena Crippa, elaborates; 'Bowling's was the pursuit of an organic interplay between line and medium, so that structure would not be imposed on the unruly plasticity of paint, but found and adopted through the process of making' (Elena Crippa, Frank Bowling, exh.cat., Tate Publishing, London, 2019, p.51). This process encapsulates Bowling's fascination with challenging the accepted conventions of painting, which can be traced right from his early works through to his present practice.In 1975 Bowling returned to London, which would act as his primary base for the next fifteen years. Working at first from a studio above St. Anselm's Church in Kennington, he continued to develop his 'poured' paintings. Whilst the 'Maps' series that immediately proceeded them addressed Bowling's global concerns, the poured paintings from the mid-70s are arguably more personal. Many derive their title from Guyanese locations such as Potaroway (1975, sold in these rooms on 30th June 2021 for £237,750), which takes its name from the Potaro, the vast river which winds its way 140 miles east from its source at Mount Ayanganna. Similarly, the Government Art Collection's Kaieteurtoo (1975) titled after the famous waterfall situated on the Potaro, and Bartica Bressary (1978-9, Private Collection) named after Bowling's birth town.Seen here in public for the first time since its gifting to the present owner's parents in the late 1970s, Untitled is an intriguing example of the artist's painting technique and sparkles with interest. Bowling demonstrates his mastery of colour with a fusion of orange, yellow, pink and green, brought together with an assured command of flow, density and contrast across the canvas. As with the aforementioned Potaroway, Bowling has adopted a horizontal composition rather than his more common vertical format and and a sense of defined landscape emerges from his action led process. In 1987 Bowling made history as the first artist of afro-Caribbean descent to have their work enter the Tate Collection and again in 2005 when he was elected the first black Royal Academician in the institution's history. Sir Frank Bowling was awarded a knighthood in the Queen's birthday honours, 2020, aged 86.We are grateful to the Frank Bowling Studio for their assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 40
Robyn Denny (British, 1930-2014)Sweet Nature I signed and dated 'Denny '76-77.' (verso); further signed, titled and dated again 'Robyn Denny/'SWEET NATURE I'/1976-7.' (on the stretcher)oil on canvas198 x 213.4 cm. (77 7/8 x 84 in.)(unframed)Footnotes:ProvenanceWith Waddington Galleries, LondonBlair DicksonSale; Sotheby's, Chicago, 17 October 2001, lot 1617Sale; Christie's, London, 23 November 2017, lot 280, where purchased by the present ownerPrivate Collection, U.K.Robyn Denny is one of British abstract art's great masters. His body of work, spanning from the late 1950s through to his final series in 2009, exhibits an idiosyncratic practice which is both cerebral and intuitive in equal parts.Born in Surrey in 1930 and a graduate from the Royal College of Art in 1957, Denny enjoyed a prodigious ascension through the ranks of the vibrant 1960s London art scene. A participant in the era-defining Situation exhibition, he would go on to represent the U.K. at the 1966 Venice Biennale (alongside Anthony Caro, Harold Cohen, Bernard Cohen, and Richard Smith) and in 1973 he became the youngest living artist to be given a Tate retrospective.Denny's paintings of the 1960s and 1970s each feature combinations of block geometrical, often rectilinear, forms and strips. Executed in precise flat application, these large canvases are specifically designed to out-scale, just, the height and span of the human frame - resulting in an all-encompassing but not overwhelming viewing experience. The present canvas is the first in Denny's Sweet Nature series, many of which were showcased at the Waddington Galleries in 1977 and were exemplary of the recent developments in Denny's output. Composed of three primary