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Lot 110
Five Corgi 1/50 scale diecast truck models to include limited edition CC12501 W&J Riding Ltd Atkinson Borderer Tautliner (1184/2700, contents near mint, small paint chip cab roof see photos), 24401 Leyland 8 Wheel Rigid Truck John Codona's Pleasure Fairs (4178/14300, model mint), 29301 Guy Invincible 8 Wheel Tipper Arthur R Duckett (578/4000, model near mint but dusty), 22902 Bedford Tipper Blue Circle Cement (197/4000, mint) and 97328 AEC Eliptical Tanker (464/7500, mint). All models with complete and unused/sealed accessory packs where supplied
Lot 228
Boxed CMC large scale 1/18 diecast all metal 097 Maserati F1 Transporter Fiat RN2 Bartoletti, 1957. The model is in overall mint condition with original paperwork, instructions and packaging, original tag still attached. Features working steering, suspension, opening doors, working auto hoist, ramps etc. Even the small screw clamps are threaded metal, not plastic and are functional in securing items to the model, metal positionable wing mirrors, 2 wheel chocks etc. A truly outstanding work of miniature engineering for which CMC is so well known.
Lot 263
Three boxed 1/18 scale highly detailed diecast car models to include Shell Collection Ferrari 1972 312P with Racing Fuel Pump (dusty but otherwise excellent condition, box fair), Hot Wheels Ferrari F333 Sports Racing Car (29230, mint in box/not removed, box good) and Hot Wheels Maserati MC12 (G7158, near mint but some minor paint difference between panels, box very good).
Lot 248
Minichamps 1/18 scale diecast highly detailed Porsche 956L (180 836903) Holbert/Haywood/Schuppan, 1st Le Mans 1983. This is a later release model with no Rothmans branding. Featuring working steering and removeable engine panel to reveal highly detailed engine. Model in excellent condition with some very minor paint chipping (mostly to internal panel join areas), box excellent.
Lot 118
Corgi Aviation Archive 1/72 scale AA34802 Vickers Wellington (model in dusty but good overall condition although fin mass balances both broken and missing and one nose mounted machine gun snapped and missing). Also included a Corgi AA38105 Sopwith Camel (near mint, missing CoA), Corgi 1/72 Mosquito FBVI (broken but present prop blade, wrong box and gear up undercarriage doors wrong colour) and a Century Of War 4 model set (all very good dusty condition). (4)
Lot 136
Four boxed W Britain's 1/32 scale Trooping The Colour metal soldier sets to include 40111 Her majesty The Queen In The Ivory Phaeton, 40110 Receiving The Colour Welsh Guards, 40112 Unfurling The Colour Coldstream Guards and 40113 Escort To The Colour Irish Guards (missing top foam box insert). All models in mint condition
Lot 267
Three Hot Wheels 1/18 scale highly detailed diecast Ferrari models to include Dino 246 GTS (54601, model near mint, box excellent), 550 Barchetta Pininfarina (29441, model near mint, box very good) and an F355 Spider (25733, model near mint, box good). Featuring opening doors, bonnets (except F355 Spider bonnet) and engine bays with detailed engines, working steering etc.
Lot 254
Two boxed UT Models McLaren Collection 1/18 scale diecast GTR models to include 39727 F1 GTR Le Mans Raphanel/Gounon/Olofsson 1997 (model in very good condition, some minor decal damage) and 39710 F1 GTR BMW Lehto/Soper GT 1997 (model in very good overall condition but some decal cracking, see photos). Features working steering, opening doors and hinged engine bay panels with detailed engine etc. Boxes very good with modest storage wear.
Lot 227
Boxed CMC large scale 1/18 diecast 084 Ferrari F1 Transporter Fiat RN2 Bartoletti, 1957. The model is in overall near mint condition with original paperwork, instructions and packaging, only issue noted a section of rubber trim along left cab side has partially come away but this is repairable. Features working steering, suspension, opening doors, working auto hoist, ramps etc. Even the small screw clamps are threaded metal, not plastic and are functional in securing items to the model, metal positionable wing mirrors, 3 wheel chocks etc. A truly outstanding work of miniature engineering for which CMC is so well known.