colours in rich intensity, the canvas showcases a shift in Denny's colour use. Many of his earlier works are confined to low note and harmonious dusk tones, but here high contrast colour is confidently employed. The catalyst for this shift is undoubtedly the vivid construction works of American artist Charles Biederman, an artist who Denny admired greatly, having curated an exhibition on Biederman for the Arts Council in 1969. Archetypal of the series, Sweet Nature I is horizontal in format and composition, again a departure for Denny whose earlier canvases often prescribed an upright reading. The forms within the work are unanchored to the picture's edges and the yellow tendrils sprawl asymmetrically from a central geometrical blue hub. Denny is an artist whose practice often revelled in the urban, with influences from city and pop culture prevalent in his 1960s output. However here the landscape format coupled with a design that is organic in comparison to prior examples, introduces a somewhat natural element, a point underlined by the artist with the title Sweet Nature.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 38
Sean Scully R.A. (Irish, born 1945)London 6.9.01 signed, titled and dated 'London. Sean Scully 6.9.01' (lower right)pastel76.2 x 55.9 cm. (30 x 22 1/8 in.)Footnotes:ProvenanceWith Ingleby Gallery, Edinburgh, 2001, where acquired by the family of the present ownerPrivate Collection, U.K.ExhibitedEdinburgh, Ingleby Gallery, Sean Scully, 1 August-15 September 2001Edinburgh, Ingleby Gallery, Twenty Five, 28 January-31 March 2023Though Irish-born, Scully spent the formative years of his career living and working in the London of the present work's title until he emigrated to the United States in 1975, a place where he felt art was 'taken seriously' (Sean Scully, quoted in C. Bray, 'Sean Scully: In Search of the Light', in Art World, Issue 7, October/November 2008, p.48). Here, he helped lead the transition from Minimalism to Emotional Abstraction in painting, abandoning the reduced vocabulary of Minimalism in favour of a return to metaphor and spirituality in art. But it was trips to Morocco in the 1960s, and later Mexico in the 1980s, where his imagination was ignited by the sight of strips of dyed wool hanging out to dry, coloured tiles, fading facades and rich kilim carpets that acted as a foundation stone for the artists lifelong obsession with the stripe.London 6.9.01 is a prime example of the interlocking bands and tonal gradation that is quintessential Scully at the height of his artistic power. In the present work, three dense background bands of blue, black and red cohabit easily but do so without giving up their identities. Layered on top is a picture within a picture, a smaller inset or 'window' of five vertical stripes of ochre and russet. The positioning of narrow vertical stripes set into a background of broader horizontal stripes invite the viewer to move forward and backward, introducing a physical and emotional dynamism. Here is an abstraction that encourages dialogue and Scully has regularly cited the 'spiritual' aspect of his oeuvre, commenting that he 'is trying to get at deep emotions through simple forms' (Irish Arts Review, Spring 2006, p.75). The present example on paper is executed on a large scale and speaking to the immediacy of the medium, the artist said 'Pastel is like putting makeup on. There is a dust on the paper, which I rub in. I push it right into the paper with a piece of cloth or paper. Once it's embedded into the surface, I fix it. And then I work it up, adding a layer, fixing it, adding another layer, fixing it again, and so on until the pastel starts to stand up a little from the paper. At a certain point, if you keep pushing, you start taking it off. So you have to give in' (Sean Scully, quoted in M. Poirier, Sean Scully, New York, 1990 p.143).Scully is one of the foremost artists of his generation with art critic Arthur Danto confirming 'Sean Scully's name belongs on the shortest of short lists of the major painters of our time' (Arthur C. Danto, 'Sean Scully', Unnatural Wonders: Essays from the Gap Between Art and Life, Columbia University Press, New York, 2005). His work is housed in some of the most prominent public and private collections worldwide including Metropolitan Museum of Art, New York; Guggenheim Museum, New York; Tate Gallery, London; Arts Council of Great Britain, London and Irish Museum of Modern Art, Dublin, among others.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 68