Lot 128
~ An 18th Century Worcester Porcelain Coffee Cup and Saucer, painted with birds on a scale blue ground, together with a similar saucer dish, a Worcester "Three Flowers" blue and white waste bowls, and two pieces of Spode green table wares (one tray)Worcester Porcelain Coffee Cup and Saucer, star crack to the base of the saucer and with wear and scratchesTea Cup - with mild chips to the rim, some rubbing, Worcester dish with chips to the foot and heavy wear to the interior well.Worcester Waste Bowl - with a chip to the rim, interior wear and wear to the footSpode Dish - with three chips to the underside of the rim and wear to the interior wellMatchinf Bowl with multiple glaze chips to the rim and two large areas of restoration
Lot 232
A Japanese Ko-Imari Dish, Edo period, painted in Chinese Kraak style with large blooms in a jardiniere within a scale ground border and with further trailing flowers, stilt marks 21cm diameter A Chinese Porcelain Plate, Kangxi, painted in underglaze blue with a basket of flowers under a border of further sprays, seal mark to the reverse 21cm diameter A Similar Saucer Dish, Qianlong, painted with figures under the shade of a willow tree 16cm diameter (3) Japanese dish - flat chip under the rim. Numerous glaze scratches to the front and backKangxi plate - numerous rim chips and fritsQianlong suacer dish - badly cracked and with numerous rim chips
Lot 1072
Style of Peter PaillouStudy of a pheasant on a branchHand-coloured print; together with a further vignette scale study of birds resting on rocks, coloured engravings after Martinet, other coloured prints of an ornithological subject matter, watercolour depicting a spaniel flushing out duck initialled FHR, other sporting prints and of Animalia subject matter and a small group of watercolours of a floral nature (a collection)
Lot 3
FELICITY AYLIEFF (born 1955); ‘Summer Insects’, a tall porcelain bottle form with onglaze enamel transfers, inscribed signature, made in Jingdezhen, China, 2019, height 56.5cm, diameter 21cm.“This domestic scale piece reflects the feeling and atmosphere of the long, hot summers spent in Jingdezhen. The surface of the pot is alive with insects with brightly coloured enamel transfers made from both my drawings and sourced transfers. Working at this scale allows freedom to experiment with ideas and new possibilities." Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 74
JAMES OUGHTIBRIDGE (born 1977); a near pair of small stoneware carved maquette forms in jet black and white clay, incised signatures dated 2021, tallest 16cm, widest 9cm (2).“For me, there are more possibilities with clay than with pencils, paper, paint. I find opportunities and reach conclusions in a three-dimensional practice that makes more sense to me and is an absolute joy in the process. These smaller carved forms inspire larger works, but their tactility and smaller scale make them desirable in themselves.” Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 13
MARIANNE WEREFKIN (1860-1938)Grüner Berg (Kaunas) tempera, chalk and pen and ink on cardboard40.4 x 29.2cm (15 7/8 x 11 1/2in).Executed in Kaunas in 1910Footnotes:ProvenanceAlexander Werefkin Collection (the artist's nephew, a gift from the artist). Anon. sale, Dr Ernst Hauswedell, Hamburg, 19 November 1966, lot 852.Acquired at the above sale by the previous owner; their sale, Hauswedell & Nolte, Hamburg, 17 June 2009, lot 31. Private collection, Switzerland (acquired at the above sale).ExhibitedWiesbaden, Städtisches Museum Wiesbaden, Marianne Werefkin, 1860-1938, Gedächtnisausstellung, 5 October 1958, no. 17 (later travelled to Bonn, Munich, Bremen, Wuppertal, Baden-Baden, Dortmund and Cologne).Wiesbaden, Museum Wiesbaden, Das Geistige in der Kunst, Vom Blauen Reiter zum Abstrakten Expressionismus, 31 October 2010 - 27 February 2011. Bietigheim-Bissingen, Städtische Galerie Bietigheim-Bissingen, Marianne Werefkin, Vom Blauen Reiter zum Großen Bären, 12 April - 6 July 2014, no. 44 (later travelled to Bremen). Melano, Artrust, Marianne Werefkin, I colori di un'anima in viaggio, 10 October - 10 December 2016.LiteratureN. Brögmann, Marianne Von Werefkin, Oeuvres peintes 1907-1936, exh. cat., Gingins, 1996, no. 68 (illustrated p. 96).Marianne Werefkin was one of the few extraordinary women working at the centre of Munich's avant-garde scene at the beginning of the twentieth century. Having grown up in the south of Moscow, receiving a full education, which included music, philosophy, languages, and drawing, she moved to St Petersburg at the age of 25, where she studied painting under Ilya Repin, the most famous of the Russian realist painters. Making connections with the Russian intelligentsia and holding her own salons at her residence, she shared news of the Parisian Impressionists, which she gleaned through her subscriptions of European art magazines. Influenced by her self-initiated exposure to international art, Werefkin diverged from the Russian aesthetic, boldly developing her identity as a cosmopolitan modernist. Indeed, at the age of 28, Werefkin told her father that she 'had never had any of the obsessions of the young society ladies' and was 'not afraid to be judged by society' (T. Malycheva, 'The Cosmopolitan Approach as a Constituent Aspect of Modernist Thought', in Marianne Werefkin and the Women Artists in her circle, Leiden, 2017, p. 71).In 1892, Repin introduced Werefkin to the painter Alexej von Jawlensky and the pair became romantically involved. Albeit an unconventional relationship - which navigated problems such as artistic rivalry and the birth of Jawlensky's son from his affair with his housekeeper, Hélène Nesnakomoff - it was an intense partnership that lasted eighteen years. Following the death of Werefkin's father in 1896, the couple moved to Munich, enabled by the artist receiving a generous pension from the Tsar as an orphaned daughter. A hub for intellectuals and known for artistic experimentation, Munich was the place where Werefkin could make her artistic mark.Werefkin and Jawlensky formed strong friendships with artists such as Wassily Kandinsky and Gabriele Münter and Werefkin continued her role as salon host for artistic friends at her Munich apartment. Aided by her linguistic skills (she spoke Russian, German, English, French, Polish, Lithuanian, and later Italian), she personally encouraged cultural exchange and helped ignite the direction of twentieth century modernism. It was in 1908 when Werefkin, Jawlensky, Münter and Kandinsky spent their first summer in Murnau, painting the Bavarian landscapes in the Expressionist style, which typically involved bold brushstrokes and flat planes of vivid colour. The four artists were founding members of the Neue Künstlervereinigung München or NKVM (New Artist's Association, Munich) in 1909, whose travelling exhibitions made them well known throughout Germany; Werefkin and Jawlensky were then involved and exhibited with the Expressionist group Der Blaue Reiter but were not official members.As the present work shows, Werefkin yielded paintings of captivating graphic power and daring colours. She created a distinctive style by assimilating the 'surface painting' of Paul Gauguin and Louis Anquetin with the ideals of the Expressionist group, which included a desire to convey spiritual truths through their art. Werefkin used planar division to create rhythmic compositions, enhanced by intricate details, which her Expressionist counterparts sought to reduce. In addition to being a prominent exponent of Expressionism therefore, Werefkin's art also belongs to a tradition of figurative symbolism, as she depicted anonymous people to evoke an emotion or mood.Werefkin's paintings often include sweeping landscapes with small figures going about their daily activities, sharing rueful moments of solidarity. The present work depicts the small town of Kaunas in Lithuania, where the artist spent the winter of 1909 and the spring of 1910, visiting her brother Peter who was governor of the town. Similar to Werefkin's powerful work The Black Women (1910), housed at the Sprengel Museum in Hanover, Grüner Berg (Kaunas) is filled with keen observation and sympathy for the local people, who are returning home after a hard day's work, descending the wide road from the hills. The use of tempera and pen and ink reveals Werefkin's close study of works by Paul Gauguin, Henri de Toulouse-Lautrec and Edvard Munch and the influence of Japanese Ukiyo-e prints.Grüner Berg (Kaunas) is a wonderfully meditative painting, one that inspires quietude and reflection. Spiritual and religious sentiments occupy a special place in Werefkin's oeuvre, as she strove to