Breitling. A fine limited edition 18K rose gold automatic calendar chronograph wristwatchModel: NavitimerReference: RB0127, No.12/200Date: Circa 2015Movement: 47-jewel Cal.B01 automatic, No.3151235Dial: Black, applied luminous tipped gilt baton hour markers, outer 1/5th second, base and tachymetre markers, bi-directional inner slide rule scale, date aperture between 4 and 5, silvered subsidiary dials at 6, 9 and 12 for seconds, 30 minute and 12 hour recording, gilt pointed baton hands with luminous inserts, centre red arrow tipped chronograph handCase: Polished round, screw down exhibition back, crown flanked by twin chronograph pushers, No.3151235Strap/Bracelet: Black Breitling alligator leatherBuckle/Clasp: Signed 18K rose gold buckleSigned: Case, dial & movementSize: 46mmFootnotes:The Navitimer, introduced in 1952, was designed as a navigation tool for aircraft pilots, the slide-rule bezel used to gauge the remaining distance and fuel consumption during flight.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
Lot 72
Rolex. A fine stainless steel and white gold automatic annual calendar bracelet watch with dual time zoneModel: Sky-DwellerReference: 326934Date: Purchased 26th February 2020Movement: 40-jewel Cal.9001 automaticDial: White, applied luminous baton hour markers, black outer minute divisions with dual hour indication set within 5 minute markers, inner 24-hour scale, magnified date aperture at 3, polished baton hands with luminous inserts, centre secondsCase: Brushed and polished tonneau form, screw down back and crown, white gold fluted bezel adjustable to 3 positions to set day and time functions, No.2384N5D0Strap/Bracelet: Brushed and polished Oyster linkBuckle/Clasp: Signed folding claspSigned: Case, dial & movementSize: 42mm Accompaniments: Rolex box, outer card, International Guarantee, brochures, swing tagsFootnotes:The Sky Dweller was launched in 2012 to much excitement amongst the watch collecting community being the first new model Rolex had released for nearly 20 years. The Sky-Dweller features both dual time and an annual calendar. The dual time is registered via the inverted red triangle below 12 which points to the hour of an off-set 24-hour display.To set the watch you rotate the bezel to one of three positions to select date, local time or home time. Then, using the crown you set the function to the relevant time or date.For further information on this lot please visit Bonhams.com
Lot 85
Breitling for Bentley. A fine Special Edition 18K gold automatic calendar chronograph wristwatchModel: B06Reference: RB0611, No.99Date: Purchased 25th July 2016Movement: 47-jewel automatic, No.4310205Dial: Black, semi skeletonised, applied gilt baton hour markers with luminous tips, gilt outer 1/5th second divisions, red inner 30 second divisions, raised outer slide rule scale, subsidiary dials at 3, 6 and 9 for seconds, 15 minute and 6 hour recording, date aperture between 4 and 5, gilt pointed baton hands with luminous inserts, red tipped centre chronograph handCase: Brushed and polished tonneau form, screw down exhibition back, crown flanked by twin chronograph pushers, textured bi-directional bezel, No.4310205Strap/Bracelet: Black Breguet alligator leatherBuckle/Clasp: Signed 18K gold buckleSigned: Case, dial & movementSize: 49mm Accompaniments: Breitling travel case, outer card, Attestation De Chronometre, brochures, International WarrantyFootnotes:The present lot superbly demonstrates a much admired collaboration between haute horology and automobile production and a partnership that is committed to quality and luxury craftsmanship. Breitling for Bentley uses the design points from both companies to create an unusual striking watch, unmistakable from any other.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