convey human states such as loneliness, suffering, reconciliation, and mortality. By making the local people of Kaunas so small in scale compared to the vast landscape, the viewer is prompted to question humanity's significance in our world. In the artist's diaries, written during the early 1900s, she highlights the frailty of life and her fear of death: 'I see an open skull, filled with limited thoughts. I see a life path common to all and an inevitable end - death. I am afraid of every feeling, every ecstasy, anticipating a terrible, dubious end in them. The great aspirations of mankind end again and again in a fall with broken wings. Oh, then I close my eyes, I don't want to see, hear anything, I don't want to love [...] Only artistic creation is infinite, limitless...' (M. Werefkin, Pis'ma k neizvestnomu, Moscow, 2011, p. 193). While the Expressionist movement had always been defined by a form of social awareness, Werefkin's work expresses the human concerns more clearly. Her writings demonstrate her fascinating insights and critical mind, which she innovatively harnessed to create her unique visual language.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
![NO RESERVE London.- Hackney Carriages.- [Weston (John, publisher)] The Protector Table; A Scale of legal Fares of Hackney Coa](https://cdn.globalauctionplatform.com/a073cdd8-fef5-425d-89a9-b0980107938b/ef90d8d8-210d-4c8e-9328-b09900d40ec4/468x382.jpg)
Lot 209
NO RESERVE London.- Hackney Carriages.- [Weston (John, publisher)] The Protector Table; A Scale of legal Fares of Hackney Coaches and Cabriolets of London, caluclated from actual admeasurements, broadside with hand-coloured highlighting in blue, c.580 x 470mm (23 x 18½ in), tears and brittleness along folds, light spotting,original boards, spine defective, entered at the Stationer's Hall, 1837.
Lot 195
Nora Scholly (Slovakian / Austrian, 1905-1965), Fairy, small scale hand coloured etching, signed Nora Scholly to lower right. Scholly wrote a total of 16 Children’s books between 1930 to the 1960’s which she illustrated herself. In her books she often gave animals, trees and flowers a human face. In this way, Scholly tried to bring the unity of humanity and nature closer to children. Framed and glazed, ‘Scholly Verlag Badischl’ label to reverse. 8cm x 11cm.
Lot 400
* A pair of bed curtains, 18th century, 2 hand-sewn large green damask hangings, with repeated pattern of large stylised flowers and leaves, composed of 3 loom widths each 54.5 cm (21.25 ins) wide, 26 cm deep self border to top edges, with looped twisted chord for hanging (1 loop broken), lightly faded and a little discoloured/stained in places, some small holes and markings, one curtain with two 14 cm wide patches (total length 86 cm) to left-hand edge (with fraying above and below), each approximately 307 x 155 cm (121 x 61 ins), together with a hand-sewn 18th century panel of pieced green damask, using 3 different fabrics, those to sides and top woven with metallised gold thread (worn, with some fraying and loss), green fringing towards top, edged with gold metallic braid, backed with coarse linen, top edge with a curtain ring to each corner of verso, 140 x 83.5 cm (55 x 33 ins), plus: 2 non-matching pieces of green damask with large-scale repeated pattern of acanthus leaf motifs, the first an irregular pieced panel, some minor discolouration and marks, 1 or 2 small holes, length 211 cm (83 ins), width 93 cm (36.5 ins) at narrowest point, the second a long length, some marks, 263 x 53 cm (103.5 x 20.75 ins); 2 pieces of matching bright green damask, frayed and discoloured in places, each approximately 155 x 73 cm (61 x 28.75 ins); and a large piece of self-striped green taffeta, some discolouration, occasional small holes, 37 x 55 cm portion cut from one corner, 213 x 213 cm (84 x 84 ins)QTY: (8)
Lot 242
*Company School. View of the Jama Musjid, Delhi, circa 1850, fine large-scale watercolour with pen and ink and opaque watercolour on laid paper, inscribed in brown ink to lower margin 'Jumma Musjid, Delhi' and with further original inscription to the lower margin in arabic script, laid down (to sheet edges) on original backing card with border of pale yellow watercolour and dark brown bodycolour, framed and glazed (355 x 342 mm)QTY: (1)NOTE:Provenance: The David & Sarah Battie Collection.
Lot 413
* Embroidered bedcover, English, circa 1700, cream cotton and linen coverlet, stitched with all-over fish scale pattern in cream silk using tiny running stitch, over-stitched with large pattern in cream, green, pink, and yellow silks, worked in chain, stem, and buttonhole stitches, consisting of a central wreath of oak leaves, carnations, and other floral motifs, enclosing a stylised fir cone, and encorporating a monogram 'SMS', and a wide border of linked quatrefoils, with carnations both within and without, fir cone motif repeated at each corner, some light marks and loss of threadwork (latter especially to fish scale pattern), some scattered small holes and neatly stitched consolidation, later cream lining and bound edge, 141 x 131.5 cm (55.5 x 51.75 ins)QTY: (1)NOTE:Provenance: Peta Smyth, London.
Lot 415
Made Up HO Scale Model of the Wuppertal Schwebebahn Suspended Monorail by Lutz Hielscher of Germany, a Perspex cased model on hardwood display plinth, comprises battery powered Emperor motor coach of 1901 design and matching trailer car, with operating track of two 180 degree turning sections and double length straight sections, with operating instructions in German and battery charger, motor car presently non functioning (we believe due to a failed battery but could be mechanical) 120cm long by 20cm x 20cm approximately, overall G-VG,
Lot 400
OO/HO Scale Small Trackside Accessories and Kits (60+), all packaged/cased, white metal figures/accessories, Dart Castings (13), Pete Goss painted figures (2), PD12/PD5, Langley Models (6), P & D Marsh (1) PDZ39, Wills SSAM100 farmyard junk, SSAM101 Village Blacksmiths, brass kits Shire scenes S49, S22, plastic/resin, CNC Scenics (2), Harburn Hamlet (1), Model Scene 5119, 5034, Slaters 1102 letters/numbers, figure packs, Noch 15634, 15761, Preiser 14168, 14040, 14179, Scenic Accents A1934, Ancorton Models (wood 4), Scale Model Scenery (2), decal packs, Tiny Signs (5), Roger Smith Model Components (7), Model Master (3), HMRS Transfers (2), Smiths by WT (2), Fox Transfers (one pack), all appear complete but unchecked, VG-E, packaging VG-E, (60+)
Lot 417
CMX HO Gauge Brass Track Cleaning Wagon and Other Accessories (3), all packaged, CMX Products brass track cleaning tank wagon, with instructions and accessories appears unused, Tidy Track HO scale Roto Wheel Cleaner TT4561 also appears unused and Kadee HO Scale No 13 sample test kit (unchecked for completeness also appears unused, G-E, packaging G-E, (3)
Lot 418
HO Scale Kit Trackside Buildings and Infrastructure, all boxed/packaged, Kibri 39568 Kienbach Platform Canopy/Hall (2), Heljan 712 Station, 1751 yard tower, both factory sealed, Faller 130961 Old Stone Crushing Plant, 130951 Old Concrete Mixing Plant, both factory sealed, 120159 locomotive workshop, Artitec 10.236 resin facade, Auhagen 11 414 loading ramp equipment, 12 244 Gas works, 42 506 HO/TT card factory, factory sealed, 41 630 conveyor belts factory sealed, Walthers 933-3518 modern conveyors factory sealed, all kits appear complete but unchecked, G-E, packaging G-E, (13)
Lot 398
OO/1:76 Scale Trackside Vehicles and Scenix Engine Shed (30), all boxed/cased, commercial and private vehicles, Exclusive First Editions (2) bus/commercial, Lledo Trackside (6), Corgi Trackside (6), Hornby Skale Autos (3), Oxford Commercials (8), Oxford Automobile (3), one Lledo Days Gone and Scenix EM6102 engine shed, VG-E, packaging G-VG, (30)
Lot 206