Lot 1275
GIGAS, Johannes(1582 Lüdge - 1637 Münster) Karte des Hochstifts PaderbornKolorierter Kupferstich. Ca. 1620 - 1635.Druckplatte: 38 x 50 cm, Blatt: 51,3 x 58,7 cm. Fein kolorierte historische Karte des Hochstifts Paderborn, mit Rollwerk-Titelkartusche "Paderbornensis Episcopatius Descriptio Nova [...]" und Kartusche mit Maßstab, verso mit Begleittext in spanischer Sprache; verlegt bei Guiljelmus Blaeuw (=Willem Janszoon Blaeu) in Amsterdam Bugfalte, Abbildung lichtgebräunt, griffspurig, oben rechts mit Hinterklebung.Deutscher Kartograf, Mediziner, Mathematiker und Physiker. GIGAS, Johannes(1582 Lüdge - 1637 Münster) Map of the High Collegiate PaderbornColored copperplate engraving. Ca. 1620 - 1635.Printing plate: 38 x 50 cm, sheet: 51.3 x 58.7 cm.Fine colored historical map of the High Diocese of Paderborn, with scrollwork title cartouche "Paderbornensis Episcopatius Descriptio Nova [...]" and cartouche with scale, verso with accompanying text in Spanish; published by Guiljelmus Blaeuw (=Willem Janszoon Blaeu) in Amsterdam Buck crease, illustration light browned, traces of handling, upper right backstamp.German cartographer, physician, mathematician and physicist.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1430
KISS, Dávid Mária(1930 Stuhlweißenburg - 2002 Münster) "Hutprobe"Holzschnitt in Grün. Bleistiftsignatur. [19]61. Handdruck, Exemplar: 14/100. Ø Druckstock: ca. 34 cm, Blatt: 61 x 43 cm. Blatt etwas knickspurig. Ungarische Malerin und Grafikerin, die besonders für ihre großformatigen Holzschnitte zum Thema "Frauenbilder" Bekanntheit erlangte. KISS, Dávid Mária(1930 Stuhlweißenburg - 2002 Münster) "Hat Sample"Woodcut in green. Pencil signature. [19]61. hand printing, copy: 14/100. Ø printing block: ca. 34 cm, sheet: 61 x 43 cm. Sheet somewhat creased. Hungarian painter and printmaker, who became known especially for her large-scale woodcuts on the theme of "images of women". *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1690
LIMOUSIN, Jaques BogenschützinRégule, silber- und goldbronziert, Elfenbein-Imitat, schwarzer Marmor-Sockel. Bezeichnet. H 18 cm (ohne Bogen), gesamt 25 x 19 x 6,5 cm. In der Art der Chryselephantin-Figuren von Chiparus gestaltete Frau, die im hautengen Schuppenkostüm kniend einen Pfeil abschießt Pfeil und Sehne fehlen, Fassung leicht berieben, kleinere Chips am Sockel. LIMOUSIN, Jaques ArcherRégule, silver and gold bronzed, imitation ivory, black marble base. Inscribed. H 18 cm (without arch), total 25 x 19 x 6.5 cm. In the manner of the chryselephantine figures of Chiparus designed woman kneeling in skin-tight scale costume shooting an arrow Arrow and string missing, frame slightly rubbed, minor chips on base. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2329
Großer Ansichten-Paperweight H 9,5 cm. Kugelförmiger Briefbeschwerer aus farblosem Glas mit gravierten Ansichten (Berlin, Eberswalde, Falkensee, Potsdam) in vier plan geschliffenen, gelb gebeizten Medaillons, mit dem Monogramm "G.S." Goldstaffage des Monogramms berieben, an 1 Medaillon kleiner Chip im Glas. Large Views-Paperweight H 9.5 cm. Spherical paperweight made of colorless glass with engraved views (Berlin, Eberswalde, Falkensee, Potsdam) in four plane cut, yellow stained medallions, with the monogram "G.S." Gold scale of the monogram rubbed, at 1 medallion small chip in the glass. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2377
Große Art-déco-Schale mit MetallmontierungUm 1930. Rauchfarbenes Glas, Metall, Holz. H 14,5 cm, Ø Schale 33,5 cm. Schale mit Schuppenrelief, montiert auf einen Metallfuß mit zwei Holzhandhaben Large art deco bowl with metal mountingAround 1930. Smoked glass, metal, wood. H 14,5 cm, Ø bowl 33,5 cm. Bowl with scale relief, mounted on a metal base with two wooden handles .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2574