Bachmann Scenecraft OO Scale Track Side Buildings, all boxed/packaged, 44-096 Wooden Engine Shed (4) one with loose detached doors, 44-053 Aggregate Weigh Station, 44-045 TPO Apparatus, low relief models, 44-211 gasometer, 44-277 factory, 44-204Z Swindon Tunnel Entrance, 44-214 The Railway Hotel, figure packs 36-047 locomotive staff, 36-420 Midland Pullman staff, G-E, packaging G-E, (12)
Lot 326
16 Boxed & unbuilt plastic model plane kits, mostly 1:72 scale, to include Esci, Novo, Eastern Express, SMER, Academy Minicraft & Hawk examples, featuring Hawk 613 Nieuport 17 c-1, Esci 9021 Albatros DIII, Eastern Express 72156, Novo F163 Vickers Vimy Mk IV Heavy Bomber, Academy Minicraft FA-031 WWI Fighter, etc, plus 9 x bagged model kits (featuring Airfix). Kit contents generally appearing gd but unchecked for completeness, boxes gd overall - featuring sealed examples
Lot 328
10 boxed model kits to include 4 x Precision Paper Engineered Aircraft (2 x Moth G-AAAH, Swift G-AARX & Rapide G-AIYR), 2 x Micro Wooden Kits (Easy Bee & Parlor Mite), Peck Polymers Peanut Scale Gipsy Moth, Berkely Championship Flying Scale Fairchild, Guillow's Build By Number Fairchild & Airfix Great Western 1-180 200th Anniversary Of The Birth Of Isambard Kingdom Brunel (part painted) kits unbuilt appearing complete with instructions
Lot 1089
Two boxed Burago 1/18 scale diecast models to include 3005 Bugatti Type 59 - 1934 and 3007 Ferrari 250 Testa Rossa - 1957 (diecast ex, boxes show window squash); together with 8 unboxed diecast models to include 3 x Franklin Mint (featuring 1/10 Harley Davidson Heritage Softail Classic - with tag, 1935 Mercedez-Benz 770 K Grosser - with tag & 1930 Bugatti Royale - showing damage), 4 x Burago 1/18 scale and a Tonka Polistil example (unboxed diecast generally appearing vg unless stated)
Lot 1074
Seven boxed Britains 1:32 scale diecast model tractors to include 9523 Fiat Half-Track Tractor, 9521 County 1884 Tractor, 9528 Lamborghini 1706 Tractor, 9597 Mercedes-Benz Detachable Tractor And Tipper Hopper, 9524 Deutz DX6 Tractor, 9518 Renault TX 145-14 Turbo Tractor & 9515 Volvo Valmet Tractor. Diecast ex, boxes gd overall - some showing storage-related wear
Lot 335
Two boxed Tamiya 1/35 scale 88mm Gun Flak36/37 military plastic model kits to include 35017 and MM117 variants, both unbuilt but contents unchecked, box for MM117 with seam splits to ends, plus a quantity of OO gauge model railway track and plastic kit accessories and a carded Matchbox Thunderbirds Lady Penelope's Rolls Royce Fab 1 diecast model
Lot 364
Collection of six boxed plastic model kits to include 1:25 scale Revell XK-E Jaguar (unbuilt), 1:200 scale Polaris Nuclear Submarine (Unbuilt), 1:72 scale Revell Fokker Dr.1 Triplane (Sealed), 1:35 scale Tamiya S.GL.Einheits Personen Kraft Wagen Horch 4x4 Type 1a, 1:144 Scale Airfix Space Shuttle and 1:72 scale Flying Saucer Haunebu II, together with R/C Porsche 928 and Revell Messer-Schmitt R/C plane, boxes vg overall, contents all appearing complete, but unchecked for completeness
Lot 296
Radio Control - A boxed & unbuilt Tamiya M-05 Chassis 'NSU TT Jagermeister' R/C FWD High Performance Car, with instructions (contents ex, gd box); plus a boxed & unbuilt Tamiya Racing Buggy Sand Scorcher 1/10 Body Parts Set with instructions (part-painted, contents unchecked for completeness; gd box); and a bagged Tamiya Spare Parts 1/10 Scale R/C NSU TT Jagermeister Body Parts Set (no. 51594 - sealed). (3)
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186097 item(s)/page