Barocke Kanne mit BlumenmalereiMeissen. Schwertermarke, um 1750. Polychrom bemalt, goldstaffiert. H 24 cm. Form "Neuozier". Birnkanne mit Asthenkel und Blütenknaufdeckel. Unter einer roten Schuppenbordüre Blumengirlanden und Blumenbuketts Bestoßung am Deckelinnenrand und der Schneppe, Blütenknauf bestoßen. Baroque pot with floral paintingMeissen. Sword mark, circa 1750. Polychrome painted, gold decorated. H 24 cm. Form "Neuozier". Pear jug with branch handle and flower knob lid. Under a red scale border floral garlands and floral bouquets Bumped on the lid inner rim and snipe, flower knob bumped. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3004
Untertasse mit Watteau-MalereiMeissen. Knaufschwerter, ab 1850-1924, 1. Wahl. Polychrom bemalt, goldstaffiert. H 14,5 cm. Im Spiegel die Darstellung einer galanten Szene, am Rand eine ornamentale Goldbordüre mit blauem Schuppenmuster in kleinen Kartuschen Glasurdefekt an der Marke. Saucer with Watteau paintingMeissen. Pommel swords, from 1850-1924, 1st choice. Polychrome painted, gold decorated. H 14,5 cm. In the mirror the depiction of a gallant scene, on the rim an ornamental gold border with blue scale pattern in small cartouches Glaze defect on the mark. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3074
Eidose und kleine VaseUm 1900. Polychrom bemalt, goldstaffiert. H 17,5 und 13 cm. 1x imitierte Bindenschildmarke: eiförmiges Potpourrigefäß mit durchbrochenem Scharnierdeckel, drei Füßen und Rundplinthe; mit grüner Schuppenbordüre und Watteau-Malerei. / 1x gemarkt Richard Klemm, Dresden: amphorenförmiges Väschen mit zwei Handhaben; schauseitig ein Ovalmedaillon mit dem gemalten, unterseitig bezeichneten Bildnis der Prinzessin Alexandra von Bayern, verso rosa und hellgelber Fond mit reicher Reliefgoldmalerei Eidose: je 1 Brandriss an den Füßen, Deckelknauf geklebt. Eidose and small vaseAround 1900. Polychrome painted, gold decorated. H 17,5 and 13 cm. 1x imitation banded shield mark: ovoid potpourri vessel with pierced hinged lid, three feet and round plinth; with green scale border and Watteau painting. / 1x marked Richard Klemm, Dresden: amphora-shaped vase with two handles; on the outside an oval medallion with the painted portrait of Princess Alexandra of Bavaria, marked on the underside, verso pink and light yellow background with rich relief gold painting Eidose: 1 fire crack each on the feet, lid knob glued. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3246
Seltenes Speiseservice "Blau-bunte Blume". Meissen. Schwertermarke, 1979, 1990, 1991, 1. Wahl. Dekor-Nr. 1462/6110. Entwurf: 1972/1975 von Ludwig Zepner (1931-2010; Form); Volkmar Bretschneider (*1930) und Heinz Werner (1928-2019; Dekor).Unterglasurblaue Malerei, polychrome Aufglasurmalerei. 35 Teile. Form "Großer Ausschnitt". 6 Suppentassen mit 6 Untertassen, 6 Speiseteller, 6 Salatteller, 6 Dessertteller, 3 Schüsseln (Ø 14,5, 16,5 und 19 cm), 1 Sauciere und 1 Saliere. Die Blumenmalerei in Meissen hat eine lange Geschichte und eine große Tradition. Jede Epoche brachte große Meisterleistungen hervor, die die besondere Handschrift der Künstler, des Designs und der Mode jedes Jahrzehnts trugen. Der wohl größte Wurf der Postmodere der Siebzigerjahre hinsichtlich formaler und dekorativer Gestaltung ist die 'Blau-bunte Blumenmalerei', Eine beeindruckende Tafel mit diesem Speiseservice war der Höhepunkt der Standgestaltung der Manufaktur zur Leipziger Herbstmesse 1974. (vgl. Meissener Konturen 1960-1990, S. 253) Ausführlich beschreibt J. Schärer in 'Meissener Konturen' welche große Herausforderung die Entwicklung und Herstellung dieses Porzellans erforderte: Nur besonders begabte Blumenmaler konnten diese Malerei, die das Normalmaß der Blumenmalerei weit überstieg, umsetzen. Hinzu kamen hohe technische Herausforderungen. Die Folge dieser höchsten Ansprüche war, dass der Dekor nur relativ selten gemalt wurde und demzufolge sehr rar ist (a.a.O., S. 254). Die Malerei auf diesem Speiseservice erscheint außerhalb jeden Regelwerks der Porzellanmalerei und besitzt eine Lebendigkeit, die so nur auf Einzelkunstwerken, nicht aber auf Gebrauchsporzellan zu finden ist. Den Granden Heinz Werner und Volkmar Bretschneider verdanken wir, das auf diesem Service der ganze Reichtum sommerlicher Blütenpracht zur Geltung kommt. Aquarellartig, ungebunden und doch fein nuanciert und in der Kombination von Unterglasur- und Aufglasurmalerei erreichen die Künstler eine beeindruckende Tiefe und Räumlichkeit. Hier ist jedes Serviceteil ein besonderes Unikat und erlesenes Kunstwerk. Flower-Power auf allerhöchstem künstlerischen Niveau. (vgl. Meissner Konturen 1960 -1990, S. 84/85 und S.253f).Literatur : Ausstellungskatalog: Meissener Konturen (1991), 1991, S. 84f. und S. 253f.Provenienz : Erworben 2005 bei der Auflösung der Meissenhandlung ABT in Ulm.Rare dining set "Blue colorful flower". Meissen. Heavy mark, 1979, 1990, 1991, 1st choice. Decor no. 1462/6110. design: 1972/1975 by Ludwig Zepner (1931-2010; form); Volkmar Bretschneider (b. 1930) and Heinz Werner (1928-2019; decor).Underglaze blue painting, polychrome onglaze painting. 35 pieces. Shape "Large Cutout". 6 soup cups with 6 saucers, 6 dinner plates, 6 salad plates, 6 dessert plates, 3 bowls (Ø 14.5, 16.5 and 19 cm), 1 sauce boat and 1 saliere. The flower painting in Meissen has a long history and a great tradition. Each era produced great masterpieces that bore the particular signature of the artists, design and fashion of each decade. Probably the greatest throw of the postmodernism of the seventies in terms of formal and decorative design is the 'Blau-bunte Blumenmalerei', An impressive table with this dinner service was the highlight of the stand design of the manufactory at the Leipzig Autumn Fair 1974. (cf. Meissener Konturen 1960-1990, p. 253) In detail, J. Schärer describes in 'Meissener Konturen' what great challenge the development and production of this porcelain required: Only particularly gifted flower painters were able to realize this painting, which far exceeded the normal scale of flower painting. In addition, there were high technical challenges. The consequence of these highest demands was that the decoration was painted only relatively rarely and is consequently very rare (loc. cit., p. 254). The painting on this dinner service appears to be outside any set of rules of porcelain painting and possesses a vividness that can only be found in this way on individual works of art, but not on utility porcelain. Thanks to the greats Heinz Werner and Volkmar Bretschneider, this dinner service displays the full richness of summer blossoms. Watercolor-like, unbound and yet finely nuanced, and in the combination of underglaze and onglaze painting, the artists achieve an impressive depth and spatiality. Here, each service piece is a special one-of-a-kind and exquisite work of art. Flower power on the highest artistic level. (see Meissner contours 1960 -1990, p. 84/85 and p.253f).Literature : Exhibition catalog: Meissen Contours (1991), 1991, p. 84f. and p. 253f.Provenance : Acquired in 2005 at the dissolution of the Meissenhandlung ABT in Ulm.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 998
12 Fahrzeuge und 2 FlugzeugeSchuco Piccolo. Alle gemarkt. Ab 1960/61.Voll-Metallspritzguß. L 4 - 13 cm. Verschiedene kleine Autos und Nutzfahrzeuge im Maßstab 1:90 Bespielt, Lackdefekte.12 vehicles and 2 aircraftSchuco Piccolo. All marked. From 1960/61.Full metal injection molding. L 4 - 13 cm. Various small cars and utility vehicles in scale 1:90 Played, paint defects.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 36
BERKSHIRE, BASILDON - MANUSCRIPT ESTATE PLAN 'A Survey of Upper House Farm, Lying in the Parish of Basseldon, in the County of Berkes, the Estate of Willliam Rawstorn Esq.... Surveyed A.D. 1733 by Jos. Collier & Wm. Baker', manuscript on 2 sheets of vellum (joined), black ink with green washes over wooded areas, houses in red, scale panel ('Four poles (or one chain,) to half an inch') in yellow, attractive multi-coloured compass rose, dust-soiling, a few old damp stains and loss (approx. 70 x 70mm.) touching image at right hand side, overall dimensions 132 x 740mm., Jos. Collier & Wm. Baker, 1733 Saleroom notices: Measurement should read: 745 x 1320mm. This lot is subject to the following lot symbols: • • Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium. For further information on this lot please visit Bonhams.com
![BEIRUT, PALESTINE AND MIDDLE EASTBaghdad to Beirut 1944 [The Leave Convoy], collates: [2], 18, 2 photographic illustrations,](https://cdn.globalauctionplatform.com/1a910766-0dd9-4936-92b0-b01f00d20207/1897ce24-a8a6-403c-b5a9-b01f00e56e14/468x382.jpg)
Lot 35
BEIRUT, PALESTINE AND MIDDLE EASTBaghdad to Beirut 1944 [The Leave Convoy], collates: [2], 18, 2 photographic illustrations, large folding map 'Baghdad-Beyrouth' (sheet 480 x 580mm.) printed in black and red with Oil Pipe Line in green, pencil annotation ('started somewhere here' next to Malayer on map), publisher's stapled wrappers, ink note 'Souvenir of Trip' on upper cover), 8vo, [No place, or publisher, 1944]--Railway Map of Palestine and Transjordania, map printed in black, blue and red, scale 1:750,000, old folds, 540 x 630mm., Reproduced by Survey of Egypt, [c.1920] (2)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
![Portolan chart Carte Particulieres de la Mer Mediterannée [sic]. Faict A Marseille par Bremond, 1663.Manuscript portolan char](https://cdn.globalauctionplatform.com/21b99c08-7e41-44b1-b2bb-b00e00af8ab0/5120148a-518f-4157-b7e1-b0270096f82b/468x382.jpg)
Lot 122
Portolan chart Carte Particulieres de la Mer Mediterannée [sic]. Faict A Marseille par Bremond, 1663.Manuscript portolan chart in pen and ink and watercolour heightened in gold, on single sheet of vellum (54 x 78.5cm), showing the Mediterranean from Portugal in the west to the Levantine seaboard in the east, names of coastal settlements written perpendicular to coastline, rivers and deltas also included, 13 compass roses each with projecting rhumb lines, several with flourishes incorporating mascarons and foliate decoration, decorative title cartouche lower left with allegorical figures either side, decorative unnumbered scale bar lower right, captions 'Europa' and 'Grecia' within strapwork cartouches (the latter incorporating mascaron), inset view of Marseilles upper left, Habsburg coat of arms within Spanish landmass, vignette of a man-of-war in the Atlantic (adjacent to the straits of Gibraltar), vignettes of Islamic rulers in turbans and robes within the landmasses of Africa, Turkey and Egypt, those for Turkey and Egypt each with adjacent vignette of fanciful coat of arms incorporating crescent surmounted by a crown, vignette of Jerusalem cityscape and the three crosses of Calvary at a right angle to right-hand border, Red Sea picked out in red, broad red and green border around all sidesNote: Note: The Bremond family were a dynasty of cartographers active in Marseille in the late 17th and early 18th centuries. The family member responsible for this example is likely to be Estienne: the Huntington Library holds a portolan chart of the Aegean Sea which bears the signature 'Facit a Marseille par Estienne Bremond, 1655' (mssHM 31); the University of Cambridge holds a similar chart, depicting the Aegean and eastern Mediterranean, signed only with the initials 'E B' but now attributed to Estienne and dated to c.1650 (Maps.Ms.Plans.697); it is thought to be the only portolan in their collections. One notable feature of the present example is that that the place-names are in large part not in the forms standard to any one major language and in some cases appear to show an Occitan influence, such as Gibarta for Gibraltar, Antibou for Antibes, and Nisa for Nice. A descendant of Bremond, Laurent, published in the 1720s a collection of charts Recueil de plusieurs plans des ports et rades de la mer Mediterranée, describing himself on the title-page as 'Hydrographe du Roy et de la Ville'.Provenance: Paxton House, Berwickshire, Scotland.
Lot 223
Rolex. A 9ct gold manual wind bracelet watchChester hallmark for 195917 jewel manual wind movement, silvered dial with applied gilt Arabic numerals and gilt hands, stepped and shaped 9ct gold case with snap on back, integral scale link bracelet with Birmingham hallmark for 1959, case, dial and movement signed 17mm diameter, 17.5cm lengthCondition Report: Case is stamped Chester hallmark and bracelet has Birmingham hallmarks but with the same manufacture date.The bracelet is also potentially a period replacement as evidenced by the gold marks on one of the links that appears to have been cut in half and from another bracelet. This bracelet has small dents to the links in places but the clasp snaps tightly.Watch runs when wound but is untested for timekeeping and cannot be guaranteed.20.12g gross weight.Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.
Lot 572
WW2 Battle of Britain Relics. Scale, Time and Speed Mk III A Off a Hurricane, Serial Number 6136/40 Produced by Jesper Mellor and Co Ltd of Leeds. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Lot 126
A Tunbridge ware cube and van dyke decorated rosewood sewing box, of sarcophagol form, the lid with a panel of cube work within inlaid borders and canted edge, the sides decorated in van dykes below an early quite large scale tesserae border, brass ball feet, fancy brass ring side handles, neatly lined in later blue paper, 23 x 18.2 x 9cms. From the collection of Dr. Brian Austen
Lot 262
Fern ware - eight pieces, all silhouette on brown ground comprising a cylinder ruler with pencil and eraser, scale in black on gold, 17cms, a paper knife, 17.7cms, a dip pen, 20.5cms, a pencil, 17cms, a spectacle case, 14cms, and a part set of three napkin rings. (8) From the collection of the late Christabelle and David Davey.
Lot 210
Mauchline ware - sewing, five pieces, comprising a needle book (Whitby Abbey, Yorkshire / fancy spandrils), 8.6cms, another in the form of a boat sail (Hunstanton Pier), 7.2cms, a bellow form pin cushion (Carpet Garden, Eastbourne), 9cms, a drum form tape measure (The Meadow From The Castle, Rochester), complete printed linen retractable tape, 4.5cms, and a disc form pin cushion (Scale Forge / coloured ferns), 3.8cms. (5) From the collection of the late Christabelle and David Davey.
Lot 150
Two Tunbridge ware desk thermometers, comprising an example by Wise, the stepped rectangular base in geometric mosaic, the ivory scale with mercury tube and inscribed 'Wise Tonbridge', between a pair of rib turned pillars below turned tops, bun feet lacking, 12.6 x 8.5 x 14cms, and another of obolisque form the stepped base in geometric mosaic with panels of cube work and floral mosaic, ivory scale with mercury tube, 6.2cms sq. at base, 20cms high. (2) Ivory licence number: PWERL1CP. From the collection of Dr. Brian Austen
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